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Lifehouse Chronicles | ||||
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Box set by | ||||
Released | 17 February 2000 (UK) | |||
Recorded | 1970–1999 at various locations in the UK | |||
Genre | Rock | |||
Label | Eel Pie | |||
Pete Townshend chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Lifehouse Chronicles is a box set released in 2000 by Pete Townshend with the focus of the box being the formerly "abandoned" Lifehouse rock opera. The set contains song demos by Pete Townshend; including solo versions of "Baba O'Riley", "Won't Get Fooled Again", and "Who Are You", and the Lifehouse Radio Program. The box set release was followed by two Sadler's Wells Lifehouse concerts and the release of a live CD and video/DVD titled, respectively, Pete Townshend Live: Sadler's Wells 2000 and Pete Townshend – Music from Lifehouse.
The set collects songs and other compositions relating to Lifehouse , a musical concept developed by Townshend in 1970 as a follow-up to The Who's highly successful rock opera, Tommy . Rooted heavily in the teachings of Townshend's spiritual mentor Meher Baba as well as in science fiction literature, Lifehouse was meant to explore the idea that music is the fundamental basis of all life – that every human being on Earth has a unique musical melody that "describes" them, and only them, perfectly. When the unique songs of enough people are played in unison, the result would be a single harmonic note – the One Note – akin to the quintessence sought by ancient alchemists. Lifehouse was to be a true multimedia project: a double LP rock opera, a motion picture, and an interactive concert experience.
The story was to take place in 21st century Britain, in an age where pollution has become such a drastic problem that most people never set foot outdoors in their life. This populace spends most of their time in "experience suits". These suits provide the people with artificial lives superior to any they could eke out in the real world, yet devoid somehow of spiritual fulfilment. One discontented soul, known only as "The Hacker", rediscovers 20th century rock and roll music, and breaks into the computer network controlling the suits to invite people to leave their suits and come together for a concert. Despite the best efforts of the fascist government, thousands of people gather at the Hacker's concert, with millions more watching through their suits, as the musicians and audience perform experimental songs like those described above. Just as the police storm in and shoot the Hacker, the audience and band manage simultaneously to produce the perfect universal tone, The One Note, and everyone participating in and watching the concert simply vanishes, presumably having departed for a higher plane of existence. The story is seen through the eyes of a middle-aged farmer named Ray, a farmer from a remote unpolluted corner of Scotland, who travels south looking for his daughter who has run away to the concert.
In September 1970, Townshend penned a song called "Pure and Easy", about the One Note, the first song written specifically for Lifehouse. In the following two months he wrote approximately 20 additional songs, recording intricate home demos of each. Rather than attempting to tell the story through the lyrics, as he had done with Tommy, the songs were stand-alone pieces, meant to be elucidated by the movie and detailed sleeve notes to be included with the album. Most of those songs were recorded by the Who in two sessions in the winter of 1970/1971, as well as several "rehearsals" accompanied by guitarist Leslie West of the band Mountain and an impromptu live concert at the Young Vic Theatre in London in April 1971.
While Townshend had high hopes for the project, others were skeptical. Universal Studios, which had recently inked a two-film deal with the Who for the rights to a film version of Tommy, was not impressed by the screenplay Townshend offered them. A series of spontaneous concerts the Who had held in London failed to produce usable material, and it soon became apparent that the project was doomed to failure. Though many of the songs written for Lifehouse came to be released on the Who album Who's Next , Lifehouse was to remain unfinished for nearly thirty years.
Townshend never abandoned hope that Lifehouse might someday become a reality. He continued to write songs for the project throughout the '70s, and in 1980 worked together with bandmate John Entwistle to produce a new screenplay with a new story. Negotiations to produce this film, however, fell apart when Townshend found himself infatuated with the wife of the film's director (a story recounted in the song "Athena", to be found on the Who album It's Hard ).
It was not until 1992 that Townshend again began work on the project. In that year, Townshend recorded the solo album Psychoderelict , a semi-biographical story told in the style of a radio play. The hero of this piece, like Townshend, is an aging rock star labouring tirelessly on a 20-year-old rock opera, called "Gridlife Chronicles" in the story, who finds himself embroiled in a sex scandal that jeopardises the future of the project. Several of the synthesizer pieces Townshend recorded in 1970 make their first official appearance on this album.
In 1998, Townshend's dream of bringing Lifehouse to a wide audience finally came true, when BBC Radio approached him with the idea of developing a radio play based on Lifehouse and incorporating the original music written for the project. The play, just under two hours in length, was transmitted on BBC Radio 3 on 5 December 1999.
Following the broadcast of the play, Townshend assembled and released the Lifehouse Chronicles box set in 2000 as a formal culmination of his work on the project. The set, made available exclusively through his website and at concerts, consists of six CDs. The first two CDs collect the original demos he recorded of the Lifehouse songs, several of which were never recorded by The Who. The third disc consists of several of Townshend's experimental synthesizer pieces, live recordings of Lifehouse songs, and new studio recordings of those songs produced especially for the set. The fourth disc features classical music by the London Chamber Orchestra which was used in the radio play, featuring compositions by Townshend as well as selections by Baroque composers Henry Purcell, Domenico Scarlatti and Michel Corrette. The fifth and sixth discs contain the radio play itself. Included with the set is a booklet featuring an introduction by Townshend, a history of the project written by Townshend webmaster/publicist Matt Kent , lyrics for most of the Lifehouse songs, and a script of the play. Townshend stated in his introduction that he eventually hoped to release an expanded version of the set, to be titled "The Lifehouse Method", which would include software for producing a synthesizer track based on the user's vital statistics. Instead, The Lifehouse Method debuted in early 2007 as a website. After generating some 10,000 new pieces of music for users, the project closed. The artwork and design of the box set was created by designer Laurence Sutherland.
All songs written and composed by Pete Townshend, except where noted
No. | Title | Length |
---|---|---|
1. | "Teenage Wasteland" | 6:47 |
2. | "Going Mobile" | 4:13 |
3. | "Baba O'Riley" | 7:38 |
4. | "Time Is Passing" | 3:26 |
5. | "Love Ain't for Keeping" | 1:31 |
6. | "Bargain" | 4:30 |
7. | "Too Much of Anything" | 5:35 |
8. | "Music Must Change" | 4:41 |
9. | "Greyhound Girl" | 3:05 |
10. | "Mary" | 4:17 |
11. | "Behind Blue Eyes" | 3:26 |
12. | "Baba O'Riley" (Instrumental) | 9:50 |
13. | "Sister Disco" | 6:50 |
No. | Title | Length |
---|---|---|
1. | "I Don't Even Know Myself" | 5:27 |
2. | "Put the Money Down" | 5:50 |
3. | "Pure and Easy" | 8:35 |
4. | "Getting in Tune" | 4:04 |
5. | "Let's See Action" | 6:20 |
6. | "Slip Kid" | 3:57 |
7. | "Relay" | 4:15 |
8. | "Who Are You" | 7:37 |
9. | "Join Together" | 6:23 |
10. | "Won't Get Fooled Again" | 8:30 |
11. | "The Song Is Over" | 5:41 |
No. | Title | Length |
---|---|---|
1. | "Baba M1" (O'Riley 2nd Movement 1971) | 3:05 |
2. | "Who Are You" (Gateway Remix – From Shepherd's Bush Empire 1998) | 9:04 |
3. | "Behind Blue Eyes" (New version 1999) | 3:57 |
4. | "Baba M2" (2nd Movement Part 1 1971) | 3:18 |
5. | "Pure and Easy" (Original Demo Reworked 1999) | 9:16 |
6. | "Vivaldi" (Baba M5 on Psychoderelict) with Hame 1999) | 2:42 |
7. | "Who Are You" (Live and Uncut at the Shepherd's Bush Empire 1998) | 12:47 |
8. | "Hinterland Rag" (Piano Rag for Three Hands – Yamaha Disklavier 1999) | 2:49 |
9. | "Pure and Easy" (New Version 1999) | 4:47 |
10. | "Can You Help the One You Really Love?" (Demo 1999) | 5:05 |
11. | "Won't Get Fooled Again" (Live and Uncut at the Shepherd's Bush Empire 1998) | 11:30 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "One Note– Prologue" | 1:26 | |
2. | "Fantasia Upon One Note" (Quick Movement) | Henry Purcell | 1:01 |
3. | "Baba O'Riley" (Orchestral version) | 9:36 | |
4. | "Sonata K:212" | Domenico Scarlatti | 4:18 |
5. | "Tragedy" | 4:23 | |
6. | "No. 4 Aria" | Michel Corrette | 2:41 |
7. | "No. 2 Giga" | Michel Corrette | 2:24 |
8. | "No. 6 in D Minor" | Michel Corrette | 2:37 |
9. | "No. 3 Adagio and Allegro" | Michel Corrette | 4:31 |
10. | "Hinterland Rag" | 3:33 | |
11. | "Sonata K:213" | Domenico Scarlatti | 4:25 |
12. | "The Gordian Knot Untied: Overture" | Henry Purcell | 3:21 |
13. | "The Gordian Knot Untied: Allegro" | Henry Purcell | 1:59 |
14. | "The Gordian Knot Untied: Air" | 0:58 | |
15. | "The Gordian Knot Untied: Rondean Minuet" | 1:49 | |
16. | "The Gordian Knot Untied: Air" | 1:14 | |
17. | "The Gordian Knot Untied: Jig" | 1:23 | |
18. | "The Gordian Knot Untied: Chaconne" | 2:31 | |
19. | "The Gordian Knot Untied: Air" | 0:48 | |
20. | "The Gordian Knot Untied: Minuet" | 1:19 | |
21. | "The Gordian Knot Untied: Overture (Reprise)" | 3:27 | |
22. | "Tragedy Explained" | 6:26 | |
23. | "One Note – Epilogue" | 1:20 | |
24. | "Fantasia Upon One Note" | Henry Purcell | 2:48 |
No. | Title | Length |
---|---|---|
1. | "Lifehouse Radio Play No. 1" | 3:28 |
2. | "Lifehouse Radio Play No. 2" | 4:45 |
3. | "Lifehouse Radio Play No. 3" | 7:00 |
4. | "Lifehouse Radio Play No. 4" | 7:56 |
5. | "Lifehouse Radio Play No. 5" | 5:30 |
6. | "Lifehouse Radio Play No. 6" | 6:35 |
7. | "Lifehouse Radio Play No. 7" | 4:10 |
8. | "Lifehouse Radio Play No. 8" | 5:02 |
9. | "Lifehouse Radio Play No. 9" | 7:20 |
10. | "Lifehouse Radio Play No. 10" | 5:27 |
No. | Title | Length |
---|---|---|
1. | "Lifehouse Radio Play No. 1" | 4:27 |
2. | "Lifehouse Radio Play No. 2" | 5:40 |
3. | "Lifehouse Radio Play No. 3" | 6:06 |
4. | "Lifehouse Radio Play No. 4" | 6:04 |
5. | "Lifehouse Radio Play No. 5" | 5:07 |
6. | "Lifehouse Radio Play No. 6" | 4:39 |
7. | "Lifehouse Radio Play No. 7" | 4:59 |
8. | "Lifehouse Radio Play No. 8" | 4:32 |
9. | "Lifehouse Radio Play No. 9" | 8:20 |
The Who's versions of most of the above-listed songs can be found on the following albums:
Peter Dennis Blandford Townshend is an English musician. He is the co-founder, guitarist, second lead vocalist and principal songwriter of the Who, one of the most influential rock bands of the 1960s and 1970s. His aggressive playing style and poetic songwriting techniques, with the Who and in other projects, have earned him critical acclaim.
Tommy is the fourth studio album by the English rock band the Who, released on 19 May 1969. Written primarily by guitarist Pete Townshend, Tommy is a double album and an early rock opera that tells the story of the fictional Tommy Walker and his path to becoming a spiritual leader and messianic figure.
Quadrophenia is the sixth studio album by the English rock band the Who, released as a double album on 26 October 1973 by Track Records. It is the group's third rock opera, the previous two being the "mini-opera" song "A Quick One, While He's Away" (1966) and the album Tommy (1969). Set in London and Brighton in 1965, the story follows a young mod named Jimmy and his search for self-worth and importance. Quadrophenia is the only Who album entirely written by Pete Townshend.
Who's Next is the fifth studio album by the English rock band the Who, released on 2 August 1971, by Track Records in the United Kingdom and Decca Records in the United States. It developed from the aborted Lifehouse project, a multi-media rock opera conceived by the group's guitarist Pete Townshend as a follow-up to the band's 1969 album Tommy. The project was cancelled owing to its complexity and to conflicts with Kit Lambert, the band's manager, but the group salvaged some of the songs, without the connecting story elements, to release as their next album. Eight of the nine songs on Who's Next were from Lifehouse, with the lone exception being the John Entwistle-penned "My Wife". Ultimately, the remaining Lifehouse tracks would all be released on other albums throughout the next decade.
Psychoderelict is a seventh studio album by Pete Townshend. Some characters and issues presented in this work were continued in Townshend's later opus The Boy Who Heard Music, first presented on the Who's eleventh studio album Endless Wire (2006) and then adapted as a rock musical.
Lifehouse is an unfinished science fiction rock opera by the Who intended as a follow-up to Tommy. It was abandoned as a rock opera in favour of creating the traditional rock album Who's Next, though its songs would appear on various albums and singles by the Who, as well as Pete Townshend's solo albums. In 1978, aspects of the Lifehouse project were revisited by the Who on Who Are You. In 2000, Townshend revived the Lifehouse concept with his set Lifehouse Chronicles and the sampler Lifehouse Elements. On 1 May 2007, he released an online software called The Lifehouse Method in which any "sitter" could create a musical "portrait". The site is now defunct. The artwork and design of the box set was undertaken by designer Laurence Sutherland.
"Baba O'Riley" is a song by the English rock band The Who, written by guitarist and principal songwriter Pete Townshend. It is the opening track to the Who's fifth studio album, Who's Next (1971). In Europe, it was released as a single in October 1971, coupled with "My Wife". Performances of "Baba O'Riley" appear on several Who live albums.
"Won't Get Fooled Again" is a song by the English rock band the Who, written by guitarist and primary songwriter Pete Townshend. It was released as a single in June 1971, reaching the top 10 in the UK, while the full eight-and-a-half-minute version appears as the final track on the band's 1971 album Who's Next, released that August. In the US, the single entered Billboard on 17 July, reaching No. 15.
Who Came First is the debut studio album by the English musician Pete Townshend, released in 1972 on Track Records in the UK and Track/Decca in the US.
The Ultimate Collection is a 2002 two-disc greatest hits set by the Who with both singles and top hits from albums, all of which have been remastered. The compilation was released by Polydor Records internationally and on MCA Records in the U.S. The first 150,000 copies added a third disk with rare tracks and music videos. The album debuted on the Billboard 200 album chart on 29 June 2002, at No. 31 and hit No. 17 on the British charts. It was certified gold by the RIAA on 15 July 2002 and platinum on 13 March 2008.
Live at the Isle of Wight Festival is a double live album by The Who, recorded at the Isle of Wight Festival on 29 August 1970, and released in 1996. A DVD of the concert was also released for the first time in 1996.
"My Wife" is a song by the English rock band the Who, written and sung by bass guitarist John Entwistle. It was originally released in 1971 on Who's Next and later as the B-side of the single "Baba O'Riley" on 6 November 1971 in Europe by Polydor Records.
"Slip Kid" is a song from the Who's seventh album, The Who by Numbers. Written originally for Pete Townshend's shelved Lifehouse rock opera, "Slip Kid" was revived in 1975. The song was originally written as a warning about the music business, though Townshend has pointed out the song's relevance in different contexts. The song was released as a single in the US, backed by "Dreaming from the Waist", but failed to chart.
Live from Toronto is a double live album by The Who recorded during the last concert of the It's Hard Tour at the Maple Leaf Gardens in Toronto, 17 December 1982. These performances were originally broadcast live on cable TV and FM radio across the U.S. and Canada. It was later released in the early 1980s on VHS video tape.
The Kids Are Alright is a 1979 rockumentary film about the English rock band the Who, including live performances, promotional films and interviews from 1964 to 1978. It notably features the band's last performance with long-term drummer Keith Moon, filmed at Shepperton Studios in May 1978, three months before his death.
Amazing Journey: The Story of The Who is a 2007 documentary film by Murray Lerner and Paul Crowder about English rock and roll band The Who. The film features new interviews with band members Roger Daltrey, John Entwistle, Kenney Jones, and Pete Townshend, as well as Sting, The Edge, Noel Gallagher, Eddie Vedder, Steve Jones and others, as well as rare photos of the four members of the band, and archival live footage of performances dating back to 1964. A soundtrack accompanying the film also serves as a greatest-hits compilation for the band.
"Join Together" is a song by British rock band the Who, first released as a non-album single in June 1972. The song has since been performed live multiple times and has appeared on numerous compilation albums. It was the last Who single to be released in the United States which used the Decca Records color bar label.
Pete Townshend Live: Sadler's Wells 2000 is a live album released by Pete Townshend in 2000. Townshend presented the music from Lifehouse at two concerts at Sadler's Wells Theatre in London on February 25 and 26, 2000, supported by a number of musicians and vocalists and The London Chamber Orchestra. Musicians included Townshend, Chucho Merchán, Phil Palmer, John "Rabbit" Bundrick, Peter Hope-Evans and Jody Linscott. Vocalists included Chyna, Cleveland Watkiss and Billy Nicholls. Violinist and orchestra leader Gaby Lester performed the violin solo on "Baba O'Riley". The live recording was also released as a video/DVD titled Pete Townshend – Music from Lifehouse in 2002.
Method Music is a double-album of electronic music by the English composer and mathematician Lawrence Ball created using the compositional system that would become The Lifehouse Method, an online-based compositional project conceived by Pete Townshend of The Who to compose customized algorithmically-generated musical portraits. The album's music evolved from tests of the portraiture system.
"Let's See Action" is a song written and composed by Pete Townshend and recorded by the Who. It was released as a single in the UK in 1971 and reached #16 in the charts.