"Fire" | ||||
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Single by The Crazy World of Arthur Brown | ||||
from the album The Crazy World of Arthur Brown | ||||
B-side | "Rest Cure" (2:44) | |||
Released | June 1968 (UK) September 1968 (US) | |||
Recorded | London, 1968 | |||
Genre | Psychedelic rock | |||
Length | 2:54 | |||
Label | Track (UK) 604022 [1] Atlantic (US) | |||
Songwriter(s) |
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Producer(s) | ||||
The Crazy World of Arthur Brown singles chronology | ||||
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"Fire" is a 1968 song written by Arthur Brown, Vincent Crane, Mike Finesilver and Peter Ker. [1] Performed by the Crazy World of Arthur Brown, it was released as a single and on the band's debut album, also called The Crazy World of Arthur Brown . The single became a transatlantic hit, reaching number one in the UK and Canada and number two in the United States, while hitting the top 10 in markets across Europe.
The Crazy World of Arthur Brown had been performing the song "Fire" in their live act to highly favorable audience response. When it came time to record an album, Arthur Brown, the band's singer, wanted to record The Fire Suite, a rock opera centered around the song "Fire", [2] which would have focused on the horrors of Hell. Kit Lambert, Brown's manager and the album's producer, dissuaded him against the uncommercial original concept. As a compromise, side A of the vinyl record featured a suite of songs written as part of the album's original concept, including "Fire", while side B featured unrelated songs. [2]
During live performances and in the black and white promotional television clip, Brown performed the song wearing a burning helmet. The helmet was improvised with a leather skull cap onto which was bolted a metal dish that held lighter fluid or petrol. As the cap was not insulated, the heat from the burning fuel quickly conducted through the fixing bolt to the top of Brown's head, causing him considerable pain. [3] Brown claims that the flames got up to 4 feet high and at one point caught fire to his clothes during a performance. [4]
The song was recorded on four-track reels with instrumentation consisting of drums, keyboard, and Brown's vocals. The drumming was recorded on the same tape as the keyboards. [5] On Ronnie Wood's radio show on November 14, 2011, both Wood and Alice Cooper claim that Wood played bass guitar on the studio recording of the song that was released as a single and appeared on the album The Crazy World of Arthur Brown , [6] but Polly Marshall's biography of Arthur Brown states that "[Wood] must have confused it with the BBC session [on April 8, 1968]." [7] There is no bass guitar on "Fire", only bass pedals. [7]
After the Crazy World of Arthur Brown completed recording sessions for the album, the band embarked on their first American tour, supporting the Doors, Frank Zappa and MC5. [2] After Lambert delivered the album to Atlantic, the label told Lambert that they enjoyed the album but thought that Theaker could not keep time in his drumming, and wanted the drum track re-recorded, an impossibility with the drums and keyboards having been recorded on the same reel. [5] Lambert suggested to Brown that horns and strings be overdubbed to mask the perceived deficiencies. Brown agreed, and Crane wrote the brass arrangements. [2] The overdub sessions took two weeks to record. Brown later said that they were mixing the album for "probably fourteen hours a day". [5] After the remix was done, Lambert's business partner, Chris Stamp, played the acetate for the band during one stop that occurred on their American tour. [2] Approximately four minutes into the acetate, Theaker "leapt across the room, took it off the turntable, smashed it on the wall", claiming that his drumming had been "buried" in the mix. [5] Brown defended the overdubs, saying that they added to the album's overall presentation, replacing visuals and costume changes he would have employed in live performance to achieve dramatic effect. [8] The alternate mixes, before strings and brass were overdubbed, have appeared as bonus tracks on the album's compact disc reissues, in mono only, as this early version of the album's first side was not mixed into stereo.
The song's lyrics are sung from the perspective of a self-proclaimed "god of Hellfire," destroying, with tremendous glee, everything that his victims have built up over their lives. The song is an example of the psychedelic rock of the period, [9] though its lack of guitars or bass guitar [10] distinguished it from many of its contemporaries. The lead instrument in this case was Vincent Crane's Hammond organ, augmented by an orchestral section featuring prominent brass. The singer's opening proclamation "I am the God of Hellfire" became a lasting catchphrase; the audio effect on the intro is a mixture of artificial reverb and "recording in the toilet, which gave a chamber-type sound". [4] The song ends with the sound of a wind from Hell along with one of Brown's trademark banshee screams.
Credit for the composition of "Fire" on the original vinyl single was to Arthur Brown and Vincent Crane only; however, Mike Finesilver and Peter Ker successfully sued for co-credit and royalties based on melodic similarities to their song "Baby, You're a Long Way Behind". [11]
This section needs expansion. You can help by adding to it. (September 2022) |
The single reached #1 in the United Kingdom in August 1968 [1] and in Canada in October. [12] Also in October, it reached #2 on the US Billboard Hot 100 (behind "Hey Jude" by the Beatles) and #19 in Australia. It also reached #3 in Germany, #4 in France, #6 in the Netherlands, #7 in Austria, #8 in Ireland, and #18 in Finland. "Fire" sold over one million copies, and was awarded a gold disc. [13] On Canada's Year-end chart it was #23. [14]
"Fire" was covered by Lizzy Mercier Descloux as the fifth track on her 1979 album Press Color . Pete Townshend, the single's associate producer, recorded a version with the Who on Townshend's 1989 album The Iron Man: A Musical . [15] The Crazy World of Brown's original recording was sampled by the band Marilyn Manson, who were influenced by Arthur Brown, on their 1995 single "Lunchbox". [16] [17]
The song was sampled in the Death Grips song "Lord of the Game" from the mixtape Exmilitary .
The song "Hellfire" on the album A Piece of Strange by CunninLynguists is made from a sample of "Fire".
The perpetrator of the Christchurch mosque shootings on 15 March 2019 used "Fire", after which Brown expressed "horror and sadness" at the use of the song and cancelled his "instore" performance the day after. [18]
Region | Certification | Certified units/sales |
---|---|---|
United States (RIAA) [20] | Gold | 1,000,000^ |
^ Shipments figures based on certification alone. |
Arthur Wilton Brown is an English singer and songwriter best known for his flamboyant and theatrical performances, eclectic work and his powerful, wide-ranging operatic voice, in particular his high pitched banshee screams. He is also notable for his unique stage persona, featuring extreme facepaint and a burning helmet.
The Merseybeats are an English band that emerged from the Liverpool Merseybeat scene in the early 1960s, performing at the Cavern Club along with the Beatles, Gerry and the Pacemakers, and other similar artists.
The Crazy World of Arthur Brown is the debut studio album by the English rock band the Crazy World of Arthur Brown. Released in the United Kingdom in June 1968 by Track Records and in the United States in September 1968 through Atlantic, the album was an international success, propelled by the transatlantic hit single "Fire". It was the only album released during the Crazy World's original incarnation.
Ronald David Wood is an English rock musician, best known as an official member of the Rolling Stones since 1975, as well as a member of Faces and the Jeff Beck Group.
Vincent Rodney Cheesman, known professionally as Vincent Crane, was an English keyboardist, best known as the organist for the Crazy World of Arthur Brown and Atomic Rooster. Crane co-wrote "Fire", the 1968 hit single by the Crazy World of Arthur Brown.
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Mungo Jerry are a British rock band formed by Ray Dorset in Ashford, Middlesex, in 1970. Experiencing their greatest success in the early 1970s, with a changing line-up always fronted by Dorset, the group's biggest hit was "In the Summertime". They had nine charting singles in the UK, including two number ones, five top-20 hits in South Africa, and four in the Top 100 in Canada.
Kingdom Come were a British rock band fronted by Arthur Brown. The band was recognized for Brown's theatrical and operatic singing, and a sound that drew from psychedelic and progressive rock. This combination made the band a hit on Britain's festival circuit, but lack of record sales, indifference from music critics, and poor record label promotion led to its eventual demise in 1974.
The Iron Man: The Musical by Pete Townshend is the sixth solo studio album by Pete Townshend of The Who, released in 1989 as a concept album adaptation of Ted Hughes' story The Iron Man. It also stars Roger Daltrey, Deborah Conway, John Lee Hooker, and Nina Simone.
Love Sculpture were a Welsh blues rock band that was active from 1966 to 1970, led by Dave Edmunds, with bassist John David and drummer Rob "Congo" Jones.
Track Record was founded in 1966 in London by Kit Lambert and Chris Stamp, then managers of the rock group The Who. It was one of the first British-owned independent record labels in the United Kingdom. The most successful artists whose work appeared on the Track label were The Jimi Hendrix Experience, The Who, The Crazy World of Arthur Brown, Thunderclap Newman and Golden Earring. The label ceased operations in 1978 but was revived in 1999.
Paradise Lost is the fourth studio album by American heavy metal band Cirith Ungol. It was released on August 23, 1991 by Restless Records in the United States, Canada and Greece, and re-released as a bootleg several times. The band broke up in 1992 over unresolved issues with their new record label. It was finally officially re-released in 2007/08 on Noble Rot.
The Crazy World of Arthur Brown are an English rock band formed by singer Arthur Brown in 1967. The original band included Vincent Crane, Drachen Theaker (drums), and Nick Greenwood (bass). This early incarnation were noted for Crane's organ and brass arrangements and Brown's powerful, wide-ranging operatic voice. Brown was also notable for his unique stage persona such as extreme facepaint and burning helmet.
"Break On Through (To the Other Side)" is a song by the American rock band the Doors. It is the opening track of their debut album, The Doors (1967). Elektra Records issued the song as the group's first single, which reached number 126 in the United States. Despite the single's failure to impact the record sales charts, the song became a concert staple for the band.
Atomic Rooster are a British rock band originally formed by members of The Crazy World of Arthur Brown, organist Vincent Crane and drummer Carl Palmer. Their history is defined by two periods: the early-mid-1970s and the early 1980s. The band went through radical style changes, but they are best known for the hard, progressive rock sound of their hit singles, "Tomorrow Night" and "Devil's Answer", both in 1971.
Wonderin' is a tribute album featuring jazz-funk cover versions of Stevie Wonder songs. It was recorded by the ad hoc band Rollercoaster made up of leading UK session and jazz musicians from British jazz-rock bands of the 1960s and 1970s such as Soft Machine, Blue Mink and Nucleus.
The Parade Tour was a concert tour by American recording artist Prince in support of Prince and The Revolution's eighth studio album Parade and his 1986 film Under the Cherry Moon. The Hit n Run Tour was not a full scale American tour, but a string of concerts that was dubbed "Hit n Run" by Prince's manager. Most of those shows were announced days or hours before the actual concert took place. The Parade Tour marked the first full tour of Europe by Prince. It also saw the expanded Revolution line-up and featured Sheila E. and her band as an opening act for most shows.
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