"Let My Love Open the Door" | ||||
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Single by Pete Townshend | ||||
from the album Empty Glass | ||||
B-side | "Greyhound Girl" | |||
Released | June 4, 1980 | |||
Genre | ||||
Length | 2:44 | |||
Label | Atco | |||
Songwriter(s) | Pete Townshend | |||
Producer(s) | Chris Thomas | |||
Pete Townshend UKsingles chronology | ||||
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Pete Townshend USsingles chronology | ||||
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"Let My Love Open the Door" is a song written and performed by Pete Townshend from his 1980 album Empty Glass . That year, it reached number nine on the Billboard Hot 100. [3] [4] It peaked at number five on RPM's Top 100 singles chart. [5]
Soon after the single's release, Record World anticipated that the song would "turn on pop radio to what AOR has known for weeks." [6]
Although Townshend is a devotee to the religious guru Meher Baba, he claimed in the liner notes of his Anthology CD that "Jesus sings" on the track. [7] Cash Box called it a "joyous, blissful tune [that] features a stirring keyboard-synthesizer melody and multi-tracked high harmonies." [8] Record World called it a "timeless pop-rocker." [9]
"Let My Love Open the Door" was released as the second single from Empty Glass in Britain, where it was backed with the non-album tracks "Classified" and "Greyhound Girl." The song was a minor British hit, reaching number 46. [10] The song saw more success when it was released as the debut single from Empty Glass in America, where the song reached number nine. [11] It was Pete Townshend's only solo top 10 hit on the Billboard Hot 100, but the Who's song "I Can See for Miles", which was written by Townshend, reached the same position on the chart 13 years earlier.
Initially, Townshend's manager despised the track due to it "not sounding like Townshend," and wanted it to be removed from Empty Glass. [7] However, upon the song's chart success, his manager called to apologize.
Despite the song's critical and commercial success, Pete Townshend did not consider it one of his best songs. He told Rolling Stone in an interview that "Let My Love Open the Door" was "just a ditty," also claiming that he preferred his minor U.S. hit "A Little Is Enough" from the same album. [7]
In 1996, Townshend released a new version of the song, called "the E. Cola mix", turning the song into a ballad. This version appeared in different television shows and film soundtracks. [12]
Credits are adapted from the Empty Glass liner notes. [13]
Weekly charts
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The song has been used frequently in film, most notably the comedy genre, often as trailer music for Jerry Maguire and How Do You Know . It has been featured in the closing credits for Mr. Deeds, Look Who's Talking , Jersey Girl, Along Came Polly , Red Dog, Old Dogs , Put Grandma in the Freezer , Grosse Pointe Blank , Hit and Run , The Adam Project , respectively. In Dan in Real Life , the song is performed by Steve Carell and Dane Cook and is covered by Sondre Lerche for the film's soundtrack. [21] In 2004, the song was used in commercials for JCPenney during the holiday season.[ citation needed ] In 2021, it was used in the "All Night Long" episode of the Apple TV+ series Acapulco during the last scene and end credits.[ citation needed ] It was played after the wedding vows in the season finale of the Netflix series My Life with the Walter Boys.
My Generation is the debut studio album by English rock band the Who, released on 3 December 1965 by Brunswick Records in the United Kingdom, and Festival Records in Australia. In the United States, it was released on 25 April 1966 by Decca Records as The Who Sings My Generation, with a different cover and a slightly altered track listing. Besides the members of the Who, being Roger Daltrey (vocals), Pete Townshend (guitar), John Entwistle (bass) and Keith Moon (drums), the album features contributions by session musician Nicky Hopkins (piano).
Empty Glass is the third solo studio album by English rock musician Pete Townshend, and his first composed of original material, released on 21 April 1980 by Atco Records.
White City: A Novel is the fifth solo studio album by the English rock musician Pete Townshend, released on 11 November 1985 by Atco Records. The album was produced by Chris Thomas and it was recorded by Bill Price at three separate recording studios in London, England: both of the Eel Pie studios, and AIR.
"The Tears of a Clown" is a song written by Hank Cosby, Smokey Robinson, and Stevie Wonder and originally recorded by Smokey Robinson & the Miracles for the Tamla Records label subsidiary of Motown, first appearing on the 1967 album Make It Happen. The track was re-released in the United Kingdom as a single in July 1970, and it became a number-one hit on the UK Singles Chart for the week ending September 12, 1970. Subsequently, Motown released a partially re-recorded and completely remixed version as a single in the United States as well, where it quickly became a number-one hit on both the Billboard Hot 100 and R&B Singles charts.
"Pinball Wizard" is a song by the English rock band the Who, written by guitarist and primary songwriter Pete Townshend and featured on their 1969 rock opera album Tommy. The original recording was released as a single in 1969 and reached No. 4 in the UK charts and No. 19 on the U.S. Billboard Hot 100.
"Ooo Baby Baby" is a song written by Smokey Robinson and Pete Moore. It was a 1965 hit single by the Miracles for the Tamla (Motown) label.
"The Tracks of My Tears" is a song written by Smokey Robinson, Pete Moore, and Marv Tarplin. It is a multiple award-winning 1965 hit R&B song originally recorded by their group, the Miracles, on Motown's Tamla label. The Miracles' million-selling original version has been inducted into The Grammy Hall of Fame, has been ranked by the Recording Industry Association of America and The National Endowment for the Arts at No. 127 in its list of the "Songs of the Century" – the 365 Greatest Songs of the 20th Century, and has been selected by Rolling Stone as No. 50 on its list of "The 500 Greatest Songs of All Time", among many other awards. In 2021, Rolling Stone ranked the Miracles' original recording of "The Tracks of My Tears" as "The Greatest Motown Song of All Time".
"I Can't Explain" is a song by English rock band the Who, written by Pete Townshend and produced by Shel Talmy. It was released as a single in the United States on 19 December 1964 by Decca and on 15 January 1965 in the United Kingdom by Brunswick. It was the band's second single release and first under the Who name.
"Behind Blue Eyes" is a song by English rock band the Who. It is the second single from the band's fifth album, Who's Next (1971), and was originally written by Pete Townshend for his Lifehouse project. The song is one of the Who's best-known recordings and has been covered by many artists, including Limp Bizkit. The single entered the US Billboard Charts on 6 November 1971, reaching No. 34.
"Athena" is a song written by Pete Townshend and recorded by The Who. It appears as the first track on the group's tenth album It's Hard, released in 1982. Written for actress Theresa Russell, the song was the first single from It's Hard. The single was a moderate success, entering US Billboard on 4 September, reaching No. 28 and the UK Singles Charts on 2 October, reaching No. 40.
"You Better You Bet" is a song by British rock band The Who, appearing as the first track on their 1981 album Face Dances. It is sung by frontman Roger Daltrey with backing vocals from Pete Townshend and bassist John Entwistle.
"Substitute" is a song by the English rock band the Who, written by Pete Townshend. Released in March 1966, the single reached number five in the UK and was later included on the compilation album Meaty Beaty Big and Bouncy in 1971. In 2006, Pitchfork ranked "Substitute" at number 91 on the "200 Greatest Songs of the 1960s".
"Let's Go" is a song by American rock band the Cars, written by Ric Ocasek for the band's second studio album, Candy-O (1979). A new wave rock song, the song's hook was inspired by the Routers. The song's vocals are performed by bassist Benjamin Orr.
"Something in the Air" is the debut single by English rock band Thunderclap Newman, written by Speedy Keen who also provided lead vocals. It was a No. 1 single for three weeks in the UK Singles Chart in July 1969. The song has been used for films, television and advertisements, and has been covered by several artists. The track was also included on Thunderclap Newman's only album release Hollywood Dream over a year later.
"Squeeze Box" is a song by the Who from their album The Who by Numbers. Written by Pete Townshend, the lyrics are couched in sexual double entendres. Unlike many of the band's other hits, the song features country-like elements, as heard in Townshend's banjo picking.
"More Love" is a 1967 hit single recorded by the American soul group The Miracles for Motown Records' Tamla label. The single, included on the group's 1967 album Make It Happen, later reissued in 1970 as The Tears of a Clown. Kim Carnes's 1980 cover of the song reached the Top 10 of Billboard's Adult Contemporary and Hot 100 charts.
"You Are the Girl" is a 1987 song by the Cars, from their album Door to Door. It was released as a single in August 1987, reaching number 17 on the Billboard Hot 100. It also reached number 2 on the Mainstream Rock Tracks chart, and number 12 on the Adult Contemporary chart. It was the Cars' 13th and final Top 40 hit.
"Rough Boys" is the debut solo single written and performed by English musician Pete Townshend, released in 1980 from his second solo album Empty Glass. Known for its homoerotic lyrics, the song was a minor chart hit in both the United Kingdom and the United States.
"A Little Is Enough" is a single written and performed by Pete Townshend, also known for being the guitarist for The Who. The track appeared on his album, Empty Glass.
"Give Blood" is a song by Pete Townshend, the guitarist for The Who. The song is the opening track for Townshend's fourth solo album, a concept album titled White City: A Novel, and was released as a single. "Give Blood" features Pink Floyd guitarist David Gilmour. He also appears on another song from the album, "White City Fighting", the music for which was written by Gilmour.
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