Billboard magazine compiled the top-performing dance singles in the United States on the National Disco Action Top 30 chart. Premiered on the issue dated August 28, the chart ranked the popularity of singles in nightclubs across the country, based on a national survey of club disc jockeys. Previously, Billboard started the Disco Action survey in 1974 which ranked the popularity of singles in New York City discothèques, expanded to feature multiple charts each week which highlighted playlists in various cities such as San Francisco, Boston, Los Angeles, Chicago, Miami, Phoenix, Detroit and Houston. The next year, Billboard rival publication Record World was the first to compile a dance chart which incorporated club play on a national level. Billboard statistician Joel Whitburn has since "adopted" Record Worlds chart data from the weeks between March 29, 1975, and August 21, 1976, into Billboards club play history. For the sake of continuity, Record Worlds national chart is incorporated into the 1975 and 1976 lists. [1]
Issue date | Single | Artist |
---|---|---|
Record World disco chart data | ||
January 3 | "I Love Music" | The O'Jays |
January 10 | ||
January 17 | "Mighty High" | Mighty Clouds of Joy |
January 24 | ||
January 31 | ||
February 7 | ||
February 14 | ||
February 21 | "Movin'" | Brass Construction |
February 28 | ||
March 6 | ||
March 13 | ||
March 20 | "Turn the Beat Around" | Vicki Sue Robinson |
March 27 | ||
April 3 | ||
April 10 | ||
April 17 | "Love Hangover" | Diana Ross |
April 24 | ||
May 1 | "Try Me, I Know We Can Make It" | Donna Summer |
May 8 | ||
May 15 | ||
May 22 | "That's Where the Happy People Go" | The Trammps |
May 29 | ||
June 5 | "Disco Party" | |
June 12 | ||
June 19 | ||
June 26 | ||
July 3 | ||
July 10 | "Trouble-Maker" | Roberta Kelly |
July 17 | ||
July 24 | "Heaven Must Be Missing an Angel"/ "Don't Take Away the Music" | Tavares |
July 31 | ||
August 7 | "The Best Disco in Town" | The Ritchie Family |
August 14 | "You Should Be Dancing" | Bee Gees |
August 21 | ||
Billboard National Disco Action Top 30 data | ||
August 28 | "You Should Be Dancing" | Bee Gees |
September 4 | ||
September 11 | ||
September 18 | ||
September 25 | ||
October 2 | "Cherchez La Femme"/ "Sour and Sweet"/ "I'll Play the Fool" | Dr. Buzzard's Original Savannah Band |
October 9 | "My Sweet Summer Suite"/ "Brazilian Love Song" | The Love Unlimited Orchestra |
October 16 | ||
October 23 | "Midnight Love Affair"/ "Crime Don't Pay" | Carol Douglas |
October 30 | "Down to Love Town" | The Originals |
November 6 | "My Sweet Summer Suite"/ "Brazilian Love Song" | The Love Unlimited Orchestra |
November 13 | Four Seasons of Love (all cuts) | Donna Summer |
November 20 | ||
November 27 | ||
December 4 | ||
December 11 | ||
December 18 | ||
December 25 | "Don't Leave Me This Way"/ "Any Way You Like It" | Thelma Houston |
The Billboard Hot 100 is the music industry standard record chart in the United States for songs, published weekly by Billboard magazine. Chart rankings are based on sales, online streaming, and radio airplay in the U.S.
Tina Charles is an English singer who achieved success as a disco artist in the mid to late 1970s. Her most successful single was the UK no. 1 hit "I Love to Love " in 1976.
The Dance Club Songs was a chart published weekly between 1976 and 2020 by Billboard magazine. It used club disc jockeys set lists to determine the most popular songs being played in nightclubs across the United States.
From October 26, 1974 until August 28, 1976, Billboard's Disco Action section published weekly single retail sales charts from various local regions along with Top Audience Response Records in their magazine. Billboard debuted its first national chart devoted exclusively to 12-inch Singles Sales in their issue dated March 16, 1985. This record type is most commonly used in disco and dance music genres where DJs use them to play in discos or dance clubs because of the exclusive extended remixes that are often only made available on this format, but Billboard's 12-inch Single Sales chart ranks releases by artists from all styles of music that release maxi-singles.
"Turn the Beat Around" is a disco song written by Gerald Jackson and Peter Jackson, and performed by American actress and singer Vicki Sue Robinson in 1976, originally appearing on her debut album, Never Gonna Let You Go (1976). Released as a single, the song went to #10 on the Billboard pop charts, and #73 on the Billboard soul chart. The song earned Robinson a Grammy nomination for Best Female Pop Vocal Performance. The track also went to number one on the Billboard disco chart for four weeks. "Turn the Beat Around" is considered a disco classic and is featured on many compilation albums.
"Don't Leave Me This Way" is a song written by Kenneth Gamble, Leon Huff and Cary Gilbert. It was originally released in 1975 by Harold Melvin & the Blue Notes featuring Teddy Pendergrass, an act signed to Gamble & Huff's Philadelphia International label. "Don't Leave Me This Way" was subsequently covered by American singer Thelma Houston in 1976 and British duo the Communards in 1986, with both versions achieving commercial success.
"Love's Theme" is an instrumental piece written by Barry White around 1965. Recorded and released as a single by White's Love Unlimited Orchestra in 1973, it was one of the few instrumental and purely orchestral singles to reach #1 on the Billboard Hot 100 chart in the United States, which it did in early 1974. Billboard ranked it as #3 on the Year-End Hot 100 singles of 1974.
"Try Me, I Know We Can Make It" is a song by American singer Donna Summer from her third studio album A Love Trilogy (1976).
"It Only Takes a Minute" is a 1975 song by American soul/R&B group Tavares, released as the first single from their third album, In the City (1975). The song was the group's only top-10 pop hit in the United States, peaking at number 10, and their second number one song on the American soul charts. On the US Disco chart, "It Only Takes a Minute" spent five weeks at number two and was the first of four entries on the chart. The song was subsequently covered by Jonathan King performing as 100 Ton and a Feather in 1976 and by boy band Take That in 1992.
"The Hustle" is a disco song by songwriter/arranger Van McCoy and the Soul City Symphony. It went to No. 1 on the U.S. Billboard Hot 100 and Hot Soul Singles charts during the summer of 1975. It also peaked at No. 1 on the Canadian RPM charts, No. 9 on the Australian Singles Chart and No. 3 in the UK. It would eventually sell over one million copies. The song won the Grammy Award for Best Pop Instrumental Performance early in 1976 for songs recorded in 1975.
"Take Your Time (Do It Right)" is the debut single by American R&B group the S.O.S. Band. It was released as the lead single from their debut studio album, S.O.S. (1980) on March 18, 1980 through Tabu Records, three months before the album's release.
"I'm Still in Love with You" is a song originally recorded by Al Green. Released from the album of the same title, the single spent two weeks at #1 on the Hot Soul Singles chart in August 1972. It also peaked at #3 on the Billboard Hot 100 singles chart that same year. It would eventually sell over one million copies and is considered one of his most popular songs. Billboard ranked it as the No. 59 song for 1972.
"You Make Me Feel (Mighty Real)" is a song by American disco/R&B singer Sylvester. It was written by James Wirrick and Sylvester, and released by Fantasy Records as the second single from the singer's fourth album, Step II (1978). The song was already a largely popular dance club hit in late 1978, as the B-side of his previous single "Dance (Disco Heat)", before it was officially being released in December. It rose to the number one position on the US Billboard Dance Club Songs chart. Music critic Robert Christgau has said the song is "one of those surges of sustained, stylized energy that is disco's great gift to pop music".
"Shame, Shame, Shame" is a 1974 hit song written by Sylvia Robinson, performed by American disco band Shirley & Company and released on the Vibration label. The female vocalist is Shirley Goodman, who was one half of Shirley & Lee, who had enjoyed a major hit 18 years earlier, in 1956, with the song "Let The Good Times Roll" for Aladdin Records. The male vocalist is Jesus Alvarez. The saxophone solo is by Seldon Powell, whose instrumental version, "More Shame", is the B-side.
"It's a Miracle" is a 1975 single by Barry Manilow and was the second release from his album, Barry Manilow II. "It's a Miracle" went to number twelve on the U.S. Billboard Hot 100 and was Manilow's second number one on the U.S. Easy Listening chart, spending one week at number one in April 1975. The single also peaked at number fifteen on the disco/dance chart, and was the first of four entries on the chart. "It's a Miracle" was followed by "Could It Be Magic".
"You're My Driving Wheel" is a dance/disco song by The Supremes. The song was released on September 30, 1976 as the first single from their album Mary, Scherrie & Susaye. Along with the tracks, "Let Yourself Go" and "Love I Never Knew", "You're My Driving Wheel" peaked at number five on the disco chart. On the Soul chart, the single peaked at number fifty and number eighty-five on the Hot 100.
Ace Spectrum was an American R&B, soul and disco musical group that was popular in the mid-1970s.
"Don't Take Away the Music" is a hit song by R&B/disco group Tavares, released in the fall of 1976. It peaked at number 34 on the US Billboard Hot 100 singles chart and at number four in the UK. Along with the track "Heaven Must Be Missing an Angel", the song spent two weeks at number 1 on the Hot Dance Club Play chart.
This is the discography of American disco and soul band the Trammps.