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The Paul Butterfield Blues Band was an American blues rock band from Chicago, Illinois. Formed in the summer of 1963, the group originally featured eponymous vocalist and harmonicist Paul Butterfield, guitarist Elvin Bishop, bassist Jerome Arnold and drummer Sam Lay. [1] The band was signed by Elektra Records in 1964, with one of the label's house producers, Paul A. Rothchild, convincing Butterfield to add Mike Bloomfield as a second guitarist around the same time. [2] [3] The group recorded its planned debut album before the end of the year, although it was scrapped and remained unavailable until it was released as The Original Lost Elektra Sessions in 1995. [4] Shortly after performing at the Newport Folk Festival in July 1965, the band expanded to a six-piece with the addition of keyboardist Mark Naftalin, who had performed with them at the show. [2] [3]
With its new lineup in place, Butterfield and his band released its self-titled debut album in October 1965. [5] Shortly after its release, however, Lay was hospitalised after contracting pleural effusion; he was replaced for one show by Billy Warren, who was then dismissed in favor of Billy Davenport, who joined in late December. [6] The group recorded and released its second album East-West in 1966. [7] In February 1967, Bloomfield left the Butterfield Blues Band and moved to San Francisco, California to form a new band called the Electric Flag. [8] By the time the group performed at the Monterey Pop Festival, Arnold had been replaced by Charley "Bugsy" Maugh, and the group had expanded with the addition of saxophonists Gene Dinwiddie, David Sanborn and trumpeter Keith Johnson. [9] Davenport retired shortly thereafter and was replaced by Phillip Wilson. [10]
The eight-piece lineup released The Resurrection of Pigboy Crabshaw in 1967 and In My Own Dream in 1968. [5] Bishop and Naftalin left shortly after the release of the latter, with Howard "Buzz" Feiten brought in as their replacement. [11] Early the next year, Maugh made way for Rod Hicks and Steve Madaio joined as a second trumpeter. [12] By the summer, the group had also added keyboardist Ted Harris and third saxophonist Trevor Lawrence. [3] After the release of Keep On Moving , Feiten and Wilson were replaced by Ralph Wash and George Davidson, respectively, while Johnson also left. [13] [14] Late the following year, Harris left the band and Dennis Whitted took over from Davidson on drums. [15] Sometimes I Just Feel Like Smilin' was released in 1971, after which the group disbanded. [5] Butterfield died in May 1987 due to an accidental drug overdose. [16]
Image | Name | Years active | Instruments | Release contributions |
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Paul Butterfield | 1963–1971 (died in 1987) |
| all Paul Butterfield Blues Band releases | |
Elvin Bishop | 1963–1968 |
| all Paul Butterfield Blues Band releases from The Paul Butterfield Blues Band (1965) to In My Own Dream (1968), and from The Original Lost Elektra Sessions (1995) onwards | |
Jerome Arnold | 1963–1967 | electric bass |
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Sam Lay | 1963–1965 (died in 2022) |
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Mike Bloomfield | 1964–1967 (died in 1981) |
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Mark Naftalin | 1965–1968 |
| all Paul Butterfield Blues Band releases from The Paul Butterfield Blues Band (1965) to In My Own Dream (1968), and from The Original Lost Elektra Sessions (1995) onwards | |
Billy Warren | 1965 | drums | none – one live performance only | |
Billy Davenport | 1965–1967 (died in 1999) |
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"Brother" Gene Dinwiddie | 1967–1971 (died in 2002) |
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David Sanborn | 1967–1971 |
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Keith Johnson | 1967–1969 |
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Charley "Bugsy" Maugh | 1967–1969 (died in 2015) |
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Phillip Wilson | 1967–1970 (died in 1992) |
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Howard "Buzzy" Feiten | 1968–1969 |
| Keep On Moving (1969) | |
Rod Hicks | 1969–1971 |
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Steve Madaio | 1969–1971 |
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Ted Harris | 1969–1970 (died in 2005) |
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Trevor Lawrence | 1969–1971 |
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Ralph Wash | 1969–1971 (died in 1996) |
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George Davidson | 1969–1970 | drums |
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Dennis Whitted | 1970–1971 (died in 1993) |
| Sometimes I Just Feel Like Smilin' (1971) |
Period | Members | Releases |
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Summer 1963 – late 1964 |
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Late 1964 – summer 1965 |
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Summer – November 1965 |
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December 1965 |
| none |
December 1965 – February 1967 |
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February – spring 1967 |
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Spring – summer 1967 |
| none |
Summer 1967 – summer 1968 |
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Summer 1968 – early 1969 |
| none |
Early – summer 1969 |
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Summer – late 1969 |
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Late 1969 – late 1970 |
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Late 1970 – late 1971 |
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Paul Vaughn Butterfield was an American blues harmonica player, singer and bandleader. After early training as a classical flautist, he developed an interest in blues harmonica. He explored the blues scene in his native Chicago, where he met Muddy Waters and other blues greats, who provided encouragement and opportunities for him to join in jam sessions. He soon began performing with fellow blues enthusiasts Nick Gravenites and Elvin Bishop.
Elektra Records is an American record label owned by Warner Music Group, founded in 1950 by Jac Holzman and Paul Rickolt. It played an important role in the development of contemporary folk and rock music between the 1950s and 1970s. In 2004, it was consolidated into WMG's Atlantic Records Group. After five years of dormancy, the label was revived as an imprint of Atlantic in 2009. In October 2018, Elektra was detached from the Atlantic Records umbrella and reorganized into Elektra Music Group, once again operating as an independently managed frontline label of Warner Music. In June 2022, Elektra Music Group was merged with 300 Entertainment to create the umbrella label 300 Elektra Entertainment (3EE), though both Elektra and 300 continued to maintain their separate identities as labels.
Michael Bernard Bloomfield was an American guitarist and composer, born in Chicago, Illinois, who became one of the first popular music superstars of the 1960s to earn his reputation almost entirely on his instrumental prowess, as he rarely sang before 1969. Respected for his guitar playing, Bloomfield knew and played with many of Chicago's blues musicians before achieving his own fame and was instrumental in popularizing blues music in the mid-1960s. In 1965, he played on Bob Dylan's Highway 61 Revisited, including the single "Like a Rolling Stone", and performed with Dylan at that year's Newport Folk Festival.
Blues rock is a fusion music genre that combines elements of blues and rock music. It is mostly an electric ensemble-style music with instrumentation similar to electric blues and rock. From its beginnings in the early to mid-1960s, blues rock has gone through several stylistic shifts and along the way it inspired and influenced hard rock, Southern rock, and early heavy metal.
Mark Naftalin is an American blues keyboardist, recording artist, composer, and record producer. He appears on the first five albums by Paul Butterfield Blues Band in the mid 1960s as a band member, and as such was inducted into the Rock and Roll Hall of Fame in 2015. He later worked onstage with the late fellow Butterfield Band member Mike Bloomfield and has been active from his home in Marin County in the San Francisco Bay Area as a festival and radio producer for several decades.
Elvin Richard Bishop is an American blues and rock music singer, guitarist, bandleader, and songwriter. An original member of the Paul Butterfield Blues Band, he was inducted into the Rock and Roll Hall of Fame as a member of that group in 2015 and the Blues Hall of Fame in his own right in 2016.
The Electric Flag was an American soul rock band, led by guitarist Mike Bloomfield, keyboardist Barry Goldberg and drummer Buddy Miles, and featuring other musicians such as vocalist Nick Gravenites and bassist Harvey Brooks. Bloomfield formed the Electric Flag in 1967, following his stint with the Butterfield Blues Band. The band reached its peak with the 1968 release, A Long Time Comin', a fusion of rock, jazz, and R&B styles that charted well in the Billboard Pop Albums chart. Their initial recording was a soundtrack for The Trip, a movie about an LSD experience by Peter Fonda, written by Jack Nicholson and directed by Roger Corman.
The Paul Butterfield Blues Band is the self-titled debut album by the Paul Butterfield Blues Band, released in 1965 on Elektra Records. It peaked at number 123 on the Billboard albums chart. In 2012, the album was ranked number 468 on Rolling Stone magazine's list of "the 500 Greatest Albums of All Time". It is also ranked at number 11 on Down Beat magazine's list of the top 50 blues albums.
Howard "Buzz" Feiten is an American singer-songwriter, guitarist, session musician, and luthier. He is best known as a lead and rhythm guitarist and for having patented a tuning system for guitars and similar instruments. Feiten also manufactures and markets solid-body electric guitars.
East-West is the second album by the Butterfield Blues Band led by Paul Butterfield, released in 1966 on the Elektra label. It peaked at #65 on the Billboard pop albums chart, and is regarded as highly influential by rock and blues music historians.
The Resurrection of Pigboy Crabshaw is a 1967 album by the Butterfield Blues Band, their third release. Its name refers to Elvin Bishop, whose role shifted to lead guitarist after Mike Bloomfield departed to form the Electric Flag. The album marked a slight shift in the band's sound towards R&B and was the first Butterfield record to feature a horn section, which included a young David Sanborn on alto saxophone.
What's Shakin' is a compilation album released by Elektra Records in May 1966. It features the earliest studio recordings by the Lovin' Spoonful and the Paul Butterfield Blues Band, as well as the only released recordings by the ad hoc studio group Eric Clapton and the Powerhouse, until they were reissued years later.
It's Not Killing Me is the debut solo album by American blues guitarist Mike Bloomfield. It was released in 1969 through Columbia Records. Following his success with the Paul Butterfield Blues Band, The Electric Flag, and in the Super Session recordings with Al Kooper, Bloomfield teamed up with former colleagues to record this largely self-written album.
"Mary, Mary" is a song written by Michael Nesmith and first recorded by the Paul Butterfield Blues Band for their 1966 album East-West. Nesmith's band, the Monkees, later recorded it for More of the Monkees (1967). Hip hop group Run–D.M.C. revived the song in the late 1980s, with an adaptation that appeared in the U.S. record charts.
Keep On Moving is the fifth album by the Butterfield Blues Band, released in 1969. It continues in the same R&B/soul-influenced horn-driven direction as the band's 1968 album In My Own Dream.
Phillip Sanford Wilson was an American blues and jazz drummer, a founding member of the Art Ensemble of Chicago, and a member of the Paul Butterfield Blues Band.
In My Own Dream is a 1968 album by The Butterfield Blues Band. It continued the trend of its predecessor The Resurrection of Pigboy Crabshaw in moving towards a more soul-oriented sound, supported by a first rate horn section,, but was not so well-received either by critics or the public as its predecessor.
Edward Hoh was an American rock drummer who was active in the 1960s. Although primarily a studio session and touring drummer, Hoh exhibited a degree of originality and showmanship that set him apart and several of his contributions have been singled out for acknowledgment by music critics.
Herbie Rich was an American multi-instrumentalist from Omaha, Nebraska, who was a member of The New Breed, The Electric Flag, and the Buddy Miles Express. He also played with Jimi Hendrix, Mike Bloomfield and others.
"Born in Chicago" is a blues song written by Nick Gravenites. It was the opening track on the self-titled debut album by the Paul Butterfield Blues Band in 1965 and has since become a blues standard.