Roger Deakins' cinematography received wide critical acclaim, and received several awards for his work in the film, including an Academy Award, the first of his career after 13 previous nominations. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Totals | 44 | 108 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
References |
Blade Runner 2049 is a 2017 American neo-noir science fiction film directed by Denis Villeneuve and written by Hampton Fancher and Michael Green. A sequel to the 1982 film Blade Runner , the film stars Ryan Gosling and Harrison Ford, with Ana de Armas, Sylvia Hoeks, Robin Wright, Mackenzie Davis, Carla Juri, Lennie James, Dave Bautista, and Jared Leto in supporting roles. Ford and Edward James Olmos reprise their roles from the original film. Set thirty years after the first film, Gosling plays K, a replicant blade runner who uncovers a secret that threatens to instigate a war between humans and replicants. The film was released on October 6, 2017, in the United States and has grossed $267 million worldwide. [1]
Blade Runner 2049 received numerous awards and nominations. At the 90th Academy Awards, it was nominated for five awards, and won two: Best Cinematography and Best Visual Effects. At the 71st British Academy Film Awards, it received eight nominations, including Best Director, and won for Best Cinematography and Best Special Visual Effects. At the 23rd Critics' Choice Awards, it was nominated for seven awards, winning for Best Cinematography.
Award | Date of ceremony | Category | Recipient(s) | Result | Ref. |
---|---|---|---|---|---|
IndieWire Critic's Poll | December 19, 2016 | Most Anticipated of 2017 | Blade Runner 2049 | Won | [2] |
Golden Trailer Awards | June 6, 2017 | Best Teaser | [3] | ||
Hollywood Film Awards | November 5, 2017 | Hollywood Producer Award | Andrew A. Kosove, Broderick Johnson and Cynthia Sikes Yorkin | [4] | |
Hollywood Cinematography Award | Roger Deakins | ||||
Hollywood Production Design Award | Dennis Gassner | ||||
Hollywood Music in Media Awards | November 16, 2017 | Best Original Score – Sci-Fi/Fantasy/Horror Film | Hans Zimmer and Benjamin Wallfisch | Nominated | [5] |
Detroit Film Critics Society | December 7, 2017 | Best Use of Music | Blade Runner 2049 | [6] [7] | |
Washington D.C. Area Film Critics Association | December 8, 2017 | Best Adapted Screenplay | Michael Green and Hampton Fancher | [8] | |
Best Production Design | Dennis Gassner and Alessandra Querzola | Won | |||
Best Cinematography | Roger Deakins | ||||
Best Editing | Joe Walker | Nominated | |||
Best Original Score | Hans Zimmer and Benjamin Wallfisch | Won | |||
San Francisco Film Critics Circle | December 10, 2017 | Best Cinematography | Roger Deakins | [9] | |
Best Production Design | Dennis Gassner | Nominated | |||
Best Original Score | Hans Zimmer and Benjamin Wallfisch | ||||
Best Film Editing | Joe Walker | ||||
Chicago Film Critics Association | December 12, 2017 | Best Adapted Screenplay | Michael Green and Hampton Fancher | [10] | |
Best Art Direction | Blade Runner 2049 | Won | |||
Best Original Score | Hans Zimmer and Benjamin Wallfisch | Nominated | |||
Best Cinematography | Roger Deakins | Won | |||
Dallas–Fort Worth Film Critics Association | December 13, 2017 | Best Cinematography | Runner-up | [11] | |
Dublin Film Critics Circle | December 13, 2017 | Best Film | Blade Runner 2049 | 4th place | [12] |
Best Director | Denis Villeneuve | 2nd place | |||
Best Actor | Ryan Gosling | Runner-up | |||
Best Screenplay | Michael Green and Hampton Fancher | ||||
Best Cinematography | Roger Deakins | Won | |||
St. Louis Film Critics Association | December 17, 2017 | Best Director | Denis Villeneuve | Nominated | [13] |
Best Cinematography | Roger Deakins | Won | |||
Best Production Design | Dennis Gassner | Nominated | |||
Best Visual Effects | Blade Runner 2049 | Won | |||
Best Score | Hans Zimmer and Benjamin Wallfisch | Nominated | |||
Seattle Film Critics Society | December 18, 2017 | Best Picture of the Year | Blade Runner 2049 | [14] [15] | |
Best Director | Denis Villeneuve | ||||
Best Cinematography | Roger Deakins | Won | |||
Best Costume Design | Renée April | Nominated | |||
Best Film Editing | Joe Walker | ||||
Best Original Score | Hans Zimmer and Benjamin Wallfisch | ||||
Best Production Design | Dennis Gassner and Alessandra Querzola | Won | |||
Best Visual Effects | John Nelson, Paul Lambert, Richard R. Hoover and Gerd Nefzer | Nominated | |||
IGN's Best of 2017 Awards | December 20, 2017 | Movie of the Year | Blade Runner 2049 | Won | [16] [17] [18] [19] |
Best Sci-Fi/Fantasy Movie | |||||
People's Choice Award for Best Sci-Fi/Fantasy Movie | |||||
Best Director | Denis Villeneuve | ||||
Best Supporting Performer in a Movie | Sylvia Hoeks | Nominated | |||
Florida Film Critics Circle | December 23, 2017 | Best Cinematography | Blade Runner 2049 | Won | [20] |
Best Visual Effects | |||||
Best Art Direction/Production Design | |||||
Best Score | |||||
Online Film Critics Society | December 28, 2017 | Best Cinematography | Roger Deakins | [21] | |
Houston Film Critics Society | January 6, 2018 | Best Cinematography | Roger Deakins | Won | [22] [23] |
Best Original Score | Hans Zimmer and Benjamin Wallfisch | Nominated | |||
Best Visual Effects | Blade Runner 2049 | Won | |||
National Society of Film Critics | January 6, 2018 | Best Cinematography | Roger Deakins | [24] | |
Austin Film Critics Association | January 8, 2018 | Best Director | Denis Villeneuve | Nominated | [25] [26] |
Best Cinematography | Roger Deakins | Won | |||
Best Original Score | Blade Runner 2049 | Nominated | |||
Critics' Choice Movie Awards | January 11, 2018 | Best Cinematography | Roger Deakins | Won | [27] [28] |
Best Production Design | Dennis Gassner and Alessandra Querzola | Nominated | |||
Best Editing | Joe Walker | ||||
Best Costume Design | Renée April | ||||
Best Visual Effects | Blade Runner 2049 | ||||
Best Sci-Fi/Horror Movie | |||||
Best Score | Hans Zimmer and Benjamin Wallfisch | ||||
Los Angeles Film Critics Association Awards | January 12, 2018 | Best Production Design | Dennis Gassner | Won | [29] |
Best Cinematography | Roger Deakins | Runner-up | |||
Eddie Awards | January 26, 2018 | Best Edited Feature Film (Dramatic) | Joe Walker | Nominated | [30] [31] |
Art Directors Guild Awards | January 27, 2018 | Fantasy Film | Dennis Gassner | Won | [32] [33] |
London Film Critics Circle | January 28, 2018 | Technical Achievement Award | [34] [35] | ||
Evening Standard British Film Awards | February 8, 2018 | Technical Achievement Award | Roger Deakins | Nominated | [36] [37] |
Satellite Awards | February 10, 2018 | Best Art Direction and Production Design | Blade Runner 2049 | [38] [39] | |
Best Sound | |||||
Best Visual Effects | Won | ||||
Best Cinematography | Roger Deakins | ||||
Visual Effects Society Awards | February 13, 2018 | Outstanding Visual Effects in a Photoreal Feature | John Nelson, Karen Murphy Mundell, Paul Lambert, Richard R. Hoover, Gerd Nefzer | Nominated | [40] [41] |
Outstanding Animated Character in a Photoreal Feature | Axel Akkeson, Stefano Carter, Wesley Chandler, Ian Cooke-Grimes for "Rachael" | ||||
Outstanding Created Environment in a Photoreal Feature | Chris McLaughlin, Ryan Salcombe, Seungjin Woo, Francesco Dell'Anna for "Los Angeles" | Won | |||
Didier Muanza, Thomas Gillet, Guillaume Mainville, Sylvain Lorgeau for "Trash Mesa" | Nominated | ||||
Eric Noel, Arnaud Saibron, Adam Goldstein, Pascal Clement for "Vegas" | |||||
Outstanding Model in a Photoreal or Animated Project | Alex Funke, Steven Saunders, Joaquin Loyzaga, Chris Menges for "LAPD Headquarters" | Won | |||
Outstanding Compositing in a Photoreal Feature | Tristan Myles, Miles Lauridsen, Joel Delle-Vergin, Farhad Mohasseb for "LAPD Approach and Joy Holograms" | Nominated | |||
American Society of Cinematographers Awards | February 17, 2018 | Outstanding Achievement in Cinematography in Theatrical Releases | Roger Deakins | Won | [42] [43] |
British Academy Film Awards | February 18, 2018 | Best Director | Denis Villeneuve | Nominated | [44] |
Best Cinematography | Roger Deakins | Won | |||
Best Original Music | Hans Zimmer and Benjamin Wallfisch | Nominated | |||
Best Sound | Ron Bartlett, Theo Green, Doug Hemphill, Mark Mangini, and Mac Ruth | ||||
Best Production Design | Dennis Gassner and Alessandra Querzola | ||||
Best Special Visual Effects | Richard R. Hoover, Paul Lambert, Gerd Nefzer and John Nelson | Won | |||
Best Makeup and Hair | Donald Mowat and Kerry Warn | Nominated | |||
Best Editing | Joe Walker | ||||
Golden Reel Awards | February 18, 2018 | Outstanding Achievement in Sound Editing – Music Score | Clint Bennett, Ryan Rubin and Del Spiva | [45] [46] | |
Outstanding Achievement in Sound Editing – Dialogue / ADR | Mark Mangini, Byron Wilson and Michael Hertlein | ||||
Outstanding Achievement in Sound Editing – Effects / Foley | Mark Mangini, Theo Green, Chris Aud, Lee Gilmore, Greg ten Bosch, Charlie Campagna, Dave Whitehead, Eliot Connors, Ezra Dweck, Goro Koyama and Andy Malcolm | Won | |||
Make-Up Artists and Hair Stylists Guild | February 24, 2018 | Feature Motion Picture: Best Period and/or Character Makeup | Donald Mowat, Jo-Ann Macneil and Csilla Horvath Blake | Nominated | [47] [48] |
Feature Motion Picture: Best Period and/or Character Hair Styling | Kerry Warn, Lizzie Lawson Zeiss and Jaime Leigh Mcintosh | ||||
Academy Awards | March 4, 2018 | Best Cinematography | Roger Deakins | Won | [49] [50] |
Best Production Design | Production Design: Dennis Gassner; Set Decoration: Alessandra Querzola | Nominated | |||
Best Sound Editing | Mark Mangini and Theo Green | ||||
Best Sound Mixing | Ron Bartlett, Doug Hemphill and Mac Ruth | ||||
Best Visual Effects | John Nelson, Gerd Nefzer, Paul Lambert and Richard R. Hoover | Won | |||
Saturn Awards | June 27, 2018 | Best Science Fiction Film | Blade Runner 2049 | [51] [52] | |
Best Director | Denis Villeneuve | Nominated | |||
Best Writing | Hampton Fancher and Michael Green | ||||
Best Actor | Ryan Gosling | ||||
Best Supporting Actor | Harrison Ford | ||||
Best Supporting Actress | Ana de Armas | ||||
Best Production Design | Dennis Gassner | ||||
Best Make-up | Donald Mowat | ||||
Best Film Special / Visual Effects | John Nelson, Paul Lambert, Richard R. Hoover and Gerd Nefzer | ||||
Teen Choice Awards | August 12, 2018 | Choice Sci-Fi Movie | Blade Runner 2049 | [53] [54] | |
Choice Sci-Fi Movie Actor | Ryan Gosling | ||||
The Visual Effects Society Award for Outstanding Visual Effects in an Animated Feature is one of the annual awards given by the Visual Effects Society starting from 2008.
The Visual Effects Society Award for Outstanding Created Environment in a Photoreal Feature is one of the annual awards given by the Visual Effects Society starting from 2004. The award was originally titled "Outstanding Created Environment in a Live Action Motion Picture", and changed in 2007 to "Outstanding Created Environment in a Live Action Feature Motion Picture". It was again changed in 2009, this time to "Outstanding Created Environment in a Feature Motion Picture", and again in 2011 to "Outstanding Created Environment in a Live Action Feature Motion Picture". Before its final change in 2015, to its current title, it was re-titled in 2014 to "Outstanding Created Environment in a Photoreal/Live Action Feature Motion Picture".
The Visual Effects Society Award for Outstanding Created Environment in an Animated Feature is one of the annual awards given by the Visual Effects Society starting from 2011. The award was originally titled "Outstanding Created Environment in an Animated Feature Motion Picture", before being re-titled in 2016.
The Visual Effects Society Award for Outstanding Virtual Cinematography in a CG Project is one of the annual awards given by the Visual Effects Society. The award goes to artists whose work in virtual cinematography. It was first awarded in 2003 and 2004 for, under the title "Best Visual Effects Photography in a Motion Picture", before being scrapped from the ceremony. The award was given separately to artists in live-action film, animated film, and commercials/television. These categories were first awarded in 2012. The following year, the category specifically awarding animated film was dropped, with only live-action film and commercial/television being awarded. In 2015, only live-action films were awarded. The following year, the category's title changed to "Outstanding Virtual Cinematography in a Photoreal Project". It has held its current title since 2020.
The Visual Effects Society Award for Outstanding Compositing in a Photoreal Feature is one of the annual awards given by the Visual Effects Society, starting in 2012. It is awarded to visual effects artists for their work in effects simulations.
The Visual Effects Society Award for Outstanding Effects Simulations in an Episode, Commercial, or Real-Time Project is one of the annual awards given by the Visual Effects Society, starting in 2012. It is awarded to visual effects artists for their work in effects simulations.
The American Society of Cinematographers Spotlight Award is an annual award given by the American Society of Cinematographers to cinematographers working in features and documentaries that are typically screened at film festivals, in limited theatrical release, or outside the United States. It was first awarded in 2014.