"Tears in rain" is a 42-word monologue, consisting of the last words of character Roy Batty (portrayed by Rutger Hauer) in the 1982 Ridley Scott film Blade Runner . Written by David Peoples and altered by Hauer, [1] [2] [3] the monologue is frequently quoted. [4] Critic Mark Rowlands described it as "perhaps the most moving death soliloquy in cinematic history", [5] and it is commonly viewed as the defining moment of Hauer's acting career. [1] [6]
The monologue is near the conclusion of Blade Runner, in which detective Rick Deckard (played by Harrison Ford) has been ordered to track down and kill Roy Batty, a rogue artificial "replicant". During a rooftop chase in heavy rain, Deckard misses a jump and hangs on to the edge of a building by his fingers, about to fall to his death. Batty turns back and lectures Deckard briefly about how the tables have turned, but pulls him up to safety at the last instant. Recognizing that his limited lifespan is about to end, Batty addresses his shocked nemesis, reflecting on his own experiences and mortality, with dramatic pauses between each statement:
I've seen things you people wouldn't believe. Attack ships on fire off (the) shoulder of Orion. I watched C-beams glitter in the dark near the Tannhäuser Gate. All those moments will be lost in time, like tears in rain. Time to die.
In the documentary Dangerous Days: Making Blade Runner, Hauer, director Ridley Scott, and screenwriter David Peoples confirm that Hauer significantly modified the speech. In his autobiography, Hauer said he merely cut the original scripted speech by several lines, adding only, "All those moments will be lost in time, like tears in rain". [7] One earlier version in Peoples' draft screenplays was:
I've known adventures, seen places you people will never see, I've been Offworld and back... frontiers! I've stood on the back deck of a blinker bound for the Plutition Camps with sweat in my eyes watching stars fight on the shoulder of Orion... I've felt wind in my hair, riding test boats off the black galaxies and seen an attack fleet burn like a match and disappear. I've seen it, felt it...! [8]
And, the original script, before Hauer's rewrite, was:
I've seen things... seen things you little people wouldn't believe. Attack ships on fire off the shoulder of Orion bright as magnesium... I rode on the back decks of a blinker and watched C-beams glitter in the dark near the Tannhäuser Gate. All those moments... they'll be gone. [9]
Hauer described this as "opera talk" and "hi-tech speech" with no bearing on the rest of the film, so he "put a knife in it" the night before filming, without Scott's knowledge. [10] After filming the scene with Hauer's version, members of the crew applauded, with some even in tears. [1] In an interview with Dan Jolin, Hauer said that these final lines showed that Batty wanted to "make his mark on existence ... the replicant in the final scene, by dying, shows Deckard what a real man is made of". [11]
Sidney Perkowitz, writing in Hollywood Science, praised the speech: "If there's a great speech in science fiction cinema, it's Batty's final words." He says that it "underlines the replicant's humanlike characteristics mixed with its artificial capabilities". [12] Jason Vest, writing in Future Imperfect: Philip K. Dick at the Movies, praised the delivery of the speech: "Hauer's deft performance is heartbreaking in its gentle evocation of the memories, experiences, and passions that have driven Batty's short life". [13]
The Guardian writer Michael Newton noted that "in one of the film's most brilliant sequences, Roy and Deckard pursue each other through a murky apartment, playing a vicious child's game of hide and seek. As they do so, the similarities between them grow stronger – both are hunter and hunted, both are in pain, both struggle with a hurt, claw-like hand. If the film suggests a connection here that Deckard himself might still at this point deny, at the very end doubt falls away. Roy's life closes with an act of pity, one that raises him morally over the commercial institutions that would kill him. If Deckard cannot see himself in the other, Roy can. The white dove that implausibly flies up from Roy at the moment of his death perhaps stretches belief with its symbolism; but for me at least the movie has earned that moment, suggesting that in the replicant, as in the replicated technology of film itself, there remains a place for something human." [14]
After Hauer's death in July 2019, Leah Schade of the Lexington Theological Seminary wrote in Patheos of Batty as a Christ figure. She comments on seeing Batty, with a nail through the palm of his hand, addressing Deckard, who is hanging from one of the beams:
Then, as Deckard dangles from the steel beam of a rooftop after missing his jump across the chasm, Roy appears holding a white dove. He jumps across to Deckard with ease and watches his hunter struggle to hold on. "Quite an experience to live in fear, isn't it? That's what it is to be a slave." Then, just as Deckard's hand slips, Roy reaches out and grabs him – with his nail-pierced hand. He lifts up Deckard and swings him onto the roof in a final act of mercy for the man who had killed his friends and intended to kill him. In that moment, Roy becomes a Christ-like figure, his hand reminiscent of Jesus's own hand nailed to the cross. The crucifixion was a saving act. And Roy's stunning last act – saving Deckard when he did not at all deserve saving – is a powerful scene of grace. [15]
The place named "Tannhäuser Gate" (also written "Tannhauser Gate" and "Tanhauser Gate") is not explained in the film. It possibly derives from Richard Wagner's operatic adaptation of the legend of the medieval German knight and poet Tannhäuser. [16] The term has since been reused in other science fiction sub-genres. [17]
Joanne Taylor, in an article discussing film noir and its epistemology, remarks on the relation between Wagner's opera and Batty's reference, and suggests that Batty aligns himself with Wagner's Tannhäuser, a character who has fallen from grace with men and with God. Both man and God, as she claims, are characters whose fate is beyond their own control. [16]
The speech appears as the last track on the film's soundtrack album. [18]
Its influence can be noted in references and tributes, including:
Blade Runner is a 1982 science fiction film directed by Ridley Scott from a screenplay by Hampton Fancher and David Peoples. Starring Harrison Ford, Rutger Hauer, Sean Young, and Edward James Olmos, it is an adaptation of Philip K. Dick's 1968 novel Do Androids Dream of Electric Sheep? The film is set in a dystopian future Los Angeles of 2019, in which synthetic humans known as replicants are bio-engineered by the powerful Tyrell Corporation to work on space colonies. When a fugitive group of advanced replicants led by Roy Batty (Hauer) escapes back to Earth, burnt-out cop Rick Deckard (Ford) reluctantly agrees to hunt them down.
Blade Runner 2: The Edge of Human (1995) is a science fiction novel by American writer K. W. Jeter. It is a continuation of both the film Blade Runner and the novel upon which the film was based, Philip K. Dick's Do Androids Dream of Electric Sheep?
Do Androids Dream of Electric Sheep? is a 1968 dystopian science fiction novel by American writer Philip K. Dick. It is set in a post-apocalyptic San Francisco, where Earth's life has been greatly damaged by a nuclear global war, leaving most animal species endangered or extinct. The main plot follows Rick Deckard, a bounty hunter who has to "retire" six escaped Nexus-6 model androids, while a secondary plot follows John Isidore, a man of sub-par IQ who aids the fugitive androids.
Sir Ridley Scott is an English filmmaker. He is best known for directing films in the science fiction, crime, and historical drama genres. His work is known for its atmospheric and highly concentrated visual style. He ranks among the highest-grossing directors and has received many accolades, including the BAFTA Fellowship for lifetime achievement in 2018, two Primetime Emmy Awards, and a Golden Globe Award. He was knighted by Queen Elizabeth II in 2003, and appointed a Knight Grand Cross by King Charles III in 2024.
A replicant is a fictional bioengineered humanoid featured in the 1982 film Blade Runner and the 2017 sequel Blade Runner 2049 which is physically indistinguishable from an adult human and often possesses superhuman strength and intelligence. A replicant can be detected by means of the fictional Voight-Kampff test in which emotional responses are provoked; a replicant's nonverbal responses differ from those of a human. Failing the test leads to execution, which is euphemistically referred to as "retiring".
Rutger Oelsen Hauer was a Dutch actor, with a film career that spanned over 170 roles across nearly 50 years, beginning in 1969. In 1999, he was named by the Dutch public as the Best Dutch Actor of the Century.
Blade Runner is a point-and-click adventure game developed by Westwood Studios and published by Virgin Interactive for Microsoft Windows, released in November 1997. The game is not a direct adaptation of the 1982 Ridley Scott film Blade Runner but is instead a "sidequel", telling an original story, which runs parallel to the film's plot, occasionally intersecting with it.
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Blade Runner 2049 – Original Motion Picture Soundtrack is the soundtrack album for the 2017 film Blade Runner 2049. Released in October 2017, the album contains music composed by Hans Zimmer and Benjamin Wallfisch, along with additional tracks by Elvis Presley, Frank Sinatra and Lauren Daigle. The soundtrack was produced by Michael Hodges, Kayla Morrison and Ashley Culp. It also includes the piece "Tears in the Rain", which was originally composed and performed by Vangelis, the composer of the original 1982 soundtrack Blade Runner.
Roy then dies, and in perhaps the most moving death soliloquy in cinematic history...
Based on Do Androids Dream of Electric Sheep? (1968) by Philip K. Dick | |
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