| Year | Association | Category | Nominated work | Result | Ref. |
|---|
| 2007 | Austin Film Critics Association Awards | Best Score | There Will Be Blood | Won | [31] |
| Chicago Film Critics Association Awards | Best Original Score | Nominated | [32] |
| Houston Film Critics Society Awards | Best Original Score | Nominated | |
| Los Angeles Film Critics Association Awards | Best Music | Runner-up | [33] |
| Online Film Critics Society Awards | Best Original Score | Won | [34] |
| 2012 | Chicago Film Critics Association Awards | Best Original Score | The Master | Won | [35] |
| Houston Film Critics Society Awards | Best Original Score | Nominated | [36] |
| Los Angeles Film Critics Association Awards | Best Music Score | Runner-up | [37] |
| San Diego Film Critics Society Awards | Best Score | Won | |
| Washington D.C. Area Film Critics Association Awards | Best Score | Nominated | [38] |
| 2014 | Los Angeles Film Critics Association Awards | Best Music | Inherent Vice | Won | [39] |
| Boston Society of Film Critics Awards | Best Use of Music in a Film | Won | [40] |
| 2017 | Austin Film Critics Association Awards | Best Score | Phantom Thread | Nominated | [41] |
| Boston Society of Film Critics Awards | Best Use of Music in a Film | Won | [42] |
| Chicago Film Critics Association Awards | Best Original Score | Won | [43] |
| Florida Film Critics Circle Awards | Best Score | Nominated | [44] |
| Los Angeles Film Critics Association Awards | Best Music | Won | [45] |
| 2018 | Boston Society of Film Critics Awards | Best Use of Music in a Film | You Were Never Really Here | Runner-up | [46] |
| Chicago Film Critics Association Awards | Best Original Score | Nominated | [47] |
| Florida Film Critics Circle Awards | Best Score | Nominated | [48] |
| 2021 | Philadelphia Film Critics Awards | Best Score/Soundtrack | The Power of the Dog | Won | [49] |
| Washington D.C. Area Film Critics Association Awards | Best Score | Nominated | [50] |
| St. Louis Gateway Film Critics Association Awards | Best Music Score | Nominated | [51] |
| Dallas–Fort Worth Film Critics Association Awards | Best Musical Score | Runner-up | [52] |
| London Film Critics Circle Awards | Technical Achievement Award | Nominated | [53] |
| Houston Film Critics Society Awards | Best Original Score | Nominated | [54] |
| San Francisco Bay Area Film Critics Circle Awards | Best Original Score | Won | [55] |
| Austin Film Critics Association Awards | Best Original Score | Nominated | [56] |
| Seattle Film Critics Society Awards | Best Original Score | Nominated | [57] |
| Florida Film Critics Circle Awards | Best Score | Runner-up | [58] |
| Chicago Film Critics Association Awards | Best Original Score | Won | [59] |
| Washington D.C. Area Film Critics Association Awards | Best Score | Spencer | Nominated | [50] |
| Boston Society of Film Critics Awards | Best Original Score | Won | [60] |
| St. Louis Gateway Film Critics Association Awards | Best Music Score | Nominated | [51] |
| Chicago Film Critics Association Awards | Best Original Score | Nominated | [59] |
| Houston Film Critics Society Awards | Best Original Score | Nominated | [54] |
| San Francisco Bay Area Film Critics Circle Awards | Best Original Score | Nominated | [55] |
| Austin Film Critics Association Awards | Best Original Score | Nominated | [56] |
| Seattle Film Critics Society Awards | Best Original Score | Nominated | [57] |
| Los Angeles Film Critics Association Awards | Best Music | The Power of the Dog and Spencer | Runner-up | [61] |
|