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The following digital cameras allow photos to be taken and saved in at least one raw image format. Some cameras support more than one, usually a proprietary format and Digital Negative (DNG).
The following cameras allow audio and video to be shot in at least one raw (in the sense of a series of raw image format frames, such as in CineDNG) format. Lossy compression may be present. However, "raw" means the image data should not have gone through demosaicing and further processing, or at least the process should be reversible.
With AJA CamXChange software on OS-X Yosemite via Thunderbolt Port (DCI 4K to 30fps), CineDNG format. With AJA CamXChange (or Possibly AJA Control Room - unconfirmed by owners) using AJA Io-4K in single or dual-link 3G-SDI (DCI 4K up to 60fps), or AJA Kona4 PCIe card to Raid Array (DCI 4K up to 120fps), all in CineDNG format.
With proprietary ArriRaw and HDMI or HD-SDI uncompressed video format.
Blackmagic has its own raw video format, BRAW.
Unofficially, with the use of Magic Lantern software, the following EOS cameras can record RAW video in the software's MLV format:
With proprietary REDCODE raw format with lossy compression for video. REDCODE performs a reversible demosaicing prior to compression.
The below lists cameras with uncompressed video output. Processing has been done to convert the sensor response into a series of RGB images, but no video codec has applied any compression yet.
Some Nikon Coolpix cameras which are not advertised as supporting a RAW image format can actually produce usable raw files if switched to a maintenance mode. [26] Note that switching to this mode can invalidate a camera's guarantee. Nikon models with this capability:
E700, E800, E880, E900, E950, E990, E995, E2100, E2500, E3700, E4300, E4500.
Some Canon PowerShot cameras with DiGiC II and certain DiGiC III image processors which are not advertised as supporting a RAW format can actually produce usable raw files with an unofficial open-source firmware add-on by some users. [27]
The Nokia N900 mobile phone has an add on app "Fcam", which allows capture and saving of RAW files in Adobe's DNG format (along with other advanced features usually found in DSLRs). In 2013, Nokia launched Nokia Lumia 1520 and Nokia Lumia 1020 smartphones with DNG RAW format. [28]
Samsung Galaxy Note 5, Note 7, Galaxy S6 Edge+, S7 and S7 Edge also support RAW image capture. Not to mention LG G4, LG G5, iPhone 6s (Plus), iPhone SE, iPhone 7 (Plus) iPad Pro and some other modern phones - OnePlus One, OnePlus Two, OnePlus 3(T), etc.
A digital camera, also called a digicam, is a camera that captures photographs in digital memory. Most cameras produced today are digital, largely replacing those that capture images on photographic film or film stock. Digital cameras are now widely incorporated into mobile devices like smartphones with the same or more capabilities and features of dedicated cameras. High-end, high-definition dedicated cameras are still commonly used by professionals and those who desire to take higher-quality photographs.
Digital Negative (DNG) is an open, lossless raw image format developed by Adobe and used for digital photography. It was launched on September 27, 2004. The launch was accompanied by the first version of the DNG specification, plus various products, including a free-of-charge DNG converter utility. All Adobe photo manipulation software released since the launch supports DNG.
A digital single-lens reflex camera is a digital camera that combines the optics and mechanisms of a single-lens reflex camera with a solid-state image sensor and digitally records the images from the sensor.
Advanced Photo System type-C (APS-C) is an image sensor format approximately equivalent in size to the Advanced Photo System film negative in its C ("Classic") format, of 25.1×16.7 mm, an aspect ratio of 3:2 and Ø 30.15 mm field diameter. It is therefore also equivalent in size to the Super 35 motion picture film format, which has the dimensions of 24.89 mm × 18.66 mm and Ø 31.11 mm field diameter.
A camera raw image file contains unprocessed or minimally processed data from the image sensor of either a digital camera, a motion picture film scanner, or other image scanner. Raw files are so named because they are not yet processed, and contain large amounts of potentially redundant data. Normally, the image is processed by a raw converter, in a wide-gamut internal color space where precise adjustments can be made before conversion to a viewable file format such as JPEG or PNG for storage, printing, or further manipulation. There are dozens of raw formats in use by different manufacturers of digital image capture equipment.
A bridge camera is a type of camera that fills the niche between relatively simple point-and-shoot cameras and interchangeable-lens cameras such as mirrorless cameras and single-lens reflex cameras (SLRs). They are often comparable in size and weight to the smallest digital SLRs (DSLR), but lack interchangeable lenses, and almost all digital bridge cameras lack an optical viewfinder system. The phrase "bridge camera" has been in use at least since the 1980s, and continues to be used with digital cameras. The term was originally used to refer to film cameras which "bridged the gap" between point-and-shoot cameras and SLRs.
Image stabilization (IS) is a family of techniques that reduce blurring associated with the motion of a camera or other imaging device during exposure.
An image processor, also known as an image processing engine, image processing unit (IPU), or image signal processor (ISP), is a type of media processor or specialized digital signal processor (DSP) used for image processing, in digital cameras or other devices. Image processors often employ parallel computing even with SIMD or MIMD technologies to increase speed and efficiency. The digital image processing engine can perform a range of tasks. To increase the system integration on embedded devices, often it is a system on a chip with multi-core processor architecture.
This article details lensesfor single-lens reflex and digital single-lens reflex cameras. The emphasis is on modern lenses for 35 mm film SLRs and for "full-frame" DSLRs with sensor sizes less than or equal to 35 mm.
ExifTool is a free and open-source software program for reading, writing, and manipulating image, audio, video, and PDF metadata. As such, ExifTool classes as a tag editor. It is platform independent, available as both a Perl library (Image::ExifTool) and a command-line application. ExifTool is commonly incorporated into different types of digital workflows and supports many types of metadata including Exif, IPTC, XMP, JFIF, GeoTIFF, ICC Profile, Photoshop IRB, FlashPix, AFCP and ID3, as well as the manufacturer-specific metadata formats of many digital cameras.
The Panasonic Lumix DMC-G1 was the first digital mirrorless interchangeable-lens camera (MILC) adhering to the Micro Four Thirds system design standard. The G1 camera is similar to the larger Four Thirds system format DSLR cameras, but replaces the complex optical path needed for the optical viewfinder with an electronic viewfinder EVF displaying a live view image directly from the sensor. Eliminating the mirror box and optical viewfinder allows for smaller and lighter camera bodies, while the less complex optical path also allows for smaller, lighter lens designs.
An articulating screen is a built-in small electronic visual display which is not fixed, but rather can be repositioned using a hinge or pivot. The articulating screen is known under different other names such as flip-out screen, flip screen, adjustable screen, articulated screen, or hinged screen. According to the way it moves, there are five main types:
A mirrorless camera is a digital camera which, in contrast to DSLRs, does not use a mirror in order to ensure that the image presented to the photographer through the viewfinder is identical to that taken by the camera. They have come to replace DSLRs, which have historically dominated interchangeable lens cameras. Other terms include electronic viewfinder interchangeable lens (EVIL) cameras and compact system cameras (CSCs).
The Sony α NEX-5 is a digital camera launched on 11 May 2010. It is a mirrorless interchangeable lens camera with the body size of a larger model fairly compact point-and-shoot camera with a larger sensor size (APS-C) comparable to that of some digital single-lens reflex cameras. Its major competitors in the market are the cameras based on the micro 4/3 standard created by Panasonic and Olympus, and a few low end Canon, Nikon, and even Sony α DSLRs. The NEX-5 shoots 14.2 megapixel stills and has a 7 frame/s continuous shotmode. It has the capability to shoot 1920×1080i at 60 frame/s in AVCHD or 1440×1080p at 30 frame/s in MPEG4. The NEX-5 was replaced by the 16 megapixel NEX-5N in August 2011.
The Olympus XZ-1 is a high-end 10.0 megapixel compact digital camera announced and released in January 2011. Its key features are a fast f/1.8-2.5 i.Zuiko Digital lens, a built in imager shift image stabilizer and Olympus' 6 Art Filters that are also present in the E-PEN series.
Pixel shift is a method in digital cameras for producing a super resolution image. The method works by taking several images, after each such capture moving ("shifting") the sensor to a new position. In digital colour cameras that employ pixel shift, this avoids a major limitation inherent in using Bayer pattern for obtaining colour, and instead produces an image with increased colour resolution and, assuming a static subject or additional computational steps, an image free of colour moiré. Taking this idea further, sub-pixel shifting may increase the resolution of the final image beyond that suggested by the specified resolution of the image sensor.
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