Related Research Articles
Edward Benjamin Britten, Baron Britten was an English composer, conductor, and pianist. He was a central figure of 20th-century British music, with a range of works including opera, other vocal music, orchestral and chamber pieces. His best-known works include the opera Peter Grimes (1945), the War Requiem (1962) and the orchestral showpiece The Young Person's Guide to the Orchestra (1945).
Alan Dudley Bush was a British composer, pianist, conductor, teacher and political activist. A committed communist, his uncompromising political beliefs were often reflected in his music. He composed prolifically across a range of genres, but struggled through his lifetime for recognition from the British musical establishment, which largely ignored his works.
Paul Hindemith was a German and American composer, music theorist, teacher, violist and conductor. He founded the Amar Quartet in 1921, touring extensively in Europe. As a composer, he became a major advocate of the Neue Sachlichkeit style of music in the 1920s, with compositions such as Kammermusik, including works with viola and viola d'amore as solo instruments in a neo-Bachian spirit. Other notable compositions include his song cycle Das Marienleben (1923), Der Schwanendreher for viola and orchestra (1935), the opera Mathis der Maler (1938), the Symphonic Metamorphosis of Themes by Carl Maria von Weber (1943), and the oratorio When Lilacs Last in the Dooryard Bloom'd (1946), a requiem based on Walt Whitman's poem. Hindemith and his wife emigrated to Switzerland and the United States ahead of World War II, after worsening difficulties with the Nazi German regime. In his later years, he conducted and recorded much of his own music.
Sir Michael Kemp Tippett was an English composer who rose to prominence during and immediately after the Second World War. In his lifetime he was sometimes ranked with his contemporary Benjamin Britten as one of the leading British composers of the 20th century. Among his best-known works are the oratorio A Child of Our Time, the orchestral Fantasia Concertante on a Theme of Corelli, and the opera The Midsummer Marriage.
John Stanton Shirley-Quirk CBE was an English bass-baritone. A member of the English Opera Group from 1964 to 1976, he gave premiere performances of several operatic and vocal works by Benjamin Britten, recording these and other works under the composer's direction. He also sang and recorded a wide range of works by other composers, ranging from Handel through Tchaikovsky to Henze.
Robert Tear, CBE was a Welsh tenor singer, teacher and conductor. He first became known singing in the operas of Benjamin Britten in the mid-1960s. From the 1970s until his retirement in 1999 his main operatic base was the Royal Opera House, Covent Garden; he appeared with other opera companies in the UK, mainland Europe, the US and Australia. Generally avoiding the Italian repertoire, which did not suit his voice, Tear became known in leading and character roles in German, British and Russian operas.
John Cyril Cranko was a South African ballet dancer and choreographer with the Royal Ballet and the Stuttgart Ballet.
Noye's Fludde is a one-act opera by the British composer Benjamin Britten, intended primarily for amateur performers, particularly children. First performed on 18 June 1958 at that year's Aldeburgh Festival, it is based on the 15th-century Chester "mystery" or "miracle" play which recounts the Old Testament story of Noah's Ark. Britten specified that the opera should be staged in churches or large halls, not in a theatre.
Sinfonia da Requiem, Op. 20, for orchestra is a sinfonia written by Benjamin Britten in 1940 at the age of 26. It was one of several works commissioned from different composers by the Japanese government to mark Emperor Jimmu's 2600th anniversary of the founding of the Japanese Empire. The Japanese government rejected the Sinfonia for its use of Latin titles from the Catholic Requiem for its three movements and for its somber overall character, but it was received positively at its world premiere in New York on 29 March 1941 under John Barbirolli. A performance in Boston under Serge Koussevitzky led to the commission of the opera Peter Grimes from the Koussevitzky Music Foundations.
A Child of Our Time is a secular oratorio by the British composer Michael Tippett, who also wrote the libretto. Composed between 1939 and 1941, it was first performed at the Adelphi Theatre, London, on 19 March 1944. The work was inspired by events that profoundly affected Tippett: the assassination of a German diplomat by a young Jewish refugee in 1938, and the Nazi government's reaction to the assassination which was in the form of a violent pogrom against Germany's Jewish population: Kristallnacht. Tippett's oratorio deals with these incidents in the context of the experiences of all oppressed people, and it carries a strongly pacifistic message of ultimate understanding and reconciliation. The text's recurrent themes of shadow and light reflect the Jungian psychoanalysis which Tippett underwent in the years immediately before he wrote the work.
Chamber opera is a designation for operas written to be performed with a chamber ensemble rather than a full orchestra. Early 20th-century operas of this type include Paul Hindemith's Cardillac (1926). Earlier small-scale operas such as Pergolesi's La serva padrona (1733) are sometimes known as chamber operas.
New Year is an opera in three acts by composer Michael Tippett, who wrote his own libretto. It was first performed by Houston Grand Opera on 27 October 1989, in a production by Peter Hall.
The Prince of the Pagodas is a ballet created for The Royal Ballet by choreographer John Cranko with music commissioned from Benjamin Britten. Its premiere took place on 1 January 1957 at the Royal Opera House, Covent Garden, London, conducted by Britten.
Manoug Parikian was a British concert violinist and violin professor.
Symphony No. 3 by Michael Tippett is a work for soprano and orchestra with text written by the composer.
This is a summary of 1973 in music in the United Kingdom, including the official charts from that year.
This is a summary of 1955 in music of all genres in the United Kingdom.
Peter Angus Evans was an English musicologist, most noteworthy for his book The Music of Benjamin Britten.
Olive Nevart Zorian was an English classical violinist.
Ian Manson Kemp was a musicologist and academic.
References
- Citations
- 1 2 3 4 5 6 7 8 9 Kemp, p. 500
- 1 2 3 4 5 6 7 Kemp, p. 502
- 1 2 3 4 5 6 7 8 Kemp, p. 504
- ↑ Henahan, Donal (30 October 1989). "Time Traveling and Agoraphobia in Tippett Opera". The New York Times .
- 1 2 3 4 5 "Tippett, Michael". The Oxford Dictionary of Music (online edition). 21 May 2013. ISBN 978-0-19-957810-8 . Retrieved 26 July 2013.(subscription required)
- 1 2 3 4 5 6 7 8 9 Kemp, p. 499
- ↑ Reed, Cooke & Mitchell 2008, pp. 106–107.
- 1 2 3 4 5 6 7 8 Kemp, p. 501
- ↑ Kemp, p. 373
- 1 2 3 4 5 6 7 8 Kemp, p. 503
- 1 2 3 4 5 6 Kemp, p. 505
- ↑ "Water Out Of Sunlight". Schott Music Shop. Retrieved 26 July 2013.
- ↑ Mangum, John. "The Rose Lake". Los Angeles Philharmonic. Archived from the original on 1 September 2014. Retrieved 25 July 2013.
- 1 2 3 4 5 6 "Michael Tippett: List of Published Works" (PDF). Schott Music Shop. Retrieved 26 July 2013.
- ↑ Bowen, Meirion (1991). "Tippett's Byzantium". The Musical Times . 132 (1783): 438–440. doi:10.2307/965645. JSTOR 965645.(subscription required)
- ↑ Bowen 1997, p. 258.
- ↑ Bowen 1997, p. 259.
- 1 2 Kemp, p. 498
- 1 2 3 Kemp, p. 506
- ↑ "Obituary: Sir Michael Tippett OM". The Daily Telegraph . London. 10 January 1998. Archived from the original on 7 March 2011.
- ↑ Kemp, pp. 26–27
- 1 2 Kemp, p. 34
