Eddie "Cleanhead" Vinson was an American jump blues, jazz, bebop and R&B alto saxophonist and blues shouter. He was nicknamed Cleanhead after an incident in which his hair was accidentally destroyed by lye contained in a hair straightening product, necessitating shaving it off; enamoured of the look, Vinson maintained a shaved head thereafter. Music critic Robert Christgau has called Vinson "one of the cleanest—and nastiest—blues voices you'll ever hear."
Sonny Stitt was an American jazz saxophonist of the bebop/hard bop idiom. Known for his warm tone, he was one of the best-documented saxophonists of his generation, recording more than 100 albums. He was nicknamed the "Lone Wolf" by jazz critic Dan Morgenstern because of his tendency to rarely work with the same musicians for long despite his relentless touring and devotion to jazz. Stitt was sometimes viewed as a Charlie Parker mimic, especially earlier in his career, but gradually came to develop his own sound and style, particularly when performing on tenor saxophone and even occasionally baritone saxophone.
Alan Dawson was an American jazz drummer and percussion teacher based in Boston.
Wild Bill Davis was the stage name of American jazz pianist, organist, and arranger William Strethen Davis. He is best known for his pioneering jazz electric organ recordings and for his tenure with the Tympany Five, the backing group for Louis Jordan. Prior to the emergence of Jimmy Smith in 1956, Davis was the pacesetter among organists.
Arnett Cleophus Cobb was an American tenor saxophonist, sometimes known as the "Wild Man of the Tenor Sax" because of his uninhibited stomping style. Cobb wrote the words and music for the jazz standard "Smooth Sailing" (1951), which Ella Fitzgerald recorded for Decca on her album Lullabies of Birdland.
George Holmes "Buddy" Tate was an American jazz saxophonist and clarinetist.
George Duvivier was an American jazz double-bassist.
Very Saxy is an album by saxophonist Eddie "Lockjaw" Davis with Buddy Tate, Coleman Hawkins and Arnett Cobb recorded in 1959 for the Prestige label.
Person to Person is the debut album by jazz vocalist Mildred Anderson featuring saxophonist Eddie "Lockjaw" Davis' working group with organist Shirley Scott recorded in 1960 and released on the Bluesville label.
Blow Arnett, Blow is an album by saxophonists Arnett Cobb and Eddie "Lockjaw" Davis recorded in 1959 for the Prestige label.
The Big Horn is an album by saxophonist Houston Person recorded in 1976 and released on the Muse label in 1979.
Swiss Suite is a live album by American jazz composer/arranger Oliver Nelson featuring performances by a big band with soloists Gato Barbieri and Eddie "Cleanhead" Vinson. The album was recorded at the Montreux Jazz Festival in 1971 for the Flying Dutchman label.
Live at Sandy's is a live album by saxophonist Buddy Tate which was recorded at Sandy's Jazz Revival in 1978 and released on the Muse label in 1980.
Hard Blowin' , subtitled Live at Sandy's, is a live album by saxophonist Buddy Tate which was recorded at Sandy's Jazz Revival in 1978 and released on the Muse label in 1984.
Hold It Right There! is a live album by saxophonist/vocalist Eddie "Cleanhed" Vinson which was recorded at Sandy's Jazz Revival in 1978 and released on the Muse label in 1984.
Live at Sandy's is a live album by saxophonist/vocalist Eddie "Cleanhed" Vinson which was recorded at Sandy's Jazz Revival in 1978 and released on the Muse label in 1981.
The "Clean" Machine is an album by saxophonist Eddie "Cleanhead" Vinson which was recorded and released by the Muse label in 1978.
Eddie "Cleanhead" Vinson & Roomful of Blues is an album by saxophonist/vocalist Eddie "Cleanhead" Vinson and blues big band Roomful of Blues which was recorded and released by the Muse label in 1978.
I Want a Little Girl is an album by saxophonist/vocalist Eddie "Cleanhead" Vinson. It was recorded and released by the Pablo label in 1978.
Kidney Stew Is Fine is an album by the American saxophonist/vocalist Eddie "Cleanhead" Vinson recorded in France in 1969, and originally released by the French Black & Blue label as Wee Baby Blues, before being re-released by the Delmark label in the United States.
