Live at Some Prick's House | ||||
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EP by the Queers and the Pink Lincolns | ||||
Released | 1994 | |||
Recorded |
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Venue | ||||
Genre | Punk rock | |||
Label | Just Add Water (JAW 001) | |||
Producer | Carl Plaster (The Queers) | |||
The Queers chronology | ||||
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Pink Lincolns chronology | ||||
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Live at Some Prick's House is an EP by the American punk rock bands the Queers and the Pink Lincolns, released in 1994 by independent record label Just Add Water Records. A split release, it includes five songs recorded by the Queers during a June 1991 performance on the Massachusetts Institute of Technology's campus radio station WMBR, and three songs performed by the Pink Lincolns on Halloween 1993 at the Sombre Reptile in Atlanta, including a cover version of Bikini Kill's "Suck My Left One". [1]
An extended play record, often referred to as an EP, is a musical recording that contains more tracks than a single, but is usually unqualified as an album or LP. Contemporary EPs generally contain a minimum of three tracks and maximum of six tracks, and are considered "less expensive and time-consuming" for an artist to produce than an album. An EP originally referred to specific types of vinyl records other than 78 rpm standard play (SP) and LP, but it is now applied to mid-length CDs and downloads as well.
Punk rock is a rock music genre that emerged in the mid-1970s in the United States, United Kingdom, and Australia. Rooted in 1960s garage rock and other forms of what is now known as "proto-punk" music, punk rock bands rejected perceived excesses of mainstream 1970s rock. They typically produced short, fast-paced songs with hard-edged melodies and singing styles, stripped-down instrumentation, and often political, anti-establishment lyrics. Punk embraces a DIY ethic; many bands self-produce recordings and distribute them through independent record labels.
The Queers are an American punk rock band, formed in 1981 by the Portsmouth, New Hampshire, native Joe Queer, along with Scott Gildersleeve, and Jack Hayes. With the addition of Keith Hages in 1982 the band started playing their first live shows. The band originally broke up in late 1984, but reformed with Joe Queer and a new line-up in 1986. In 1990, the band signed with Shakin' Street Records and released their first album Grow Up. The album earned the band notability within New England, but with the release of their next album 1993's Love Songs for the Retarded, on Lookout! Records, their following grew larger.
Reviewing the EP for AllMusic, critic Mike DaRonco rated it two stars out of five, remarking that "because all of the songs on this record can be found elsewhere with a better production—and in the case of the Queers side, they're available on their live album Suck This —Live at Some Prick's House is more for the dedicated fans of both of these bands." [2]
AllMusic is an online music database. It catalogs more than 3 million album entries and 30 million tracks, as well as information on musical artists and bands. It launched in 1991, predating the World Wide Web.
Suck This is the second live album by the American punk rock band the Queers, released in 1995 by independent record label Clearview Records. It was recorded live in the studio at the Jam Room in Columbia, South Carolina and released as a single-sided picture disc, and reissued on compact disc in 1998. It was the band's only live album recorded during the period when Screeching Weasel members Dan Vapid and Dan Panic were also in the Queers.
Writing credits adapted from the EP's liner notes and those of the Queers' A Day Late and a Dollar Short . [1] [3]
A Day Late And A Dollar Short is a compilation album by the American punk rock band the Queers, released in January 1996 by Lookout! Records. It collects material recorded between 1982 and 1994, most of it with original member Wimpy Rutherford. It includes the band's first two EPs, 1982's Love Me and 1984's Kicked Out of the Webelos, several demo tracks recorded in 1991, 16 tracks recorded during a January 1993 reunion with Rutherford, and a complete set of early songs recorded live on radio station WFMU in 1994 with Rutherford on lead vocals.
Side A: The Queers live on WMBR, June 8, 1991 | |||
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No. | Title | Writer(s) | Length |
1. | "We'd Have a Riot Doing Heroin" | Scott "Tulu" Gildersleeve | |
2. | "This Place Sucks" | "Joe Queer" King, Jack "Wimpy Rutherford" Hayes | |
3. | "Kicked Out of the Webelos" | Queer, Rutherford | |
4. | "I Want Cunt" | Tulu | |
5. | "Nobody Likes Me" | Queer, Rutherford |
Side B: Pink Lincolns live at the Sombre Reptile, Atlanta, October 31, 1993 | |||
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No. | Title | Writer(s) | Length |
6. | "I've Got My Tie On" | Chris Barrows | |
7. | "Suck My Left One" (originally performed by Bikini Kill) | Kathleen Hanna, Billy Karren, Tobi Vail, Kathi Wilcox | |
8. | "Big Bouncer, Angry Bouncer" | Barrows |
Credits adapted from the EP's liner notes. [1]
The Queers
The guitar is a fretted musical instrument that usually has six strings. It is typically played with both hands by strumming or plucking the strings with either a guitar pick or the finger(s)/fingernails of one hand, while simultaneously fretting with the fingers of the other hand. The sound of the vibrating strings is projected either acoustically, by means of the hollow chamber of the guitar, or through an electrical amplifier and a speaker.
The bass guitar is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, except with a longer neck and scale length, and typically four to six strings or courses.
A drum kit — also called a drum set, trap set, or simply drums — is a collection of drums and other percussion instruments, typically cymbals, which are set up on stands to be played by a single player, with drumsticks held in both hands, and the feet operating pedals that control the hi-hat cymbal and the beater for the bass drum. A drum kit consists of a mix of drums and idiophones – most significantly cymbals, but can also include the woodblock and cowbell. In the 2000s, some kits also include electronic instruments. Also, both hybrid and entirely electronic kits are used.
Pink Lincolns
Chris Barrows is an American vocalist and songwriter best known as frontman of the punk band Pink Lincolns. Barrows co-founded The Pink Lincolns in 1986 in Tampa, Florida, quickly becoming known for his "trademark snotty humor" and stage antics. Still active in Florida, the band has released a number of albums and EPs including splits such as Screeching Weasel/Pink Lincolns Split and Live At Some Prick's House with The Queers. In 1998 Barrows released one album as vocalist of the group The Jackie Papers, and in 2009 he released the album Shove while vocalist of the punk group The Spears. His debut solo album, Human Being, will be released by 24 Hour Service Station on September 9, 2014.
Production
A record producer or music producer oversees and manages the sound recording and production of a band or performer's music, which may range from recording one song to recording a lengthy concept album. A producer has many, varying roles during the recording process. They may gather musical ideas for the project, collaborate with the artists to select cover tunes or original songs by the artist/group, work with artists and help them to improve their songs, lyrics or arrangements.
An audio engineer helps to produce a recording or a live performance, balancing and adjusting sound sources using equalization and audio effects, mixing, reproduction, and reinforcement of sound. Audio engineers work on the "...technical aspect of recording—the placing of microphones, pre-amp knobs, the setting of levels. The physical recording of any project is done by an engineer ... the nuts and bolts." It's a creative hobby and profession where musical instruments and technology are used to produce sound for film, radio, television, music, and video games. Audio engineers also set up, sound check and do live sound mixing using a mixing console and a sound reinforcement system for music concerts, theatre, sports games and corporate events.
Artwork
Somery is a compilation album by the American punk rock band the Descendents, released in 1991 through SST Records. It compiles songs from their Fat EP (1981) and the albums Milo Goes to College (1982), I Don't Want to Grow Up (1985), Enjoy! (1986), and All (1987).
The Pink Lincolns are a punk rock band formed in Tampa, Florida in 1986 by vocalist Chris Barrows and guitarist Dorsey Martin. The rest of the lineup has frequently changed and currently includes bassist Kevin Coss and drummer Jeff Fox. The band has released five studio albums, one live album and six EP's as well as splits with Screeching Weasel and The Queers. The cover for the band's album Suck and Bloat was drawn by Iggy Pop, and their album Pure Swank was produced by Bill Stevenson of The Descendents. Notable songs include "Velvet Elvis", a story about a squabble over a velvet painting of Elvis Presley.
DaDa is the eighth solo album by Alice Cooper. It was originally released in September 28, 1983, on the label Warner Bros.. DaDa would be Cooper's last album until his sober re-emergence in 1986 with the album Constrictor. The album's theme is ambiguous, however, ongoing themes in the songs' lyrics suggest that the main character in question, Sonny, suffers from mental illness, resulting in the creation of many different personalities. The album alludes strongly to the dadaist movement. Its cover was based on a painting by surrealist artist Salvador Dalí titled "Slave Market with the Disappearing Bust of Voltaire". Produced by long-time collaborator Bob Ezrin, at the time his first production with Cooper in six years, DaDa was recorded at ESP Studios in Buttonville, Ontario, Canada.
Wiggle is the fifth studio album by the Chicago-based punk rock band Screeching Weasel. Initially planned for release in November 1992, the album was finally released on CD, vinyl and cassette on January 15, 1993 through Lookout Records. Due to a "cymbal hissing" in the original vinyl version, the album was remixed and re-released soon afterwards.
The Freeze are a punk rock band from Cape Cod, Massachusetts formed by a group of teenagers in 1978. They released the first single, "I Hate Tourists" in 1980 and contributed 8 songs, including the title track to the 1982 hardcore punk compilation This Is Boston, Not L.A.
Prick was an American industrial rock band, founded in 1992 in Los Angeles by guitarist and songwriter Kevin McMahon, after his first project Lucky Pierre disbanded. The first line-up of the band featured McMahon on vocals and guitar, Chris Schleyer on guitar and Andy Kubiszewski on drums. The band was known for its glam rock and new wave influences.
Love Songs for the Retarded is the second studio album by the American punk rock band the Queers, released in 1993 by Lookout! Records. It was the first of five studio albums the band would record for Lookout!, and their first by the lineup of singer and guitarist "Joe Queer" King, bassist Chris "B-Face" Barnard, and drummer Hugh O'Neill. It was also their first collaboration with Screeching Weasel frontman Ben Weasel, who produced the album and co-wrote two of its songs, and the first of three Queers albums recorded at Sonic Iguana Studio in Lafayette, Indiana with audio engineer Mass Giorgini, who would continue to work with the band on and off for the next 14 years as a producer and engineer. Love Songs for the Retarded became the Queers' highest-selling album, with sales surpassing 100,000 copies.
Grow Up is the debut album by the American punk rock band the Queers. Recorded in multiple sessions between 1986 and 1988, with various band members and session musicians backing singer and guitarist Joe King, it was originally released as an LP record in 1990 by British label Shakin' Street Records. However, the label went out of business after only 1,000 copies were pressed. The Queers had more copies pressed themselves, continuing to list Shakin' Street as the record label, but when they failed to pay their bill the pressing plant destroyed all but approximately 160 copies, which the band released with a photocopied album cover.
Beat Off is the fourth studio album by the American punk rock band the Queers, released in 1994 by Lookout! Records. Recorded during a time when the Queers' usual drummer, Hugh O'Neill, was on a forced leave of absence from the band to deal with heroin addiction, it featured Screeching Weasel drummer Dan Panic and guitarist Dan Vapid added to the lineup. It was the third and final Queers album produced by Screeching Weasel singer Ben Weasel, who insisted on a no-frills punk sound for the album and removed Vapid's tracks from the final mix without his knowledge.
Move Back Home is the fifth studio album by the American punk rock band the Queers, released in May 1995 by Lookout! Records. The recording sessions were marred by the band members' drug problems, and many of the songs were written in the studio. Producer and Lookout! president Larry Livermore was so displeased with the result that he took his name off of the album, and several involved parties, including singer and guitarist Joe Queer, later regarded it as sub-par. After the Queers rescinded their master recordings from Lookout! in 2006, Move Back Home was reissued by Asian Man Records the following year, having been remixed and remastered by Queer and recording engineer Mass Giorgini and with the tracks from the Surf Goddess EP added.
Surf Goddess is an EP by the American punk rock band the Queers, released in February 1995 by Lookout! Records. It marked the return of longtime drummer Hugh O'Neill to the band, after a forced leave of absence to deal with heroin addiction. Former Screeching Weasel member Dan Vapid, who had been a member of the Queers in 1994, played on the EP as a guest guitarist. Surf Goddess was the result of band leader Joe King and Lookout! head Larry Livermore being dissatisfied with the production techniques on the band's prior album, 1994's Beat Off, which producer Ben Weasel had insisted on keeping basic. King and Livermore wanted to incorporate overdubbing and other effects which Livermore felt were essential to the Queers' sound. In addition to the title track, which was co-written by Weasel, and the Queers original "Quit Talkin'", the EP includes cover versions of Tommy James and the Shondells's "Mirage" and the Undertones' "Get Over You".
Don't Back Down is the sixth studio album by the American punk rock band the Queers, released in August 1996 by Lookout! Records. The band and Lookout! president Larry Livermore, who served as executive producer, sought to balance the sounds of the Ramones and the Beach Boys, and enlisted the help of former Queers guitarist JJ Rassler and Cub singer Lisa Marr. The album's title track is a cover version of the Beach Boys song of the same name; it also features covers of the Hondells' "Little Sidewalk Surfer Girl" and Hawaiian punk band the Catalogs' "Another Girl". The album produced the band's first music videos, for "Punk Rock Girls" and "Don't Back Down".
Somewhat of an Anthology is a limited edition compact disc on the Dacoit label that compiles material from throughout the Slickee Boys' career. With the exception of one live song, every cut on the CD had previously been released, albeit many of them on vinyl records pressed in small numbers. This collection showcases the songwriting talents of the band's rotating membership over the years. It also includes cover versions of songs originally recorded by the Afrika Korps, Buddy Holly, and Alice Cooper.
Munki Brain is an album by pop-punk band The Queers.
Back to the Basement is the eleventh studio album by punk rock band The Queers, released in 2010.
Between 1993 and 2000, a series of Ramones covers albums were released by Selfless Records, an independent record label based in Garland, Texas specializing in punk rock, on which bands influenced by seminal punk group the Ramones performed cover versions of entire Ramones albums. Under the Selfless label, Screeching Weasel, the Queers, and the Vindictives respectively covered the first three Ramones albums: Ramones (1976), Rocket to Russia (1977), and Leave Home (1977). Selfless then became Clearview Records and continued the series, with Boris the Sprinkler, the Parasites, the Mr. T Experience, the Beatnik Termites, and the McRackins respectively covering End of the Century (1980), It's Alive (1979), Road to Ruin (1978), Pleasant Dreams (1981), and Too Tough to Die (1984).
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(help). Berkeley, California: Just Add Water Records. 1994. JAW 001.|format=
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(help). Monte Sereno, California: Asian Man Records. 2007. ASM 145.