Later Days and Better Lays | ||||
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Compilation album by | ||||
Released | March 23, 1999 | |||
Recorded | 1991–1996 | |||
Genre | Punk rock | |||
Label | Lookout! (LK 216) | |||
Producer | Jim Tierney, Mass Giorgini | |||
The Queers chronology | ||||
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Later Days and Better Lays is a compilation album by the American punk rock band the Queers, released in March 1999 by Lookout! Records. It combines a 14-song demo tape from 1991 with some demos recorded in the lead-up to their 1996 album Don't Back Down , as well as some outtakes from that album's recording sessions. The compilation fulfilled the band's contractual obligations to Lookout!, following seven years and four studio albums on the label. They moved on to Hopeless Records, but would return to Lookout! for the Today EP (2001) and album Pleasant Screams (2002) before parting ways with the label again.
The first 14 tracks on Later Days and Better Lays comprise a demo tape that the Queers had recorded in May 1991 with producer Jim Tierney. [1] The band had gone through a number of lineup changes and periods of inactivity since forming in 1982, before the lineup of singer, songwriter, and guitarist "Joe Queer" King, drummer Hugh O'Neill, and bassist Chris "B-Face" Barnard solidified in 1990. [2] [3] By 1991 King was co-owner of a café and bar in Exeter, New Hampshire called Joe's Place, where O'Neill and Barnard worked as dishwashers. [1] Around this time King befriended Ben Weasel, whose band Screeching Weasel soon signed to Berkeley, California-based Lookout! Records. [2] The Queers' goals at the time were modest: "Things were desperate", King later recalled, "I made no money to speak of. We just wanted to do one great punk rock album that we'd release ourselves and play with Screeching Weasel at least once." [1]
To this end, the band recorded the demo tape of new material and sent it to Weasel, who passed a copy on to Lookout! head Larry Livermore and suggested that he sign the Queers to the label. [1] [2] [3] "The songs were irresistibly melodic;" Livermore recalled in his 2015 memoir, "a couple of the slower numbers, heavily influenced by doo-wop and the Beach Boys, were almost heartbreakingly beautiful. Joe King was ten years younger than me, but we'd obviously grown up listening to a lot of the same music." [3] He felt the demo was almost good enough to put out itself, but thought it worth getting the band into a studio to re-record it with better production. [3] The Queers signed to Lookout!, and recorded their 1993 album Love Songs for the Retarded at Sonic Iguana Studio in Lafayette, Indiana with audio engineer Mass Giorgini, produced by Weasel and with Livermore present for the sessions. [2] [3] [4] Nine songs from the 1991 demo were re-recorded for the album ("Granola Head", "I Hate Everything", "I Won't Be", "I Can't Stop Farting", "Night of the Livid Queers", "Monster Zero", "Teenage Bonehead", "Hi Mom It's Me", and "Feeling Groovy"). In the liner notes for Later Days and Better Lays, King opined that the material on the demo tape was better in some respects because the band had been more relaxed and not as rushed as they were during the album session. [1]
Another song from the demo, "Nobody Likes Me", was written during the band's formative years in the early 1980s. [5] [6] A version recorded in January 1993 with original member Wimpy Rutherford (real name Jack Hayes) on lead vocals was released on the 1994 EP Look Ma No Flannel! [5] [6] Three other songs from the demo tape ("Too Many Twinkies", "Half Shitfaced", and "I Live This Life") were re-recorded for the band's second album for Lookout!, 1994's Beat Off . The recordings of "Nobody Likes Me", "Too Many Twinkies", "Half Shitfaced", and "I Live This Life" from the 1991 demo were included on the 1996 compilation A Day Late and a Dollar Short . [1]
The remaining seven tracks on Later Days and Better Lays were recorded just prior to and during the sessions for the band's fourth Lookout! album, 1996's Don't Back Down . "Born to Do Dishes" was recorded in a late-night demo session with Tierney; the band wrote the song in the studio in only 5 minutes. [1] The next day, fellow Lookout! acts the Mr. T Experience and the Riverdales were performing in town (along with Boris the Sprinkler), so King invited Mr. T Experience frontman "Dr. Frank" Portman to record harmony on the song's chorus. [1] An early demo version of "No Tit" is also included on Later Days and Better Lays; both "No Tit" and "Born to Do Dishes" were re-recorded for Don't Back Down. [1] Also included on Later Days and Better Lays is a new recording of "Junk Freak", a song from the Queers' 1990 debut album, Grow Up ; this version was recorded prior to Don't Back Down when the band needed a song for inclusion in a video, but they never finished the recording and King did not add his vocals until completing the track for inclusion on this compilation. [1]
The Don't Back Down outtakes include three tracks previously released on 1996's Bubblegum Dreams EP: the original song "Never Ever" and cover versions of the Beach Boys' "Little Honda" and the Muffs' "End It All", with Lisa Marr of the band Cub singing backing vocals. [1] [7] [8] [9] Later Days and Better Lays also includes an alternate vocal version of "I Can't Get Over You": On the version used on Don't Back Down, Marr sang the lead vocals and King sang the backups; on this alternate version, King sang the leads and Marr the backups. [1] [7] Finally, a cover version of the Beach Boys' "God Only Knows" (another Don't Back Down outtake) is included as a hidden track. [10]
The success of Don't Back Down attracted the attention of Epitaph Records head Brett Gurewitz, who offered to sign the band. [11] This led to a dispute with Lookout! and disagreements between the band members, resulting in the dissolution of this lineup of the Queers. [11] Barnard, who had been with the Queers since 1990, joined the Groovie Ghoulies. [11] O'Neill, who had been with the band since 1986 (minus a forced leave of absence in 1993–1994 to deal with heroin addiction), completed drug rehabilitation but was diagnosed with a brain tumor and died in early 1999. [11] [12] [13] The Epitaph deal having fallen through, Queer, who had also completed drug rehabilitation, formed a new lineup of the Queers and signed the band to Hopeless Records. [11] [13] The band was still under contract to do one more album for Lookout!, however, so King put together Later Days and Better Lays to fulfill this obligation. [11] The Queers returned to Lookout! for the 2001 Today EP and 2002 album Pleasant Screams , but chose to again leave the label, which by that time was floundering. [13]
Reviewing the album for The Washington Post , Mark Jenkins wrote that "the Queers have always kept it simple and stupid, but these demos reveal that they started with all the chops necessary for blitzkrieg boppers like 'I Hate Everything' and 'Nobody Likes Me.'" [10] Mike DaRonco of AllMusic rated it 21⁄2 stars out of 5, remarking that "The snotty, 12-year old Ramones mentality is still there, but the sound quality and production isn't; they are demos, after all. Casual fans are better off just buying Love Songs [for the Retarded], but if you're a dedicated fan, add Later Days and Better Lays to the collection." [14] Scott Heisel of Punknews.org also rated it 21⁄2 stars out of 5, calling it "interesting, but not innovative. All the recording session songs have been left as they were, with no polishing at all, which gives it that famous rough Queers sound, but it's nothing we haven't heard before. There are also some alternate versions of songs on here with different words, vocals, etc., which makes this more of a die-hard collectors' item than anything else." [15]
All tracks are written by Joe Queer, except where noted [1]
No. | Title | Length |
---|---|---|
1. | "Granola Head" | 2:17 |
2. | "I Hate Everything" | 1:51 |
3. | "Murder in the Brady House" (written by Ben Weasel; originally performed by Screeching Weasel) | 2:06 |
4. | "I Won't Be" | 2:12 |
5. | "Nobody Likes Me" | 2:14 |
6. | "I Can't Stop Farting" | 1:46 |
7. | "Night of the Livid Queers" | 2:30 |
8. | "Monster Zero" | 3:11 |
9. | "Too Many Twinkies" | 2:01 |
10. | "Teenage Bonehead" | 2:53 |
11. | "Half Shitfaced" | 2:09 |
12. | "Hi Mom It's Me" | 1:05 |
13. | "I Live This Life" | 1:57 |
14. | "Feeling Groovy" | 2:22 |
15. | "Born to Do Dishes" | 2:04 |
16. | "Junk Freak" | 3:26 |
17. | "No Tit" | 1:23 |
18. | "Little Honda" (written by Brian Wilson and Mike Love; originally performed by the Beach Boys) | 2:49 |
19. | "End It All" (written by Kim Shattuck; originally performed by the Muffs) | 2:29 |
20. | "I Can't Get Over You" (written by Queer and Lisa Marr) | 3:05 |
21. | "Never Ever" (written by Queer and JJ Rassler; followed by the hidden track "God Only Knows", written by Wilson and Tony Asher, originally performed by the Beach Boys) | 7:56 |
Total length: | 53:46 |
Credits adapted from the album's liner notes and those of Don't Back Down and Bubblegum Dreams. [1] [7] [8] [16]
The Queers
Additional performers
Production
Lookout Records was an independent record label, initially based in Laytonville, California, and later in Berkeley, focusing on punk rock. Established in 1987, the label is best known for having released Operation Ivy’s only album, Energy, and Green Day's first two albums, 39/Smooth and Kerplunk.
The Queers are an American punk rock band, formed in 1981 by Portsmouth, New Hampshire native Joseph “Joe” P. King along with Scott Gildersleeve, and John “Jack” Hayes. With the addition of Keith Hages joining on bass in 1983 the band started playing their first public performances. The revised line-up played a total of six live shows between 1983 and 1984. This earliest era of The Queers formation initially broke up in late 1984; however, Joe Queer re-formed the band with an all-new line-up in 1986. In 1990, after several more band line-up changes the band signed with Shakin' Street Records to release their debut album, Grow Up. The album earned the band notability within New England, but with the release of their next album, 1993's Love Songs for the Retarded, on Lookout! Records, their following grew.
Pleasant Screams is the eighth album by pop punk band The Queers and the sixth album released on Lookout! Records before they rescinded their master rights from the label. It was reissued by Asian Man Records with bonus tracks, all from the Today EP.
Boogadaboogadaboogada! is the second studio album by the Chicago-based punk rock band Screeching Weasel. The album was originally released on vinyl in December 1988 through Roadkill Records. It was the group's only album to feature Fish on bass and the last with Steve Cheese on drums, both leaving the band shortly after the album's release. Although still influenced by hardcore punk, the album also shows hints of the band's later Ramones-inspired sound.
My Brain Hurts is the third studio album by the Chicago-based punk rock band Screeching Weasel. The album was originally released on CD, vinyl and cassette in September 1991 through Lookout Records. It was the group's first album on Lookout as well as the only release with bassist Dave Naked and the first with drummer Dan Panic, the latter of which would go on to appear on several of the band's albums. The album marked a very distinct stylistic shift for the group, fully moving toward a Ramones-inspired sound and completely abandoning their previous hardcore punk influences as a condition made by vocalist Ben Weasel when reforming the band after a brief break-up.
Wiggle is the fifth studio album by the Chicago-based punk rock band Screeching Weasel. Initially planned for release in November 1992, the album was finally released on CD, vinyl and cassette on January 15, 1993, through Lookout Records. Due to a "cymbal hissing" in the original vinyl version, the album was remixed and re-released soon afterwards.
Anthem for a New Tomorrow is the sixth studio album by the American punk rock band Screeching Weasel. It was released in 1993 through Lookout! Records. According to Contemporary Musician, Anthem for a New Tomorrow is "widely regarded as one of the band's best efforts".
How to Make Enemies and Irritate People is the seventh studio album by the Chicago-based punk rock band Screeching Weasel. Planned as the group's final album, it was released in August 1994 on CD, vinyl, and cassette through Lookout Records. Shortly before recording the album, bassist/backing vocalist Dan Vapid left the band and, as a result, Green Day bassist Mike Dirnt was recruited to play on the album.
Love Songs for the Retarded is the second studio album by the American punk rock band the Queers, released in 1993 by Lookout! Records. It was the first of five studio albums the band would record for Lookout!, and their first by the lineup of singer and guitarist "Joe Queer" King, bassist Chris "B-Face" Barnard, and drummer Hugh O'Neill. It was also their first collaboration with Screeching Weasel frontman Ben Weasel, who produced the album and co-wrote two of its songs, and the first of three Queers albums recorded at Sonic Iguana Studio in Lafayette, Indiana with audio engineer Mass Giorgini, who would continue to work with the band on and off for the next 14 years as a producer and engineer. Love Songs for the Retarded became the Queers' highest-selling album, with sales surpassing 100,000 copies.
Grow Up is the debut album by the American punk rock band the Queers. Recorded in multiple sessions between 1986 and 1988, with various band members and session musicians backing singer and guitarist Joe King, it was originally released as an LP record in 1990 by British label Shakin' Street Records. However, the label went out of business after only 1,000 copies were pressed. The Queers had more copies pressed themselves, continuing to list Shakin' Street as the record label, but when they failed to pay their bill the pressing plant destroyed all but approximately 160 copies, which the band released with a photocopied album cover.
Beat Off is the fourth studio album by the American punk rock band the Queers, released in 1994 by Lookout! Records. Recorded during a time when the Queers' usual drummer, Hugh O'Neill, was on a forced leave of absence from the band to deal with heroin addiction, it featured Screeching Weasel drummer Dan Panic and guitarist Dan Vapid added to the lineup. It was the third and final Queers album produced by Screeching Weasel singer Ben Weasel, who insisted on a no-frills punk sound for the album and removed Vapid's tracks from the final mix without his knowledge.
Move Back Home is the fifth studio album by the American punk rock band the Queers, released in May 1995 by Lookout! Records. The recording sessions were marred by the band members' drug problems, and many of the songs were written in the studio. Producer and Lookout! president Larry Livermore was so displeased with the result that he took his name off of the album, and several involved parties, including singer and guitarist Joe Queer, later regarded it as sub-par. After the Queers rescinded their master recordings from Lookout! in 2006, Move Back Home was reissued by Asian Man Records the following year, having been remixed and remastered by Queer and recording engineer Mass Giorgini and with the tracks from the Surf Goddess EP added.
A Day Late and a Dollar Short is a compilation album by the American punk rock band the Queers, released in January 1996 by Lookout! Records. It collects material recorded between 1982 and 1994, most of it with original member Wimpy Rutherford. It includes the band's first two EPs, 1982's Love Me and 1984's Kicked Out of the Webelos, several demo tracks recorded in 1991, 16 tracks recorded during a January 1993 reunion with Rutherford, and a complete set of early songs recorded live on radio station WFMU in 1994 with Rutherford on lead vocals.
Surf Goddess is an EP by the American punk rock band the Queers, released in February 1995 by Lookout! Records. It marked the return of longtime drummer Hugh O'Neill to the band, after a forced leave of absence to deal with heroin addiction. Former Screeching Weasel member Dan Vapid, who had been a member of the Queers in 1994, played on the EP as a guest guitarist. Surf Goddess was the result of band leader Joe King and Lookout! head Larry Livermore being dissatisfied with the production techniques on the band's prior album, 1994's Beat Off, which producer Ben Weasel had insisted on keeping basic. King and Livermore wanted to incorporate overdubbing and other effects which Livermore felt were essential to the Queers' sound. In addition to the title track, which was co-written by Weasel, and the Queers original "Quit Talkin'", the EP includes cover versions of Tommy James and the Shondells's "Mirage" and the Undertones' "Get Over You".
Don't Back Down is the sixth studio album by the American punk rock band the Queers, released in August 1996 by Lookout! Records. The band and Lookout! president Larry Livermore, who served as executive producer, sought to balance the sounds of the Ramones and the Beach Boys, and enlisted the help of former Queers guitarist JJ Rassler and Cub singer Lisa Marr. The album's title track is a cover version of the Beach Boys song of the same name; it also features covers of the Hondells' "Little Sidewalk Surfer Girl" and Hawaiian punk band the Catalogs' "Another Girl". The album produced the band's first music videos, for "Punk Rock Girls" and "Don't Back Down".
Punk Rock Confidential is the sixth full-length album by pop punk band The Queers and their first album released on Hopeless Records.
Riverdales is the eponymously titled debut studio album by the Chicago-based punk rock band the Riverdales. Formed after the break-up of Screeching Weasel, the band sought to write more Ramones-inspired music and the album was released on June 7, 1995, through Lookout Records with the catalog number LK 120. The group supported the album by opening for Green Day on the initial US leg of the tour for their album Insomniac. Riverdales experienced substantial success on the tour, and the album became the group's best-selling release to date.
The discography of the Queers, an American punk rock band, consists of 13 studio albums, 9 live albums, 4 compilation albums, 1 video album, 3 music videos, 22 EPs, 1 single, and 1 split album.
Between 1993 and 2000, a series of Ramones covers albums were released by Selfless Records, an independent record label based in Garland, Texas specializing in punk rock, on which bands influenced by seminal punk group the Ramones performed cover versions of entire Ramones albums. Under the Selfless label, Screeching Weasel, the Queers, and the Vindictives respectively covered the first three Ramones albums: Ramones (1976), Rocket to Russia (1977), and Leave Home (1977). Selfless then became Clearview Records and continued the series, with Boris the Sprinkler, the Parasites, the Mr. T Experience, the Beatnik Termites, and the McRackins respectively covering End of the Century (1980), It's Alive (1979), Road to Ruin (1978), Pleasant Dreams (1981), and Too Tough to Die (1984).
It's a Girl! is the only studio album by Berkeley-based pop punk band Sweet Baby. It was originally released on vinyl and cassette in January 1989 through Ruby Records, a subsidiary of Slash Records/Warner Music Group.