A Day Late and a Dollar Short | ||||
---|---|---|---|---|
![]() The original album cover, showing Wimpy Rutherford (right) performing with the Queers in 1994 (Joe Queer at left) | ||||
Compilation album by | ||||
Released | January 23, 1996 | |||
Recorded | 1982–1994 | |||
Studio | Fishtracks and Reelization (Portsmouth, New Hampshire) | |||
Genre | Punk rock | |||
Length | 65:01 | |||
Label | Lookout! (LK 130) | |||
Producer | Bruce Pingree, Norm Thibeau, Hugh O'Neill, Jim Tierney | |||
The Queers chronology | ||||
| ||||
Alternative cover | ||||
![]() Cover of the 2007 reissue, showing the Queers performing at a pool party in 1982 (Joe Queer on guitar, drummer Tulu seated) |
A Day Late and a Dollar Short is a compilation album by the American punk rock band the Queers, released in January 1996 by Lookout! Records. It collects material recorded between 1982 and 1994, most of it with original member Wimpy Rutherford. It includes the band's first two EPs, 1982's Love Me and 1984's Kicked Out of the Webelos, several demo tracks recorded in 1991, 16 tracks recorded during a January 1993 reunion with Rutherford, and a complete set of early songs recorded live on radio station WFMU in 1994 with Rutherford on lead vocals.
After the Queers rescinded their master recordings from Lookout! in 2006, A Day Late and a Dollar Short was reissued by Asian Man Records the following year, having been remastered by the band's longtime studio collaborator Mass Giorgini.
The album's first 13 tracks comprise the Queers' first two EPs, Love Me (1982) and Kicked Out of the Webelos (1984). The band had formed in 1982 in Portsmouth, New Hampshire, with the lineup of Joseph King on guitar and lead vocals, Scott Gildersleeve on bass guitar and backing vocals, and Jack Hayes on drums; they took the respective pseudonyms Joe Queer, Tulu, and Wimpy Rutherford. [1] [2] This lineup never performed live, but recorded their first songs at local studio Fishtracks with recording engineer Bruce Pingree, who served as de facto producer. [2] These included "We'd Have a Riot Doing Heroin"; "Terminal Rut", written about Rutherford; and "Fagtown", which was about their hometown. [1] [2] For "I Want Cunt", Queer played bass while Tulu played guitar and sang lead vocals. [1] On "Trash This Place", the band members recorded voices for the background and then sped up the tape to mimic the Ramones song "We're a Happy Family". [2]
The band's friend Brian Barrett was hanging out in the studio wearing a T-shirt that read "Beat me, bite me, whip me, fuck me, cum all over my tits, tell me that you love me, then get the fuck out"; deciding that they needed one more song, they invited their older drinking buddy William H. "Pappy" McClaren into the recording booth, plied him with alcohol, and asked him to read the phrase on Barrett's shirt repeatedly while they played instrumental parts they had made up on the spot. [1] [2] McClaren began to improvise, saying lines such as "Hey big boy, if you can't run with the big dogs, you better stay on the porch." [2] The band kept the first take, titled it "Love Me", and made it the B-side and title track of their first EP. [1] [2] Only 200 copies were pressed; in a do it yourself fashion, the band made up their own record label imprint, Doheny Records, and issued it in a plain white sleeve without artwork or an insert, hand-writing the credits and other comments on the sleeves. [1]
Tulu moved to New York City after Love Me, but Queer and Rutherford continued to write new songs, bringing in new bassist Keith Hages, formerly of Los Angeles punk band the Berlin Brats. [1] [2] Coming up with 7 new songs in a single afternoon, they called Tulu and convinced him to return to Portsmouth to record another EP with the Queers. [1] [2] They drove to New York to pick him up, occasioning them to write the song "Wimpy Drives Through Harlem". [2] Rutherford switched from drums to being the band's lead vocalist, singing in an over-the-top faux British accent. [1] [2] Queer stayed on guitar and sang backing vocals, while Tulu switched to drums: "I ended up doing what Micky Dolenz and Tommy Ramone had done (though obviously on a much smaller scale)," he recalled in 2007, "which was willing myself to play drums because I had a certain sound in mind which I felt was crucial for the type of songs we were doing." [2] This lineup recorded the Kicked Out of the Webelos EP at Reelization Studios with recording engineer and local radio disc jockey Norm Thibeau. [2] Like Love Me, it was issued under the Doheny Records imprint in a white paper sleeve without cover art. This lineup of the Queers only lasted a few months, and played only five shows before breaking up. [1] [2]
The next 16 tracks on A Day Late and a Dollar Short are from a January 1993 reunion with Rutherford. [1] Joe Queer had revived the Queers in the mid-1980s, with a number of members coming and going from the lineup over the next several years and sporadic recording sessions resulting in the band's first album, 1990's Grow Up . [3] By this time the lineup had solidified with Queer, drummer Hugh O'Neill, and bassist Chris "B-Face" Barnard, who recorded the band's second album, Love Songs for the Retarded , in November 1992. [4] [5] [6] Wimpy Rutherford had left Portsmouth, but returned for the Christmas holidays that December. [1] While in town, he rejoined the Queers for some live performances and to record some of the songs they had written in the early 1980s but had not recorded, including "Wimpy Drives Through Harlem", "I Like Young Girls", "Nobody Likes Me", "I'm Nowhere at All", "Nothing to Do", and a cover version of Richard Harris's 1968 hit "MacArthur Park". [1] [7] [8] [9] Queer had found a pair of old rehearsal tapes which included the band's complete set list from 1983; they had been teaching Hages the songs at the time and were calling out the chord changes, which made it easy for the band to re-learn the parts to the old songs by listening to the tapes. [1]
The tracks were recorded in a single session at a small 8-track studio in Portsmouth, with Rutherford on lead vocals, Queer on rhythm guitar and backing vocals, B-Face on bass, O'Neill on drums and serving as producer, and Queer's roommate Harlan playing lead guitar. [1] [4] 13 of these tracks were issued on three EPs: Too Dumb to Quit! on Doheny Records (1993), Look Ma No Flannel! on Clearview Records (1994), and My Old Man's a Fatso on Woundup Records (1995). [1] [7] [8] [9] Following this material on A Day Late and a Dollar Short are three previously-unreleased outtakes from the session: alternate takes of "Wimpy Drives Through Harlem" and "Nothing to Do", and a recording of the Grow Up song "Gay Boy". This lineup of the Queers performed a 16-song set on radio station WFMU in New Jersey on April 11, 1994, which is included as the final track on A Day Late and a Dollar Short. [1] [2] Rutherford also performed with the band at a 1994 show in El Paso, Texas; a photograph taken by Heidi Smith of this performance was used for the album cover. [1] [2]
The remaining four tracks on the album are versions of "Nobody Likes Me", "Too Many Twinkies", "Half Shitfaced", and "I Live This Life" from a demo tape that Queer, B-Face, and O'Neill had recorded in May 1991 with producer Jim Tierney to give Ben Weasel a sample of their new material, in the hopes of getting to perform with his band Screeching Weasel and convincing him to produce Love Songs for the Retarded. [10] The entire 14-song demo tape was later released on the 1999 compilation album Later Days and Better Lays . [10]
Reviewing A Day Late and a Dollar Short for AllMusic, critic Kembrew McLeod rated it 4 stars out of 5 and wrote that it was "good for completists, but maddening to listen to because the recording and songwriting quality veers all over the place." [11]
In 2006 the Queers followed several other former Lookout! artists in rescinding their master tapes and licensing rights from the label, invoking a clause in their contract citing delinquent royalty payments. [12] They signed to Asian Man Records, who reissued all of the band's Lookout! albums in 2007. For its reissue, A Day Late and a Dollar Short was remastered by recording engineer Mass Giorgini, who had worked with the Queers in a studio capacity since 1992. The album was given a new cover and artwork, and new liner notes written by Queer, Rutherford, and Tulu reflecting on the band's early years. [2]
Writing credits adapted from the album's liner notes. [2]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "We'd Have a Riot Doing Heroin" (from Love Me, 1982) | Scott "Tulu" Gildersleeve | 1:02 |
2. | "Terminal Rut" (from Love Me, 1982) | Tulu, "Joe Queer" King, Jack "Wimpy Rutherford" Hayes | 0:34 |
3. | "Fagtown" (from Love Me, 1982) | Tulu | 0:30 |
4. | "I Want Cunt" (from Love Me, 1982) | Tulu | 0:23 |
5. | "Trash This Place" (from Love Me, 1982) | Queer | 1:38 |
6. | "Love Me" (from Love Me, 1982) | Tulu, William H. "Pappy" McClaren | 3:57 |
7. | "Kicked Out of the Webelos" (from Kicked Out of the Webelos, 1984) | Queer, Rutherford | 1:24 |
8. | "Tulu Is a Wimp" (from Kicked Out of the Webelos, 1984) | Queer, Rutherford | 1:09 |
9. | "At the Mall" (from Kicked Out of the Webelos, 1984) | Queer, Rutherford | 1:03 |
10. | "I Spent the Rent" (from Kicked Out of the Webelos, 1984) | Queer, Rutherford | 0:24 |
11. | "I Don't Wanna Work" (from Kicked Out of the Webelos, 1984) | Queer, Rutherford | 1:56 |
12. | "I'm Useless" (from Kicked Out of the Webelos, 1984) | Queer, Rutherford | 1:11 |
13. | "This Place Sucks" (from Kicked Out of the Webelos, 1984) | Queer, Rutherford | 0:52 |
14. | "Wimpy Drives Through Harlem" (from Look Ma No Flannel!, 1994) | Queer, Rutherford | 1:23 |
15. | "I Like Young Girls" (from Look Ma No Flannel!, 1994) | Queer, Rutherford | 1:44 |
16. | "Nuni in New York" (from Look Ma No Flannel!, 1994) | Tulu | 0:53 |
17. | "Nobody Likes Me" (from Look Ma No Flannel!, 1994) | Queer, Rutherford | 2:00 |
18. | "Nothing to Do" (from Too Dumb to Quit!, 1993) | Tulu | 0:53 |
19. | "I'm Nowhere at All" (from Too Dumb to Quit!, 1993) | Queer, Rutherford | 1:05 |
20. | "MacArthur Park" (originally performed by Richard Harris; from My Old Man's a Fatso, 1994) | Jimmy Webb | 1:37 |
21. | "Too Much Flesh for Tulu" (from Look Ma No Flannel!, 1994) | Queer, Rutherford | 0:28 |
22. | "Fuck You" (from Too Dumb to Quit!, 1993) | Chris "B-Face" Barnard | 1:01 |
23. | "I Didn't Want None" (from Look Ma No Flannel!, 1994) | Queer | 1:40 |
24. | "Meat Wagon" (from My Old Man's a Fatso, 1994) | Queer, Rutherford | 0:28 |
25. | "Didn't Puke" (from Too Dumb to Quit!, 1993) | Tulu | 1:05 |
26. | "Bonehead" (from Too Dumb to Quit!, 1993) | Queer, Rutherford | 2:24 |
27. | "Wimpy Drives Through Harlem" (alternate take) | Queer, Rutherford | 1:54 |
28. | "Nothing to Do" (alternate take) | Tulu | 0:50 |
29. | "Gay Boy" | Queer, Rutherford | 2:09 |
30. | "Nobody Likes Me" (demo version, 1991) | Queer, Rutherford | 2:10 |
31. | "Too Many Twinkies" (demo version, 1991) | Queer, B-Face | 1:59 |
32. | "Half Shitfaced" (demo version, 1991) | Queer, B-Face | 2:06 |
33. | "I Live This Life" (demo version, 1991) | Queer | 1:54 |
34. | "Live Broadcast WFMU 4/11/94" ("We'd Have a Riot Doing Heroin" / "Terminal Rut" / "Fagtown" / "I Want Cunt" / "Tulu Is a Wimp" / "At the Mall" / "I Spent the Rent" / "I Don't Wanna Work" / "I'm Useless" / "This Place Sucks" / "Kicked Out of the Webelos" / "Nobody Likes Me" / "MacArthur Park" / "I'm Nowhere at All" / "Nothing to Do" / "I Like Young Girls") | 19:15 | |
Total length: | 65:01 |
Credits adapted from the album's liner notes. [1] [2]
The Queers
Additional performers
Production
Artwork
The Vandals Play Really Bad Original Country Tunes is an album by the southern California punk rock band The Vandals, released in 1999 by Kung Fu Records. Essentially a re-release of their 1989 album Slippery When Ill, it contains 8 of the 10 songs from that album along with 2 newer, previously unavailable songs. Part of the impetus for its release was that the original Slippery When Ill, long asked for by the band's fans, had become very rare and difficult to obtain due to the small size of the record labels it was originally released on. With their Kung Fu label now firmly established, the band was able to re-release this music from ten years earlier in their career.
The Queers are an American punk rock band, formed in 1981 by Portsmouth, New Hampshire native Joseph “Joe” P. King along with Scott Gildersleeve, and John “Jack” Hayes. With the addition of Keith Hages joining on bass in 1983 the band started playing their first public performances. This original lineup played a total of five or six live shows. The original lineup of The Queers initially broke up in late 1984, but reformed with Joe Queer and a new line-up in 1986. In 1990, the band signed with Shakin' Street Records and released their first album Grow Up. The album earned the band notability within New England, but with the release of their next album 1993's Love Songs for the Retarded, on Lookout! Records, their following grew larger.
Squirtgun is an American punk rock band from Lafayette, Indiana formed by record producer Mass Giorgini in 1993.
Genesis Archive 1967–75 is a box set by the English progressive rock band Genesis, released on 22 June 1998 on Virgin Records in the United Kingdom and by Atlantic Records in the United States. After the release of their studio album Calling All Stations in 1997, the band assembled recordings from their history for release which involved the participation of former members Peter Gabriel, Anthony Phillips, Steve Hackett, and Phil Collins. The set includes previously unreleased studio, live, and demo tracks, some of which include re-recorded vocal and guitar parts from Gabriel and Hackett, respectively.
Wiggle is the fifth studio album by the Chicago-based punk rock band Screeching Weasel. Initially planned for release in November 1992, the album was finally released on CD, vinyl and cassette on January 15, 1993, through Lookout Records. Due to a "cymbal hissing" in the original vinyl version, the album was remixed and re-released soon afterwards.
Love Songs for the Retarded is the second studio album by the American punk rock band the Queers, released in 1993 by Lookout! Records. It was the first of five studio albums the band would record for Lookout!, and their first by the lineup of singer and guitarist "Joe Queer" King, bassist Chris "B-Face" Barnard, and drummer Hugh O'Neill. It was also their first collaboration with Screeching Weasel frontman Ben Weasel, who produced the album and co-wrote two of its songs, and the first of three Queers albums recorded at Sonic Iguana Studio in Lafayette, Indiana with audio engineer Mass Giorgini, who would continue to work with the band on and off for the next 14 years as a producer and engineer. Love Songs for the Retarded became the Queers' highest-selling album, with sales surpassing 100,000 copies.
Grow Up is the debut album by the American punk rock band the Queers. Recorded in multiple sessions between 1986 and 1988, with various band members and session musicians backing singer and guitarist Joe King, it was originally released as an LP record in 1990 by British label Shakin' Street Records. However, the label went out of business after only 1,000 copies were pressed. The Queers had more copies pressed themselves, continuing to list Shakin' Street as the record label, but when they failed to pay their bill the pressing plant destroyed all but approximately 160 copies, which the band released with a photocopied album cover.
Beat Off is the fourth studio album by the American punk rock band the Queers, released in 1994 by Lookout! Records. Recorded during a time when the Queers' usual drummer, Hugh O'Neill, was on a forced leave of absence from the band to deal with heroin addiction, it featured Screeching Weasel drummer Dan Panic and guitarist Dan Vapid added to the lineup. It was the third and final Queers album produced by Screeching Weasel singer Ben Weasel, who insisted on a no-frills punk sound for the album and removed Vapid's tracks from the final mix without his knowledge.
Move Back Home is the fifth studio album by the American punk rock band the Queers, released in May 1995 by Lookout! Records. The recording sessions were marred by the band members' drug problems, and many of the songs were written in the studio. Producer and Lookout! president Larry Livermore was so displeased with the result that he took his name off of the album, and several involved parties, including singer and guitarist Joe Queer, later regarded it as sub-par. After the Queers rescinded their master recordings from Lookout! in 2006, Move Back Home was reissued by Asian Man Records the following year, having been remixed and remastered by Queer and recording engineer Mass Giorgini and with the tracks from the Surf Goddess EP added.
Surf Goddess is an EP by the American punk rock band the Queers, released in February 1995 by Lookout! Records. It marked the return of longtime drummer Hugh O'Neill to the band, after a forced leave of absence to deal with heroin addiction. Former Screeching Weasel member Dan Vapid, who had been a member of the Queers in 1994, played on the EP as a guest guitarist. Surf Goddess was the result of band leader Joe King and Lookout! head Larry Livermore being dissatisfied with the production techniques on the band's prior album, 1994's Beat Off, which producer Ben Weasel had insisted on keeping basic. King and Livermore wanted to incorporate overdubbing and other effects which Livermore felt were essential to the Queers' sound. In addition to the title track, which was co-written by Weasel, and the Queers original "Quit Talkin'", the EP includes cover versions of Tommy James and the Shondells's "Mirage" and the Undertones' "Get Over You".
Don't Back Down is the sixth studio album by the American punk rock band the Queers, released in August 1996 by Lookout! Records. The band and Lookout! president Larry Livermore, who served as executive producer, sought to balance the sounds of the Ramones and the Beach Boys, and enlisted the help of former Queers guitarist JJ Rassler and Cub singer Lisa Marr. The album's title track is a cover version of the Beach Boys song of the same name; it also features covers of the Hondells' "Little Sidewalk Surfer Girl" and Hawaiian punk band the Catalogs' "Another Girl". The album produced the band's first music videos, for "Punk Rock Girls" and "Don't Back Down".
Punk Rock Confidential is the sixth full-length album by pop punk band The Queers and their first album released on Hopeless Records.
Later Days and Better Lays is a compilation album by the American punk rock band the Queers, released in March 1999 by Lookout! Records. It combines a 14-song demo tape from 1991 with some demos recorded in the lead-up to their 1996 album Don't Back Down, as well as some outtakes from that album's recording sessions. The compilation fulfilled the band's contractual obligations to Lookout!, following seven years and four studio albums on the label. They moved on to Hopeless Records, but would return to Lookout! for the Today EP (2001) and album Pleasant Screams (2002) before parting ways with the label again.
Beyond The Valley... is an album by pop-punk band The Queers. It was released in 2000 via Hopeless Records.
Weekend At Bernie's is a live album by pop punk band The Queers, named for the 1989 film of the same name. The original lead singer, Wimpy Rutherford, joins the Queers on ten tracks.
Munki Brain is an album by pop-punk band The Queers.
Live at Some Prick's House is an EP by the American punk rock bands the Queers and the Pink Lincolns, released in 1994 by independent record label Just Add Water Records. A split release, it includes five songs recorded by the Queers during a June 1991 performance on the Massachusetts Institute of Technology's campus radio station WMBR, and three songs performed by the Pink Lincolns on Halloween 1993 at the Sombre Reptile in Atlanta, including a cover version of Bikini Kill's "Suck My Left One".
Suck This is the second live album by the American punk rock band the Queers, released in 1995 by independent record label Clearview Records. It was recorded live in the studio at the Jam Room in Columbia, South Carolina and released as a single-sided picture disc, and reissued on compact disc in 1998. It was the band's only live album recorded during the period when Screeching Weasel members Dan Vapid and Dan Panic were also in the Queers.
Olé Maestro is a live album by the band The Queers. It was recorded live, 100% overdub free, at Gruta77 venue in Madrid, Spain, on November 14, 2009. And it was released on CD in May 2013 by MediaDavid Produccions. It contains 38 tracks and a comic inside the booklet.
The discography of the Queers, an American punk rock band, consists of 13 studio albums, 9 live albums, 4 compilation albums, 1 video album, 3 music videos, 22 EPs, 1 single, and 1 split album.