| Louis Under the Stars | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | November 1958 | |||
| Recorded | August 14, 1957 | |||
| Studio | Capitol (Hollywood) [1] | |||
| Genre | Vocal jazz | |||
| Length | 45:44 | |||
| Label | Verve MGV 4012 [2] | |||
| Louis Armstrong chronology | ||||
| ||||
Louis Under the Stars is a 1958 album by Louis Armstrong, arranged by Russell Garcia. The album was recorded on the same day as Armstrong's 1958 album I've Got the World on a String ; the previous day he had finished recording Ella and Louis Again with Ella Fitzgerald. [3] [4]
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [3] |
Billboard magazine reviewed the album in their November 5, 1958, issue and wrote that "The great artist gives a brace of standards his wonderful and soulful, gravel-voiced treatment...The combination of talents puts this package in the top flight category". [5]
Scott Yanow reviewed the album for Allmusic and wrote that "Although the accompaniment is pretty straight and unadventurous, it is enjoyable to hear Satch's interpretations of such songs as "Have You Met Miss Jones," "I Only Have Eyes for You," "Home," and "East of the Sun." Many of his trumpet solos in the medium-tempo material are brief but dramatic, and his singing is typically expressive and good-humored". [3]
Edward William May Jr. was an American composer, arranger and trumpeter. He composed film and television music for The Green Hornet (1966), The Mod Squad (1968), Batman, and Naked City (1960). He collaborated on films such as Pennies from Heaven (1981), and orchestrated Cocoon, and Cocoon: The Return, among others.
Gordon Hill Jenkins was an American arranger, composer, and pianist who was influential in popular music in the 1940s and 1950s. Jenkins worked with The Andrews Sisters, Johnny Cash, The Weavers, Frank Sinatra, Louis Armstrong, Judy Garland, Nat King Cole, Billie Holiday, Harry Nilsson, Peggy Lee and Ella Fitzgerald.
Thaddeus Joseph Jones was an American jazz trumpeter, composer and bandleader who has been called "one of the all-time greatest jazz trumpet soloists".
Robert Leo Hackett was a versatile American jazz musician who played swing music, Dixieland jazz and mood music, now called easy listening, on trumpet, cornet, and guitar. He played Swing with the bands of Glenn Miller and Benny Goodman in the late 1930s and early 1940s, he played Dixieland from the 1930s into the 1970s in a variety of groups with many of the major figures in the field, and he was a featured soloist on the first ten of the numerous Jackie Gleason mood music albums during the 1950s.
Porgy and Bess is a studio album by jazz vocalist and trumpeter Louis Armstrong and singer Ella Fitzgerald, released on Verve Records in 1959. The third and final of the pair's albums for the label, it is a suite of selections from the George Gershwin opera Porgy and Bess. Orchestral arrangements are by Russell Garcia, who had previously arranged the 1956 jazz vocal recording The Complete Porgy and Bess.
Ella and Louis is a studio album by Ella Fitzgerald and Louis Armstrong, accompanied by the Oscar Peterson Quartet, released in October 1956. Having previously collaborated in the late 1940s for the Decca label, this was the first of three albums that Fitzgerald and Armstrong were to record together for Verve Records, later followed by 1957's Ella and Louis Again and 1959's Porgy and Bess.
The Complete Ella Fitzgerald & Louis Armstrong on Verve is a compilation album released on Verve Records in 1997. It comprises three compact discs containing the three studio albums made for the label by Ella Fitzgerald and Louis Armstrong, released during 1956 through 1958.
Russell Garcia, QSM was an American composer and arranger who wrote a wide variety of music for screen, stage and broadcast.
No Count Sarah is a studio album by the American jazz singer Sarah Vaughan released in August 1959.
"Don't Get Around Much Anymore" is a jazz standard written by composer Duke Ellington. The song was originally entitled "Never No Lament" and was first recorded by Duke Ellington and his orchestra on May 4, 1940. "Don't Get Around Much Anymore" quickly became a hit after Bob Russell wrote its lyrics in 1942.
Vincent Ned DeRosa was an American hornist who served as a studio musician for Hollywood soundtracks and other recordings from 1935 until his retirement in 2008. Because his career spanned over 70 years, during which he played on many film and television soundtracks and as a sideman on studio albums, he is considered to be one of the most recorded brass players of all time. He set "impeccably high standards" for the horn, and became the first horn for Henry Mancini, Lalo Schifrin, Alfred Newman, and John Williams, among others, with Williams calling him "one of the greatest instrumentalists of his generation." DeRosa contributed to many of the most acclaimed albums of the 20th century, including some of the biggest-selling albums by artists as diverse as Frank Sinatra, Barry Manilow, Frank Zappa, Boz Scaggs, Ella Fitzgerald, Harry Nilsson, Stan Kenton, Henry Mancini, The Monkees, Sammy Davis Jr., and Mel Tormé.
When Harry Met Sally... is the soundtrack to the 1989 film of the same name starring Billy Crystal and Meg Ryan. The songs are performed by pianist Harry Connick Jr., who won the Grammy Award for Best Jazz Male Vocal Performance.
Gil Evans & Ten is the first album by pianist, conductor, arranger and composer Gil Evans as a leader, released on the Prestige label in 1957. It features Evans' arrangements of five standards and one original composition performed by Evans, Steve Lacy, John Carisi, Jack Koven, Jimmy Cleveland, Bart Varsalona, Willie Ruff, Lee Konitz, Dave Kurtzer, Paul Chambers, Jo Jones, Louis Mucci and Nick Stabulas. In 2003, a SACD version was published, with the first release of the stereo version.
New Bottle Old Wine is an album by jazz composer, arranger, conductor and pianist Gil Evans recorded in 1958 by Evans with an orchestra. The album is a suite of songs written by and/or associated with major jazz musicians and composers, in original arrangements by Gil Evans. Cannonball Adderley is featured as the main soloist. The orchestra also featured a number of important players including Bill Barber, Frank Rehak, Johnny Coles, Art Blakey, and Paul Chambers.
The Greatest Jazz Concert in the World is a 1967 live album featuring Duke Ellington and his orchestra, Ella Fitzgerald, Oscar Peterson, T-Bone Walker, Coleman Hawkins, Clark Terry and Zoot Sims. It was released in 1975.
Jack K. Pleis was an American jazz pianist, arranger, conductor, composer and producer. He recorded on London and Decca Records in the 1950s, and Columbia Records in the 1960s. During the course of his career, Pleis worked with many artists, including Louis Armstrong, Harry Belafonte, Bing Crosby, Sammy Davis Jr., Benny Goodman, Earl Grant, Brenda Lee, and Joe Williams. Between 1950 and 1976, more than 150 songs were arranged by Pleis. His surname is pronounced "Pleece".
Urbane Jazz is an album by American jazz trumpeter Roy Eldridge and saxophonist Benny Carter recorded in 1955 and released on the Verve label.
The collaborations between Ella Fitzgerald and Louis Armstrong have attracted much attention over the years. The artists were both widely known icons not just in the areas of big band, jazz, and swing music but across 20th century popular music in general. The two African-American musicians produced three official releases together in Ella and Louis (1956), Ella and Louis Again (1957), and Porgy and Bess (1959). Each release earned both commercial and critical success. As well, tracks related to those albums have also appeared in various forms in multi-artist collections and other such records.
I've Got the World on a String is a 1960 album by Louis Armstrong, arranged by Russell Garcia.
The Satchmo Legacy is the final studio album by trumpeter Benny Bailey featuring performances associated with Louis Armstrong which was recorded in late 1999 and originally released on the Enja label.
