Love's Last Shift

Last updated

Colley Cibber depicted in the role of Lord Foppington in John Vanbrugh's The Relapse, the sequel to Love's Last Shift Colley Cibber as Lord Foppington in The Relapse by John Vanbrugh1.jpg
Colley Cibber depicted in the role of Lord Foppington in John Vanbrugh's The Relapse , the sequel to Love's Last Shift

Love's Last Shift, or The Fool in Fashion is an English Restoration comedy by Colley Cibber from 1696. The play is regarded as an early herald of a shift in audience tastes away from the intellectualism and sexual frankness of Restoration comedy and towards the conservative certainties and gender role backlash of sentimental comedy. It is often described as "opportunistic" (Hume), containing as it does something for everybody: daring Restoration comedy sex scenes, sentimental reconciliations, and broad farce.

Contents

Character list

Men: [1]

Women:

Colley Cibber played Sir Novelty Fashion in the original 1688 production.

Synopsis

Love's Last Shift is the story of a last "shift" or trick that a virtuous wife, Amanda, is driven to, in order to reform and retain her out-of-control rakish husband Loveless. Loveless has been away for ten years, dividing his time between the brothel and the bottle, and no longer recognizes his wife when he returns to London. Acting the part of a high-class prostitute, Amanda invites Loveless into her luxurious house and treats him to the night of his dreams, confessing her true identity in the morning. Loveless is so impressed by her faithfulness that he immediately becomes a reformed character. A minor part which was a great success with the première audience is the fop Sir Novelty Fashion, written by Cibber for himself to play. Sir Novelty flirts with all the women, but is more interested in his own exquisite appearance and witticisms, and, writes Cibber modestly in his autobiography 45 years later, "was thought a good portrait of the foppery then in fashion".

The play was a great box office hit at the première run but has not stood the test of time. Theatre historians today remember it, if at all, because of John Vanbrugh's sequel The Relapse, or, Virtue in Danger , still a stage favourite, where the husband returns to polygamy.

Related Research Articles

<span class="mw-page-title-main">Colley Cibber</span> English actor-manager, playwright, and poet laureate

Colley Cibber was an English actor-manager, playwright and Poet Laureate. His colourful memoir An Apology for the Life of Colley Cibber (1740) describes his life in a personal, anecdotal and even rambling style. He wrote 25 plays for his own company at Drury Lane, half of which were adapted from various sources, which led Robert Lowe and Alexander Pope, among others, to criticise his "miserable mutilation" of "crucified Molière [and] hapless Shakespeare".

<i>The Relapse</i> 1696 Restoration comedy written by John Vanbrugh

The Relapse, or, Virtue in Danger is a Restoration comedy from 1696 written by John Vanbrugh. The play is a sequel to Colley Cibber's Love's Last Shift, or, The Fool in Fashion.

<span class="mw-page-title-main">Fop</span> Man overly concerned with his appearance

Fop became a pejorative term for a man excessively concerned with his appearance and clothes in 17th-century England. Some of the many similar alternative terms are: coxcomb, fribble, popinjay, dandy, fashion-monger, and ninny. Macaroni was another term of the 18th century more specifically concerned with fashion.

<span class="mw-page-title-main">Anne Oldfield</span> English actress

Anne Oldfield was an English actress and one of the highest paid actresses of her time.

<span class="mw-page-title-main">Thomas Southerne</span> Irish dramatist (1660–1746)

Thomas Southerne was an Irish dramatist.

<span class="mw-page-title-main">Cecil Beck</span> British politician (1876-1932)

Sir Arthur Cecil Tyrrell Beck was a British Liberal Party politician.

<span class="mw-page-title-main">Graham White (politician)</span>

Henry Graham White, known as Graham White, was a radical British Liberal Party politician.

Thomas Oswald was a Labour Member of Parliament in the United Kingdom. He represented Edinburgh Central from 1951 until he retired at the February 1974 general election.

The Conscious Lovers is a sentimental comedy written in five acts by the Irish author Richard Steele. The Conscious Lovers appeared on stage on 7 November 1722, at Theatre Royal, Drury Lane and was an immediate success, with an initial run of eighteen consecutive nights.

Hiacoomes was a Wampanoag American Indian from the island of Martha's Vineyard,, who in 1643 became the first member of his society to convert to Christianity under the tutelage of the missionary Thomas Mayhew Jr. He would then, with the assistance of Mayhew, become a leading preacher to his fellow Wampanoag on the island, playing a major role in the widespread conversion of the Wampanoag from their traditional beliefs to Christianity.

<span class="mw-page-title-main">William Pinkethman</span>

William Pinkethman was an English comic actor, a low comedian with a droll style, and theatre manager. He was considered an imitator of Anthony Leigh.

His Honour John Neal MC was an English Judge and Liberal Party politician.

<span class="mw-page-title-main">St John Hutchinson</span> British barrister and Liberal Party politician

St John Hutchinson KC was a British barrister and Liberal Party politician.

Sir Hubert Stanley Houldsworth, 1st Baronet, QC was a barrister, Chairman of the National Coal Board and a British Liberal Party politician.

Sir Arthur Probyn Jones, 2nd Baronet, was a British barrister, baronet and Liberal Party politician.

Lt-Col. John Edward Tennant DSO MC was a British airman, explorer, banker and Liberal Party politician.

<span class="mw-page-title-main">Basil Feilding, 6th Earl of Denbigh</span> English nobleman and courtier

Basil Feilding, 6th Earl of Denbigh and 5th Earl of Desmond was an English nobleman and courtier.

<span class="mw-page-title-main">Sentimental comedy</span>

Sentimental comedy is an 18th-century dramatic genre which sprang up as a reaction to the immoral tone of English Restoration plays. In sentimental comedies, middle-class protagonists triumphantly overcome a series of moral trials. These plays aimed to produce tears rather than laughter and reflected contemporary philosophical conceptions of humans as inherently good but capable of being led astray by bad example. By appealing to his noble sentiments, a man could be reformed and set back on the path of virtue. Although the plays contained characters whose natures seemed overly virtuous and whose problems were too easily resolved, they were accepted by audiences as truthful representations of the human predicament.

Joseph Williams was an English stage actor of the seventeenth and early eighteenth century.

Jane Lucas was an English stage actress and singer of the late seventeenth and early eighteenth century. From around 1693 she was a member of the United Company based at the Theatre Royal, Drury Lane. In 1697 she had fellow actor Colley Cibber arrested, although the reason was not clear and she remained acting in the company alongside him for some years afterwards.

References

  1. Cibber, Colley. Love's last shift: or, the fool in fashion. A comedy, as it is acted at the Theatre Royal in Drury-Lane, by Their Majesties servants. Written by C. Cibber. London, 1735. Eighteenth Century Collections Online. Gale. 27 Sept. 2009 <http://find.galegroup.com/ecco/infomark.do?&contentSet=ECCOArticles&type=multipage&tabID=T001&prodId=ECCO&docId=CW111374637&source=gale&version=1.0&docLevel=FASCIMILE>.