Love Has Many Faces: A Quartet, a Ballet, Waiting to Be Danced | ||||
---|---|---|---|---|
Box set by | ||||
Released | November 24, 2014 [1] [lower-alpha 1] | |||
Genre | ||||
Length | 238:49 | |||
Label | ||||
Producer | ||||
Compiler | Joni Mitchell | |||
Joni Mitchell chronology | ||||
|
Love Has Many Faces (subtitled A Quartet, a Ballet, Waiting to Be Danced) is a box set by Canadian musician Joni Mitchell. It was released on November 24, 2014, through Rhino Entertainment. The box set compiles songs spanning Mitchell's fourth album, Blue to her most recent album, Shine (2007).
Compiled over a period of 18 months, Love Has Many Faces collects romantically themed songs from Mitchell's back catalogue, organized into four "acts". [4] Included in its packaging is new paintings and poetry by Mitchell. [5]
While the set was originally planned as one disc, creating what Mitchell referred to as an "emotional roller coaster", it was eventually expanded to four discs, allowing certain themes to be emphasized and "moods [to be] sustained". [4] This single-disc compilation was intended to accompany a ballet to be performed in 2014 by the Alberta Ballet, until Mitchell made the decision to expand the project. [6]
The set notably does not include any material from Mitchell's first three albums— Song to a Seagull (1968), Clouds (1969), and Ladies of the Canyon (1970). [6] In an interview with Billboard , she attributed the exclusion of the latter two albums to a dislike of her vocal performances on them. [6]
Review scores | |
---|---|
Source | Rating |
AllMusic | [2] |
The Irish Times | [7] |
Paste | 9.5/10 [8] |
PopMatters | 7/10 [9] |
In a review for AllMusic, Mark Deming awarded the set four stars out of five. [2] While he felt that some fans may have been disappointed by its emphasis on less-popular and overlooked later material, he also opined that the lesser-known material "play[s] significantly better than they did on her uneven projects of the '80s and '90s", and also stated that the "lyrical strength and bold musical vision that inform [the set's] music are genuinely remarkable on nearly every tune." [2] Writing for Paste , Douglas Heselgrave gave the set a rating of 9.5 out of 10 and also commended it for featuring work from the latter part of Mitchell's career, highlighting "Chinese Café/Unchained Melody", "Love Puts on a New Face" and "Borderline" and praising them as being "as lyrically and musically interesting as anything she recorded during the first decade of her career". [8]
All tracks are written by Joni Mitchell, except where noted.
No. | Title | Original release | Length |
---|---|---|---|
1. | "In France They Kiss on Main Street" | The Hissing of Summer Lawns (1975) | 3:18 |
2. | "Ray's Dad's Cadillac" | Night Ride Home (1991) | 4:33 |
3. | "You Turn Me On, I'm a Radio" | For the Roses (1972) | 2:39 |
4. | "Harlem in Havana" | Taming the Tiger (1998) | 4:25 |
5. | "Car on a Hill" | Court and Spark (1974) | 2:58 |
6. | "Dancin' Clown" | Chalk Mark in a Rain Storm (1988) | 3:51 |
7. | "River" | Blue (1971) | 4:00 |
8. | "Chinese Café/Unchained Melody" (Mitchell/Alex North, Hy Zaret) | Wild Things Run Fast (1982) | 5:17 |
9. | "Harry's House/Centerpiece" (Mitchell/John Hendricks, Harry Edison) | The Hissing of Summer Lawns | 6:47 |
10. | "Shades of Scarlett Conquering" | The Hissing of Summer Lawns | 4:58 |
11. | "Number One" | Chalk Mark in a Rain Storm | 3:47 |
12. | "The Windfall (Everything for Nothing)" | Night Ride Home | 5:14 |
13. | "Come in from the Cold" | Night Ride Home | 3:39 |
Total length: | 55:26 |
No. | Title | Original release | Length |
---|---|---|---|
1. | "Court and Spark" | Court and Spark | 2:46 |
2. | "Not to Blame" | Turbulent Indigo (1994) | 4:16 |
3. | "Nothing Can Be Done" (Mitchell, Larry Klein) | Night Ride Home | 4:52 |
4. | "Comes Love" (Lew Brown, Sam H. Stept, Charles Tobias) | Both Sides Now (2000) | 4:28 |
5. | "Trouble Child" | Court and Spark | 4:00 |
6. | "No Apologies" | Taming the Tiger | 4:17 |
7. | "Moon at the Window" | Wild Things Run Fast | 3:43 |
8. | "Blue" | Blue | 3:03 |
9. | "Tax Free" (Mitchell, Klein) | Dog Eat Dog (1985) | 4:15 |
10. | "The Wolf That Lives in Lindsey" | Mingus (1979) | 6:33 |
11. | "Hana" | Shine (2007) | 3:42 |
12. | "Hejira" | Travelogue (2002) | 6:47 |
13. | "Stay in Touch" | Taming the Tiger | 2:58 |
14. | "Night Ride Home" | Night Ride Home | 3:26 |
Total length: | 59:06 |
No. | Title | Original release | Length |
---|---|---|---|
1. | "You're My Thrill" (Sidney Clare, Jay Gorney) | Both Sides Now | 3:51 |
2. | "The Crazy Cries of Love" (Mitchell, Don Freed) | Taming the Tiger | 3:53 |
3. | "Love Puts on a New Face" | Taming the Tiger | 3:46 |
4. | "Borderline" | Turbulent Indigo | 4:47 |
5. | "A Strange Boy" | Hejira (1976) | 4:17 |
6. | "You Dream Flat Tires" | Wild Things Run Fast | 3:45 |
7. | "Love" | Travelogue | 5:38 |
8. | "All I Want" | Blue | 3:33 |
9. | "Be Cool" | Travelogue | 5:09 |
10. | "Yvette in English" (Mitchell, David Crosby) | Turbulent Indigo | 5:16 |
11. | "Just Like This Train" | Court and Spark | 4:23 |
12. | "Carey" | Blue | 3:02 |
13. | "The Only Joy in Town" | Night Ride Home | 5:09 |
Total length: | 56:29 |
No. | Title | Original release | Length |
---|---|---|---|
1. | "Don Juan's Reckless Daughter" | Don Juan's Reckless Daughter (1977) | 6:38 |
2. | "Two Grey Rooms" | Night Ride Home | 3:55 |
3. | "God Must Be a Boogie Man" | Travelogue | 3:55 |
4. | "Down to You" | Court and Spark | 5:36 |
5. | "A Case of You" | Blue | 4:22 |
6. | "The Last Time I Saw Richard" | Travelogue | 4:58 |
7. | "Raised on Robbery" | Court and Spark | 3:05 |
8. | "Sweet Sucker Dance" (Mitchell, Charles Mingus) | Mingus | 8:05 |
9. | "Lakota" (Mitchell, Klein) | Chalk Mark in a Rain Storm | 6:26 |
10. | "Cool Water" (Bob Nolan, with revised lyrics by Mitchell) | Chalk Mark in a Rain Storm | 5:25 |
11. | "Amelia" | Travelogue | 6:46 |
12. | "Both Sides Now" | Both Sides Now | 5:44 |
13. | "My Best to You" (Gene Willadsen, Isham Jones) | Taming the Tiger | 2:53 |
Total length: | 67:48 |
Roberta Joan "Joni" Mitchell is a Canadian-American singer-songwriter, multi-instrumentalist, and painter. As one of the most influential singer-songwriters to emerge from the 1960s folk music circuit, Mitchell became known for her personal lyrics and unconventional compositions which grew to incorporate pop and jazz elements. She has received many accolades, including eleven Grammy Awards and induction into the Rock and Roll Hall of Fame in 1997. Rolling Stone called her "one of the greatest songwriters ever", and AllMusic has stated, "Joni Mitchell may stand as the most important and influential female recording artist of the late 20th century."
The Hissing of Summer Lawns is the seventh studio album by Joni Mitchell. It was released in November 1975 on Asylum Records. The album continues the jazz-influenced sound of Mitchell's previous album Court and Spark while featuring more unconventional and experimental material than its predecessor. Additionally, the album saw Mitchell experiment with sampling and synthesizers such as the Moog and ARP. Contributors to the album include jazz-rock groups the L.A. Express and the Jazz Crusaders alongside backing appearances by James Taylor, David Crosby, and Graham Nash.
Neil Young is the debut studio album by Canadian/American musician Neil Young following his departure from Buffalo Springfield in 1968, issued on Reprise Records, catalogue number RS 6317. The album was first released on November 12, 1968, in the so-called 'CSG mix'. It was then partially remixed and re-released in late summer 1969, but at no time has the album ever charted on the Billboard 200.
"A Case of You" is a song by Joni Mitchell, from her 1971 album Blue.
The Last Waltz is the second live album by the Band, released on Warner Bros. Records in 1978, catalogue 3WS 3146. It is the soundtrack to the 1978 film of the same name, and the final album by the original configuration of the Band. It peaked at No. 16 on the Billboard 200.
"Big Yellow Taxi" is a song written, composed, and originally recorded by Canadian singer-songwriter Joni Mitchell in 1970, and originally released on her album Ladies of the Canyon. It was a hit in her native Canada as well as Australia and the UK. It only reached No. 67 in the US in 1970, but was later a bigger hit there for her in a live version released in 1974, which peaked at No. 24. Charting versions have also been recorded by The Neighborhood, and most notably by Amy Grant in 1994 and Counting Crows in 2002. The song was also sampled in Janet Jackson's "Got 'til It's Gone" (1997).
Song to a Seagull is the debut studio album by Canadian singer-songwriter Joni Mitchell. Produced by David Crosby, the album was recorded in early 1968 at Sunset Sound and released in March 1968 by Reprise Records.
Dog Eat Dog is the 12th studio album by the Canadian singer-songwriter Joni Mitchell, released in 1985. It was her second album for Geffen Records.
"Will You Love Me Tomorrow", sometimes known as "Will You Still Love Me Tomorrow", is a song with words by Gerry Goffin and music composed by Carole King. It was recorded in 1960 by the Shirelles at Bell Sound Studios in New York City, and hit number one on the Billboard Hot 100 chart. The producer was Luther Dixon.The song was the first by an African-American all-girl group to reach number one in the United States. It has since been recorded by many other artists including a 1971 version by co-writer Carole King.
Chris Laurence is an English musician. Born in London, he studied at the Guildhall School of Music and Drama, and primarily works with jazz and classical music. In the classical world he was principal double bass with the Academy of St Martin in the Fields orchestra until 1995, playing on many of their recordings ranging from the film Amadeus to Benjamin Britten's Curlew River. He has recorded with many jazz artists, including trombonist J. J. Johnson, Tony Coe, Joe Williams, Sarah Vaughan, Clark Terry, Johnny Mathis, and Lena Horne. His most recent recordings include John Surman's The Spaces in Between (2007), Kenny Wheeler's The Long Waiting (2012) and Songs for Quintet on ECM Records, and Norma Winstone's Manhattan in the Rain (1998). He has also recorded music for television, film, and albums, most notably Leaving Las Vegas (1995), Ken Loach's Looking for Eric (2009), The Constant Gardener (2005), Howard Shore's score for Hugo (2011), and most recently was featured on the soundtrack of Mike Leigh's Mr. Turner (2014). In 2007, he recorded a CD with his own jazz quartet titled New View, released on the Basho label along with Frank Ricotti (vibes), John Parricelli (guitar), Martin France (drums), and featuring Norma Winstone (vocals).
Queen of Soul: The Atlantic Recordings is an 86-track, four-disc box set detailing Aretha Franklin's Atlantic career, starting in 1967 with the landmark single "I Never Loved a Man " and ending with 1976's "Something He Can Feel".
"You Turn Me On, I'm a Radio" is a song written and originally recorded by Canadian singer songwriter Joni Mitchell. It was released on her fifth studio album entitled For the Roses and was issued as a single as well.
CSNY 1974 is a live album by Crosby, Stills, & Nash, and their seventh in the CSNY quartet configuration. Issued on Rhino Records in 2014, it consists of concert material recorded in 1974 on the band's tour during the summer of that year. It was issued in several formats: a standard compact disc box set consisting of three audio discs and a standard DVD; as one pure audio Blu-ray disc and a Blu-ray DVD; and a more expensively packaged limited deluxe edition consisting of the material on six vinyl records along with the Blu-ray discs and a coffee table book. Three single disc samplers were also issued: one of the acoustic material exclusively available at Starbucks in the United States and Canada; a second at normal retail outlets; and a third included as a covermount disc to the 250th anniversary issue of the UK music magazine Mojo issued as "an exclusive audio-visual sampler of the new CSNY 1974 box set." Each of the non-sampler sets also contained a 188-page booklet, and all formats were released the same day, with the Mojo sampler arriving with the September 2014 publication of that edition. The three-disc and DVD package peaked at No. 17 on the Billboard 200, while the Starbucks sampler peaked at No. 37 and the selections sampler at No. 81.
"Raised on Robbery" is a song written by Joni Mitchell. It was the lead single from her 1974 album Court and Spark.
Joni Mitchell Archives – Vol. 1: The Early Years (1963–1967) is a five-disc box set by Canadian singer-songwriter Joni Mitchell, released on October 30, 2020, by Rhino Records. The box set is the first release of the Joni Mitchell Archives, a planned series of releases containing remastered material from the singer's archives. Formatted in chronological order, the first volume of the series includes the archived material that was recorded in the years preceding the release of Mitchell's debut studio album, Song to a Seagull (1968). The album won the Grammy Award for Best Historical Album at the 64th Annual Grammy Awards.
The Joni Mitchell Archives is an ongoing project to release previously unreleased recorded material by Canadian singer-songwriter Joni Mitchell. So far, each new release schedule consists of a box set collection, a compilation with material on the box set release, and a live album. The project is being overseen by Mitchell and Patrick Milligan, director of A&R for Rhino Records, the label through which the project's offerings are being released. The first release also received input from Neil Young, who had experience with the release of his own extensive archival series, and Mitchell and Young's late manager Elliot Roberts, who died during the process of planning the first box set, and to whom the release is dedicated.
The Reprise Albums (1968–1971) is a four-disc box set by Canadian singer-songwriter Joni Mitchell, that was released on June 25, 2021, by Rhino Records. The set is the sixth overall release and first box set of remastered albums from the Joni Mitchell Archives, a planned series of releases featuring remastered and unreleased material from the singer's archives. Formatted in chronological order, the first volume of the remaster series includes Mitchell's first four albums, all of which were released on Reprise Records: Song to a Seagull (1968), Clouds (1969), Ladies of the Canyon (1970), and Blue (1971).
Joni Mitchell Archives – Vol. 2: The Reprise Years (1968–1971) is a five-disc box set by Canadian singer-songwriter Joni Mitchell, released on November 12, 2021, by Rhino Records. The box set is the seventh overall release and second offering of unreleased material from the Joni Mitchell Archives, a planned series of releases containing remastered material from the singer's personal archives. Formatted in chronological order, the second volume of the series consists of the archived material that was recorded during Mitchell's tenure at Reprise Records, which includes the years between the release of her debut studio album, Song to a Seagull (1968) and her fourth studio album, Blue (1971).
The Asylum Albums (1972–1975) is a four-disc box set by Canadian singer-songwriter Joni Mitchell, released on September 23, 2022, by Rhino Records. The set is the tenth overall release and second box set of remastered albums from the Joni Mitchell Archives, a planned series of releases featuring remastered and unreleased material from the singer's personal archives. Formatted in chronological order, the second volume of the remaster series includes Mitchell's first four albums released on Asylum Records: For the Roses (1972), Court and Spark (1974), Miles of Aisles (1974), and The Hissing of Summer Lawns (1975).
Joni Mitchell Archives – Vol. 3: The Asylum Years (1972–1975) is a five-disc box set by Canadian singer-songwriter Joni Mitchell, released on October 6, 2023, by Rhino Records. The box set is the eleventh overall release and third offering of unreleased material from the Joni Mitchell Archives, a planned series of releases containing remastered material from the singer's personal archives. Formatted in chronological order, the third volume of the series consists of the archived material that was recorded during the first half of Mitchell's tenure at Asylum Records, which includes the years between the release of her fifth studio album, For the Roses (1972) and her seventh studio album, The Hissing of Summer Lawns (1975).