Miles of Aisles | ||||
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Live album by | ||||
Released | November 1974 | |||
Recorded | March 2 and 4; August 14–17, 1974 | |||
Venue | The Universal Amphitheatre, Dorothy Chandler Pavilion, and Berkeley Community Center | |||
Genre | Jazz, rock, pop | |||
Length | 78:01 | |||
Label | Asylum | |||
Producer | Joni Mitchell | |||
Joni Mitchell chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Christgau's Record Guide | B− [2] |
Encyclopedia of Popular Music | [3] |
MusicHound | [4] |
Rolling Stone | (not rated) [5] |
The Rolling Stone Album Guide | [6] |
Uncut | 8/10 [7] |
Miles of Aisles is the first live album by Canadian singer-songwriter Joni Mitchell, released in 1974 on Asylum Records. It is a double album documenting her concerts in support of the Court and Spark album with her backing band for the tour, the L.A. Express. It reached No. 2 on the Billboard 200 and became one of her biggest-selling records, certified a gold record by the RIAA. [8]
This was Mitchell's first tour with backing musicians; prior to this she had generally performed solo, and had never organized a tour with a band. [9] She hired an already existing group, the jazz fusion band L.A. Express, members of which had appeared on her previous studio album, Court and Spark, the biggest commercial success of her career. The band accompany her on sides one and four; Mitchell performs solo on sides two and three.
A track from this live album, "Big Yellow Taxi", was released as a single. Four years after the studio version had stalled at No. 67 on the Billboard Hot 100 as a single, this live version reached No. 24 on the Billboard Hot 100 charts, becoming Mitchell's fourth Top 40 hit single and third in a row.
The album contains many of her best-known songs up to that time, but only one track derived from her recent album and neither of its two hit singles, "Help Me" and "Free Man in Paris". It also includes two brand new songs "Love Or Money" and "Jericho" – the latter of which she would record a studio version of for her 1977 album Don Juan's Reckless Daughter . There is no known studio version of "Love Or Money" which only ever seems to have been performed live. All tracks except two were recorded at the Universal Amphitheatre in Los Angeles, August 14 to 17, 1974. "Cactus Tree" was recorded at the Dorothy Chandler Pavilion on March 4, [10] and "Real Good for Free" at the Berkeley Community Theater on March 2. The cover photo was taken at the Pine Knob Music Theater in Clarkston, Michigan. [11]
Record World said of the single release of "Jericho" that it is "a solid musical successor to 'Big Yellow Taxi.'" [12]
All tracks are written by Joni Mitchell.
Side one
Side two
Side three
The L.A. Express
Technical
Weekly charts
| Year-end charts
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Roberta Joan "Joni" Mitchell is a Canadian-American singer-songwriter, multi-instrumentalist, and painter. As one of the most influential singer-songwriters to emerge from the 1960s folk music circuit, Mitchell became known for her personal lyrics and unconventional compositions which grew to incorporate elements of pop, jazz, and other genres. Among her accolades are eleven Grammy Awards, and induction into the Rock and Roll Hall of Fame in 1997. Rolling Stone called her "one of the greatest songwriters ever", and AllMusic has stated, "Joni Mitchell may stand as the most important and influential female recording artist of the late 20th century."
"Woodstock" is a song written by Canadian-American singer-songwriter Joni Mitchell. At least four versions of the song were released in 1970. Mitchell's own version was first performed live in 1969 and appeared in April 1970 on her album Ladies of the Canyon and as the B-side to her single "Big Yellow Taxi". A version by Crosby, Stills, Nash & Young appeared on their album Déjà Vu in March 1970 and became a staple of classic rock radio and the best-known version of the song in the United States. A third version, by the British band Matthews Southern Comfort, became the best-known version in the United Kingdom and was the highest charting version of the song in the UK, reaching the top of the Singles Chart in 1970. A fourth version by studio project the Assembled Multitude also became a chart hit.
Ladies of the Canyon is the third studio album by the Canadian singer-songwriter Joni Mitchell, released on Reprise Records in 1970. It peaked at No. 27 on the Billboard 200, and has been certified platinum by the RIAA. The title makes reference to Laurel Canyon, a center of popular music culture in Los Angeles during the 1960s, where Mitchell lived while she was writing the album. Specifically, Mitchell lived and wrote at 8217 Lookout Mountain Avenue, the house which is the subject of Graham Nash's "Our House". The album includes several of Mitchell's most noted songs, such as "Big Yellow Taxi", "Woodstock" and "The Circle Game".
The Hissing of Summer Lawns is the seventh studio album by the Canadian-American singer-songwriter Joni Mitchell, released in November 1975 on Asylum Records. It continues the jazz-influenced sound of Mitchell's previous album, Court and Spark, with more unconventional and experimental material. It features sampling, synthesizers such as the Moog and ARP, and contributions from acts including the jazz-rock groups the L.A. Express and the Jazz Crusaders and James Taylor, David Crosby, and Graham Nash.
Court and Spark is the sixth studio album by Canadian singer-songwriter Joni Mitchell. Released by A&M in January 1974, it infuses the folk rock style of her previous albums with jazz elements.
"A Case of You" is a song by Joni Mitchell, from her 1971 album Blue.
"Carey" is a song from the 1971 Joni Mitchell album Blue. It was inspired by her time spent with Cary Raditz, living with a cave-dwelling hippie community at Matala, on the Greek island of Crete.
"Free Man in Paris" is a song written by Canadian singer-songwriter Joni Mitchell. It appeared on her 1974 album Court and Spark, as well as her 1980 live album Shadows and Light. It is ranked No. 470 on Rolling Stone's list of the 500 Greatest Songs of All Time.
Hejira is the eighth studio album by Canadian singer-songwriter Joni Mitchell, released in 1976 on Asylum Records. Its material was written during a period of frequent travel in late 1975 and early 1976, and reflects Mitchell's experiences on the road during that time. It is characterized by lyrically dense, sprawling songs and musical backing by several jazz-oriented instrumentalists, most prominently fretless bass player Jaco Pastorius, guitarist Larry Carlton, and drummer John Guerin.
Don Juan's Reckless Daughter is a 1977 double album by Canadian singer-songwriter Joni Mitchell. Her ninth album, it is unusual for its experimental style, expanding even further on the jazz-influenced sound of Mitchell's previous recordings. Mitchell has stated that, close to completing her contract with Asylum Records, she allowed this album to be looser than anything she had done previously.
"Big Yellow Taxi" is a song written, composed, and originally recorded by Canadian singer-songwriter Joni Mitchell in 1970, and originally released on her album Ladies of the Canyon. It was a hit in her native Canada as well as Australia and the UK. It only reached No. 67 in the US in 1970, but was later a bigger hit there for her in a live version released in 1974, which peaked at No. 24. Charting versions have also been recorded by the Neighborhood, and most notably by Amy Grant in 1995 and Counting Crows in 2002. The song was also sampled in Janet Jackson's "Got 'til It's Gone" (1997).
For the Roses is the fifth studio album by the Canadian singer-songwriter Joni Mitchell. It was released in November 1972, between her two biggest commercial and critical successes—Blue and Court and Spark. In 2007 it was one of 25 recordings chosen that year by the Library of Congress to be added to the National Recording Registry.
Shadows and Light is the second live album by Canadian musician Joni Mitchell. It was released in September 1980 through Asylum Records, her last release for the label. It was recorded in September 1979 at the Santa Barbara Bowl in Santa Barbara, California.
"Help Me" is a love song written, produced, and performed by Joni Mitchell and released on her 1974 album Court and Spark. The song was recorded with jazz band Tom Scott's L.A. Express as the backing band.
"Chelsea Morning" is a song written and composed by Joni Mitchell and recorded for the singer's second album, Clouds, which she released in 1969.
Blue is the fourth studio album by the Canadian singer-songwriter Joni Mitchell, released on June 22, 1971, by Reprise Records. Written and produced entirely by Mitchell, it was recorded in 1971 at A&M Studios in Hollywood, California. Created just after her breakup with Graham Nash and during an intense relationship with James Taylor, Blue explores various facets of relationships from love on "A Case of You" to insecurity on "This Flight Tonight". The songs feature simple accompaniments on piano, guitar and Appalachian dulcimer. The album peaked at number 3 on the UK Albums Chart, number 9 on the Canadian RPM Albums Chart and number 15 on the Billboard 200.
Taming the Tiger is the sixteenth studio album by the Canadian musician Joni Mitchell. Released on September 29, 1998, through Reprise Records, it is the follow-up to the successful Turbulent Indigo (1994). The album was, at the time, widely believed to be her last of completely original material; this would be disproved with the release of Shine in 2007.
Living is a 1971 live album by American singer and songwriter Judy Collins, released by Elektra Records in 1971. The album is taken from performances on the singer's 1970 concert tour. It peaked at No. 64 on the Billboard 200 charts.
Since her debut album in 1968, Canadian musician Joni Mitchell has released 19 studio albums, most recently 2007's Shine. Her most commercially successful period was the early-mid 1970s, which included 1970's Ladies of the Canyon, 1971's Blue and 1974's Court and Spark, all three of which reached Platinum status in the US.
"You Turn Me On, I'm a Radio" is a 1972 song written and originally recorded by Canadian singer songwriter Joni Mitchell. It was released on her fifth studio album, For the Roses, and was issued as a single as well.
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: CS1 maint: unfit URL (link)Mitchell performed on the Dorothy Chandler Pavilion stage in 1972 and 1974, with the Los Angeles Times describing her 1972 concert as "Joni Mitchell in a Giant Living Room."
1974.03.04 Dorothy Chandler Pavilion Los Angeles, CA