Haircut One Hundred are a British pop group formed in 1980 in Beckenham, London, by Nick Heyward, Les Nemes and Graham Jones. In 1981 and 1982, the band scored four UK top-10 singles: "Favourite Shirts ", "Love Plus One", "Nobody's Fool", and "Fantastic Day".
"Thank God I'm a Country Boy", also known as "Country Boy", is a song written by John Martin Sommers and recorded by American singer/songwriter John Denver. The song was originally included on Denver's 1974 album Back Home Again. A version recorded live on August 26, 1974, at the Universal Amphitheatre in Los Angeles was included on his 1975 album An Evening with John Denver. The live version was released as a single and went to No. 1 on both the Billboard magazine Hot Country Singles and Billboard Hot 100 charts. The song topped both charts for one week each, first the country chart, and the Hot 100 chart a week later. Thank God I'm a Country Boy also became the name of a variety special show hosted by Denver in 1977.
"I'm a Believer" is a song written by Neil Diamond and recorded by American band the Monkees in 1966 with the lead vocals by Micky Dolenz. The single, produced by Jeff Barry, hit the number-one spot on the U.S. Billboard Hot 100 chart for the week ending December 31, 1966, and remained there for seven weeks becoming the last number-one hit of 1966 and the biggest-selling single for all of 1967. Billboard ranked the record as the number-five song for 1967. While originally published by Screen Gems-Columbia Music (BMI), it is now published by Stonebridge Music/EMI Foray Music (SESAC), with administration passed to Sony Music Publishing and Universal Music Publishing Group.
"I Wanna Be Your Lover" is a song by American recording artist Prince. It was released on August 24, 1979, as the lead single from his second album, Prince. The song was Prince's first major hit single in the United States, reaching number 11 on the Billboard Hot 100 on January 26, 1980, holding the number 11 position for two weeks, and peaking at number one on the Billboard Hot Soul Singles chart for two weeks.
"I Can't Stop Loving You" is a popular song written and composed by country singer, songwriter, and musician Don Gibson, who first recorded it on December 3, 1957, for RCA Victor Records. It was released in 1958 as the B-side of "Oh, Lonesome Me", becoming a double-sided country hit single. At the time of Gibson's death in 2003, the song had been recorded by more than 700 artists, most notably by Ray Charles, whose recording reached No. 1 on the Billboard chart.
Nicholas Heyward is an English singer-songwriter and guitarist. He came to international attention in the early 1980s as the lead singer and songwriter for Haircut One Hundred. He and the band parted ways after their first album, after which he continued as a solo artist.
"All I Have to Do Is Dream" is a song made famous by the Everly Brothers, written by Boudleaux Bryant of the husband-and-wife songwriting team Felice and Boudleaux Bryant, and published in 1958. The song is ranked No. 141 on the Rolling Stone magazine's list of The 500 Greatest Songs of All Time. The song is in AABA form.
"Devoted to You" is a song written by Felice and Boudleaux Bryant.
"We Don't Talk Anymore" is a song recorded by Cliff Richard, written by Alan Tarney and produced by the Shadows' rhythm guitarist, Bruce Welch. It was released in 1979 as a single and reached number one in the UK Singles Chart in August 1979, remaining there for four weeks, Richard's tenth UK number one and his first since "Congratulations" in 1968.
"Love Machine" is a 1975 single recorded by Motown group the Miracles, taken from their album City of Angels. The song was a number-one hit on the Billboard Hot 100, and the biggest-selling hit single of the Miracles' career. This single was one of two Billboard Hot 100 top-20 hits recorded by The Miracles with Billy Griffin as lead vocalist; the other is 1973's "Do It Baby". Griffin had replaced Miracles founder Smokey Robinson as lead singer in 1972. The song features a growling vocal by Miracle Bobby Rogers, with group baritone Ronnie White repeating "yeah, baby" throughout the song.
"Who's Zoomin' Who" is a song performed by American singer Aretha Franklin. It was written by Franklin, Preston Glass, and Narada Michael Walden for her thirtieth studio album of the same name (1985), with production overseen by Walden. The hit song was released as the album's second single on August 27, 1985, by Arista Records. It served as the follow-up single to Franklin's chart-topping smash "Freeway of Love", reaching number 7 on the US Billboard Hot 100 chart that same year, and at the same time spending four weeks at the number-two spot on the Hot Black Singles chart. Elsewhere, the dance pop song entered the top twenty in Ireland and the United Kingdom.
"Time (Clock of the Heart)" is a song by the British new wave band Culture Club, released as a stand-alone single in most of the world and as the second single from their debut album Kissing to Be Clever in North America. As the follow-up single to their global hit, "Do You Really Want to Hurt Me", "Time (Clock of the Heart)" peaked at #2 on the US Billboard Hot 100, kept from the #1 spot by Irene Cara's "Flashdance... What a Feeling". "Time" was also a major hit in the band's native UK, reaching #3 on the UK Singles Chart and selling over 500,000 copies in that country.
"Come Go with Me" is a song by American girl group Exposé from their debut studio album Exposure (1987). Composed and produced by Lewis A. Martineé, the song was released in January 1987 as the third single from Exposure. The group’s second lineup recorded "Come Go with Me", with Jeanette Jurado singing lead vocals, and Gioia Bruno and Ann Curless singing backup. Some vocals from the original lineup of Exposé remain in the released track.
"And the Beat Goes On" is a 1979 single by the American music group The Whispers. The song was their first of two number-one singles on the Soul chart, and their first Top 20 hit on the Billboard Hot 100, peaking at number 19. "And the Beat Goes On" was the group's only number-one song on the dance chart. It was also their first and biggest hit in the United Kingdom, peaking at number 2 on the UK Singles Chart. The song also peaked at number 27 on the Canadian RPM chart.
"Funkin' for Jamaica (N.Y.)" is a song by jazz trumpeter Tom Browne. The single—a memoir of the Jamaica neighborhood in the New York City borough of Queens where Browne was born and raised—is from his second solo album, Love Approach. Browne got the idea for the song while he was at his parents' home. The vocals for the single were performed by Toni Smith, who also helped compose the song. The song hit number one on the US Billboard R&B chart for a month. "Funkin' for Jamaica" peaked at number nine on the dance chart and made the top 10 on the UK Singles Chart, but it never charted on the Billboard Hot 100.
Pelican West is the debut studio album by the British new wave band Haircut One Hundred, released on 26 February 1982 by Arista Records. It peaked at No. 2 on the UK Albums Chart and No. 31 on the Billboard 200, and was certified platinum by the British Phonographic Industry (BPI).
"Favourite Shirts (Boy Meets Girl)" is the debut single by the British new wave band Haircut One Hundred, released in October 1981 by Arista Records. It is from their debut studio album Pelican West, released in 1982. The song reached No. 4 on the UK Singles Chart in November 1981 and was certified silver by the BPI for sales in excess of 200,000 copies.
"Fantastic Day" is a song by the British new wave band Haircut One Hundred, released as the third and final single from their debut studio album Pelican West. The song reached No. 9 on the UK Singles Chart in April 1982.
"(Till) I Kissed You" is a song written by Don Everly and recorded by the Everly Brothers. It was released as a single in 1959 and peaked at No. 4 on the Billboard Hot 100. Chet Atkins played guitar on this record and Jerry Allison played drums.
"Summerlove Sensation" is a song originally recorded by the Bay City Rollers. It was part of their 1974 album Rollin'. In the same year, it was also released as a single five months prior. The single peaked at no. 3 on the UK Singles Chart. It also spawned two successful cover versions in the late 1970s, first a French adaption performed by French pop singer Sylvie Vartan, and a cover by American singer Bobby Vinton that was a minor hit in the charts.
