"Me and Bobby McGee" is a song written by American singer-songwriter Kris Kristofferson and originally performed by Roger Miller. Fred Foster shares the writing credit, as Kristofferson wrote the song based on a suggestion from Foster. A posthumously released version by Janis Joplin topped the Billboard Hot 100 in 1971, making the song the second posthumously released No. 1 single in U.S. chart history after "(Sittin' On) The Dock of the Bay" by Otis Redding. Gordon Lightfoot released a version that reached number 1 on the Canadian country charts in 1970. Jerry Lee Lewis released a version that was number 1 on the country charts in December 1971/January 1972 as the "B" side of "Would You Take Another Chance on Me". Billboard ranked Joplin's version as the No. 11 song for 1971.
"Ain't Nothing Like the Real Thing" is a 1968 single released by American R&B/soul duo Marvin Gaye and Tammi Terrell, on the Tamla label in 1968. The B-side of the single is "Little Ole Boy, Little Ole Girl" from the duo's United LP. The first release off the duo's second album: You're All I Need, the song—written and produced by regular Gaye/Terrell collaborators Ashford & Simpson—became a hit within weeks of release eventually peaking at number eight on the US Billboard Hot 100 and number one on the Hot Soul Singles chart, the first of the duo's two number-one R&B hits. In the UK "Ain't Nothing Like the Real Thing" reached number 34.
"You'll Never Find Another Love Like Mine" is a song written by Kenny Gamble and Leon Huff and performed by R&B singer Lou Rawls on his 1976 album All Things in Time. The song proved to be Rawls' breakthrough hit, reaching number 1 on both the R&B and Easy Listening charts as well as number 4 on the dance chart and number 2 on the US Billboard Hot 100. This was the first and only time that one of Rawls' records reached Billboard's pop Top Ten.
"Until You Come Back to Me (That's What I'm Gonna Do)" is a song written by Morris Broadnax, Clarence Paul, and Stevie Wonder. The song was originally recorded by Stevie Wonder in 1967, but his version was not released as a single and did not appear on an album until 1977's anthology Looking Back. The best-known version of this song is the 1973 release by Aretha Franklin, who had a million-selling top 10 hit on Billboard charts. The song reached No. 1 on the R&B chart and No. 3 on the Hot 100 chart in 1974. It became an RIAA Gold record.
"Reelin' In the Years" is a song by American rock band Steely Dan, released as the second single from their 1972 debut album, Can't Buy a Thrill. It peaked at No. 11 on the US Billboard Hot 100 chart and at No. 15 in Canada.
"Sideshow" is a song recorded by American R&B soul vocal quintet Blue Magic, released in 1974. It was first released on the album Blue Magic and when issued as a single it sold over a million copies, going to No.1 R&B in April 1974 and No.8 pop in the United States in that summer. Billboard ranked it as the No.19 song for 1974. In the Canadian Year-end chart, it was No.77.
"Rescue Me" is a rhythm and blues song first recorded and released as a single by American soul singer-songwriter Fontella Bass in 1965. The original versions of the record, and BMI, give the songwriting credit to Raynard Miner and Carl William Smith, although many other sources also credit Bass herself as a co-writer. It would prove the biggest hit of Bass's career, reaching #1 on the R&B charts for four weeks and placing at #4 on the Billboard Hot 100. "Rescue Me" also peaked at #11 on the UK Singles Chart.
"This Masquerade" is a song written by American singer and musician Leon Russell. It was originally recorded in 1972 by Russell for his album Carney and as a B-side for the album's hit single "Tight Rope". The song was then covered on Helen Reddy's 1972 album, I Am Woman. It was then recorded by American vocal duo, the Carpenters, for their 1973 album Now & Then and as the B-side of the Carpenters's single "Please Mr. Postman". Three years later, "This Masquerade" was recorded by American singer and guitarist George Benson, who released it on his 1976 album, Breezin'. Benson's version, featuring Jorge Dalto on piano, was released as a single and became the first big hit of his career.
"Hair" is the title song to the 1967 musical Hair and the 1979 film adaptation of the musical.
"Show and Tell" is a popular song written by Jerry Fuller and first recorded by Johnny Mathis in 1972. This original version made it to #36 on the Easy Listening chart.
"Clean Up Woman" is a song by Betty Wright from her second studio album, I Love the Way You Love (1972). Written and produced by Clarence Reid and Willie Clarke, it was released in November 1971 in the U.S. as a 7" single with "I'll Love You Forever" on the B-side. The song's distinctive guitar lick was played by Willie "Little Beaver" Hale.
"Take Me in Your Arms (Rock Me a Little While)" is a song written by the premier Motown songwriting/production team of the 1960s Holland–Dozier–Holland. The first hit recording was sung by Kim Weston in 1965. It was most popular in 1975 when it was recorded by the Doobie Brothers.
"Use ta Be My Girl" is a song by R&B vocal group The O'Jays. Released from their hit 1978 album, So Full of Love, it became a crossover hit. The song spent five weeks at number one on the R&B singles chart. It also peaked at number four on the Billboard Hot 100 singles chart. "Use ta Be My Girl" became one of the biggest and most familiar hits by The O'Jays. The song has also been certified by the RIAA as a million-seller.
"Feel Like Makin' Love" is a song composed by singer-songwriter and producer Eugene McDaniels, and recorded originally by soul singer-songwriter Roberta Flack. The song has been covered by R&B and jazz artists including D’Angelo, Roy Ayers, Gladys Knight & the Pips, Lou Rawls, Isaac Hays, George Benson, Jeffrey Osborne, Larry Coryell, Johnny Mathis, and Marlena Shaw.
"I've Got the Music in Me" is a pop song by the Kiki Dee Band, released in 1974. It was written in 1973 by Bias Boshell, Kiki Dee Band's keyboardist. It is also the title of a Kiki Dee Band album released in 1974 and re-mastered and re-issued with bonus tracks in 2008.
"Love or Let Me Be Lonely" is a pop song recorded by the soul group The Friends of Distinction and released as a single in early 1970. The song was a multi-format success, peaking at #6 on the Billboard Hot 100 on May 1, 1970. It also reached #13 on the R&B chart, and #9 on the Adult Contemporary singles chart. The song is ranked as No. 63 on the Hot 100 singles of 1970.
Rockin' Chair is a hit 1975 song by singer Gwen McCrae. The song is not to be confused with either Fats Domino's 1951 R&B hit of the same name or the 1929 "Rockin' Chair" by Hoagy Carmichael.
"Third Rate Romance" is a song written by Russell Smith, first recorded in Montreal in 1974 by Jesse Winchester and his band the Rhythm Aces, assisted by Smith. It became a hit the following year by the newly re-formed Amazing Rhythm Aces on its 1975 album Stacked Deck. It was the band's debut single, reaching No.11 on the U.S. country singles chart and No.14 on the Billboard Hot 100, as well as No.1 on the Canadian RPM Country Tracks and Top Singles charts.
"On and On" is a song by American singer-songwriter Stephen Bishop. The song, from his debut album Careless, became a major hit, peaking at number 11 on the U.S. Billboard Hot 100 and spending 28 weeks on the chart. In Canada, the song peaked at number 6.
"Long Tall Glasses (I Can Dance)" is a 1974 song by Leo Sayer, co-written with David Courtney. It was released in the United Kingdom in late 1974, becoming Sayer's third hit record on both the British and Irish singles charts and reaching number four in both nations. It was included on Sayer's album Just a Boy.
