Catherine Bush is an English singer, songwriter, record producer and dancer. In 1978, at the age of 19, she topped the UK Singles Chart for four weeks with her debut single "Wuthering Heights", becoming the first female artist to achieve a UK number one with a self-written song. Bush has since released 25 UK Top 40 singles, including the Top 10 hits "The Man with the Child in His Eyes", "Babooshka", "Running Up That Hill", "Don't Give Up", and "King of the Mountain". All nine of her studio albums reached the UK Top 10, with all but one reaching the top five, including the UK number one albums Never for Ever (1980), Hounds of Love (1985) and the greatest hits compilation The Whole Story (1986). She was the first British solo female artist to top the UK album charts and the first female artist to enter the album chart at number one.
The Kick Inside is the debut studio album by English singer-songwriter Kate Bush. Released on 17 February 1978 by EMI Records, it includes her UK No. 1 hit, "Wuthering Heights". The album peaked at No. 3 on the UK Albums Chart and has been certified Platinum by the British Phonographic Industry (BPI). The production included efforts by several progressive rock veterans, including Duncan Mackay, Ian Bairnson, David Paton, Andrew Powell, and Stuart Elliott of the Alan Parsons Project, and David Gilmour of Pink Floyd.
The Sensual World is the sixth studio album by the English singer-songwriter Kate Bush, released on 16 October 1989 by EMI Records. It reached No. 2 on the UK Albums Chart. It has been certified Platinum by the British Phonographic Industry (BPI) for shipments in excess of 300,000 in the United Kingdom, and Gold by the Recording Industry Association of America (RIAA) in the United States.
"From a Distance" is a song by American singer-songwriter Julie Gold, initially penned in 1985. Gold's friend Christine Lavin introduced the song to Nanci Griffith, who first recorded it for her 1987 album Lone Star State of Mind. A successful cover version by Bette Midler was released in 1990.
"I Want That Man" is a song by American singer Deborah Harry. The song was released as the lead single from her third solo album, Def, Dumb & Blonde, and was the first record Harry released in which she reverted to using Deborah as her name instead of Debbie. "I Want That Man" became a hit in several territories, reaching number two in Australia and on the US Billboard Modern Rock Tracks chart. It also became a top-20 hit in Ireland, New Zealand, and the United Kingdom.
"King of the Mountain" is a song by British singer-songwriter Kate Bush. Taken from her eighth album, Aerial (2005), it was released on 24 October 2005 as the album's only single and became her biggest hit in over a decade, peaking at number four in the United Kingdom and reaching the top 20 in several other European countries and Canada.
"How Can We Be Lovers" is a song written by Michael Bolton, Diane Warren, and Desmond Child and performed by Bolton. Released as the third single from Bolton's sixth studio album, Soul Provider (1989), it peaked at number three on the US Billboard Hot 100 and number 10 on the UK Singles Chart in May 1990. The song also reached number two in Canada, number three in Australia, number 10 in Sweden, and number 18 in Ireland.
"Rooms on Fire" is a song by American singer and songwriter Stevie Nicks from her fourth solo studio album The Other Side of the Mirror (1989). Written by Nicks and Rick Nowels, and produced by Rupert Hine, the song was released on April 24, 1989, by the Modern label, as the lead single from The Other Side of the Mirror. The 12-inch single was released in a limited-edition poster sleeve in certain territories.
"Sacrifice" is a song by English musician Elton John, written by John and Bernie Taupin, from John's 22nd studio album, Sleeping with the Past (1989). It was first released in October 1989 as the second single from the album. It achieved success in 1990, particularly in France and the United Kingdom, becoming John's first solo chart-topper in both nations. The song describes how hard it is to stay faithful and devoted in a marriage, challenging the mantra that a successful union requires sacrifice. Due to the song's success, John has played this song in various locations in the years since it was released.
The discography of English singer-songwriter Kate Bush consists of 10 studio albums, two live albums, two compilation albums, six video albums, four box sets, five extended plays, 36 singles, seven promotional singles, and 39 music videos.
"Roam" is a song by American new wave band the B-52's released as the fourth single from their fifth studio album, Cosmic Thing (1989). The vocals are sung by Kate Pierson and Cindy Wilson, making it the only vocal track on the album without any vocal involvement from Fred Schneider. It is also the only track from the album in which the B-52's worked with a co-writer, Robert Waldrop, who penned the lyrics. Released as a single in 1989, "Roam" peaked at number three on the US Billboard Hot 100 and entered the top 10 in Canada, Ireland, and New Zealand.
"The Man with the Child in His Eyes" is a song by Kate Bush. It is the fifth track on her debut album The Kick Inside and was released as her second single, on the EMI label, in 1978.
"Moving" is a song written and recorded by English singer-songwriter Kate Bush for her debut album, The Kick Inside (1978). It was released as a single only in Japan on 6 February 1978 by EMI Music Japan. Written by Bush and produced by Andrew Powell, the song is a tribute to Lindsay Kemp, her mime teacher. "Moving" opens with a whale song sampled from Songs of the Humpback Whale, an LP including recordings of whale vocalisations made by Dr. Roger S. Payne.
"The Sensual World" is a song by English singer-songwriter Kate Bush. It was the title track and first single from her album of the same name, released in September 1989. The single entered and peaked at No. 12 on the UK Single Chart. It was later re-recorded using only words taken from Molly Bloom's soliloquy from James Joyce's 1922 novel Ulysses, as Bush had originally intended whilst recording The Sensual World album. This version, re-titled "Flower of the Mountain", appears on the 2011 album Director's Cut.
"Rubberband Girl" is a song by English singer-songwriter Kate Bush that was the first of five singles released from her seventh studio album, The Red Shoes (1993). The song marked Bush's return from her third three-year hiatus. Not counting "Rocket Man", this was her first UK release in 39 months.
"Don't Wanna Fall in Love" is a song by Canadian singer-songwriter Jane Child. Released in January 1990 as the second single from her self-titled debut album, the single went to number two for three consecutive weeks on the Billboard Hot 100 from April 14 to April 28, 1990. In addition, a new jack swing remix of the song was produced by Teddy Riley and reached number six on the Billboard Hot Black Singles chart and number eleven on the Billboard Dance Club Play chart.
"Rush Hour" is a song by American musician Jane Wiedlin, taken from her second album, Fur (1988). It was backed by the album track "End of Love". The UK 12-inch single of "Rush Hour" includes an extended remix by Rusty Garner and an instrumental version.
"Stay" is a song written by Bob Khozouri and Mark Stevens, originally recorded by American singer Glenn Jones and released in 1990. It reached number six on the US Billboard Hot Black Singles chart. The song became a worldwide hit for British girl group Eternal in 1993 and 1994.
"Love Shack" is a song by American new wave band the B-52's from their fifth studio album, Cosmic Thing (1989). It was released on June 20, 1989, and was produced by Don Was. The song was a comeback for the band, following their decline in popularity in the mid-1980s and the death of guitarist Ricky Wilson in 1985.
"Wild Women Do" is a song by American singer-songwriter Natalie Cole. The song was written by Greg Prestopino, Sam Lorber, and Matthew Wilder for the 1990 romantic comedy film Pretty Woman and was included on the film's soundtrack as the opening track. The song contains influences from pop, rock, R&B, and soul music, and its lyrics describe an independent woman who lives a wild life. In 1990, the song was also included on certain re-issues of Cole's 1989 album Good to Be Back.
