Lukas Birk | |
---|---|
Born | |
Nationality | Austrian |
Alma mater | University of West London, Rhode Island School of Design |
Known for | Historical photography of Asia |
Website | www |
Lukas Birk (born 1982) is an Austrian photographer, archivist, and publisher. He is mainly known for his visual archive work in Myanmar and research on Box Camera photography in Afghanistan. Birk has worked on photographic projects, films and visual research in China, South and Southeast Asia and the Indian subcontinent. He has published numerous books on visual culture and photographic history.
Birk also co-founded the Austro Sino Art Program (2008–2014) in Beijing, China and the SewonArtSpace in Yogyakarta, Indonesia. In Myanmar, he founded the Myanmar Photo Archive, the country’s first public photography archive and set up an accompanying publishing program. Further, his publishing company Fraglich Publishing focuses on publications of visual culture and limited edition prints.
Lukas Birk was born in 1982 in Bregenz, Vorarlberg, Austria. Initially he studied journalism and radio. [1] Birk attended the Ealing School of Art Design and Media of the University of West London, graduating with a bachelor's degree in digital art and photography in 2005. [2] [dead link,better source needed] He then continued his studies at Rhode Island School of Design (RISD), graduating with a M.F.A. degree in Printmaking in 2017. [3] [4]
Birk’s first major body of work Kafkanistan – tourism to conflict areas (2005–2008), produced with Irish ethnographer Sean Foley, explored the activities of tourists in Afghanistan and the Pakistani tribal areas. Their research resulted in a feature film, exhibition and book. [5]
Together with Austrian artist and scholar Karel Dudesek, Birk co-founded the Austro Sino Arts Program (ASAP). This program operated out of Beijing, P.R. China, between 2008 and 2014, organizing exhibitions, film festivals and publications. It showcased the work of non-Chinese artists working in China and produced these artists’ perspectives on China. The project received major support from the Austrian Arts Council. [6]
During his stay in China, Birk both collected historical photographs and took his own pictures of the same places. These were published in his monograph Polaroids from the Middle Kingdom. Old and New World Visions of China. [7] [8]
In 2011, Karel Dudesek and Birk founded SewonArtSpace in Yogyakarta, Indonesia. SewonArtSpace is a non-profit art space and residency program hosting primarily Austrian artists and connecting them to the local art scene in Yogyakarta, one of Southeast Asia’s most thriving art cities. The first public exhibition presented artworks by Dudesek, Birk and Marbot Fritsch as well as Indonesian artists Nurul 'Acil' Hayat, Arya Sukapura Putra, and Baskoro Latu.[ citation needed ]
The project received funding from the Austrian Federal Ministry for Culture, Arts and Education. [9]
In 2011, Birk and Sean Foley returned to Afghanistan to investigate the last remaining Box Camera photographers working in the streets of Kabul and other cities in Afghanistan as well as in Peshawar, Pakistan. [10] They conducted research trips between 2011 and 2014, resulting in an online archive [11] as well as the books Afghan Box Camera and Photo Peshawar. [12] [13] Birk and Foley coined the terms Afghan Box Camera and Kamra-e-Faoree, [14] two descriptions for Box Camera photography in these countries. [15] This was achieved primarily through international media coverage, [16] [17] open-source films and their manual ‘How to build an Afghan Box Camera’, published on social media and their own platform on Vimeo.
In 2014, Birk began collecting box camera photographs called alaminüt (Turkish, from French: 'by the minute') in bazaars in Istanbul and Ankara, but also in Izmir, Mardin and Erzerum. Alaminüt photographers had been active across Turkey from the 1910s until their gradual disappearance in the mid-1980s. In 2023, Birk published a dedicated website and the photo-book Alaminüt Fotoğraf. Itinerant photography in Turkey in English and Turkish. In his introduction, he wrote about the social importance of this kind of vernacular photography during the formative years of the modern Turkish republic and presented images of different sub-genres, including portraits of families, professional groups, soldiers and alaminüt photographers at work. [18] According to Turkish social scientist Özge Calafato, who contributed with an introduction to the book, alaminüt photographers "filled in an important vacuum by penetrating remote towns and villages, reaching out to the lower classes, who might otherwise have no access to photo studios at the time." [19]
In 2013, Birk started collecting photographic material and conducting research on the history of photography in Myanmar. [20] The same year, he founded the first public photographic archive focusing on local Myanmar vernacular photography, the Myanmar Photo Archive (MPA). [21] The MPA has produced several exhibitions [22] [23] with materials from their archive comprising more than 30,000 images and started a photo-book publishing program in Yangon. [24] [25] [26] The books were published in English and Burmese and distributed internationally. [27] The MPA has received major funding from the British Library's Endangered Archives Programme [28] and the German cultural center – Goethe-Institute – in Myanmar. [29]
Birk's work is held in the following public permanent collections:
Photography is the art, application, and practice of creating images by recording light, either electronically by means of an image sensor, or chemically by means of a light-sensitive material such as photographic film. It is employed in many fields of science, manufacturing, and business, as well as its more direct uses for art, film and video production, recreational purposes, hobby, and mass communication. A person who makes photographs is called a photographer.
Ingeborg Hermine "Inge" Morath was an Austrian photographer. In 1953, she joined the Magnum Photos Agency, founded by top photographers in Paris, and became a full photographer with the agency in 1955. Morath was the third wife of Pulitzer Prize-winning playwright Arthur Miller; their daughter is screenwriter/director Rebecca Miller.
David Royston Bailey is an English photographer and director, most widely known for his fashion photography and portraiture, and role in shaping the image of the Swinging Sixties. Bailey has also directed several television commercials and documentaries.
Henri Cartier-Bresson was a French artist and humanist photographer considered a master of candid photography, and an early user of 35mm film. He pioneered the genre of street photography, and viewed photography as capturing a decisive moment.
Elliott Erwitt was a French-born American advertising and documentary photographer known for his black and white candid photos of ironic and absurd situations within everyday settings. He was a member of Magnum Photos from 1953.
Jeff Widener is an American photographer, best known for his image of the Tank Man confronting a column of tanks in Tiananmen Square in the aftermath of the Tiananmen Square protests of 1989 which made him a nominated finalist for the 1990 Pulitzer, although he did not win.
A snapshot is a photograph that is "shot" spontaneously and quickly, most often without artistic or journalistic intent and usually made with a relatively cheap and compact camera.
War photography involves photographing armed conflict and its effects on people and places. Photographers who participate in this genre may find themselves placed in harm's way, and are sometimes killed trying to get their pictures out of the war arena.
Photography in China dates back to the mid-19th century with the arrival of European photographers in Macao. In the 1850s, western photographers set up studios in the coastal port cities, but soon their Chinese assistants and local competition spread to all regions.
PHotoEspaña, the International Festival of Photography and Visual Arts of Madrid, is a photography forum that began in 1998. The Festival's program presents work by Spanish and international image-makers. It runs an awards programme with several categories.
Pablo Bartholomew is an Indian photojournalist and an independent photographer based in New Delhi, India. He is noted for his photography, as an educator running photography workshops, and as manager of MediaWeb, a software company specialising in photo database solutions and server-based digital archiving systems.
Christopher Horace Steele-Perkins is a British photographer and member of Magnum Photos, best known for his depictions of Africa, Afghanistan, England, Northern Ireland, and Japan.
Maciej Dakowicz is a Polish street photographer, photojournalist and gallerist. He is from Białystok in North East Poland. Dakowicz is best known for his series of photographs of Cardiff night-life titled Cardiff after Dark. He and others set up and ran Third Floor Gallery in Cardiff and he was a member of the In-Public street photography collective.
The street box camera or kamra-e-faoree is a handmade wooden camera. It is both a camera and a darkroom in one. The term Kamra-e-faoree comes from Dari where it means ‘instant camera’.
Vanessa Winship HonFRPS is a British photographer who works on long term projects of portrait, landscape, reportage and documentary photography. These personal projects have predominantly been in Eastern Europe but also the USA. Winship's books include Schwarzes Meer (2007), Sweet Nothings (2008) and She Dances on Jackson (2013).
Matthew Leifheit is an American photographer, writer, magazine-editor, publisher, and professor. He is based in Brooklyn, New York.
Philip Adolphe Klier, also known as Philip Klier, was a German photographer, who arrived in Burma as a young man around 1865 and spent the rest of his life there. Mainly working as self-trained photographer and businessman, Klier took hundreds of photographs at the end of the 19th century during the British colonial period in Burma. His photographs, taken both in his studio as well as on location, were mainly sold as picture postcards for foreign visitors. They have also been published in several books and collected in public archives. Among a small number of other photographers, Klier is considered as one of the earliest professional photographers in the history of today's Myanmar.
Sean Foley is an Irish ethnographer specialising in visual anthropology. He works as a researcher on art projects. Foley has made ethnographic films on mortuary workers in India, tourism in Pakistan and Afghanistan, and cultural ecology in the south of Greece. He is best known for his research work on Afghan Box Camera photography.
Myanmar Photo Archive is both a physical archive of photographs taken between 1889 and 1995 in Myanmar (Burma), and a public awareness project of the country's visual culture. The MPA presents exhibitions, online resources, public events, and publishes books on the history of photography in Myanmar and former Burma. The collection holds more than 30,000 images and other related materials, and is the largest archive for Myanmar's photographic history.
{{cite book}}
: CS1 maint: location missing publisher (link)