Luminous Orange | |
---|---|
Origin | Yokohama, Japan |
Genres | Alternative rock, shoegazing, dream pop, bossa nova, lounge |
Years active | 1992–present |
Labels |
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Members | Rie Takeuchi |
Past members | Kazuko Sakamoto Mieko Okazaki Kaname Banba Tarow Nisawa |
Website | www5a.biglobe.ne.jp/~luminous/ |
Luminous Orange is an alternative rock band formed 1992 in Yokohama, Japan. [1] The band has evolved from an all female group to a solo project headed by composer, singer & guitarist Rie Takeuchi.
Luminous Orange was originally conceived as a four-piece girl band [2] by Rie Takeuchi in 1992 after being inspired by a Pale Saints concert. [3] The group has often been categorized as alternative, dream pop, [4] and shoegaze. Because of their appearance on Cornelius' label Trattoria Records they are also considered as Shibuya-kei. [5]
In 1998, the band released the Puppy Dog Mail EP on former Pale Saints member Ian Masters' label Friendly Science Enregisterments. [6] The title track from the EP subsequently appeared on a compilation released by Trattoria. [7] That same year, Takeuchi made an appearance on Friendly Science Orchestra's Miniature Album, which was awarded Single of the Week by NME. [8] [9] The following year, Luminous Orange released the mini album Luminousorangesuperplastic, which drew praise from Shutoku Mukai of Number Girl. [10] The band went on to release a maxi single in 2000 under the similar title of Luminousorangesugarplastic. [11]
By 2002, the band had become Takeuchi's solo project [2] with guest musicians. That same year brought the release of the band's album Drop You Vivid Colors on the Tone Vendor label. The album was described as being "far more richly produced, with multiple layers of sound giving it a texture and depth that previous albums lacked." [12]
In 2004, Luminous Orange played at the CMJ Music Marathon in New York. [13] The band returned to America in 2006, playing at SXSW in Austin, Texas. [14] They performed again at the festival the following year. [15]
Luminous Orange's next album, Sakura Swirl, was released in 2007. In addition to being released in Japan, it also had distribution in America, Europe and Australia. The album featured contributions from Ahito Inazawa , Hiroyuki Tateyama, Noritoshi Esaki and M. Fujii. [16] Ian Masters provided lyrics as well as vocals and musical saw to the track "Silver Kiss". [17] Masters joined Luminous Orange at two of their concerts that same year. [18] That July, the band played two concerts in Taiwan, including an appearance at the Formoz Festival. [19] [20]
In 2009, Luminous Orange released the compilation album Best of Luminous Orange on Zankyo Record . [21] Takeuchi explained that the label had asked about recording a new album but as Inazawa was busy with Vola and the Oriental Machine, they weren't in a position to do so. [22] She thus saw an opportunity to re-release earlier tracks that had become more difficult to obtain. [23]
Royal Space Force: The Wings of Honnêamise is a 1987 Japanese animated science fiction film written and directed by Hiroyuki Yamaga, co-produced by Hiroaki Inoue and Hiroyuki Sueyoshi, and planned by Toshio Okada and Shigeru Watanabe, with music by Ryuichi Sakamoto. The story takes place in an alternate world where a disengaged young man, Shirotsugh, inspired by an idealistic woman, Riquinni, volunteers to become the first astronaut. The film was the debut by the studio Gainax, and the first anime produced by Bandai.
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The 1987 debut work of anime studio Gainax, Royal Space Force: The Wings of Honnêamise, written and directed by Hiroyuki Yamaga, has generated critical response from diverse sources in Japan and internationally, including major newspapers, film journals, newsweeklies, fan polls, film directors, anime industry magazines, film encyclopedias and reference books, television network executives, and science fiction authors. Among anime directors, Hayao Miyazaki, Mamoru Oshii, and Hideaki Anno have remarked upon the film's impact and influence.
Royal Space Force: The Wings of Honnêamise, written and directed by Hiroyuki Yamaga, was the 1987 debut work of anime studio Gainax. While in creative terms the film was described by its executive producer, president of Bandai Makoto Yamashina, as "pure moviemaking" and having been made "without compromise", its marketing and release plans, under the advertising department of its distributor Toho-Towa, were outside the control of Gainax, and both Gainax and Yamashina acknowledged continuing clashes over these aspects; approximately half of the 800 million yen spent on the film was allocated to advertising and distribution rather than on direct production expenses.
For the debut work of anime studio Gainax, the 1987 anime film Royal Space Force: The Wings of Honnêamise, director Hiroyuki Yamaga set a goal of "natural" dialogue, which he maintained was "a first in Japanese animation." The performers chosen to portray the lead characters, Leo Morimoto as Shirotsugh and Mitsuki Yayoi as Riquinni, were professional actors who nevertheless had little to no experience working in anime. At the same time, Gainax sought out and recruited as Royal Space Force's sound director the highly experienced Atsumi Tashiro of Group TAC, known for his work on the 1974 TV series Space Battleship Yamato. Tashiro accepted the staff position on Royal Space Force despite it being the first project he had undertaken outside his own company in over 20 years, seeing it as a chance to revitalize himself professionally, and the casting of Morimoto and Yayoi as an opportunity to depict genuine emotion and honest and fresh reactions, a spirit that Tashiro remarked he had forgotten within the world of anime.
Gainax's 1987 debut work, the feature film Royal Space Force: The Wings of Honnêamise, was a pre-digital anime, requiring that its animation cels and background paintings be photographed onto movie film. The actual scenes in the completed work were created through this cinematographic process, involving for some shots as many as 12 different layers of cels, backgrounds, and masks designed to selectively illuminate portions of an image. Special photographic techniques were employed in multiple scenes to express particular optical or motion effects. Assistant director Shinji Higuchi, a veteran of the film crew's earlier live-action amateur works, assisted on the photography of Royal Space Force as well; Takami Akai commented that the filmmakers' live-action experience influenced their thoughts on the perspectives and compositions used in scenes, not out of an attempt to "emulate" live-action but to seek a realism in anime, a medium where "the camera doesn't really exist."
Gainax's 1987 debut work Royal Space Force: The Wings of Honnêamise was the first project on which Hiromasa Ogura served as art director; although later noted for creating much of the aesthetic behind the influential 1995 film Ghost in the Shell, Ogura himself in a 2012 interview regarded Royal Space Force as the top work of his career. Working from Yoshiyuki Sadamoto's color scheme and Takashi Watabe's architectural drawings, Ogura then gave a "a sense of life" to the aesthetics of the world setting of Royal Space Force through background paintings created by himself and a staff of 16, including future Studio Ghibli art director Yōji Takeshige, whose first work in the anime industry was on the film. The film's writer and director, Hiroyuki Yamaga, sought to avoid using what he regarded as the usual visual symbolism of anime, and instead wanted Royal Space Force's art direction to express specific times of day and night; Ogura attempted to convey Yamaga's verbal instructions in graphic form.
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It was nothing other than a Pale Saints gig which truly inspired me to form this band 15 years ago.
You wouldn't want to eat a Luminous Orange, but this Yokohama quintet whips up a perfectly ethereal concoction of 4AD dream pop by way of shibuya-kei.
フレンドリー・サイエンス(英)からリリースされた7インチから、コーラスもルミナスな1曲を収録。
ナンバーガールの向井の推薦コメントがついたルミナスオレンジの新作。
本作には、2000年にトラットリアから発売され近年入手困難だったシングル「LUMINOUSORANGESUGARPLASTIC」や、1998年に英国で発売された限定7inchアナログ「Puppy Dog Mail EP」といったレア曲も収録。
luminous orangeがニューアルバム「Sakura Swirl」を7月にアメリカ、ヨーロッパ、オーストラリアで発売… 今回の作品では竹内の他にサポートメンバーとして、VOLA & THE ORIENTAL MACHINEのアヒトイナザワ、Emileやswarm's armで活躍する舘山裕之、toddleの江崎典利、そしてCa-Pや魔太郎定食など数々のバンドを率いる藤井真生が参加している。
この「Silver Kiss」には、竹内が敬愛する元Pale Saintsのイアン・マスターズが作詞、ボーカル、ノコギリでゲスト参加。
Afterwards we will tour some places in Japan, and in Kansai, Ian Masters will join us again to play some songs (including Pale Saints) as we did in January.
If you miss Japanese band Six o' Minus Saturday at Formoz, you can see them Monday at The Wall (這牆), along with Luminous Orange and Yndi Halda.
luminous orangeが残響レコードから11月4日にベストアルバム「Best of Luminous Orange」をリリースすることが決定した。
それで実際新作を録ろうと思ってたら、その時にドラムを叩いてくれてたイナザワアヒト君がVOLA(&THE ORIENTAL MACHINE)の方が忙しくなってできなくなっちゃって。
竹内:『Sakura Swirl』の日本盤を出す辺りから「新譜を出したいですね」という話はしていたんです。そしたら電話がかかってきて「いつ録音します?」って(笑)。でも、アヒト(・イナザワ)くんが抜けて、すぐには録れそうにもなかったので「ベスト盤はどうですか?」とお話させて頂いて。廃盤になっていた音源もあったので良い機会だなと思ったんですよ。