M.F. Horn 4&5: Live at Jimmy's | ||||
---|---|---|---|---|
Live album by | ||||
Released | 1974 | |||
Recorded | July 10, 1973 | |||
Venue | Jimmy Ryan's | |||
Genre | Jazz, Big band | |||
Length | 1:03:25 | |||
Label | Columbia | |||
Producer | Teo Macero | |||
Maynard Ferguson chronology | ||||
|
M.F. Horn 4&5: Live at Jimmy's is the 6th big band album by Canadian jazz trumpeter Maynard Ferguson for Columbia Records. Live at Jimmy's was recorded during a lunchtime event, where members of the press and record company executives were invited to hear Maynard and his band play a special two-hour mid-day concert.
During the 1973 Newport Jazz Festival (which had been moved to New York City the year before), Maynard and his band were playing a series of dates at Jimmy Ryan's jazz club on West 52nd street. After recording Ella Fitzgerald's performance for the festival at Carnegie Hall, producer Teo Macero and music critic Mort Goode went over to Jimmy's to catch Maynard's set later that evening, along with a handful of Columbia Records executives. Due to the excitement of the performance and the quality of the venue, it was quickly decided that this needed to be captured for a live album.
The thought came up that quickly. Record the band "live" in the room and capture the tremendous feeling that was pouring out. But Maynard was closing two nights later. There was no time to make arrangements. They couldn't extend the stay even one extra night. But they would come back from upstate New York where they were working Sunday and record during the day on Tuesday.
— Mort Goode, M.F. Horn 4&5: Live at Jimmy's, liner notes [1]
Review scores | |
---|---|
Source | Rating |
AllMusic | [2] |
Live at Jimmy's was well received by fans and critics alike. According to Scott Yanow at AllMusic, "This double LP is easily Maynard Ferguson's best jazz-oriented recording for Columbia." [2]
In 2007, M.F. Horn 4&5: Live at Jimmy's was reissued by Wounded Bird Records. [3]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Teonova" (Dedicated to Teo Macero) | Pete Jackson | 6:19 |
2. | "MacArthur Park" | Jimmy Webb | 8:27 |
Total length: | 14:46 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Left Bank Express" | Jackson | 5:51 |
2. | "I'm Gettin' Sentimental Over You" | Ned Washington, George Bassman | 4:45 |
3. | "Two for Otis" | Don Menza | 7:01 |
Total length: | 17:37 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Stay Loose With Bruce" | Ernie Wilkins | 5:28 |
2. | "Nice 'n Juicy" | Jeffrey Steinberg | 9:59 |
Total length: | 15:27 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "The Fox Hunt" | Mike Abene | 3:58 |
2. | "Got the Spirit" | Slide Hampton | 9:53 |
3. | "Blue Birdland" | Jimmy Giuffre | 1:44 |
Total length: | 15:35 |
Blood, Sweat & Tears is an American jazz rock band founded in New York City in 1967, noted for a combination of brass with rock instrumentation. BS&T has gone through numerous iterations with varying personnel and has encompassed a wide range of musical styles. Their sound has merged rock, pop and R&B/soul music with big band jazz.
Walter Maynard Ferguson CM was a Canadian jazz trumpeter and bandleader. He came to prominence in Stan Kenton's orchestra before forming his own big band in 1957. He was noted for his bands, which often served as stepping stones for up-and-coming talent, his versatility on several instruments, and his ability to play in a high register.
Attilio Joseph "Teo" Macero was an American jazz saxophonist, composer, and record producer. He was a producer at Columbia Records for twenty years. Macero produced Miles Davis' Bitches Brew and Dave Brubeck's Time Out, two of the best-selling and most influential jazz albums of all time. Although the extent of his role has been disputed, he also has been associated with the production of Davis' 1959 album Kind of Blue, jazz's best-selling record. Macero was known for his innovative use of editing and tape manipulation unprecedented in jazz and proving influential on subsequent fusion, experimental rock, electronica, post-punk, no wave, and acid jazz.
Star People is a 1983 album recorded by Miles Davis and issued by Columbia Records. It is the second studio recording released after the trumpeter's six-year hiatus, the first to feature electric guitarist John Scofield, who was recommended by saxophonist Bill Evans, and the last to be produced by long-standing collaborator Teo Macero.
Miles Davis at Fillmore is a 1970 live album by jazz trumpeter Miles Davis and band, recorded at the Fillmore East, New York City on four consecutive days, June 17 through June 20, 1970, originally released as a double vinyl LP. The performances featured the double keyboard set-up Davis toured with for a few months, with Keith Jarrett and Chick Corea playing electronic organ and Fender Rhodes electric piano, respectively. The group opened for Laura Nyro at these performances.
Ronald Edward Cuber was an American jazz saxophonist. He also played in Latin, pop, rock, and blues sessions. In addition to his primary instrument, baritone sax, he played tenor sax, soprano sax, clarinet, and flute, the latter on an album by Eddie Palmieri as well as on his own recordings. As a leader, Cuber was known for hard bop and Latin jazz. As a side man, he had played with B. B. King, Paul Simon, and Eric Clapton. Cuber can be heard on Freeze Frame by the J. Geils Band, and one of his most spirited performances is on Dr. Lonnie Smith's 1970 Blue Note album Drives. He was also a member of the Saturday Night Live Band.
Edward Joseph Bertolatus, also known as Eddie Bert, was an American jazz trombonist.
Chameleon is a 1974 big band jazz album by Canadian jazz trumpeter Maynard Ferguson. It features cover versions of many songs that were popular in the years leading up to its production, including: "Jet" by Paul McCartney and Wings, "The Way We Were" – which was popularized by Barbra Streisand, and "Livin' for the City" by Stevie Wonder. He also pays tribute to trumpeter Bunny Berigan with his own take on "I Can't Get Started".
M.F. Horn Two is a 1972 big band jazz album by Canadian jazz trumpeter Maynard Ferguson. It features cover versions of many songs that were popular in the years leading up to its production, including: "Theme from Shaft" by Isaac Hayes, "Country Road" by James Taylor, "Mother" by John Lennon, "Spinning Wheel" by David Clayton-Thomas and "Hey Jude" by The Beatles. It also features a track called "Free Wheeler" written by another highly regarded jazz trumpeter and flugelhorn player, Kenny Wheeler.
Johnny Mathis is the first studio album by vocalist Johnny Mathis that was released by Columbia Records in 1956. The subtitle A New Sound in Popular Song can be found on the back cover but not on the front of the album or the disc label; in fact, this Mathis LP has been referred to as "the jazz album".
Quiet Nights is a studio album by jazz musician Miles Davis, and his fourth album collaboration with Gil Evans, released in 1963 on Columbia Records, catalogue CL 2106 and CS 8906 in stereo. Recorded mostly at Columbia's 30th Street Studios in Manhattan, it is the final album by Davis and Evans.
Charles Mingus and Friends in Concert is a live album by the jazz bassist and composer Charles Mingus, recorded at the Philharmonic Hall of the Lincoln Center for the Performing Arts in 1972 and released on the Columbia label. The CD release added five previously unreleased performances from the concert, but did not include the opening track, Fats Waller's "Honeysuckle Rose", present in the LP version and on former Japanese CD editions.
Jingle Bell Jazz is a collection of jazz versions of Christmas songs recorded between 1959 and 1962 by some of the most popular artists on the Columbia label. It was released on October 17, 1962.
Bruce Johnstone is a New Zealand-American jazz baritone saxophonist. He also plays alto saxophone, bass clarinet, and flute.
M.F. Horn 3 is an album by Canadian jazz trumpeter Maynard Ferguson. After Ferguson moved from England to the U.S. in 1973, his band changed, as British members were replaced by American musicians, primarily from colleges. The album was produced by Mike Smith and Teo Macero.
Primal Scream is the eighth jazz album by Canadian trumpeter Maynard Ferguson on Columbia Records. Primal Scream marks the beginning of the second phase of Ferguson's career with Columbia, where his live big band sound is set aside in favor of lavish studio productions. The album credits reveal an all-star ensemble made up of New York's finest musicians, along with backing vocalists and strings were recruited for this release.
New Vintage is the tenth studio album by Canadian jazz trumpeter Maynard Ferguson released in 1977 on Columbia Records. The title is likely an allusion to new recordings of two 'vintage' titles included in the track list. "Maria" was first recorded on Maynard '62, and "Airegin" was first recorded in 1964 for the album Color Him Wild. The front cover plays on this theme, presenting a trumpet in an ice bucket in place of a bottle of champagne, while on the back cover, the cork is seen popping out of the trumpet's bell.
Carnival is the 11th album by Canadian jazz trumpeter Maynard Ferguson on Columbia Records. This is yet another attempt to replicate the success of Conquistador. Another big theme song, a couple of originals, a blast from the past, and a cover of "Birdland", which was well received.
Maynard is the second compilation album and 15th overall by Canadian jazz trumpeter Maynard Ferguson on Columbia Records. Another budget-priced album, Maynard was created as part of Columbia's "Jazz Odyssey" series.
Two's Company is an album by trumpeter/bandleader Maynard Ferguson and vocalist Chris Connor featuring tracks recorded in late 1960 and early 1961 which was originally released on the Roulette label.