Walter Maynard Ferguson CM was a Canadian jazz trumpeter and bandleader. He came to prominence in Stan Kenton's orchestra before forming his own big band in 1957. He was noted for his bands, which often served as stepping stones for up-and-coming talent, his versatility on several instruments, and his ability to play in a high register.
Donald Johnson Ellis was an American jazz trumpeter, drummer, composer, and bandleader. He is best known for his extensive musical experimentation, particularly in the area of time signatures. Later in his life he worked as a film composer, contributing a score to 1971's The French Connection and 1973's The Seven-Ups.
Attilio Joseph "Teo" Macero was an American jazz saxophonist, composer, and record producer. He was a producer at Columbia Records for twenty years. Macero produced Miles Davis' Bitches Brew, and Dave Brubeck's Time Out, two of the best-selling and most influential jazz albums of all time. Although the extent of his role has been disputed, he also has been associated with the production of Davis' 1959 album Kind of Blue, jazz's best-selling record. Macero was known for his innovative use of editing and tape manipulation unprecedented in jazz and proving influential on subsequent fusion, experimental rock, electronica, post-punk, no wave, and acid jazz.
Joseph Carl Firrantello, known as Joe Farrell, was an American jazz multi-instrumentalist who primarily performed as a saxophonist and flutist. He is best known for a series of albums under his own name on the CTI record label and for playing in the initial incarnation of Chick Corea's Return to Forever.
Miles Davis at Fillmore is a 1970 live album by jazz trumpeter Miles Davis and band, recorded at the Fillmore East, New York City on four consecutive days, June 17 through June 20, 1970, originally released as a double vinyl LP. The performances featured the double keyboard set-up Davis toured with for a few months, with Keith Jarrett and Chick Corea playing electronic organ and Fender Rhodes electric piano, respectively. The group opened for Laura Nyro at these performances.
Ronald Edward Cuber is a jazz saxophonist. He has also played in Latin, pop, rock, and blues sessions. In addition to his primary instrument, baritone sax, he has played tenor sax, soprano sax, clarinet, and flute, the latter on an album by Eddie Palmieri as well as on his own recordings. As a leader, Cuber is known for hard bop and Latin jazz. As a side man, he has played with B. B. King, Paul Simon, and Eric Clapton. Cuber can be heard on Freeze Frame by the J. Geils Band, and one of his most spirited performances is on Dr. Lonnie Smith's 1970 Blue Note album Drives. He was also a member of the Saturday Night Live Band.
Roger O'Neal Ingram is a jazz trumpeter, educator, author, and instrument designer. He played trumpet for the orchestras of Maynard Ferguson, Woody Herman, Wynton Marsalis, Ray Charles, and Harry Connick Jr.
M.F. Horn Two is a 1972 big band jazz album by Canadian jazz trumpeter Maynard Ferguson. It features cover versions of many songs that were popular in the years leading up to its production, including: "Theme from Shaft" by Isaac Hayes, "Country Road" by James Taylor, "Mother" by John Lennon, "Spinning Wheel" by David Clayton-Thomas and "Hey Jude" by The Beatles. It also features a track called "Free Wheeler" written by another highly regarded jazz trumpeter and flugelhorn player, Kenny Wheeler.
Moondog is an album by the American composer Moondog, released by Columbia Masterworks Records on October 1, 1969. The album was made on the initiative of the producer James William Guercio and recorded at Columbia's main studio with Moondog conducting 50 musicians. It consists of compositions written by Moondog in the 1950s and 1960s as he moved from jazz conventions into becoming a classical composer, resulting in a combination of classical influences and elements of what critics have described as minimalist music and third stream. The album includes short symphonic-styled works, canons, chaconnes and a couple of jazz-inspired tracks, one in memory of Charlie Parker.
Maynard Ferguson is a 1971 big band jazz album by Canadian jazz trumpeter Maynard Ferguson. The album was originally released on Columbia Records as Columbia 31117. It was also released in the UK by CBS under the name Alive & Well in London. The album largely consists of arrangements of popular songs of the period along with one original composition.
Steve Wiest(néJohn Stephen Wiest; born 1957) is an American trombonist, composer, arranger, big band director, music educator at the collegiate level, jazz clinician, author, and illustrator/cartoonist. From 1981 to 1985, he was a featured trombonist and arranger with the Maynard Ferguson Band. Wiest is in his ninth year as Associate Professor of Jazz Studies and Commercial Music at the University of Denver Lamont School of Music. He is the Coordinator of the 21st Century Music Initiative at the school. Wiest has been a professor for thirty-four of the forty-two years that he has been a professional trombonist, composer, and arranger. From 2007 to 2014, Wiest was Associate Professor of Music in Jazz Studies at the University of North Texas College of Music and, from March 2009 to August 2014, he was director of the One O'Clock Lab Band and coordinator of the Lab Band program. At North Texas, Wiest also taught conducting, trombone, and oversaw The U-Tubes — the College of Music's jazz trombone band. Wiest is a three-time Grammy nominee — individually in 2008 for Best instrumental Arrangement and in 2010 for Best Instrumental Composition, and collaboratively in 2010 for Best Large Jazz Ensemble Album, which he directed. As of 2013, Wiest has in excess of 58 arrangements and compositions to his credit, which include 10 original compositions from his current project (see 2013–2014 project, below).
M.F. Horn is Maynard Ferguson's second album on Columbia Records, and the first of his highly successful "M.F. Horn" series of albums. It was also released in Europe as The World of Maynard Ferguson — not to be confused with the Roulette compilation with the same title. His first record for CBS was filled with easy listening/pop recordings, but this would be Maynard's first foray into the world of rock music. His recording of "MacArthur Park" would prove very popular with his fans, and would be a concert staple for many years.
M.F. Horn 3 is an album by Canadian jazz trumpeter Maynard Ferguson. After Ferguson moved from England to the U.S. in 1973, his band changed, as British members were replaced by American musicians, primarily from colleges. The album was produced by Mike Smith and Teo Macero.
M.F. Horn 4&5: Live at Jimmy's is the 6th big band album by Canadian jazz trumpeter Maynard Ferguson for Columbia Records. Live at Jimmy's was recorded during a lunchtime event, where members of the press and record company executives were invited to hear Maynard and his band play a special two-hour mid-day concert.
Primal Scream is the eighth jazz album by Canadian trumpeter Maynard Ferguson on Columbia Records. Primal Scream marks the beginning of the second phase of Ferguson's career with Columbia, where his live big band sound is set aside in favor of lavish studio productions. The album credits reveal an all-star ensemble made up of New York's finest musicians, along with backing vocalists and strings were recruited for this release.
New Vintage is the tenth studio album by Canadian jazz trumpeter Maynard Ferguson released in 1977 on Columbia Records. The title is likely an allusion to new recordings of two 'vintage' titles included in the track list. "Maria" was first recorded on Maynard '62, and "Airegin" was first recorded in 1964 for the album Color Him Wild. The front cover plays on this theme, presenting a trumpet in an ice bucket in place of a bottle of champagne, while on the back cover, the cork is seen popping out of the trumpet's bell.
Carnival is the 11th album by Canadian jazz trumpeter Maynard Ferguson on Columbia Records. This is yet another attempt to replicate the success of Conquistador. Another big theme song, a couple of originals, a blast from the past, and a cover of "Birdland", which was well received.
The Best of Maynard Ferguson is the first compilation album and 13th overall by Canadian jazz trumpeter Maynard Ferguson on Columbia Records. The 1980 release opens with Maynard's biggest hit "Gonna Fly Now", before going on a tour of some of his best work for Columbia, featuring no less than 4 major theme songs along the way.
The Essence of Maynard Ferguson is the third compilation album by Canadian jazz trumpeter Maynard Ferguson on Columbia Records. It was released in 1993 as part of Columbia/Legacy's budget line I Like Jazz series. At the time of its release, this was the only Compact disc available containing many of Maynard's recordings for Columbia.
No Love at All is a studio album by American country artist Lynn Anderson. It was released in August 1970 on Columbia Records and was produced by Glenn Sutton. No Love at All was Anderson's ninth studio recording as a music artist and the second released on the Columbia label. The album's only single, the title track, became a major hit on the Billboard country chart. The album itself also reached peak positions on a similar survey.
