Although never given an official name, a "Mammy memorial" was a proposed memorial to be located in the District of Columbia that would have honored mammys in the United States.
The idea was reported as early as 1910 in a newspaper article. [2] A group called the "Mammy Memorial Institute", based in Athens, Georgia, sought donations from the public for the monument. [3] In 1923, Mississippi Senator John Sharp Williams introduced a bill for its construction that was backed by the United Daughters of the Confederacy [3] and Congressman Charles Manly Stedman from North Carolina made a speech in favour of it in the United States House of Representatives [4] which was cheered by representatives from both Republican and Democratic parties. [5]
Design proposals were submitted to the United Daughters of the Confederacy by sculptors and architects seeking the commission. [3] These included submissions by Canadian-American Ulric Stonewall Jackson Dunbar and Romanian/Hungarian-American George Julian Zolnay, known as the Sculptor of the Confederacy for the number of commissions he'd undertaken of Confederate subjects on behalf of Southern clients. [6]
The proposed monument was immediately condemned by African Americans and other groups such as the Women's Relief Corps of the Grand Army of the Republic and the New York World newspaper. It was condemned in a widely-circulated editorial in the Washington Evening Star written by Mary Church Terrell. [1] The Chicago Defender published a cartoon showing a white southerner presenting plans for the monument to the hanging body of a lynching victim. [4]
Many commentators viewed the memorial as objectionable in itself [3] as well as a waste of money that could be better used improving the lives of living black people. [7] Petitions and letters opposed to the monument were sent to politicians, including ones sent to Vice-President Calvin Coolidge and House Speaker Frederick H. Gillett that carried the signatures of 2000 black women. [4] Ultimately, the controversy raised by the monument caused its bill to be dropped and no further action on it was taken. [4]
The monument would have been located on Massachusetts Avenue. [4] [8] In 2002, a Statue of Tomáš Garrigue Masaryk was erected on the site. [4]
The United Daughters of the Confederacy (UDC) is an American neo-Confederate hereditary association for female descendants of Confederate Civil War soldiers engaging in the commemoration of these ancestors, the funding of monuments to them, and the promotion of the pseudohistorical Lost Cause ideology and corresponding white supremacy.
Reparations for slavery is the application of the concept of reparations to victims of slavery or their descendants. There are concepts for reparations in legal philosophy and reparations in transitional justice. In the US, reparations for slavery have been both given by legal ruling in court and/or given voluntarily by individuals and institutions.
Aunt Jemima was an American breakfast brand for pancake mix, table syrup, and other breakfast food products. The original version of the pancake mix was developed in 1888–1889 by the Pearl Milling Company and was advertised as the first "ready-mix" cooking product.
Henry Bacon was an American Beaux-Arts architect who is best remembered for the Lincoln Memorial in Washington, D.C., which was his final project.
Moses Jacob Ezekiel, also known as Moses "Ritter von" Ezekiel, was an American sculptor who lived and worked in Rome for the majority of his career. Ezekiel was "the first American-born Jewish artist to receive international acclaim".
A mammy is a U.S. historical stereotype depicting black women who work in a white family and nurse the family's children. The fictionalized mammy character is often visualized as a fat, dark-skinned woman with a motherly personality. The origin of the mammy figure stereotype is rooted in the history of slavery in the United States, as black slave women were often tasked with domestic and childcare work in white American slaveholding households. The mammy caricature was used to create a narrative of black women being happy within slavery or within a role of servitude. The mammy stereotype associates black women with domestic roles and it has been argued it, combined with segregation and discrimination, limited job opportunities for black women during the Jim Crow era, approximately 1877 to 1966.
The Lost Cause of the Confederacy is an American pseudohistorical negationist myth that claims the cause of the Confederate States during the American Civil War was just, heroic, and not centered on slavery. First enunciated in 1866, it has continued to influence racism, gender roles, and religious attitudes in the Southern United States to the present day.
The South Carolina State House is the building housing the government of the U.S. state of South Carolina, which includes the South Carolina General Assembly and the offices of the Governor and Lieutenant Governor of South Carolina. Located in the capital city of Columbia near the corner of Gervais and Assembly Streets, the building also housed the Supreme Court until 1971.
Robert Smalls was an American politician, publisher, businessman, and maritime pilot. Born into slavery in Beaufort, South Carolina, he freed himself, his crew, and their families during the American Civil War by commandeering a Confederate transport ship, CSS Planter, in Charleston harbor, on May 13, 1862, and sailing it from the Confederate-controlled waters of the harbor to the U.S. blockade that surrounded it. He then piloted the ship to the Union-controlled enclave in Beaufort–Port Royal–Hilton Head area, where it became a Union warship. His example and persuasion helped convince President Abraham Lincoln to accept African-American soldiers into the Union Army.
The Confederate Monument in Louisville is a 70-foot-tall monument formerly adjacent to and surrounded by the University of Louisville Belknap Campus in Louisville, Kentucky, United States. Relocation of the monument to Brandenburg, Kentucky, along the town's riverfront began November 2016, and was completed in mid-December. The granite and bronze structure was erected in 1895 by the Muldoon Monument Company with funds raised by the Kentucky Woman's Confederate Monument Association. The monument commemorates the sacrifice of Confederate veterans who died in the American Civil War.
Nancy Green was an American former enslaved woman, who, as "Aunt Jemima", was one of the first African-American models hired to promote a corporate trademark. The famous Aunt Jemima recipe was not her recipe, but she became the advertising world's first living trademark.
The Confederate Memorial is a memorial in Arlington National Cemetery in Arlington County, Virginia, in the United States, that commemorates members of the armed forces of the Confederate States of America who died during the American Civil War. Authorized in March 1906, former Confederate soldier and sculptor Moses Jacob Ezekiel was commissioned by the United Daughters of the Confederacy in November 1910 to design the memorial. It was unveiled by President Woodrow Wilson on June 4, 1914.
More than 160 monuments and memorials to the Confederate States of America and associated figures have been removed from public spaces in the United States, all but five since 2015. Some have been removed by state and local governments; others have been torn down by protestors.
The Heyward Shepherd monument is a monument in Harpers Ferry, West Virginia, constructed in 1931. It commemorates Heyward Shepherd, a free black man, who was the first person killed during John Brown's raid on Harpers Ferry. The monument was constructed to promote the pseudo-historical Lost Cause of the Confederacy myth, by falsely claiming that Shepherd was opposed to freeing the slaves.
The loyal slaves monument is an 1896 monument in Confederate Park in Fort Mill, South Carolina, dedicated to the proposition that slaves were loyal and gladly helpful to the Confederacy, and honoring them.
The Good Darky is a controversial 1927 American statue of a generic, unnamed, elderly African American man. Originally erected in Natchitoches, Louisiana, it stood there until 1968, but is now in a back lot off a gravel road at the Louisiana State University Rural Life Museum in Baton Rouge.