Marty Bax | |
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Born | Martine Theodora 10 November 1956 |
Citizenship | Canada, Netherlands |
Alma mater | Vrije Universiteit Amsterdam |
Occupation | Art historian |
Known for | Leading scholar in the work of Piet Mondrian; modern art and Western Esotericism; Nazi plunder |
Website | baxart |
Martine Theodora Bax (born 1956) is a Dutch-Canadian art historian and art critic in modern art. Her specializations are the work of Piet Mondrian, the relationship between art and Western Esotericism, especially Modern Theosophy and Anthroposophy, and Nazi plunder of books during the Second World War.
Bax was born on 10 November 1956 in Montréal, Québec, Canada. Her parents were both co-founders of and journalists for the newspapers Nieuwe Rotterdamsche Courant and Algemeen Dagblad in Rotterdam Netherlands). In Canada her father Jack was a radio reporter for the Canadian Broadcasting Corporation. After remigration to the Netherlands he became Chief of Public Relations of the City and Port of Rotterdam. He was the first in the Netherlands to implement a public information center for inhabitants, in which city developments were openly discussed. In the 1960s he was one of the first who envisioned local radio and television as public information channels. [1] Bax is the sister of the human rights activist Robert van Voren and of Jacky Bax, programme manager and deputy director at NRPO SIA / Taskforce for Applied Research, formerly Programme Manager Innovation Universities at Ministry of Education, Culture and Science.
Bax studied art history at the Vrije Universiteit Amsterdam . Her scholarly approach to art is interdisciplinary, combining art history and art analysis with (socioeconomic) history, sociology, philosophy, history of religion and genealogy. She works as an independent (co-)curator of and scholarly adviser to many international institutions on modern art from 1850. She has published many books and essays and wrote entries on Dutch architects for the Oxford Art Online. She has been editor of the university art historical magazine Kunstlicht and founder of its foundation, and editor-in-chief of the scholarly magazine Jong Holland. As an art critic for Het Financieele Dagblad she has written approximately 500 articles on art, architecture, design, institutional and private collecting, and the art market. She organized various conferences, e.g. on Nazi plunder and cultural heritage.
Piet Mondrian. The Amsterdam years 1892–1912 (1994) contains the first extensive analysis of the extensive social and artistic network of Piet Mondrian, based on genealogy and research in primary archival sources. In 1996 she was appointed editor of Volume I of the Catalogue Raisonné of Mondrian's work. [2] The book Mondrian Complete received the Choice Outstanding Academic Title Award in 2002. [3] [4] Ever since her work is cited extensively, she publishes and lectures regularly on aspects of Mondrian's life and art and serves as an authentication expert of his work. [5] [6] [7] [8] [9] [10] [11] [12] [13] [14]
Bax started her research into art and Western Esotericism after the exhibition The Spiritual in Art: Abstract Painting 1890–1985 (1986–1987), of which Bax was assistant-curator at the Gemeentemuseum Den Haag in The Hague. In 1991 she published Bauhaus Lecture Notes 1930–1933, in which she describes the continuing influence of Western Esotericism on the theory and practice of the Bauhaus, right until its closing in 1933. The exhibition Okkultismus und Avantgarde (1995), of which Bax was member of the scholarly board and organizer of the Dutch section, was the first exhibition to focus exclusively on the influence of Western Esotericism on European art. In 1996 she joined the study group ARIES, founded by Wouter Hanegraaff and precursor of the European Society for the Study of Western Esotericism. As a member of ESSWE she contributes to international conferences, lectures and scholarly discussion groups. In 2001 she was co-founder of the Stichting ter bevordering van wetenschappelijk Onderzoek naar de geschiedenis van de Vrijmetselarij en verwante stromingen in Nederland (OVN; Foundation for the advancement of academic research into the history of freemasonry and related currents in the Netherlands) to preserve archival and architectural heritage.
Bax' dissertation on Theosophy and art in The Netherlands is the first systematic and interdisciplinary analysis of the relationship between art and Modern Theosophy. [15] [16] [17] [18] It has set an empirical-methodological standard for any research in this complex field of art history. The book contains a prosopography of the members of the Dutch branch of the Theosophical Society, which gives insight into the social and religious structure of the Society. The exhibition Holy Inspiration. Religion and Spirituality on Modern Art (2008) was the first exhibition in the history of the strictly modernist Stedelijk Museum Amsterdam to focus on the religious, spiritual and Western Esoteric sources of inspiration of modern artists in the collection, based on the views of Jürgen Habermas. Parallel she contributed to Traces du sacré held at the Centre Pompidou. In 2010 Bax made the full membership list of the Theosophical Society available online as a primary source for scholarly and family research. [19]
In 2010 she became interested in the life of Grete Trakl, musical prodigy and sister of the Austrian poet Georg Trakl, because of her notes on lectures by Rudolf Steiner. Research resulted in the first comprehensive biography of Grete Trakl, published in 2014. This book contains several chapters on her brother's position within the tradition of Western Esotericism.
From 2013 Bax has published on the work of the Swedish artists Hilma af Klint and Anna Cassel. founders of the group De Fem (The Five). Sigrid Hedman, Mathilda Nilsson and Cornelia Cederberg (sister of Mathilda Nilsson) were the three other members of the group. Bax contributed to the 2013 exhibition and conference in Stockholm, [20] [9] but is critical of the myth created around Hilma af Klint. She focuses on Anna Cassel as the inspirational and creative source of De Fem, and on the broader historical and religious context of the group. [21] [22] [23]
From 2020 Bax has been contracted by the Claims Conference to research the plunder of books and archives in The Netherlands during the Second World War by the Reichsleiter Rosenberg Taskforce (ERR). [24] Millions of books and archives were looted, displaced or destroyed, not only of Jews, the main focus of the plunder, but also of all Dutch religious, esoteric, humanitarian and socially or politically oriented organizations and groups deemed 'subversive' by the Nazis.
Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. Abstract art, non-figurative art, non-objective art, and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings.
De Stijl was a Dutch art movement founded in 1917 by a group of artists and architects based in Leiden, Voorburg and Laren.
Theo van Doesburg was a Dutch artist, who practiced painting, writing, poetry and architecture. He is best known as the founder and leader of De Stijl. He married three times.
Neoplasticism, originating from the Dutch Nieuwe Beelding, is an avant-garde art theory proposed by Piet Mondrian in 1917 and initially employed by the De Stijl art movement. The most notable proponents of this theory were Mondrian and another Dutch artist, Theo van Doesburg. Neoplasticism advocated for a purified abstract art, by applying a set of elementary art principles. Thus, a painting that adhered to neoplastic art theory would typically consist of a balanced composition of simple geometric shapes, right-angled relationships and primary colors.
Hilma af Klint was a Swedish artist and mystic whose paintings are considered among the first major abstract works in Western art history. A considerable body of her work predates the first purely abstract compositions by Kandinsky, Malevich and Mondrian. She belonged to a group called "The Five", comprising a circle of women inspired by Theosophy, who shared a belief in the importance of trying to contact the so-called "High Masters"—often by way of séances. Her paintings, which sometimes resemble diagrams, were a visual representation of complex spiritual ideas.
Pieter Cornelis Mondriaan, known after 1911 as Piet Mondrian, was a Dutch painter and art theoretician who is regarded as one of the greatest artists of the 20th century. He was one of the pioneers of 20th-century abstract art, as he changed his artistic direction from figurative painting to an increasingly abstract style, until he reached a point where his artistic vocabulary was reduced to simple geometric elements.
Gerard Caris was a Dutch sculptor and artist who pursued a single motif throughout the course of his artistic career, the pentagon.
Herman Frederik Bieling was a Dutch painter, sculptor, graphic artist and Modern Art propagandist.
August Allebé was an artist and teacher from the Northern Netherlands. His early paintings were in a romantic style, but in his later work he was an exponent of realism and impressionism. He was a major initiator and promoter of Amsterdam Impressionism, the artist's association St. Lucas, and the movement of the Amsterdamse Joffers. Amsterdam Impressionism – sometimes referred to by art historians as the School of Allebé – was the counterflow to the very strong Hague School in the movement of Dutch Impressionism. As a professor at the Royal Academy of Amsterdam he fostered a cosmopolitan attitude toward art and the promotion and motivation of his students, and provided a significant stimulus to developments in modern art.
Berend Strik is a Dutch visual artist working and living in Amsterdam.
Daniël (Daan) van Golden was a Dutch artist, who has been active as a painter, photographer, collagist, installation artist, wall painter and graphic artist. He is known for his meticulous paintings of motives and details of everyday life and every day images.
Edgar Richard Johannes Fernhout was a Dutch painter.
Anna Maria Augusta Cassel was a Swedish artist. She mainly painted landscapes from Norrland, Skåne, Västmanland and around Stockholm, made in oil or in tempera.
Sigrid Elisabeth Hedman, maiden name Norman, was one of the members of the group De Fem, a spiritualist group founded in 1896 and dissolved in 1907.
Georg Ljungström (1861–1930) was a Swedish cartographer, author, and poet.
Emma 'Mathilda' Nilsson, née Cederberg was a Swedish spiritualist from Stockholm.
Modern Theosophy has had considerable influence on the work of visual artists, particularly painters. Artists such as Wassily Kandinsky, Piet Mondrian, and Luigi Russolo chose Theosophy as the main ideological and philosophical basis of their work.
Agatha Wilhelmina Zethraeus (1872–1966) was a Dutch artist.
The Red Cloud is a 1907 early painting by the Dutch artist Piet Mondrian. It was painted in 1907. Mondrian completed the painting while staying near Oele, in the east of the Netherlands. One art historian has noted that the "hard colour contrasts and charged, expressive brushwork" is part of Mondrian's evolution towards an abstract painter.