Mclusky Do Dallas | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 1 April 2002 | |||
Recorded | April–June 2001 | |||
Studio |
| |||
Genre | ||||
Length | 36:00 | |||
Label | Too Pure | |||
Producer | Steve Albini | |||
Mclusky chronology | ||||
| ||||
Singles from Mclusky Do Dallas | ||||
|
Mclusky Do Dallas is the second studio album by British rock band Mclusky, released on 1 April 2002 by Too Pure.
Mclusky Do Dallas spawned four singles: "Lightsabre Cocksucking Blues", "Whoknowyou", "To Hell with Good Intentions", and "Alan Is a Cowboy Killer". The album was re-released on limited edition white marble and clear orange vinyl as a Record Store Day exclusive in 2012.
The album's title is a spin on the 1978 pornographic film Debbie Does Dallas .
Review scores | |
---|---|
Source | Rating |
AllMusic | [1] |
LAS Magazine | 8.5/10 [2] |
NME | 7/10 [3] |
NOW | [4] |
Pitchfork | 8.4/10 [5] |
Rock Hard | 8.5/10 [6] |
Spin | 8/10 [7] |
Stylus | D [8] |
Tiny Mix Tapes | 4.5/5 [9] |
The album received critical acclaim upon release. Tim DiGravina of AllMusic wrote that the album is "every bit as dynamic, thunderous, and accomplished as Relationship of Command , Come on Pilgrim , and Nevermind [...] The mad vocals of Andy Falkous make Black Francis look like a geeky school kid in comparison", ending the review by calling it "a fascinating, addictive album that never grows old, never takes itself too seriously, and never grates despite its absolutely raging dynamics." [1] "At the end of the day, what separates Mclusky Do Dallas from all of the shit being passed off as punk or heavy rock is their sense of humor and their ability to not take themselves seriously" writes Jean-Pierre of Tiny Mix Tapes . [9] Chris Dahlen of Pitchfork wrote that their "infectiously poppy songwriting [...] works to keep the mood varied" given that their "straight-up songs" are "wrack(ed) with nervous energy", calling it "one of the tightest, jumpiest, straight-up rock albums around." [5]
Retrospectively, the album is viewed very positively and is often considered the band's "breakthrough". [10] [11] JR Moores, writing for The Guardian , called it "the most gloriously sardonic collection of caustic-yet-catchy mini-anthems of its era" and bemoaned its lack of popularity upon release. [12] Candice Eley of Treble called it a "masterpiece [...] an album as hardcore and as cheeky as its title might imply." [13] Kyle Fowle of Spectrum Culture considers it to be "a monumental album. It may not be the most revolutionary revision of the punk rock aesthetic or vision, but it’s definitely the most fun. There’s a perfect balance present on the record; Mclusky is focused on creating a foreboding, harsh, loud record, but never once take themselves too seriously. The overdriven guitar solos and Falkous’ shriek hit you like a freight train, but are never alienating or unwanted. There's no overarching political or creative statement, just three guys beating the shit out of their instruments and having a blast doing it. You can't ask for much more from one of the definitive records of the 2000s." [14] "No question about it," writes George Lang for NewsOK , "2002's “Mclusky Do Dallas” was the most hilarious record the Pixies never made, an album built from lacerating music and equally serrated wit that was custom-built for furious road trips and decibel therapy." [15] Phoenix New Times ranked it third on their list of "10 Underrated Punk Albums That Should Be Considered Classics", with Tom Reardon writing: "Like the first two records on this list [ Frankenchrist and Worlds Apart ], this is a great record from a great band, but it has been largely ignored by way too many people. Sure, it's noisy and disrespectful to just about anyone with a shred of pop sensibility, but it also totally rocks." [16]
In addition to the ones listed below, the song "To Hell with Good Intentions" was ranked number 40 in BBC Radio DJ John Peel's Festive Fifty for 2002.
Publication | Country | Accolade | Rank |
---|---|---|---|
Pitchfork | US | Top 200 Albums of the 2000s | 94 [17] |
Cokemachineglow | Canada | Top 100 Albums of the 2000s | 15 [18] |
Beats Per Minute | US | The Top 100 Albums of the 2000s | 66 [19] |
The A.V. Club | US | The best music of the decade | 48 [20] |
NME | UK | The 500 Greatest Albums Of All Time | 353 [21] |
Top 100 Albums of the 2000s | 82 [22] | ||
eMusic | US | eMusic's 100 albums of the decade | 74 [23] |
The song "Lightsabre Cocksucking Blues" has been covered live by Bully [24] and Fight Like Apes on their debut album Fight Like Apes and the Mystery of the Golden Medallion . The former also covered the track "No New Wave No Fun" live. [25] Japandroids covered "To Hell with Good Intentions" live [26] and on their EP All Lies (later compiled on No Singles ).
"Lightsabre Cocksucking Blues" was included on the soundtrack to Observe and Report.
All tracks are written by Andy Falkous, Jonathan Chapple, and Matthew Harding, except where noted
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Lightsabre Cocksucking Blues" | 1:51 | |
2. | "No New Wave No Fun" | 2:19 | |
3. | "Collagen Rock" | 2:52 | |
4. | "What We've Learned" | 1:54 | |
5. | "Day of the Deadringers" | 3:01 | |
6. | "Dethink to Survive" | 1:58 | |
7. | "Fuck This Band" | 3:38 | |
8. | "To Hell with Good Intentions" | 2:25 | |
9. | "Clique Application Form" | 1:53 | |
10. | "The World Loves Us and Is Our Bitch" | 2:23 | |
11. | "Alan Is a Cowboy Killer" | 4:09 | |
12. | "Gareth Brown Says" | 1:50 | |
13. | "Chases" |
| 1:47 |
14. | "Whoyouknow / Reviewing the Reviewers" | 3:53 |
|
|
The Argument is the sixth and final studio album from the post-hardcore band Fugazi released on October 16, 2001, through Dischord Records. It was recorded at Don Zientara's Inner Ear Studios in Arlington, VA and the Dischord House between January and April 2001. It was the band's last release before going on hiatus in 2003, until the release of First Demo over thirteen years later.
Mclusky, originally known as Best, are a British post-hardcore band formed in Cardiff in 1996. The group originally consisted of Andrew Falkous, originally from Newcastle upon Tyne, Geraint Bevan (bass) and Matthew Harding (drums); the latter two were replaced by Jonathan Chapple and Jack Egglestone in 1997 and late 2003 respectively. The band released three studio albums before splitting in 2004, reconvening in 2014 – without Chapple – under the monikers 'mclusky' and mclusky*, before ultimately dropping the asterisk.
Deerhoof is an American musical group formed in San Francisco in 1994. They consist of founding drummer Greg Saunier, bassist and singer Satomi Matsuzaki, and guitarists John Dieterich and Ed Rodriguez. Beginning as an improvised noise punk band, Deerhoof became widely renowned and influential in the 2000s through their self-produced albums.
Kill the Moonlight is the fourth album by American rock band Spoon released on August 20, 2002 through Merge Records. The album features a stripped-down, minimal sound that incorporates various different instruments such as tambourines and pianos along with an idiosyncratic production style. The album has gone on to receive critical acclaim with its lead single "The Way We Get By" being used in various television shows, and is regarded as Spoon's magnum opus.
Subway Sect were one of the first British punk bands. Although their commercial success was limited by the small amount of recorded material they released, they have been credited as highly influential on the Postcard Records scene and the indie pop genre which followed.
The Difference Between Me and You Is that I'm Not on Fire is the third studio album from British rock band Mclusky. It was released to positive reviews by Too Pure in 2004. The two singles to be released from this album were "That Man Will Not Hang" and "She Will Only Bring You Happiness", though it was later revealed in the liner notes of Mcluskyism that "Without MSG I Am Nothing" had been intended for single release, but the band's implosion prevented this from happening.
Jarcrew was a five-piece dance-punk band from Ammanford, Wales. They were a relatively well known underground band for approximately five years between 2000 and their early 2005 split. They played a bizarre mixture of electronica/house and prog-rock/punk/funk that baffled audiences up and down the UK. Since disbanding, several Jarcrew off-shoots have emerged, most notably Future of the Left, a band that contained Jarcrew frontman Kelson alongside ex-mclusky members Andrew Falkous and Jack Egglestone. In 2014, the band reformed for a charity fundraiser and have since made a number of other appearances.
Mcluskyism is the final release by British rock band Mclusky. A singles and rarities package, it is released in two formats, a one disc singles only package, and a three disc format. On April 18, 2015 it was released as a one disc vinyl edition that was limited to 2000 pressings.
My Pain and Sadness is More Sad and Painful Than Yours is the first studio album by British rock band mclusky. It was initially released on Fuzzbox in 2000 and re-released by Too Pure in 2003. Andy Falkous is recorded as saying that the album started out as a collection of demos, which were later turned into album form. The album was predated by two singles, "Joy" and "Rice is Nice".
Everyone Who Pretended to Like Me Is Gone is the debut studio album by the American indie rock band The Walkmen, released on March 26, 2002, on Startime International. The Walkmen celebrated the album's release by performing at the Knitting Factory on April 6, 2002. The album received generally positive reviews, especially from independent music reviewers. The song "We've Been Had" was featured in commercials for the Saturn Ion.
Hell Hath No Fury is the third studio album by hip hop duo Clipse. The album was released on November 28, 2006 in the United States by Re-Up, Star Trak and Jive. Recording sessions for the album took place over a period of several years, and suffered numerous delays prior to release. Production was handled by The Neptunes.
Future of the Left are an alternative rock band formed in Cardiff. The group consists of former Mclusky members Andrew Falkous and Jack Egglestone (drums) and former Million Dead bassist Julia Ruzicka.
Ys is the second studio album by the American singer-songwriter Joanna Newsom, released by Drag City on November 14, 2006. It was produced by Newsom and Van Dyke Parks, recorded by Steve Albini and mixed by Jim O'Rourke, with orchestral arrangements by Van Dyke Parks. It features guest vocals from Bill Callahan and Emily Newsom. The vocals and harp were recorded at the Village Recording Studio in Los Angeles in December 2005, with the orchestration recorded between May and June 2006 at the Entourage Studios in Los Angeles.
This Heat is the debut studio album by English experimental rock band This Heat. Recorded between 1976 and 1978, it was released in September 1979 by record label Piano.
Japandroids are a Canadian rock band from Vancouver, British Columbia, consisting of Brian King and David Prowse.
Andrew "Falco" Falkous is a British musician best known for being the founding member/frontman for the Cardiff-based punk rock outfit Mclusky, current lead singer/guitarist of the band Future of the Left and the sole member of Christian Fitness.
"The House That Heaven Built" is the fourth 7" single by Canadian rock duo Japandroids. It was released by Polyvinyl Record Co. on May 15, 2012. The initial pressing is limited to 2000 copies on clear vinyl. The song is the first single from Japandroids' second album Celebration Rock.
Celebration Rock is the second studio album by Canadian rock duo Japandroids, released on June 5, 2012, by Polyvinyl. Recorded in Vancouver with Post-Nothing engineer Jesse Gander, the band aspired to capture the spirit and energy of their live shows, thus forgoing standard studio techniques such as double tracking and overdubbing, while consciously taking into account the perceived reaction of their audience to hearing the songs live in concert.
Feels Like is the debut studio album by American rock band Bully, released on June 23, 2015 by Startime International and Columbia Records. The album was produced by Bully frontwoman Alicia Bognanno and recorded in 2014 at Electrical Audio in Chicago.
Near to the Wild Heart of Life is the third studio album by the Canadian rock duo Japandroids, released on January 27, 2017, by ANTI-. Described by the band as their first attempt at making a "proper studio album", it features a more polished aesthetic than their previous releases.