Michael Ostin | |
|---|---|
| Born | Los Angeles, CA |
| Alma mater | University of Colorado UCLA |
| Occupations |
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| Board member of |
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| Father | Mo Ostin |
| Website | michaelostin.com |
Michael Ostin is an American music industry executive, producer, talent manager and entrepreneur.
Michael Ostin was born in Los Angeles to Evelyn an Mo Ostin, the head of Warner Bros. Records. His father—one of "most music conscious, music-centric chief executive of a record company in the rock and roll era"—brought home early demos and test pressings of albums by Arlo Guthrie, The Kinks, Frank Zappa and Jimi Hendrix, among others, and sought the opinions of his three sons and their friends, who often hung out at the Ostin's Encino home. He took Michael and his brothers to concerts including the 1967 Beatles concert at the Hollywood Bowl, and Hendrix's 1969 concert at the Los Angeles Forum. [1] Mo Ostin was also an art collector, and as a teenager Ostin accompanied him to galleries in New York and London. [2]
After graduating from UCLA, Ostin was hired as a junior talent scout at Warner Bros. Records. His first signing was Christopher Cross, who he discovered while listening to unsolicited demos in 1978. Cross's self-titled debut album, released in 1979, included four hit singles, won 5 Grammy Awards, and sold more than five million albums in the US alone. [3] In 1982, Cross won the Academy Award for Best Original Song for "Arthur's Theme (Best That You Can Do)", which he co-wrote with Burt Bacharach, Carole Bayer Sager, and Peter Allen for the film Arthur. [4]
Ostin first worked with Madonna in 1983, when she released her self-titled debut. In 1984, after hiring Nile Rodgers to produce her second album, [5] Ostin found its title track, "Like a Virgin". The song, which songwriters Billy Steinberg and Tom Kelly had unsuccessfully tried to place for more than a year, was Madonna's first #1 hit. Ostin also proposed the cover of Rose Royce's "Love Don't Live Here Anymore" which appeared on Like A Virgin, [6] [7] and found True Blue's "Papa Don't Preach," which became Madonna's fourth #1 single. [8]
Mentored by Lenny Waronker, Ostin held A&R positions at Warner Bros. throughout his 19-year tenure at the company and ran the department as senior vice president of A&R from 1988 through 1996. In addition to Cross and Madonna, he was involved in signing and recording American Music Club, [9] Eric Clapton, Filter, Fleetwood Mac, Green Day, Al Jarreau, Quincy Jones , Prince, [10] Red Hot Chili Peppers, Seal, [11] Paul Simon, [3] Rod Stewart, [12] Q-Tip and Neil Young, [13] among other artists. He also produced and/or executive produced the soundtracks for Batman, National Lampoon's Vacation, Wayne's World and Wayne's World 2, Earth Girls Are Easy , Batman: Mask of the Phantasm, [10] and Cool World. [14] [15]
In December 1994, after a battle with the label's parent company, TimeWarner, Waronker and Mo and Michael Ostin resigned from Warner Bros. Records. [16] [17] Ten months later it was announced that they would found the recorded music division of DreamWorks SKG. Handpicked by the company's founders, Steven Spielberg, Jeffrey Katzenberg, and David Geffen, they were guaranteed complete autonomy. [18] Ostin was named president of the newly formed label. [19]
While building DreamWorks Records and DreamWorks Music Publishing, Ostin maintained a focus on A&R. In October 1995, Variety reported that DreamWorks had quickly become "the preeminent label for burgeoning talent", [20] over the next five years signing artists including Nelly Furtado, [21] Eels, [22] Elliott Smith, and Chris Rock. [23] One of the label's most successful artists was Lifehouse, who Ostin signed and executive produced. Their 2000 single, "Hanging by a Moment", was on the Hot 100 for 56 consecutive weeks; their debut album, No Name Face , sold 2.3 million records. [24] The Eels were the first new band to release a record on DreamWorks; Rufus Wainwright was the first artist signed.
Ostin executive produced and/or produced the soundtracks that accompanied films released by DreamWorks Films. He executive produced two "inspired by" versions of the Prince of Egypt soundtrack, The Prince of Egypt: Inspirational and The Prince of Egypt: Nashville, as well as the Prince of Egypt, which included the film's Hans Zimmer score, several theatrical songs by Stephen Schwartz, and the end credit theme, "When You Believe." [25] The song, recorded by Mariah Carey and Whitney Houston, won an Oscar for Best Original Song in 1999 and was nominated for three Grammys in 2000. [26] The Rent Broadway cast album was one of the label's first platinum records. He executive produced the American Beauty soundtrack with Sam Mendes, the film's director, and KCRW dj Chris Douridas, who Ostin had hired as an A&R rep. The album was nominated for Best Soundtrack at the 2001 Grammys, and Thomas Newman's score won Best Soundtrack Score. [27] He also worked on several Saturday Night Live -related projects with Lorne Michaels, including the 25th SNL Anniversary CD and the 40th anniversary box set. [28]
He was the executive producer for the Shrek and Shrek 2 soundtracks, both of which went multiplatinum and hit #1 on the Billboard soundtrack chart. "Accidentally in Love", which Adam Duritz of Counting Crows wrote for Shrek 2, was nominated for an Oscar, a Grammy, and a Golden Globe Award. [29] Ostin was nominated for Best Compilation Soundtrack Album Grammy Awards for both Shrek and Shrek 2. [30] In a 2021 article in The Ringer about the "massive musical footprint" of the films, Ben Lindberg wrote: "Shrek’s collection of music remains as beautiful and bold as it was 20 years ago. Only shooting stars break the mold, and Shrek’s soundtrack was one." [31]
In addition to the soundtracks, and Lifehouse's debut, DreamWorks Records had multiplatinum success with Papa Roach, Furtado, and Toby Keith. Records by artists including Smith, Eels, Eitzel, and Wainright, among others, were critically acclaimed. In 2003, DreamWorks Records was acquired by Universal Music Group. [32] Ostin stayed on to complete the projects he was working on at the time of the sale and in 2004 resigned to pursue entrepreneurial interests. [18]
After leaving DreamWorks, in addition to founding a management company, he independently produced compilations and new albums by Stewart, The Dream Academy, and Raphael Saadiq. In 2016, he A&R'd A Tribe Called Quest's sixth and final studio album, We Got It from Here... Thank You 4 Your Service . As of 2025, his management roster included A Tribe Called Quest, Tribe's MC and primary producer, Q-Tip, and D'Angelo. [33] [34]
Rodgers and Ostin reteamed to work on the soundtracks for the video game Halo, which Rodgers released through his distribution company, Sumthing Else; he was the music supervisor for the original Halo soundtrack as well as the soundtracks for Halo 2, and Halo 3. [35] He also produced the Rodgers retrospective, Rarities, Oddities, and Exclusives, and partnered with Rodgers to form the independent label Land of the Good Groove. [36] [37]
Ostin invested in and produced the Tony award-winning musical The Book of Mormon and invested in the Broadway productions of Larry David's Fish in the Dark [38] and Tina Fey's musical, Mean Girls. [39] He was also involved in bringing Gregory Colbert's Ashes and Snow to Los Angeles. [40]
Ostin is on the board of directors for We Are Family Foundation, a nonprofit focused on education and activism for young people founded by Rodgers and his life partner, Nancy Hunt; [41] Painted Turtle, a camp experience for children with chronic and life-threatening illnesses founded by Paul Newman [42] and the Dean's board of advisors at the UCLA School of Music. [43] Through the Ostin Family Foundation, in addition to supporting the Evelyn and Mo Ostin Music Center, he established a scholarship fund at the music school. [44] He is also an art collector, and has served on boards and various committees for the Hammer Museum, the Museum of Contemporary Art, and LAXART. [33]
| Year | Album | Artist | Credit | Notes |
|---|---|---|---|---|
| 2019 | Rarities, Oddities, and Exclusives | Nile Rodgers | Producer | |
| 2016 | We Got It from Here...Thank You 4 Your Service | Tribe Called Quest | A&R | |
| 2008 | The Way I See It | Raphael Saadiq | A&R | |
| Some Guys Have All the Luck | Rod Stewart | Executive producer | ||
| Halo 3 | Various artists | Music supervisor | Soundtrack (video game) | |
| 2007 | Halo 2 | Martin O'Donnell | Music supervisor | Soundtrack (video game) |
| 2006 | Halo | Various artists | Music supervisor | Soundtrack (video game) |
| 2005 | Remembrance Days/A Different Kind of Weather | The Dream Academy | Vocals (background) | |
| 2004 | Shrek 2 | Various artists | Executive producer | Grammy nominated forBest compilation/soundtrack album and best song writtenfor motion picture, television,or other visual media. |
| 2003 | Folklore | Nelly Furtado | A&R | |
| My Soul | Maria | Executive producer | ||
| Floecism Live | Floetry | Executive producer | ||
| Encore: The Very Best of Rod Stewart, Vol. 2 | Rod Stewart | Producer, executive producer | ||
| Biker Boyz | Various artists | Executive producer | Soundtrack | |
| 2002 | The Amalgamut | Filter | Executive producer | |
| Very Best of MTV Unplugged | Various artists | Producer, arranger | ||
| The Very Best of Christopher Cross | Christopher Cross | Assistant producer | ||
| Stanley Climbfall | Lifehouse | Executive producer, A&R | ||
| Baz Luhrmann's Production of Puccini's La Bohéme on Broadway | Various artists | Album supervision | ||
| 2001 | WWF Tough Enough | Various artists | Executive producer | |
| Shrek | Various artists | Executive producer | Soundtrack | |
| "Hanging by a Moment" | Lifehouse | Executive producer | ||
| 2000 | Whoa, Nelly! | Nelly Furtado | A&R | |
| Somewhere in the Sun... Best of the Dream Academy | The Dream Academy | A&R, background vocals | ||
| Road Trip | Various artists | Producer | Soundtrack | |
| No Name Face | Lifehouse | Executive producer, A&R | ||
| 1999 | American Beauty | Various artists | A&R | Soundtrack |
| Saturday Night Live: 25 Years, Volumes 1 and 2 | Various artists | Executive producer | ||
| Breakfast with Girls | Self | A&R | ||
| Forces of Nature | Various artists | Producer | Soundtrack | |
| Title of Record | Filter | |||
| 1998 | The Prince of Egypt | Various artists | Executive producer | Soundtrack |
| 1997 | Steven Spielberg Presents Tiny Toons Sing! | Tiny Toons Sing | Executive producer | |
| Leave Virginia Alone | Rod Stewart | Producer, executive producer | ||
| A Spanner in the Works | Rod Stewart | Executive producer, producer | ||
| 1996 | Beautiful Freak | Eels | A&R | |
| 1995 | Insomniac | Green Day | A&R | |
| Short Bus | Filter | A&R | ||
| Forever Blue | Chris Isaak | A&R | ||
| Getting Away with Murder | Patti Austin | A&R | ||
| 1994 | Dookie | Green Day | A&R | |
| Mo's Songs | Warner Bros. artist roster | Executive producer | ||
| Seal II | Seal | A&R | ||
| A Tribute to Curtis Mayfield | Various artists | Executive producer | ||
| Words + Music: Music from the Motion Picture Bridges of Madison County | Various artists | Executive producer | ||
| With Honors | Various artists | Executive producer | Soundtrack | |
| San Francisco | American Music Club | A&R | ||
| Meanwhile | Third Matinee | Executive producer | ||
| 1993 | San Francisco Days | Chris Isaak | A&R | |
| "Soul to Squeeze" | Red Hot Chili Peppers | Executive producer, A&R | Coneheads soundtrack | |
| Wayne's World 2 | Various artists | Executive producer | Soundtrack | |
| Unplugged....And Seated | Rod Stewart | Producer, Audio production, Executive producer | ||
| Stone Free: A Tribute to Jimi Hendrix | Various artists | Producer, Executive producer | ||
| Perfect World | Marty Robbins | Executive producer | ||
| Batman: Mask of the Phantasm | Shirley Walker | Executive producer | Soundtrack | |
| 1992 | Automatic for the People | R.E.M. | A&R | |
| Wayne's World | Various artists | Producer, executive producer | Soundtrack | |
| The Radical Light | Vonda Shepard | Executive producer | ||
| Start the Car | Jude Cole | Executive producer | ||
| 1992 | Don't Tread | Damn Yankees | Executive producer | |
| Cool World | Various artists | Executive producer | Soundtrack | |
| 1991 | Diamonds and Pearls | Prince | A&R | |
| Seal | Seal | Executive producer | ||
| Every Home Should Have One | Patti Austin | A&R | ||
| It's Your Life | Gardner Cole | Executive producer | ||
| 1990 | The Rhythm of the Saints | Paul Simon | A&R | |
| Toy Matinee | Toy Matinee | Cast | ||
| A View from 3rd Street | Jude Cole | Executive producer | ||
| 1989 | Like A Prayer | Madonna | A&R | |
| Batman | Prince | A&R | Soundtrack | |
| Storyteller – The Complete Anthology: 1964–1990 | Rod Stewart | Executive Producer | ||
| Heart Shaped World (Chris Isaak album) | Chris Isaak | A&R | ||
| Back on the Block | Quincy Jones | A&R | ||
| Earth Girls Are Easy | Various artists | Executive producer | Soundtrack | |
| Atomic Playboys | Steve Stevens' Atomic Playboys | A&R | ||
| 1988 | Traveling Wilburys Vol. 1 | Traveling Wilburys | A&R | |
| Triangles | Gardner Cole | Executive producer | ||
| Suspense | Anthony and the Camp | Executive prducer | ||
| 1987 | You Can Dance | Madonna | Executive producer, A&R | |
| Tango in the Night | Fleetwood Mac | A&R | ||
| Sign o' the Times | Prince | A&R | ||
| Who's That Girl | Madonna | Coordination | Soundtrack | |
| Remembrance Days | The Dream Academy | Vocals (background), A&R | ||
| 1986 | True Blue | Madonna | A&R | |
| Graceland | Paul Simon | A&R | ||
| Chris Isaak | Chris Isaak | A&R | ||
| Tones | Eric Johnson | A&R | ||
| 1985 | Gettin' Away with Murder | Patti Austin | Audio production, Executive producer | |
| Anywhere You Go | David Pack | Executive producer | ||
| 1985 | The Dream Academy | Dream Academy | A&R | |
| 1985 | Silvertone | Chris Isaak | A&R | |
| 1985 | Behind the Sun | Eric Clapton | A&R | |
| 1984 | Like a Virgin | Madonna | A&R | |
| 1984 | Which One of Us Is Me | Jay Gruska | Executive producer | |
| 1983 | Madonna | Madonna | A&R | |
| 1983 | National Lampoon's Vacation | Various artists | Producer | Soundtrack |
| 1982 | Long Time Friends | Alessi Brothers | Producer | |
| 1981 | Breakin' Away | Al Jarreau | A&R | |
| 1981 | Tonight I'm Yours | Rod Stewart | Producer | |
| 1980 | Code Blue | Code Blue | Engineer, remixing | |
| Buy American | DB Cooper | Executive producer | ||
| 1979 | Christopher Cross | Christopher Cross | Producer, Assistant producer | Five Grammy awards, including Song of the Year andRecord of the Year |