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La damnation de Faust, Op. 24 is a work for four solo voices, full seven-part chorus, large children's chorus and orchestra by the French composer Hector Berlioz. He called it a "légende dramatique". It was first performed at the Opéra-Comique in Paris on 6 December 1846.
Benvenuto Cellini is an opera semiseria in four tableaux by Hector Berlioz, his first full-length work for the stage. Premiered at the Académie Royale de Musique on 10 September 1838, it is a setting of a libretto by Léon de Wailly and Henri Auguste Barbier who were inspired by the memoirs of the titular Florentine sculptor but who invented most of the plot. The opera is technically challenging and was until the 21st century rarely performed. But its overture sometimes features in orchestral concerts, as does the concert overture Le carnaval romain which Berlioz composed from material in the opera.
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Gianluigi Gelmetti OMRI, was an Italian-Monégasque conductor and composer.
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Susan Graham is an American mezzo-soprano.
French composer Hector Berlioz wrote a number of "overtures", many of which have become popular concert works. They include true overtures, intended to introduce operas, but also independent concert overtures that are in effect the first orchestral tone poems.
The French composer Hector Berlioz made four attempts at winning the Prix de Rome music prize, finally succeeding in 1830. As part of the competition, he had to write a cantata to a text set by the examiners. Berlioz's efforts to win the prize are described at length in his Memoirs. He regarded it as the first stage in his struggle against the musical conservatism represented by the judges, who included established composers such as Luigi Cherubini, François-Adrien Boieldieu and Henri-Montan Berton. Berlioz's stay in Italy as a result of winning the prize also had a great influence on later works such as Benvenuto Cellini and Harold en Italie. The composer subsequently destroyed the scores of two cantatas almost completely and reused music from all four of them in later works. There was a revival of interest in the cantatas in the late 20th century, particularly Cléopâtre, which has become a favourite showcase for the soprano and mezzo-soprano voice.
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Gregory Kunde is an American operatic tenor particularly associated with the French and Italian repertoires.
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Les nuits d'été, Op. 7, is a song cycle by the French composer Hector Berlioz, setting six poems by Théophile Gautier. The cycle, completed in 1841, was originally for soloist and piano accompaniment. Berlioz orchestrated one of the songs in 1843, and did the same for the other five in 1856. The cycle was neglected for many years, but during the 20th century it became, and has remained, one of the composer's most popular works. Of the many recordings made in the 20th and 21st centuries, most are of the orchestrated version and are sung by a soprano or mezzo-soprano.
Gustave-Hippolyte Roger was a French tenor. He is best known for creating the leading tenor roles in La damnation de Faust by Berlioz in 1846 and Meyerbeer's Le prophète in 1849.
Michèle Lagrange is a contemporary French operatic soprano.
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References
- 1 2 3 "Michael Spyres — People — Royal Opera House". www.roh.org.uk. Retrieved 2 November 2018.
- ↑ International, MusicWeb. "ROSSINI Otello - NAXOS 8.660275-76 [RH]: Classical Music Reviews - June 2010 MusicWeb-International". www.musicweb-international.com. Retrieved 2 November 2018.
- ↑ "Opera Today : Les Huguenots at Bard SummerScape 2009". www.operatoday.com. Retrieved 2 November 2018.
- ↑ "Guillaume Tell, Rossini. Brussels". Opera World (in European Spanish). 12 March 2014. Retrieved 2 November 2018.
- ↑ "La Damnation de Faust à l'Auditorium de Bordeaux – Un sauveur nommé Spyres - Compte-rendu". Concertclassic (in French). 23 February 2015. Retrieved 2 November 2018.
- ↑ "Les Contes d'Hoffmann (Michael Spyres - Liceu) - Jacques Offenbach - Critique DVD". Tutti-magazine (in French).
- ↑ "BIO". Michael Spyres - Tenor.
- ↑ "Meyerbeers Oper L`Africaine in Frankfurt - Faust Kultur". faustkultur.de (in German).
- ↑ Brodie, Susan. "Old French Delight Is Polished Anew By Opéra Comique | Classical Voice North America". Classical Voice North America. Retrieved 25 April 2019.
- ↑ "Metropolitan Opera Association". archives.metoperafamily.org. Retrieved 4 February 2020.
- ↑ "Recordings". Michael Spyres - Tenor.
- ↑ "Artistic". SPRINGFIELD REGIONAL OPERA. Retrieved 2 November 2018.
