Lisette Oropesa

Last updated

Lisette Oropesa
Lisette-oropesa-park-avenue-armory.jpg
Oropesa in 2016
Background information
Born (1983-09-29) September 29, 1983 (age 41)
New Orleans, Louisiana, U.S.
GenresOpera
OccupationOpera singer (soprano)
Years active2005–present
Website lisetteoropesa.com

Lisette Oropesa (born September 29, 1983) is an American operatic soprano of Cuban ancestry. [1] Her repertoire includes works from Gluck, Handel, Mozart, Rossini, Donizetti, Wagner, Verdi, Bizet, Massenet, Bellini and Puccini. With her lyric coloratura soprano voice, [2] she has performed roles in her native Spanish and English, as well as German, French and Italian. She is particularly noted in the roles of Susanna, Gilda, Konstanze, Lucia and Manon.

Contents

Oropesa is a vegan, and runner/marathoner who has been featured in Runner's World Magazine . [3] In 2014, she co-contributed to Running, Eating, Thinking: A Vegan Anthology [4] by Martin Rowe, where she talked about her weight loss journey and how she now follows a plant-based diet.

In 2015, she was a contributor to Master Singers: Advice from the Stage which includes interviews with opera singers about "analysis and awareness of their technique, art, interpretation and stagecraft". [5]

Early life and education

Oropesa was born in New Orleans, Louisiana, and raised in Baton Rouge, Louisiana. Her parents emigrated from Cuba. [2]

She originally studied to be a flautist before her mother, a music teacher and former operatic soprano, [2] suggested she audition for the voice faculty at the Louisiana State University School of Music. [6] She joined the voice program under the guidance of Robert Grayson [7] who was the chair of the Voice/Opera at the LSU School of Music. [8]

Career

Beginnings

Oropesa was a grand finals winner of the National Council Grand Finals at the Metropolitan Opera in 2005 and joined the Met's Lindemann Young Artists Development Program, graduating in 2008. She made her Met debut in a small role in Jean-Pierre Ponnelle's production of Idomeneo, conducted by James Levine in September 2006, and then sang First Lay-Sister in their new production of Suor Angelica .

As substitute, she sang her first leading role at the Metropolitan Opera, appearing as Susanna in five performances of Sir Jonathan Miller's production of The Marriage of Figaro opposite Erwin Schrott's Figaro in October 2007. [9]

Work at the Met

Oropesa in 2011 Lisette Oropesa, soprano (7489037748).jpg
Oropesa in 2011

In the 2007–08 season, Oropesa was seen in the Met's Hansel and Gretel as the Dew Fairy and, in the 2008–09 season, in the role of Lisette in La rondine . [10] She also sang the role of the Rhinemaiden, Woglinde, in the Met's 2009 Der Ring des Nibelungen , and additionally sang the off-stage role of the Woodbird in Siegfried . [11]

In September 2010, she reprised her Rhinemaiden in the Met's season-opening production of Das Rheingold , [12] for which won a Grammy Award for Best Opera Recording in 2012. [13] In May 2011, she sang the part of the god Amor in Mark Morris's production of Orfeo ed Euridice . [14] In December 2011, she created the role of Miranda in the Met's baroque pastiche, The Enchanted Island, singing opposite Plácido Domingo, and conducted by William Christie. [15]

The end of the 2012–13 season culminated with her singing as Gilda in Rigoletto and as the Waldvogel in Siegfried where she was well received in both productions: "Her pure, smooth soprano and alert presence were both endearing" [16] "...including the bright yellow Forest Bird, beautifully sung from offstage by Lisette Oropesa". [17]

The end of 2013 saw an opening of a new production of Falstaff at the Met, conducted by Levine. According to The New York Times , "[with the role of Nannetta], the winning soprano Lisette Oropesa, sings with effortless grace and lyrical bloom". [18]

In 2014, she starred alongside Jonas Kaufmann and Sophie Koch in the new production of Werther directed by Richard Eyre. The New York Times noted that "The bright-voiced, impressive soprano Lisette Oropesa is a sunny, winning Sophie." [19]

At the beginning of 2016, Oropesa gave her first NYC solo recital with the Park Avenue Armory. According to Anthony Tommasini of The New York Times, she "gave a rewarding performance" and "brought uncommon freshness to this music". [20]

Oropesa returned to the Met in late 2017 as Gretel in Hansel and Gretel in which "she was fully committed to arguably the most demanding of roles in this particular opera". [21]

In 2019, she debuted in the title role of Manon , which was hailed by The New York Times: "Lisette Oropesa's performance in Massenet's opera at the Met is alone worth the price of admission." [22]

In 2020, she returned to the Met for her second title role of the season, Giuseppe Verdi's La traviata . Her performance was praised in The New York Times: "...combining exquisite singing, youthful allure, affecting vulnerability and, by the end, bleak intensity, Ms. Oropesa emerged on Wednesday as a major Violetta". [23] On March 1, she hosted the Metropolitan Opera National Council Auditions and gave a donation of $25,000, ensuring each contestant received $20,000 and raising the prize money for the first time in over 20 years. [24] She was subsequently named National Advisor to the MONC for her contributions. [25]

Performances elsewhere

Oropesa has appeared with the Welsh National Opera as Konstanze in Die Entführung aus dem Serail ; [26] with the Deutsche Oper am Rhein in Il turco in Italia ; [27] at the Tanglewood Music Festival as Konstanze; [28] at the Ravinia Festival as Susanna in The Marriage of Figaro, [29] conducted by James Conlon; for Opera New Jersey as Lucia in Lucia di Lammermoor ; [30] at Arizona Opera as Gilda in Rigoletto ; [31] and at the New Orleans Opera as Gilda and as Leïla in Les pêcheurs de perles . [32]

In April and May 2012, Oropesa appeared with the Pittsburgh Opera as Konstanze in a production of Die Entführung aus dem Serail set on the Orient Express in the Pasha's private train car. [33] In October 2012, she again performed the role of Lucia with the Arizona Opera. [34] In November, she performed the role of Cleopatra in Michigan Opera Theatre's Giulio Cesare . [35] [36]

In 2013, she sang the role of Pamina in The Magic Flute at the Florida Grand Opera and reviews were universally positive: "Oropesa was beyond fantastic in her portrayal of Pamina." [37] "Her aria 'Ach, ich fühl's', sung as she believes Tamino no longer loves her, was genuinely moving ..." [38] In the summer, Oropesa sang The Marriage of Figaro at the Santa Fe Opera: "Nothing in the evening surpassed her rendition of "Deh vieni, non tardar" in act 4, in which she spun strands of magic in the evening air" noted critic James Keller. [39] Later in 2013, she sang the role of Amalia at the Washington Concert Opera for Verdi's I Masnadieri in which she "achieved total triumph as Amalia, the trill-filled part created for Jenny Lind." [40] She was also called in as a last minute replacement for Nannetta in San Francisco Opera's Falstaff. [41]

After her performances at the Met in early 2014, Oropesa's summer schedule included many concerts. These included Haydn's The Creation in New York and in Cleveland; [42] the St Matthew Passion in Chicago; [43] Die Entführung aus dem Serail in Bellingham, Washington; and a reprise of her 2010 performance in The Marriage of Figaro at Ravinia Festival. [44] Other opera engagements included Nannetta at the Dutch National Opera; [45] Gilda at Grand Théâtre de Genève; [46] and Konstanze at the Bavarian State Opera. [47] Her last performance of 2014 was her debut at the Los Angeles Opera as Rosalba in Daniel Catán's Florencia en el Amazonas . [48]

In 2015, she started the year at the Paris Opera as Konstanze. According to one review, she sang "Marten aller Arten" with "incisive accents and passionate acting". [49] Her next performance was at the Concertgebouw where she received a standing ovation for her rendition of "Caro Nome" in a recorded radio performance of Rigoletto. [50] [51] She returned home to New Orleans to again sing Susanna. According to The New Orleans Advocate, she "offered a fine display of vocal versatility, from the lilting coloratura of a young woman in love to the confusion and anger of the object of the lascivious intentions of her overlord, Count Almaviva". [52] She then went on debut in La fille du régiment at the Pittsburgh Opera. "Oropesa's Marie lacked neither virtuosity nor personality. With solid high notes, accurate coloratura and an endless supply of golden-age trills (I stopped counting after five), this endearing artist ran a vocal marathon that might have paralleled the physical feat she was preparing to run in Pittsburgh Marathon the next morning". [53] Her next engagement was with the San Francisco Opera in The Marriage of Figaro . A review wrote, "Oropesa is a charming Susanna. Her voice has a gorgeous delicate quality to it but still has volume. Her "Deh vieni, non tardar" was unstrained and she managed to do a perfect martial arts flip of Figaro when she loses her temper with him later in the act". [54] She went onto another extremely successful debut in La traviata at the Philadelphia Opera "Oropesa manifested secure technical chops—trills, staccati, pinpoint dynamics and—most impressively—a long, sustained line that allowed her to hold the audience breathless in both "Dite alla giovine" and the party scene ensembles". [55] In November, she was brought in for nearly back to back performances of Rigoletto and Die Entführung aus dem Serail with the Bavarian State Opera due to cancellations. [56] She then finished the year with a performance of Rigoletto with the Teatro Real in Madrid in which she was a "Triumph". [57]

In 2016, Oropesa performed many concert works, starting in Rome at the Accademia Nazionale di Santa Cecilia with Fauré's Requiem , she then went to Baltimore to sing with Eric Owens in the Ein deutsches Requiem . [58] Next, she performed Mahler's Symphony No. 8 with Yannick Nézet-Séguin and the Philadelphia Orchestra. [59] Her next concert was in Cincinnati with James Conlon in his last season with the Cincinnati May Festival. [60] She was then found in Munich performing for the UniCredit Festspielnacht. [61] Her next operatic role was a brand new production of Les Indes galantes with the Bavarian State Opera to which she performed to acclaim. "Makellos die Solisten: Herausragend agieren – in edlen Kantilenen und rasanten Koloraturen – Lisette Oropesa". [62] She then returned stateside to Washington, D.C., where she reprised her role as Susanna for the Washington National Opera in The Marriage of Figaro.[ citation needed ] With a quick stop to Dallas to sing with the Dallas Symphony Orchestra in Ein deutsches Requiem, [63] she was back in Washington, D.C., to perform as Marie in La fille du régiment again with the Washington National Opera. This time, her stage partner was Supreme Court Justice, Ruth Bader Ginsburg. According to Arnold Saltzman, Oropesa "sang flawless runs and coloratura, acted in the humorous tradition of Carol Burnett, moved like a prima ballerina, and used vocal coloring for best emotional effect. Her pianissimo, crescendo and decrescendo were breathtaking." [64] Oropesa finished off the year, returning to Rome to debut at the Teatro dell'Opera di Roma to perform in Rigoletto .

In 2017, she started her year at the Lausanne Opera, performing her first Ophélie in Hamlet . Jacques Schmitt from ResMusica wrote, "She does not have the stratospheric highs that Natalie Dessay had (who will ever have them?). She does not have her theatrical madness either. And yet, with "her" Ophélie, she offers a voice and theatrical character that is overwhelming with love, despair, ingenuity and authenticity as it is rare to see and hear." [65] She then went to Washington, D.C., to perform in recital, which was highly praised. "The evening opened with "Ragion nell'alma siede," an aria from Haydn's opera Il mondo della luna . It was a gutsy move, and Oropesa easily filled the smaller venue with sound. The accuracy during runs was striking, as were the highest notes, all produced with facility. Her tone turned especially limpid on the little cadenza." [66] This performance was recorded on video and was released to YouTube, culminating into the creation of her first album titled Within/Without. Next, she was in Munich for a performance of Die Entführung aus dem Serail with the Bavarian State Opera, making it her fourth year in a row of performing this role there. She then went on to perform a new production of Rigoletto at the Dutch National Opera directed by Damiano Michieletto, in this well-reviewed production, she was noted as being "Slender and graceful, soprano Lisette Oropesa was simply world-class as Gilda, with flawless emission and generous top notes, crystalline up to high E. The long trill at the end of "Caro nome" would have traced a perfect zigzag on a pitch visualiser. Even more stunning than her bravura was the melting glow at the centre of her voice, her morbidezza (softness)." [67] Shortly after, she stepped in for two performances of Rigoletto at the Paris Opera, filling in for an ailing singer. [68] She was reported to have received a standing ovation for her interpretation. She spent the summer debuting the role of Norina in Don Pasquale at Glyndebourne where she received accolades in the role. [69] She was next heard in Paris for a concert of Falstaff with the Orchestre de Paris where she announced it would be the last performance of Nannetta she will sing. [70] She then went on to debut at the Royal Opera House in the title role of Lucia di Lammermoor . She was given universally rave reviews for her interpretation. "Lucia is her first Royal Opera role, and the Cuban-American soprano is sensationally good." [71]

In 2018, Oropesa returned to the Bavarian State Opera to perform her signature role as Konstanze in Die Entführung aus dem Serail for the fourth year in a row. Next, she gave a recital for the Tucson Desert Song Festival [72] where she performed a brand new recital set and released her first music video "Adieux de l'hôtesse arabe", a Georges Bizet composition based on a poem by Victor Hugo. [73] From this recital, Oropesa digitally released her second album entitled, "Aux filles du désert". [74] Next, she performed in a new production of Orfeo ed Euridice by John Neumeier and the Joffrey Ballet at the Los Angeles Opera. [75] Oropesa "moved across the stage like a phantom presence" according to LA Weekly . [76] She once again returned to the Los Angeles Opera to perform her signature role as Gilda in Rigoletto , "Her "Caro nome" was a veritable how-to manual on holding an audience enraptured". [77] Oropesa then went to the Teatro Real in Madrid to perform in Lucia di Lammermoor where she received "enormous" standing ovations for her interpretation of the role. [78] [79] During the summer, she debuted at the Rossini Opera Festival in Rossini's Adina which was also a role debut for her. She was "Considered by many to be this year's revelation of the ROF.". [80] The day before her second performance of Adina, she sang her first ever solo concert with orchestra with the Philharmonic Gioachino Rossini. Her concert was hailed as "One of the most memorable concerts in the 39 year history of the Rossini Opera Festival." [81] In September, Oropesa replaced Diana Damrau, who withdrew due to illness, as Marguerite de Valois at the Paris Opera in the company's new production of Les Huguenots [82] where she "comprehensively conquered the hearts of the Paris audience." [83] The day after her final performance of Les Huguenots, she premiered another new role of Adina in L'elisir d'amore with a "Timbre ardent, projection homogène sur toute la tessiture, vocalises agiles, aigus scintillants." [84] She then opened the season at the Teatro dell'Opera di Roma in a new production of Rigoletto. [85] For her performance she was hailed as being "perfetta la Gilda". [86]

In 2019, Oropesa returned to her hometown of Baton Rouge, Louisiana to give a concert with Paul Groves called "A Starry Night with Lisette Oropesa" which was recorded for broadcast on Louisiana Public Broadcasting. [87] She then went to Barcelona to perform in Rodelinda . She was lauded for her performances with "sylistic mastery", [88] "technique without weaknesses", [89] and "spectacular coloratura." [90] She went on singing in a concert version of Robert le Diable at La Monnaie in Brussels. [91] [92] She then returned to the United States to perform in Don Pasquale with the Pittsburgh Opera to great acclaim, having a voice "So sublimely expressive that they stand out like a Michelangelo fresco in a black and white film." [93] In June, Oropesa made her debut at the Teatro alla Scala in a new production of I masnadieri with an "Excellent debut for someone who has long been a guarantee throughout the world" [94] In November, Oropesa returned to the Washington Concert Opera to perform Hamlet where she "melded dramatic sensitivity with a clean, pearly soprano." [95]

In 2020, Oropesa was set to debut the role of Rosina in The Barber of Seville at the Paris Opera; however, six of her performances were cancelled due to the ongoing 2019–20 French pension reform strike. [96] Once she was able to perform, she was rewarded in the press for a "brilliant voice, the treble easy, the vocalizations are perfectly executed and the line of song decorated with subtlety. An accomplished actress..." [97] After the impasse caused by the COVID-19, she returned to the Teatro Real in Madrid to perform the role of Violetta Valéry in La traviata . [98] On July 28, she was the first woman at this theatre to perform a solo encore by performing the traditionally cut second verse of the aria "Addio del passato". [99] [100] On August 10, Oropesa announced the signing of a five-year contract with the San Francisco Classical Recording Company along with a Mozart concert aria album with Il Pomo d'Oro. [101] On August 14, she returned to the Arena di Verona to perform in a socially distanced Rossini Concert where she was "a triumph of belcanto as an elegance of the line, in a coloratura of supreme abstraction and captivating precision". [102] Oropesa returned to the Royal Opera House to perform in a benefit livestream concert that marked the reopening of the ROH for the first time in nearly seven months. [103] In October, she made her debut at the Vienna State Opera in Die Entführung aus dem Serail in a production by Hans Neuenfels. She was regarded as a "World class Konstanze" by the Kurier. [104] At the Teatro alla Scala she was slated to open the season on December 7 in Lucia di Lammermoor, but the performances were canceled due to lockdowns in Italy. [105] She was invited to perform for the opening of La Scala on December 7 in "A riveder le stelle" [106] where she performed "Regnava nel silenzio" from Lucia di Lammermoor in the original key wearing a Giorgio Armani Privé gown. [107] Her last performances of 2020 were at the Liceu in Barcelona in La traviata. [108]

Her 2021 year started with a performance with the Bilbao Opera in a recital that was an "unmitigated success". [109] In April, she starred in a movie production of La traviata by the Teatro dell'Opera di Roma which was viewed by over a million people [110] when it was aired on primetime Rai 3 in Italy. She also performed at the Accademia Nazionale di Santa Cecilia in a bel canto concert performance with Sir Antonio Pappano. [111] On May 7, Oropesa released her first album with orchestra on the Pentatone label, titled, Ombra Compagna, [112] Gramophone wrote, "Oropesa's vocal finesse and dramatic insight make this a debut recital of rare pedigree." [113] On September 13, she opened the season at the Royal Opera House in London with a new production of Rigoletto, which won rave reviews, The Guardian writing "Oropesa makes a matchless Gilda, singing with an extraordinary beauty of tone and understated depth of feeling: this really is one of the truly great performances." [114] In October, Oropesa revived the Richard Eyre production of La traviata at the Royal Opera House. Her performance was "Without a doubt she is one of the finest, most complete Violettas to grace this staging in its almost 30 year history." [115] In November, she went on a five-city, five-country tour of Theodora with Joyce DiDonato and the Il Pomo d'Oro orchestra. At the Teatro alla Scala, she had "overwhelming expressiveness" in the part. [116] In December, she returned to Spain to perform two zarzuela recitals, [117] for which, according to Codalario, "reaped one of the greatest successes we have witnessed at the Teatro de la Zarzuela". [118]

At the start of 2022, Oropesa debuted her first Bellini role, I Capuleti e i Montecchi, at the Teatro alla Scala. She was universally praised with a "miracle of filati and variations, with spotless high notes." [119] She then went on to give two lieder recitals, one in Valencia, Spain and the other in Vienna, Austria. The press saying "And generous and great is also her interpretive level, since the soprano is the owner of an instrument, and of knowledge, typical of the best." [120] She then reprised her role as Konstanze at the Vienna State Opera and also jumped in at the last minute as Gilda there with the Viennese press saying "Her voice, in the softly bedded middle register, hinted at a gentle melancholy reminiscent of operatic times long gone." [121] Lisette then had an anticipated [122] return to the Teatro Real to perform an all French language concert with many of the pieces being from an upcoming album. [123] The critics said "Lisette Oropesa is a very notable artist, who has an abundant and rich lyrical soprano voice that she handles with mastery and skill." [124] She then went on to sing the Lucia mad scene at the Gran Teatre del Liceu's 175th Anniversary Gala where she was greeted with an over three minute ovation for her interpretation. She then returned to the Vienna State Opera to sing as Lucia in Lucia di Lammermoor where her "technique is astonishing and she was in absolute command." [125] On May 27, her new "La traviata" album was released by Pentatone. [126] At the same time, she was debuting at the Zürich Opera House in Lucia in an "electrifying interpretation". [127] In August, Oropesa returned to the Arena di Verona to perform as La traviata and sing a concert of Carmina Burana where she was in "full control of her instrument". [128] In late August, she debuted at the Salzburg Festival in Lucia di Lammermoor, where it was the first time that Lucia was ever performed there. [129] Later in September, she made a double debut, one for I puritani and one at the Teatro di San Carlo with a "compendium of vocal technique, an essay on bel canto aesthetics". [130] On September 30, she released her 5th album, Rossini & Donizetti: French Bel Canto Arias [131] According to Gramophone , "her sense of line often flawless, text, character and emotions exactingly conveyed". [132] On October 30 she released her 6th album, Handel's Theodora . [133] In November, she returned to the Royal Opera House to debut in Richard Jones' Alcina . She "sang with a high-class, diamantine soprano that never loses its quality". [134]

In 2023, Oropesa sang her first performances of the year at the Bayerische Staatsoper in I masnadieri . Mundo Classical wrote, "Listening to her, one has the impression of being in front of one of the great Italian lyric sopranos of the last century." [135] In February she was awarded "Best Female Opera Singer" by the German magazine OPER!  [ de ], the only international opera prize in Germany. [136] On March 8, 2023, Oropesa was awarded the prestigious merit of Chevalier de l'Ordre des Arts et des Lettres by the French minister of Culture. The distinction was given to her by the president of Centre national de la musique  [ fr ], Jean-Philippe Thiellay  [ fr ]. [137] Afterwards, she took on the role of Ophélie in Hamlet at the Opéra national de Paris, which had not been performed there since 1938. [138] Her performance was regarded as "pure soprano, with a bronzed midrange, solar highs, flawless virtuosity and perfectly intelligible diction". [139] On April 2, her performance of Alcina from the Royal Opera House won the Olivier Award for "Best New Opera Production." [140] On April 19, she was awarded the Franco Abbiati Music Critics Award for her performances in Italy in the year 2022. [141] On April 13, Oropesa returned to the Teatro alla Scala to perform in a new production of Lucia di Lammermoor, a production which was supposed to open the season in 2020 but was cancelled due to the Covid pandemic. [142] Her performance was lauded by critics and "gave a poignant, overwhelming interpretation of Lucia". [143] In June she performed Il turco in Italia at the Teatro Real where she missed her opening night performance due to a flu. [144] When she returned, critics were impressed with her "warm velvety sound" [145] In July, she debuted Roméo et Juliette with the Savonlinna Opera Festival to critical acclaim with a "supple, beautiful voice". [146] In mid July, she interpreted the rarely performed French version of Lucie di Lammermoor with "impressive technical mastery", [147] On July 25, Oropesa interpreted the Star-Spangled Banner during Jill Biden's visit to Paris to celebrate the return of the United States to UNESCO. [148] In October, she returned to the Vienna State Opera to perform in La traviata where she had "flawlessly flowing pianissimo". [149] In November, she made her debut at the Lyric Opera of Chicago in La fille du régiment. The Chicago Sun Times said she was a "complete natural as Marie". [150] On November 9, her album French Bel Canto Arias won best Recording Solo Recital at the International Opera Awards. [151]

In 2024, she returned to Paris to sing Cleopatra in Giulio Cesare at the Palais Garnier where she "triumphs over the evening." [152] She then went to Vienna to debut [153] Mathilde in Guillaume Tell at the Vienna State Opera where she had "coloratura-skilled luminosity and majestic charisma." [154] In Rome, she debuted La sonnambula to great acclaim where her trill was called "the eighth wonder of the world." [155] She won the best "Female Singer of the Year" at the International Opera Awards. [156]

Personal life

In 2008, Oropesa reconnected with her high school boyfriend Steven Harris on Facebook. In October 2012, they married in Tucson, Arizona, during performances of Lucia di Lammermoor at the Arizona Opera. [157] In 2019, she acquired Spanish citizenship. [158]

Repertoire

Opera

Year (debut)RoleComposerOperaLocation
2007Susanna Wolfgang Amadeus Mozart Le nozze di Figaro Metropolitan Opera
2008Gilda Giuseppe Verdi Rigoletto New Orleans Opera
2008Lisette Giacomo Puccini La rondine Metropolitan Opera
2009 Woglinde Richard Wagner Das Rheingold Metropolitan Opera
2009WoglindeRichard Wagner Götterdämmerung Metropolitan Opera
2009WaldvogelRichard Wagner Siegfried Metropolitan Opera
2009Lucia Gaetano Donizetti Lucia di Lammermoor New Jersey State Opera
2010KonstanzeWolfgang Amadeus Mozart Die Entführung aus dem Serail Welsh National Opera
2010NannettaGiuseppe Verdi Falstaff ABAO Opera Bilbao
2010Fiorilla Gioachino Rossini Il turco in Italia Deutsche Oper am Rhein
2011Leïla Georges Bizet Les pêcheurs de perles New Orleans Opera
2011Amor Christoph Willibald Gluck Orfeo ed Euridice Metropolitan Opera
2011IsmeneWolfgang Amadeus Mozart Mitridate, re di Ponto Bavarian State Opera
2011Romilda George Frideric Handel Serse San Francisco Opera
2011Miranda Jeremy Sams The Enchanted Island Metropolitan Opera
2012CleopatraGeorge Frideric Handel Giulio Cesare Michigan Opera Theatre
2013PaminaWolfgang Amadeus Mozart Die Zauberflöte Florida Grand Opera
2013AmaliaGiuseppe Verdi I masnadieri Washington Concert Opera
2014Sophie Jules Massenet Werther Metropolitan Opera
2014Rosalba Daniel Catán Florencia en el Amazonas Los Angeles Opera
2015MarieGaetano Donizetti La fille du régiment Pittsburgh Opera
2015ViolettaGiuseppe Verdi La traviata Opera Philadelphia
2016Hébé / Zima Jean-Philippe Rameau Les Indes galantes Bavarian State Opera
2017Ophélie Ambroise Thomas Hamlet Lausanne Opera
2017NorinaGaetano Donizetti Don Pasquale Glyndebourne Festival Opera
2017Gretel Engelbert Humperdinck Hänsel und Gretel Metropolitan Opera
2018EurydiceChristoph Willibald Gluck Orfeo ed Euridice Los Angeles Opera
2018AdinaGioachino Rossini Adina Rossini Opera Festival
2018Marguerite Giacomo Meyerbeer Les Huguenots Paris Opera
2018AdinaGaetano Donizetti L'elisir d'amore Paris Opera
2019RodelindaGeorge Frederic Handel Rodelinda Gran Teatre del Liceu
2019IsabelleGiacomo Meyerbeer Robert le diable La Monnaie
2019ManonJules Massenet Manon Metropolitan Opera
2020RosinaGioachino Rossini Il barbiere di Siviglia Paris Opera
2022Giulietta Vincenzo Bellini I Capuleti e i Montecchi Teatro alla Scala
2022ElviraVincenzo Bellini I Puritani Teatro di San Carlo
2022AlcinaGeorge Frideric Handel Alcina Royal Opera House
2023Juliette Charles Gounod Roméo et Juliette Savonlinna Opera Festival
2023LucieGaetano Donizetti Lucie di Lammermoor Festival d'Aix-en-Provence
2024MathildeGioachino Rossini William Tell Vienna State Opera
2024AminaVincenzo Bellini La sonnambula Teatro dell'Opera di Roma

Concert

Year (debut)RoleComposerPieceLocation
2006Soprano I SoloistWolfgang Amadeus Mozart Great Mass in C minor New Choral Society
2010Soprano Soloist Carl Orff Carmina Burana Cleveland Orchestra
2011Soprano SoloistGeorge Frideric Handel Messiah New Choral Society
2014Soprano Soloist Joseph Haydn The Creation New Choral Society
2014Soprano Soloist Johann Sebastian Bach St Matthew Passion Soli Deo Gloria
2015Soprano SoloistJohann Sebastian Bach St John Passion Soli Deo Gloria
2016Soprano Soloist Gabriel Fauré Requiem Accademia Nazionale di Santa Cecilia, Rome
2016Soprano Soloist Johannes Brahms Ein deutsches Requiem Baltimore Symphony Orchestra
2016Soprano Soloist Gustav Mahler Symphony No. 8 Philadelphia Orchestra
2021TheodoraGeorge Frideric Handel Theodora Theater an der Wien, Vienna
2023Soprano SoloistWolfgang Amadeus Mozart Requiem International Mozarteum Foundation (Mozartwoche)

Recordings

Video

Audio

Publications

Television

Awards

Related Research Articles

<span class="mw-page-title-main">Patrizia Ciofi</span> Italian opera singer

Patrizia Ciofi is an Italian operatic coloratura soprano.

June Anderson is a Grammy Award-winning American coloratura soprano. She is known for bel canto performances of Rossini, Donizetti, and Vincenzo Bellini.

<span class="mw-page-title-main">Cheryl Studer</span> American dramatic soprano (born 1955)

Cheryl Studer is an American dramatic soprano who has sung at many of the world's foremost opera houses. Studer has performed more than eighty roles ranging from the dramatic repertoire to roles more commonly associated with lyric sopranos and coloratura sopranos, and, in her late stage, mezzo-sopranos. She is particularly known for her interpretations of the works of Richard Strauss and Richard Wagner.

<span class="mw-page-title-main">Andrea Rost</span> Hungarian lyric soprano

Andrea Rost is a Hungarian lyric soprano. She has performed in leading roles with the Vienna State Opera, La Scala, the Royal Opera House, Opéra National de Paris, the Metropolitan Opera and the Salzburg Festival. The year 1997 saw the release of her first solo recording, Le delizie dell’amor, featuring arias from bel canto, Verdi and Puccini operas.

<span class="mw-page-title-main">Diana Damrau</span> German soprano

Diana Damrau is a German soprano who achieved international fame for her performances, primarily in opera, but also in concert and lieder. She has been successful in coloratura soprano roles since her early career, and gradually proceeded into heavier roles of the 19th-century Italian bel canto repertoire. Her signature roles include the Queen of the Night in The Magic Flute, Zerbinetta in Ariadne auf Naxos, Lucia in Lucia di Lammermoor, and Violetta in La traviata.

<span class="mw-page-title-main">Mariella Devia</span> Italian operatic soprano (born 1948)

Mariella Devia is an Italian operatic soprano. After beginning her career as a lyric coloratura soprano, in the finale part of it she also enjoyed considerable success with some of the most dramatic roles in the bel canto repertoire.

<span class="mw-page-title-main">Margherita Rinaldi</span> Italian opera singer (1935–2023)

Margherita Rinaldi was an Italian lyric soprano, primarily active in the 1960s and 1970s, after she made her debut as Donizetti's Lucia di Lammermoor in 1958, prompting her career at La Scala in Milan. She also appeared internationally, performing a wide repertoire including, besides Italian belcanto roles, Baroque and French opera. She recorded the roles of Gilda in Verdi's Rigoletto and Ilia in Mozart's Idomeneo. From 1981, she worked as a voice teacher.

<span class="mw-page-title-main">Olga Peretyatko</span> Russian operatic soprano (born 1980)

Olga Alexandrovna Peretyatko is a Russian operatic soprano. She has been known for lyric and coloratura soprano roles, most notably in operas by Rossini and Mozart. In recent years, she has been taking up heavier and more lyrical roles.

<span class="mw-page-title-main">Nino Machaidze</span> Georgian operatic soprano

Nino Machaidze is a Georgian operatic soprano. She performs in 19th-century Romantic repertoire, primarily in operas by Rossini and Verdi as well as French operas. Beginning her career at La Scala, she gained international attention after being cast as Juliette in Gounod's Roméo et Juliette at the 2008 Salzburg Festival, after which she earned the nickname "Angelina Jolie of Opera" from the Austrian press.

<span class="mw-page-title-main">Desirée Rancatore</span> Italian opera singer

Desirée Rancatore is an Italian dramatic coloratura soprano with an active career on the opera and concert stages of Europe.

<span class="mw-page-title-main">Antonino Fogliani</span> Italian conductor (born 1976)

Antonino Fogliani is an Italian conductor.

<span class="mw-page-title-main">Jessica Pratt (soprano)</span> Australian coloratura soprano

Jessica Pratt is an English-born Australian operatic coloratura soprano. Trained in Italy, Pratt is most recognised for her portrayal of Lucia in Donizetti's Lucia di Lammermoor, which she has performed over 100 times worldwide.

<span class="mw-page-title-main">Aleksandra Kurzak</span> Polish operatic soprano (born 1977)

Aleksandra Kurzak is a Polish operatic soprano who has an international career primarily in Europe and the United States. In her earlier career she was a specialist in lyric and coloratura soprano roles in German and Italian repertoire, and transitioned into heavier roles in 19th-century Romantic and verismo operas.

<span class="mw-page-title-main">Margherita Bevignani</span> Italian operatic singer

Margherita Bevignani was an Italian operatic soprano, best known for being the first singer to record the entire role of Violetta in Giuseppe Verdi's opera La traviata in 1915.

Malvina Pereira was a Brazilian soprano. She is thought to be the first opera singer from Brazil to have had an international career.

Ayres Borghi-Zerni was an Italian operatic soprano who had a distinguished international career from 1914 till 1928.

Irina Lungu is a Russian operatic soprano.

<span class="mw-page-title-main">Venera Gimadieva</span> Russian operatic soprano (born 1984)

Venera Faritovna Gimadieva is a Russian operatic soprano. She is invited to opera houses around the world as one of the leading lyric coloratura sopranos of her generation.

Maria Mudryak is a Kazakh operatic soprano.

<span class="mw-page-title-main">Luca Salsi</span> Italian opera singer

Luca Salsi is an Italian operatic baritone, who is known for portraying characters in Giuseppe Verdi's operas at leading opera houses internationally. He was recognised by the international press in April 2015 when he not only stepped in on short notice at the Metropolitan Opera in an afternoon performance of Verdi's Ernani, but also performed the same evening in Donizetti's Lucia di Lammermoor as planned. Salsi opened four seasons at La Scala in Milan.

References

  1. "Lisette Oropesa: Bio". Lisette Oropesa.
  2. 1 2 3 Gazzola, Luiz. "The Exclusive Opera Lively Interview with Lisette Oropesa". Opera Lively. Archived from the original on May 27, 2015.{{cite web}}: CS1 maint: unfit URL (link)
  3. Camelio, Stephen (October 29, 2013). "I'm a Runner: Lisette Oropesa". Runner's World. Archived from the original on January 12, 2015.
  4. Rowe, Martin (May 20, 2014). Running, Eating, Thinking A Vegan Anthology. Lantern Books. ISBN   978-1-59056-348-9.
  5. George, Donald (February 12, 2015). Master Singers: Advice from the Stage. Oxford University Press. p. 192. ISBN   978-0-19-932418-7.
  6. Salazar, David. "Lisette Oropesa: Born, Raised And Thriving In World Of Opera; Soprano Returns 'Home' To Met For Verdi's 'Rigoletto' and Wagner's 'Siegfried' [Exclusive Interview]". Latinos Post. Retrieved January 2, 2015.
  7. Grove, Oberon. "Interview: Lisette Oropesa". Oberon's Grove.
  8. "Robert Grayson LSU School of Music". www.lsu.edu. Retrieved May 14, 2023.
  9. Allan Kozinn, "A Figaro With Youth, Agility and Eros", The New York Times , October 4, 2007
  10. Anthony Tommasini, "Puccini and Operetta? He Does It His Way" The New York Times , January 2, 2009
  11. "Siegfried, Metropolitan Opera, New York". www.ft.com. Retrieved May 14, 2023.
  12. "The Depths". The New Yorker. October 11, 2010. Retrieved May 14, 2023.
  13. "2012 Grammy Winners". www.grammy.com. Retrieved May 14, 2023.
  14. Nockin, Maria. "Review: Orpheus and Eurydice at Dorothy Chandler Pavilion". BroadwayWorld . Retrieved May 14, 2023.
  15. Tommasini, Anthony (January 1, 2012). "Shiny Bibelot From Shakespeare, Handel & Co". The New York Times . Retrieved May 14, 2023.
  16. Zachary, Woolfe (April 17, 2013). "A Shy Rat Pack, Longer on Volume Than on Vim". The New York Times .
  17. Vivien, Schweitzer (April 22, 2013). "The Way to Slay Wagner's Dragon". The New York Times .
  18. Tommasini, Anthony (December 7, 2013). "In Carsen's Falstaff at the Met, Verdi Through a Postwar Lens". The New York Times .
  19. Tommasini, Anthony (February 20, 2014). "Things End Badly for a Poet, but Quite Well for the Tenor". The New York Times.
  20. Tommasini, Anthony (January 13, 2016). "Review: Lisette Oropesa Scales Down Her Voice but Not Her Presence". The New York Times .
  21. Salazar, David (December 23, 2017). "Metropolitan Opera 2017–18 Review – Hansel and Gretel: Lisette Oropesa & Co. Deliver One of Season's Finest Performances". Opera Wire.
  22. Barone, Joshua (September 25, 2019). "Review: In Manon, a Soprano Charms Her Way to the Top". The New York Times .
  23. Tommasini, Anthony (February 27, 2020). "Review: Lisette Oropesa Makes La Traviata Her Own". The New York Times .
  24. "Five Singers Named as Winners of Metropolitan Opera's 2020 National Council Auditions". Opera News. Archived from the original on June 27, 2021. Retrieved April 4, 2020.
  25. "Metropolitan Opera National Council Auditions". www.facebook.com. Retrieved June 30, 2020.
  26. "Welsh National Opera – Die Entführung aus dem Serail – 2010 | Reviews | Schedule". Lisette Oropesa. February 28, 2010. Retrieved May 14, 2023.
  27. "Deutsche Oper am Rhein – Lucia di Lammermoor – 2011 | Schedule". Lisette Oropesa. Retrieved May 14, 2023.
  28. "Tanglewood Johannes Debus Debuts". The New Yorker . Retrieved May 14, 2023.
  29. "Ravinia's intimate Mozart magic remains with Conlon's well-cast Figaro". chicagoclassicalreview.com. Retrieved May 14, 2023.
  30. Jsu (July 12, 2009). "an unamplified voice: Teenagers of Lammermoor". an unamplified voice. Retrieved May 14, 2023.
  31. Behind the scenes Arizona Opera's Rigoletto on YouTube Retrieved2023-05-14.
  32. Chris Waddington (January 22, 2011). "New Orleans-born soprano Lisette Oropesa to headline in The Pearl Fishers this month". Times-Picayune . Retrieved May 14, 2023.
  33. Mark Kanny, "Agile singing, clever staging, comedy keep 'Seraglio' on Track", Pittsburgh Tribune-Review, April 29, 2012.
  34. Cathalena E. Burch, "Review: Lucia star stuns Tucson audience", Arizona Daily Star, October 21, 2012
  35. Stryker, Mark (November 11, 2011). "'Julius Caesar' moves from ancient Egypt to a Hollywood back lot in inspired update". Detroit Free Press.
  36. Margolin, Michael (November 11, 2012). "Roll out the superlatives: 'Caesar' is in town". Encore Michigan. Archived from the original on November 28, 2012.
  37. Jack Gardner, The Magic Flute Archived November 3, 2013, at the Wayback Machine , on edgeftlauderdale.com, January 28, 2013
  38. David Fleshler,"FGO serves up an entertaining and spectacular "Magic Flute", on southfloridaclassicalreview.com, January 2013
  39. Keller, James (July 1, 2013). "Opera Review: SFO spins Mozart's magic in 'Le nozze di Figaro'". Santa Fe New Mexican.
  40. Shengold, David (October 28, 2013). "Opera's Birthday Boys". Gay City News.
  41. "Lisette Oropesa to Sing Role of Nannetta in October 15 Performance of Falstaff". San Francisco Opera. Archived from the original on November 4, 2013.
  42. Hautzinger, Daniel (July 22, 2014). "Review: John Nelson Leads the Credo Festival Orchestra and Chorus in Haydn's The Creation (July 19)". Cleveland Classical.
  43. Rhein, John Von. "St. Matthew Passion treated as a music drama for today" (PDF). Chicago Tribune. Archived from the original (PDF) on March 27, 2022. Retrieved August 23, 2014.
  44. Delacoma, Wynne. "Ravinia's intimate Mozart magic remains with Conlon's well-cast "Figaro"". Chicago Classical Review.
  45. Camilleri, Jenny. "Food, Glorious Food: Falstaff at the Holland Festival is a Feast for the Eyes and Ears". Bachtrack.
  46. Schmitt, Jacques (September 8, 2014). "A Genève, Rigoletto ou la Défaite de la Femme". ResMusica.
  47. Walder-Biesanz, Ilana. "A colorful, fantastical Entführung at the Bayerische Staatsoper". Bachtrack.
  48. Swed, Mark (November 24, 2014). "Review "Florencia en el Amazonas a culture clash solved by orchestra"". Los Angeles Times .
  49. De Vecchi, Lorenzo. "Parigi – Opéra Garnier: Il ratto dal serraglio". Opera Click. ...seguita da Marten aller Arten, cantata con accenti incisivi e appassionata recitazione.
  50. Roling, Laura (March 16, 2015). "Oropesa's Gilda steelt show in Rigoletto". Opera Magazine.
  51. Nguyen, Nicholas. "James Gaffigan conducts a full-blooded Rigoletto at the Concertgebouw". Bachtrack.
  52. Shapiro, Dean M. (April 12, 2015). "N.O. Opera closes season with appealing 'Marriage of Figaro'". The New Orleans Advocate .
  53. Croan, Robert. "Opera News – La Fille du Régiment". Opera News.
  54. Tiee, Charlise. "Figaro Charms in Well-Cast S.F. Opera Revival". San Francisco Classical Voice.
  55. Shengold, David. "La Traviata". Opera News.
  56. Oropesa, Lisette (November 18, 2015). "Rigoletto and Die Entführung aus dem Serail at the Bayerische Staatsoper". Lisette Oropesa.
  57. Mena, Raúl Chamorro. "Crítica: 'Triunfo De Gilda'. 'Rigoletto' En El Teatro Real, Con Salsi, Oropesa Y Demuro". Coldario.
  58. Smith, Tim. "Markus Stenz leads BSO, UM Concert Choir, stellar soloists in 'German Requiem'". The Baltimore Sun. Baltimore Sun. Archived from the original on January 9, 2017. Retrieved January 8, 2017.
  59. Patrick Stearns, David (March 11, 2016). "Phila. Orchestra delivers a mighty Mahler "8th" at Verizon Hall". The Philadelphia Inquirer. Philly.com. Retrieved March 12, 2016.
  60. Gelfand, Janelle. "Mozart Mass inspires in May Festival opener". Cincinnati Iniqurer. Retrieved May 21, 2016.
  61. Gaschler, Jennifer (June 26, 2016). "Opernarien statt Börsenkrach". Süddeutsche Zeitung. Retrieved June 26, 2016.
  62. Burkhardt, Otto Paul. ""Les Indes galantes" von Jean-Philippe Rameau unter Barockspezialist Ivor Bolton bei den Münchner Opernfestspielen". Südwest Presse. Archived from the original on October 11, 2017. Retrieved July 26, 2016.
  63. Coffelt, J. Robin. "The Dallas Symphony stunningly shows off its versatility with Brahms' A German Requiem". Theater Jones. Archived from the original on March 28, 2019. Retrieved October 12, 2016.
  64. Holzel, David (November 17, 2016). "Justice is served in comic opera". Washington Jewish Week. Retrieved November 17, 2016.
  65. Schmitt, Jacques (February 8, 2017). "À Lausanne, La Bouleversante Ophélie de Lisette Oropesa". ResMusica. Retrieved February 8, 2017.
  66. Downey, Charles. "Lisette Oropesa shines brightest in opera with Vocal Arts DC". Washington Classical Review. Retrieved July 1, 2017.
  67. Camilleri, Jenny. "Rigoletto is mad but the singing is fine at Dutch National Opera". Bachtrack. Retrieved July 1, 2017.
  68. "Rigoletto at the Paris Opera". Paris Opera.
  69. "Lisette Oropesa is Outstanding in Glyndebourne's Admirable Don Pasquale Revival : Seen and Heard International". Seen and Heard International. Retrieved August 15, 2017.
  70. "Lisette Oropesa announces her last Nannetta". Facebook. Retrieved October 1, 2017.
  71. Jeal, Erica (October 31, 2017). "Lucia di Lammermoor review – bloody and convincing". The Guardian . Retrieved November 1, 2017.
  72. "Lisette Oropesa, with Michael Borowitz, Piano". Tucson Desert Song Festival. Archived from the original on March 28, 2019. Retrieved March 28, 2019.
  73. "Adieux de l'hôtesse arabe – Georges Bizet". Lisette Oropesa's YouTube channel. February 12, 2018. Archived from the original on December 15, 2021.
  74. Aux filles du désert | Lisette Oropesa , retrieved June 29, 2018
  75. "LA Opera | Orpheus and Eurydice". www.laopera.org. Archived from the original on June 29, 2018. Retrieved June 29, 2018.
  76. James, Falling (March 13, 2018). "Operas Orpheus and My Lai Resonate in Surprising Ways". LA Weekly . Retrieved June 29, 2018.
  77. "Meeting Rigoletto". parterre box. Retrieved June 29, 2018.
  78. "Las pasiones llevadas al extremo de "Lucia di Lammermoor" enloquecen al Real". eldiario.es (in Spanish). Retrieved June 29, 2018.
  79. Gago, Luis (June 23, 2018). "Crítica | Amores violentos". El País (in Spanish). ISSN   1134-6582 . Retrieved June 29, 2018.
  80. "Adina nel Paese delle Meraviglie al Rof – Musica". ANSA.it (in Italian). August 13, 2018. Retrieved September 30, 2018.
  81. "pu24.it- Rof, il concerto di Lisette Oropesa incanta il pubblico". www.pu24.it. August 15, 2018. Retrieved September 30, 2018.
  82. "Lisette Oropesa Replaces Diana Damrau In 'Les Huguenots'". August 16, 2018. Retrieved August 17, 2018.
  83. "Lisette Oropesa conquers Paris in Les Huguenots". Bachtrack (in French). Retrieved September 30, 2018.
  84. "L'Élixir d'amour du docteur Pelly : euphorie garantie". bachtrack.com. Retrieved October 30, 2018.
  85. "Rigoletto". Teatro dell'Opera di Roma. Retrieved December 16, 2018.
  86. Voss, Egon (2013), "Rigoletto", Verdi Handbuch, J.B. Metzler, pp. 435–445, doi:10.1007/978-3-476-05186-8_38, ISBN   978-3-476-02377-3
  87. Authority, Louisiana Educational TV (March 7, 2019). "Starry Night with Lisette Oropesa". Louisiana Public Broadcasting. Retrieved March 9, 2019.
  88. Meléndez-Haddad, Pablo (March 3, 2019). "CRÓNICA | Una 'Rodelinda' de lujo en el Liceu, por Pablo Meléndez-Haddad". elperiodico (in Spanish). Retrieved March 9, 2019.
  89. Codalario. "[C]rítica: "Rodelinda" de Georg Friedrich Händel en el Gran Teatro del Liceo de Barcelona". www.codalario.com (in Spanish). Retrieved March 9, 2019.
  90. Senz, Javier Pérez (March 3, 2019). "'Rodelinda' enamora al Liceo". El País (in Spanish). ISSN   1134-6582 . Retrieved March 9, 2019.
  91. van Anken, Lennaert (April 3, 2019). "Oropesa steelt de show in Robert le Diable" [Oropesa steals the show in Robert le diable]. Place de l'Opera (operamagazine.nl) (in Dutch). Retrieved May 9, 2019.
  92. "Meyerbeer, prophète au plat pays | Forum Opéra". www.forumopera.com (in French). Retrieved May 9, 2019.
  93. "Review: Pittsburgh Opera revisits silent Hollywood in waggish". Pittsburgh Post-Gazette. Retrieved May 9, 2019.
  94. ""I masnadieri" incendiano la Scala – La Stampa". lastampa.it (in Italian). June 20, 2019. Retrieved July 4, 2019.
  95. Rose, Harry (November 25, 2019). "In this 'Hamlet,' the Danish prince is proclaimed king". The Washington Post.
  96. "La grève continue à l'Opéra de Paris : Le Barbier de Séville de reprise ce soir est annulé..." Olyrix.com (in French). Retrieved February 10, 2020.
  97. "Jeunes et prometteurs | Forum Opéra". www.forumopera.com (in French). Retrieved February 10, 2020.
  98. "La traviata". Teatro Real (in Spanish). Retrieved July 30, 2020.
  99. "Lisette Oropesa Becomes the First Woman to Do a Solo Encore at the Teatro Real". TV6 News. Retrieved July 30, 2020.
  100. "¡Sí fue un bis! Algunas aclaraciones sobre el bis de Lisette Oropesa en La traviata del Teatro Real". Codalario. Retrieved August 1, 2020.
  101. "Lisette Oropesa signs an exclusive 5 year contract with San Francisco Classical Recording Company". Lisette Oropesa. August 10, 2020. Retrieved September 8, 2020.
  102. "Verona, a Rossini si addice l'Arena • Le Salon Musical". Le Salon Musical (in Italian). August 15, 2020. Retrieved September 11, 2020.
  103. "Sonya Yoncheva, Charles Castronovo & Lisette Oropesa Highlight Royal Opera House Live Concert". Opera Wire. August 24, 2020. Retrieved September 11, 2020.
  104. peter.jarolin (October 13, 2020). ""Entführung aus dem Serail" an der Staatsoper: Wütende Buhs, ephorische Bravos". kurier.at (in German). Retrieved November 25, 2020.
  105. "Covid, la Scala rinvia la presentazione della stagione". lastampa.it (in Italian). October 16, 2020. Retrieved November 25, 2020.
  106. "A riveder le stelle – Teatro alla Scala". www.teatroallascala.org. Retrieved May 2, 2021.
  107. "US star soprano misses La Scala gala season-open debut". AP NEWS. April 20, 2021. Retrieved May 2, 2021.
  108. "Lisette Oropesa: " Puede ser que 'La Traviata' cambie a raíz de la pandemia"". La Vanguardia (in Spanish). December 17, 2020. Retrieved May 10, 2021.
  109. Bert, Enrique (February 7, 2021). "Recital de Lisette Oropesa y Rubén Fernández Aguirre en Bilbao". www.plateamagazine.com (in European Spanish). Retrieved May 10, 2021.
  110. "La Traviata dell'Opera su Rai3: esperimento di creatività premiato da un milione di telespettatori". www.ilmattino.it (in Italian). April 10, 2021. Retrieved May 13, 2021.
  111. "Il Belcanto di Lisette Oropesa al gala di Santa Cecilia, diretto da Pappano". Il Messaggero (in Italian). April 16, 2021. Retrieved May 13, 2021.
  112. "Ombra Compagna: Mozart Concert Arias – Lisette Oropesa". pentatonemusic. Retrieved September 17, 2021.
  113. "Review". Gramophone . Retrieved September 17, 2021.
  114. "Royal Opera House Rigoletto review – Oropesa is a matchless Gilda; this is one of the truly great performances". The Guardian . September 14, 2021. Retrieved September 17, 2021.
  115. "La traviata @ Royal Opera House, London | Opera and Classical Reviews". musicOMH. November 2, 2021. Retrieved November 4, 2021.
  116. "La "nobile semplicità" di Theodora alla Scala". Rivista Musica (in Italian). November 24, 2021. Retrieved December 25, 2021.
  117. "Lisette Oropesa: "Corro para evadirme del trabajo porque a los cantantes se nos exige mucho"". sevilla (in Spanish). December 7, 2021. Retrieved December 29, 2021.
  118. "Crítica: Lisette Oropesa en el Teatro de la Zarzuela". www.codalario.com (in Spanish). Retrieved December 29, 2021.
  119. "Oropesa, Crebassa and Scappucci shine at La Scala". bachtrack.com. Retrieved February 21, 2022.
  120. "De Mercadante a Lecuona, la exquisita Lisette Oropesa encandila en el Reina Sofía". Cultur Plaza (in Spanish). Retrieved April 6, 2022.
  121. "Wien/ Staatsoper: Rigoletto – wieder umbesetzt". Online Merker (in German). Retrieved April 6, 2022.
  122. Imparcial, El. "La soprano Lisette Oropesa encandila al público del Teatro Real". El Imparcial (in Spanish). Retrieved April 6, 2022.
  123. Lisette Oropesa en concierto , retrieved April 6, 2022
  124. "Lisette Oropesa, una prima donna moderna y encantadora". El Mundo (in Spanish). April 4, 2022. Retrieved April 6, 2022.
  125. "Lisette Oropesa seems unsurpassable in a strongly sung revival of Lucia di Lammermoor in Vienna – Seen and Heard International". seenandheard-international.com. Retrieved June 2, 2022.
  126. "Verdi: La Traviata". Pentatone. Retrieved June 2, 2022.
  127. "Oropesa and Bernheim triumph in Lucia di Lammermoor in Zurich". Bachtrack . Retrieved November 14, 2022.
  128. Pozzato, Matteo (August 13, 2022). "Verona: pioggia di emozioni nei Carmina Burana". Le Salon Musical (in Italian). Retrieved November 14, 2022.
  129. "Kritik – Donizetti bei den Salzburger Festspielen: Lucia an der Salzach" (in German). BR-Klassik. August 26, 2022. Retrieved November 14, 2022.
  130. Raso, Luigi (September 9, 2022). "Napoli, I Puritani, 07/09/2022". L'ape musicale (in Italian). Retrieved November 14, 2022.
  131. "Release Rossini & Donizetti: French Bel Canto Arias by Rossini & Donizetti; Lisette Oropesa (soprano) with the Dresdner Philharmonie conducted by Corrado Rovaris". MusicBrainz . Retrieved November 14, 2022.
  132. "Lisette Oropesa: French Bel Canto Arias". Gramophone . Retrieved November 14, 2022.
  133. "Release Theodora by Handel; Lisette Oropesa, Joyce DiDonato, Paul-Antoine Bénos-Djian, Michael Spyres, John Chest, Il Pomo d'Oro, Maxim Emelyanychev". MusicBrainz . Retrieved November 14, 2022.
  134. "Lisette Oropesa brings star power to Alcina at the Royal Opera House – review" . Financial Times . November 9, 2022. Retrieved November 14, 2022.
  135. "Lisette Oropesa y Giuseppe Verdi, una pareja bien avenida". Mundoclasico.com (in Spanish). Retrieved February 6, 2023.
  136. STRG (February 27, 2023). "Oper!-Awards in 20 Kategorien verliehen". Salzburger Nachrichten (in German). Retrieved February 28, 2023.
  137. "Parigi, a Lisette Oropesa l'alta onorificenza di Chevalier de l'ordre des Arts et des Lettres". Connessi all'Opera (in Italian). March 9, 2023. Retrieved March 9, 2023.
  138. Schmid, Rebecca (January 24, 2023). "A Decidedly French Hamlet Returns to Paris". The New York Times . Retrieved April 12, 2023.
  139. "A l'Opéra Bastille, Ludovic Tézier fait d'Hamlet un clown sombre et habité". Le Monde (in French). March 14, 2023. Retrieved April 12, 2023.
  140. "Olivier Awards 2023". Olivier Awards. Retrieved April 12, 2023.
  141. Redazione (April 19, 2023). "Milano, i vincitori del 42° premio Abbiati". L'ape musicale (in Italian). Retrieved April 19, 2023.
  142. Salazar, Francisco (November 4, 2020). "Teatro alla Scala Cancels Opening Night Lucia di Lammermoor". OperaWire. Retrieved May 14, 2023.
  143. "A dark, gothic Lucia di Lammermoor finally makes it to La Scala". Bachtrack . Retrieved May 14, 2023.
  144. Salazar, Francisco (May 30, 2023). "Lisette Oropesa Cancels Opening of Il turco in Italia in Madrid". OperaWire. Retrieved July 19, 2023.
  145. Villa, Mauricio (June 14, 2023). "Teatro Real de Madrid 2022-23 Review: Il turco in Italia". OperaWire. Retrieved July 19, 2023.
  146. "Ooppera-arvio | Lisette Oropesa ja Amatai Pati loistavat oopperajuhlien uutuusteoksen tähtiparina – Romeon ja Julian ensi-ilta on suurmenestys". Itä-Savo (in Finnish). July 3, 2023. Retrieved July 19, 2023.
  147. "La Lucie de Lammermoor française triomphe au Festival d'Aix". Bachtrack . Retrieved September 27, 2023.
  148. "The United States' return to UNESCO commemorated with a flag-raising ceremony | UNESCO". www.unesco.org. Retrieved July 28, 2023.
  149. Weidringer (October 2, 2023). "La Traviata: Verdi, die Influencerin und zu viel Phlegma". Die Presse (in German). Retrieved November 11, 2023.
  150. "Lyric Opera's Daughter of the Regiment a romp rich with laughs and some of Donizetti's best music". Chicago Sun-Times . November 5, 2023. Retrieved November 11, 2023.
  151. "International Opera Awards 2023". operavision.eu. Retrieved November 11, 2023.
  152. "Lisette Oropesa en Cléopâtre de collection dans Giulio Cesare à Garnier - Actualités - Ôlyrix". www.olyrix.com. Retrieved April 13, 2024.
  153. "Lisette Oropesa: Prinzessin mit Hindernissen". www.buehne-magazin.com (in German). Retrieved April 13, 2024.
  154. Weidringer, 10 03 2024 um 16:44 von Walter (March 10, 2024). "Wiener Staatsoper: Bei diesem Tell trifft die Sopranistin ins Schwarze". Die Presse (in German). Retrieved April 13, 2024.{{cite web}}: CS1 maint: numeric names: authors list (link)
  155. "Regia da incubo, canto da sogno: La sonnambula all'Opera di Roma". www.ilfoglio.it (in Italian). Retrieved April 13, 2024.
  156. "2024". Opera Awards. September 1, 2024. Retrieved October 2, 2024.
  157. Burch, Cathalena E. (October 18, 2012). "Opera lead makes scene reality (sans blood)". Arizona Daily Star.
  158. Real Decreto 326/2019 (in Spanish)
  159. "NAXOS Deutschland". www.naxos.de. Retrieved November 18, 2022.
  160. "Release La traviata by Giuseppe Verdi; Dresdner Philharmonie, Daniel Oren". MusicBrainz . Retrieved June 2, 2022.
  161. "French Bel Canto Arias". Pentatone. Retrieved October 6, 2022.
  162. "Handel: Theodora". www.warnerclassics.com. November 18, 1996. Retrieved October 7, 2022.
  163. McPhee, Ryan (April 8, 2019). "Soprano Lisette Oropesa Wins Opera's Richard Tucker Award, Honoring Rising Singers". Playbill. Retrieved May 9, 2019.
  164. McPhee, Ryan (May 7, 2019). "Lisette Oropesa Wins Metropolitan Opera's Beverly Sills Artist Award". Playbill. Retrieved May 9, 2019.
  165. "Opera! Awards in 20 categories". Salzburger Nachrichten. February 27, 2023. Retrieved February 28, 2023.
  166. Mori, Roberto (March 9, 2023). "Parigi, a Lisette Oropesa l'alta onorificenza di Chevalier de l'ordre des Arts et des Lettres". Connessi all'Opera. Retrieved March 9, 2023.
  167. "Milan, the winners of the 42nd Abbiati prize". L'Ape musicale. April 19, 2023. Retrieved April 19, 2023.
  168. "International Opera Awards 2023". International Opera Awards. September 9, 2023. Retrieved August 28, 2023.
  169. "International Opera Awards 2024". International Opera Awards. October 2, 2024. Retrieved October 2, 2024.