The Miracles were an American vocal group that was the first successful recording act for Berry Gordy's Motown Records, and one of the most important and most influential groups in the history of pop, soul, R&B and rock and roll music. The group's international fame in the 1960s, alongside other Motown acts, led to a greater acceptance of Rhythm & Blues and pop music in the U.S., with the group being considered influential and important in the development of modern popular music.
The Marvelettes were an American girl group that achieved popularity in the early to mid-1960s. They consisted of schoolmates Gladys Horton, Katherine Anderson, Georgeanna Tillman, Juanita Cowart, and Georgia Dobbins, who was replaced by Wanda Young prior to the group signing their first deal. They were the first successful act of Motown Records after the Miracles and its first significantly successful female group after the release of the 1961 number-one single, "Please Mr. Postman", one of the first number-one singles recorded by an all-female vocal group and the first by a Motown recording act.
The Supremes A' Go-Go is the ninth studio album released by Motown singing group the Supremes. It was the first album by an all-female group to reach number-one on the Billboard 200 album charts in the United States.
Motown 25: Yesterday, Today, Forever is a 1983 television special, produced by Suzanne de Passe for Motown, to commemorate its 25th anniversary. The program was taped before a live audience at the Pasadena Civic Auditorium in Pasadena, California on March 25, 1983, and broadcast on NBC on May 16. Among its highlights were Michael Jackson's performance of "Billie Jean", Smokey Robinson's reunion with the Miracles, a Temptations / Four Tops "battle of the bands", Marvin Gaye's inspired speech about black music history and his memorable performance of "What's Going On", a Jackson 5 reunion, and an abbreviated reunion of Diana Ross & the Supremes, who performed their final #1 hit, "Someday We'll Be Together" from 1969. The show was written by Buz Kohan, Ruth Robinson, and de Passe. The broadcast was watched by over 47 million viewers.
The Motortown Revue was the name given to the package concert tours of Motown artists in the 1960s. Early tours featured Smokey Robinson & The Miracles, Mary Wells, The Marvelettes, Barrett Strong, and The Contours as headlining acts, and gave then-second-tier acts such as Marvin Gaye, Martha & The Vandellas, Stevie Wonder, The Supremes, The Four Tops, Gladys Knight & the Pips and The Temptations the chances to improve their skills.
The Miracles Doin' Mickey's Monkey is an album by The Miracles, released in 1963 by Tamla Records. It includes the group's Top 10 smash single "Mickey's Monkey", written and produced by Holland-Dozier-Holland, which was later recorded by several other artists. "Mickey's Monkey" popularized "The Monkey" as a novelty dance. Also included is another H-D-H dance-oriented single, "I Gotta Dance to Keep From Crying", a Billboard Top 40 hit. The album peaked at No. 113 on the Billboard 200.
Going to a Go-Go is a 1965 album by the Miracles, the first to credit the group as Smokey Robinson and the Miracles. It includes four of the Miracles' Top 20 hits: "Ooo Baby Baby", "The Tracks of My Tears", "Going to a Go-Go", and "My Girl Has Gone". It was produced by Miracles lead singer Smokey Robinson, along with Frank Wilson and William "Mickey" Stevenson.
"Come and Get These Memories" is an R&B song by Motown girl group Martha and the Vandellas. Their second single released under Motown's Gordy Records subsidiary, "Memories" became the group's first hit single, reaching number 29 on the Billboard Pop Singles Chart, and number-six on the Billboard R&B Singles Chart.
"Live Wire" is a 1964 dance single released by Motown girl group Martha and the Vandellas.
"Jimmy Mack" is a pop/soul song that in 1967 became a hit single by Martha and the Vandellas for Motown's Gordy imprint. Written and produced by Motown's main creative team, Holland–Dozier–Holland, "Jimmy Mack" was the final Top 10 pop hit for the Vandellas in the United States, peaking at No.10 on the Billboard Hot 100 in 1967 and at No.1 on the Billboard R&B Singles chart. Billboard named the song No.82 on their list of 100 Greatest Girl Group Songs of All Time.
Away We a Go-Go is a 1966 album by Smokey Robinson & the Miracles. The album features the singles "(Come 'Round Here) I'm the One You Need", a Billboard top 20 Pop hit, written and produced by Holland-Dozier-Holland; and "Whole Lot of Shakin' in My Heart ", written and produced by Frank Wilson. The album uses a different take of "I'm the One You Need" than what was issued on the single. A third single was planned for release from this album, the tune "More, More, More ", cataloged as Tamla T-54005, but the single was never released. It was later covered by the regional group Bob Brady and The Con Chords. Another single from this album, the Stevie Wonder/Ivy Jo Hunter composition of "Can You Love a Poor Boy", was released to radio stations as a special Disc Jockey Advanced Single, Tamla T-540, but was never given an official catalog number for general release. It too, inspired cover versions by Gil Bernal and Ronnie Walker.
Greatest Hits from the Beginning is a compilation double LP by The Miracles released in 1965. This was the first double album ever released by the Motown Record Corporation. It covers most of the group's hits from their pre-1965 albums, such as "Shop Around", "Who's Lovin’ You", "You've Really Got A Hold On Me" and "Mickey's Monkey", as well as the non-album singles from 1964: "I Like It Like That" and "That's What Love Is Made Of". The album was a success, reaching #21 on the Billboard Pop Album Chart. It was also the first Miracles album to chart on the Billboard R&B Album chart, where it was an even bigger success, peaking at #2.
"When the Lovelight Starts Shining Through His Eyes" is a song written by Holland–Dozier–Holland and recorded in 1963 by Motown singing group The Supremes. It is notable as the Supremes' first Billboard Hot 100 Top 40 recording, following seven previous singles between January 1961 and September 1963 which failed to enter the Top 40. The single is also notable as the first Supremes single written and produced by Holland–Dozier–Holland, who had previously created hits for Martha and the Vandellas and Mary Wells.
"Way Over There" is a 1960 Motown soul song and single, written by William "Smokey" Robinson, produced by Berry Gordy, and first performed by The Miracles for the Tamla (Motown) label. It was one of The Miracles' earliest charting singles, reaching #94 on the Billboard Pop chart. Motown president Berry Gordy, Jr. had The Miracles record the song several times during its chart run. The first version had minimal orchestration. The second version added strings, and this is the version played by most oldies stations today. Claudette Robinson had several lead parts on this song, answering Smokey's leads with chants of "Come to me, Baby". The song's B-side, "(You Can) Depend on Me", while not charting nationally, did become a popular regional hit in many areas of the country, and Smokey still sings it in his live shows today. "Way Over There" was subsequently recorded by Edwin Starr, The Temptations, The Marvelettes, The Royal Counts, The Spitballs, and Eddie Adams Jr, while "(You Can) Depend on Me" was later recorded by The Temptations, The Supremes, Mary Wells, and Brenda Holloway. The song was also used for the title of Hip-O Select's 2009 compilation: The Miracles – Depend on Me: The Early Albums, which collects the first five LP releases by the group.
"I Like It Like That" was a 1964 hit song by Motown group The Miracles on its Tamla label subsidiary. This is not the Chris Kenner hit song of the same name but a Miracles original, written by Miracles members Smokey Robinson and Marv Tarplin, and is included on the group's first greatest hits album, Greatest Hits from the Beginning. It was also the title song from their deleted 1964 album of the same name.
"I Gotta Dance to Keep from Crying" is a 1963 hit by the Miracles on Motown's Tamla label. It was written and produced by Motown's main songwriting team, Brian Holland, Lamont Dozier, and Eddie Holland.
I Like It Like That is an album by Motown group the Miracles, compiled for the UK market and released on the UK Tamla-Motown label as one of its initial group of six albums in March 1965. There was no equivalent album to this in the USA. It is known as the Miracles' "forgotten album".
The Return of The Marvelettes was marketed as the last album by the group, although in reality their last had been 1969's In Full Bloom. It was originally recorded to launch the solo career of former Marvelette Wanda Young, and was produced by Smokey Robinson.
Smokey Robinson & the Miracles LIVE! (TS289) is a 1969 album by R&B group The Miracles. Issued on Motown's Tamla label, it is the second of three live albums the Miracles recorded during their career. The album was recorded in 1968 at Detroit's famous Roostertail Restaurant, a popular venue where Motown artists appeared during the 1960s and 1970s. Released January 6, 1969, it charted at #71 on the Billboard Pop Album Chart and peaked at #7 on the Billboard R&B Album Chart.
Freddie Gorman was an American musician and record producer, most famous as a singer, songwriter for the Motown label in the late 1960s and mid 1970s.
