Midnight Mood | ||||
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Studio album by | ||||
Released | 1968 | |||
Recorded | December 18, 1967 | |||
Studio | Lindström Studios, Cologne, Nordrhein-Westfalen, Germany | |||
Genre | Vocal jazz | |||
Length | 37:33 | |||
Label | SABA | |||
Producer | Gigi Campi | |||
Mark Murphy chronology | ||||
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Midnight Mood is a 1967 studio album by Mark Murphy.
Midnight Mood is the 10th album by American jazz vocalist Mark Murphy. It was recorded when Murphy was 35 years old and released by the SABA/MPS Records label in Germany in 1968. The release is a mix of standards and original songs from members of the Kenny Clarke-Francy Boland Big Band.
Murphy had been living in London for four years by the time he recorded Midnight Mood. Members of the Kenny Clarke-Francy Boland Big Band formed Murphy's backing group for this recording. Murphy had been touring Europe and playing Ronnie Scott's Jazz Club in London with them.
Review scores | |
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Source | Rating |
The Rolling Stone Jazz Record Guide | [1] |
The Virgin Encyclopedia of Popular Music | [2] |
AllMusic | [3] |
Producer Gigi Campi (Pierluigi Campi), an Italian architect, Cologne restauranteur, jazz concert and festival organizer, helped found the Clarke-Boland Big Band in the early 1960s. [4] [5] Campi produced many jazz recordings including "Tough Tenors” by Johnny Griffin & Eddie “Lockjaw” Davis, “All Smiles” by The Kenny Clarke-Francy Boland Big Band, and “November Girl” by Carmen McRae and The Kenny Clarke Francy Boland Big Band, all on MPS. [6] But he also founded MoD Records and worked on other labels.
Campi assembled an eight-man band to accompany Murphy on this recording. Kenny Clarke plays drums and Francy Boland plays piano and did the arrangements. The members of the Kenny Clarke-Francy Boland Big Band providing backup include Ronnie Scott on tenor saxophone, Jimmy Deuchar on trumpet, Sahib Shihab on flute and baritone saxophone, Åke Persson on trombone, Derek Humble on alto saxophone, and former Ellington bassist Jimmy Woode.
Murphy contributes lyrics to Jimmy Deuchar's "Why and How" and Francy Boland's "Hopeless". Years later DJ Gilles Peterson would turn "Why and How", a soul-jazz rare groove, into a dance floor smash in the 1980s and help revive Murphy's career. [3]
Jump for Joy is a Duke Ellington 1941 stage musical and Murphy opens the album singing the title tune a cappela before the band joins in and he follows with scat improvisation. Clarke and Woode's "I Don't Want Nothin' " is an up-tempo bluesy arrangement. The ballad "Alone Together" is from a 1932 Broadway show Flying Colors by Arthur Schwartz and Howard Dietz and is taken at a quick tempo featuring brushwork by Clarke and a muted trumpet solo from Jimmy Deuchar. Åke Persson is featured on trombone on Cy Coleman's "You Fascinate Me So". Several of the remaining ballads feature Boland on piano. "Sconsolato" is a slow Latin groove, Murphy's first of many to follow on subsequent releases. [3] [7] [8]
The Rolling Stone Jazz Record Guide assigns the album 4 stars (meaning, excellent: a record of substantial merit, though flawed in some essential way). [1] In the review Andy Rowan writes that Midnight Mood boasts "inventive, full-bodied performances that create a feeling of cohesiveness" proving "that when the glitter is stripped away Mark Murphy is a singer of great power, depth and skill". [1]
The Virgin Encyclopedia of Popular Music gives the album 3 stars (meaning, good, by the artist's usual standards and therefore recommended.) [2]
The AllMusic guide assigns 4.5 stars. [9]
Murphy biographer Peter Jones includes Midnight Mood in his list of essential top 10 Mark Murphy albums. [10] In his book This is Hip: The Life of Mark Murphy, Jones says that Midnight Mood is one of the best albums Murphy ever made. He writes, "Murphy is in devastatingly fine voice on these tracks, relaxed and swinging with the kind of material he loved and knew well". [3]
Peter Quinn, writing a review for Jazzwise magazine, gives the album 4 stars. [11] He writes, "Midnight Mood is a must-hear recording, not just for Murphy die-hards but all lovers of vocal jazz...the 10-track album is outstandingly good on all fronts: dynamic control, time-bending phrasing, plus an immense depth of feeling." [11]
James Deuchar was a Scottish jazz trumpeter and big band arranger, born in Dundee, Scotland. He found fame as a performer and arranger in the 1950s and 1960s. Deuchar was taught trumpet by John Lynch, who learned bugle playing as a boy soldier in the First World War, and who later was Director of Brass Music for Dundee.
James Bryant Woode was an American jazz bassist. He played and/or recorded in bands with Flip Phillips, Sarah Vaughan, Ella Fitzgerald, Charlie Parker, Duke Ellington, Coleman Hawkins, Nat Pierce, Sidney Bechet, Billie Holiday, Jaki Byard, Earl Hines, Jimmy Witherspoon, Clark Terry and Miles Davis.
The Kenny Clarke/Francy Boland Big Band was a jazz big band co-led by American drummer Kenny Clarke and Belgian pianist François "Francy" Boland. They were one of the most noteworthy jazz big bands formed outside the United States, featuring top European musicians alongside expatriate and touring Americans.
Åke Persson was a Swedish bebop jazz trombonist.
Derek Humble was an English jazz alto saxophonist.
The Golden 8 is an album by American jazz drummer Kenny Clarke and Belgian jazz composer and pianist Francy Boland recorded live in Gigi Campi's 'gelateria' in Cologne in 1961 and released on the Blue Note label. The album established the relationship which led to the formation of the Kenny Clarke/Francy Boland Big Band.
Jazz Is Universal is an album by the Kenny Clarke/Francy Boland Big Band featuring performances recorded in Germany in 1961 for the Atlantic label. The album was the first by the Big Band although earlier recordings by Kenny Clarke and Francy Boland's Octet had been released previously.
Handle with Care is an album by the Kenny Clarke/Francy Boland Big Band featuring performances recorded in Germany in 1963 for the Atlantic label.
Now Hear Our Meanin' is an album by the Kenny Clarke/Francy Boland Big Band featuring performances recorded in Germany in 1963 and released on the Columbia label in 1965.
Sax No End is an album by the Kenny Clarke/Francy Boland Big Band with guest soloist Eddie "Lockjaw" Davis featuring performances recorded in Germany in 1967 and released on the SABA label. The album was also released in the US on Prestige Records as Fire, Heat, Soul & Guts!.
All Smiles is an album by the Kenny Clarke/Francy Boland Big Band featuring performances recorded in Germany in 1968 and released on the MPS label. The album was also released in the US on Prestige Records as Let's Face the Music.
Faces is an album by the Kenny Clarke/Francy Boland Big Band featuring performances recorded in Germany in 1968 and released on the MPS label.
Latin Kaleidoscope is an album by the Kenny Clarke/Francy Boland Big Band featuring performances recorded in Germany in 1968 and released on the MPS label in Europe and also released in the US on Prestige Records.
More Smiles is an album by the Kenny Clarke/Francy Boland Big Band featuring performances recorded in Germany in 1969 and released on the MPS label.
Fellini 712 is an album by the Kenny Clarke/Francy Boland Big Band featuring performances recorded in Germany in 1969 and released on the MPS label.
All Blues is an album by the Kenny Clarke/Francy Boland Big Band featuring performances recorded in Germany in 1969 and released on the MPS label.
Swing, Waltz, Swing is an album by Carl Drevo and the Kenny Clarke/Francy Boland Big Band featuring performances recorded in Germany in 1966 for the German Philips label. The album features big band interpretations of classical waltzes interspersed with jazz standards and original compositions.
More is an album by the Kenny Clarke/Francy Boland Big Band featuring performances recorded in Italy in 1968 and first released on producer Gigi Campi's own label. The album features big band arrangements of Italian film music.
17 Men and Their Music is a live album by the Kenny Clarke/Francy Boland Big Band featuring performances recorded in West Germany in 1967 and first released on producer Gigi Campi's own label. The album's title phrase was added as a subtitle / "sticker" to re-issues of four Clarke-Boland Big Band albums: Faces: Gigi Campi Presents 17 Men and Their Music 1; All Smiles: Gigi Campi Presents 17 Men and Their Music 2; Latin Kaleidoscope: Gigi Campi Presents 17 Men and Their Music 3; Fellini 712: Gigi Campi Presents 17 Men and Their Music 4
Clarke Boland Big Band en Concert avec Europe 1 is a live album by the Kenny Clarke/Francy Boland Big Band featuring a performance recorded in Paris in 1969, originally broadcast on Europe 1 and released on the Tréma label in 1992.