| Mighty Instrumentals | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1966 | |||
| Genre | Funk | |||
| Length | 29:51 | |||
| Label | King | |||
| Producer | James Brown | |||
| James Brown chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [1] |
| The Rolling Stone Album Guide | [2] |
Mighty Instrumentals is the eleventh studio album by American musician James Brown. It consists of instrumentals recorded during his time with the King label. The album was released in 1966. [3] [1]
| No. | Title | Length |
|---|---|---|
| 1. | "Papa's Got a Brand New Bag" | 1:45 |
| 2. | "(Can You) Feel It, Pt. 1" | 2:56 |
| 3. | "Hold It" | 1:54 |
| 4. | "Sticky" | 2:50 |
| 5. | "The Scratch" | 1:46 |
| 6. | "James Brown House Party" | 2:13 |
| 7. | "Night Train" | 2:21 |
| 8. | "Every Beat of My Heart" | 3:39 |
| 9. | "Cross Firing" | 2:28 |
| 10. | "Suds" | 2:21 |
| 11. | "Doin' the Limbo" | 2:35 |
| 12. | "Choo-Choo (Locomotion)" | 2:53 |
Manfred Mann were an English rock band, formed in London and active between 1962 and 1969. The group were named after their keyboardist Manfred Mann, who later led the successful 1970s group Manfred Mann's Earth Band. The band had two different lead vocalists, Paul Jones from 1962 to 1966 and Mike d'Abo from 1966 to 1969.
The 34th Annual Grammy Awards were held on February 25, 1992, recognizing accomplishments by musicians from the previous year (1991). Natalie Cole won the most awards (three), including Album of the Year. Paul Simon opened the show.
The Payback is the 37th studio album by American musician James Brown. The album was released in December 1973, by Polydor Records. It was originally scheduled to become the soundtrack for the blaxploitation film Hell Up in Harlem, but was rejected by the film's producers, who dismissed it as "the same old James Brown stuff." A widely repeated story—including by Brown himself—that director Larry Cohen rejected the music as "not funky enough" is denied by Cohen. On the DVD commentary track for Black Caesar, Cohen states that executives at American International Pictures were already unhappy with Brown for delivering songs much longer than expected on Black Caesar and Slaughter's Big Rip-Off and opted for a deal with Motown Records instead. Cohen said the absence of Brown's music from Harlem still "breaks [his] heart."
Baba Sissoko is a percussionist from Mali.
The Greatest Story Ever Told is the fifth studio album by American rapper and record producer David Banner. The album was released on July 15, 2008, by Universal Motown and SRC Records. The first single from the album is called "Speaker", better known by its explicit title "9mm". It features Snoop Dogg, Lil Wayne and Akon. The track was produced by Akon. The second single is "Get Like Me", which features Chris Brown and Yung Joc. The third single is "Shawty Say", which features Lil Wayne and samples Lollipop. The music video premiered on FNMTV on August 1, 2008.
"2 Legit 2 Quit" is a song by American rapper Hammer featuring Saja, released on September 5, 1991 as the first single from his fourth studio album. The song proved to be successful in the US, peaking in the top 10 of the Billboard Hot 100 at No. 5. It also peaked at No. 60 on the UK Singles Chart.
"Spinning Wheel" is a song from 1968 by the band Blood, Sweat & Tears, written by Canadian lead vocalist David Clayton-Thomas and appearing on their eponymous album.
Ain't It Funky is the 27th full-length studio album by American musician James Brown. The album was recorded between 1966 and 1969 and originally released in January 1970. Tracks 3 to 7 are instrumentals recorded between 1966 and 1969.
"I'm Outstanding" is the second single released from American former professional basketball player Shaquille O'Neal's debut album, Shaq Diesel (1993). Produced by Erick Sermon, the single was a minor success, making it to 47 on the US Billboard Hot 100.
The Mighty Death Pop! is the twelfth studio album by Underground American hip hop group Insane Clown Posse, released on August 14, 2012. It is their second album to focus on the Dark Carnival since the conclusion of the group's original "Joker's Cards" series. The title character is the second in a set of six new Joker's Cards. It is the group's 29th overall release, and is the last album to date to feature long-time producer Mike E. Clark.
Sho Is Funky Down Here is the 31st studio album by American musician James Brown, released in 1971 on King Records, his last album on the label after having been on the label since 1956. It was #26 on the Billboard R&B Albums chart and #137 on The Billboard 200 in 1971.
Gravity is the 53rd studio album by American musician James Brown. The album was released on September 15, 1986, by Scotti Bros. Records. It was largely written and produced by Dan Hartman and Charlie Midnight, the authors of the album's previously released hit single "Living in America", which had reached #4 on the Billboard Hot 100 and was prominently featured in the film Rocky IV. It was Brown's first album for the Scotti Brothers record label.
"Like a Baby" is a song written by Jesse Stone. It was recorded by Vikki Nelson for a Vik Records single in 1957. Priscilla Bowman recorded it for Abner Records in 1959. It was also recorded by Elvis Presley for his 1960 album Elvis Is Back!. James Brown and the Famous Flames recorded the song and released it as a single in 1963, which charted No. 24 R&B. The single's B-side, an instrumental version of "Every Beat of My Heart", also charted, reaching No. 99 on the Billboard Hot 100. Brown and the Flames performed "Like a Baby" on their 1964 live album Pure Dynamite! Live at the Royal.
PeteStrumentals 2 is the third instrumental hip hop album by hip hop producer Pete Rock. The album was released on June 23, 2015, under Mello Music Group. The album was released a day after Pete's 45th birthday and it serves as a sequel to 2001's PeteStrumentals. The track listing on the album features 20 instrumental tracks that was either unreleased or made by Pete himself. This would be Rock's first instrumental album since 2005's The Surviving Elements: From Soul Survivor II Sessions in nearly over 10 years. A music video for "Cosmic Slop" was also released on YouTube by Mello Music Group. During the release of PeteStrumentals 2, a mixtape called PeteStrumentals 2 The Official J. Rocc Mix was also released as a digital downloadable mp3 format, which it was mixed by J. Rocc paying homage to Pete's latest album. According to Rock, the project PeteStrumentals 3 which features no rapping and no samples, was released on December 11, 2020, on Tru Soul records. It includes Rock's band called "The Soul Brothers", which will provide live band playing as instrumental beats.
Love Over-Due is the 55th studio album by American musician James Brown. The album was released on July 23, 1991, by Scotti Bros. Records.
I Can't Stand Myself When You Touch Me is the eighteenth studio album by American musician James Brown. The album was released in March 1968, by King Records.
I Got the Feelin' is the nineteenth studio album by American musician James Brown. The album was released in April 1968, by King Records.
Thinking About Little Willie John and a Few Nice Things is the 21st studio album by American musician James Brown. The album was released in December 1968, by King Records, James Brown, who early in his career had opened shows for John, recorded a tribute album, Thinking About Little Willie John and a Few Nice Things, a little more than a half year since the death of Little Willie John, a prominent R&B singer from the mid-1950s to the 1960s. Only Side One of the album is cover versions of Little Willie John songs. Side Two is all instrumentals.
Gettin' Down to It is the 24th studio album by American musician James Brown. The album was released in May 1969, by King Records. A pet project of Brown's, the album consists of standards sung in the jazz ballad style of Frank Sinatra, whom Brown greatly admired. In addition, two of Brown's own compositions, "Cold Sweat" and an instrumental version of "There Was a Time", are included, reinterpreted in the same style.
"Semi-Detached, Suburban Mr. James" is a song written by songwriters Geoff Stephens and John Carter, recorded by English pop group Manfred Mann in 1966. Stephens and Carter, who were writers for a publishing company on Denmark Street, London, wrote the song in a style different from their usual compositions, as love was not the prevalent theme. Introduced to the song by producer Shel Talmy, Manfred Mann recorded it at Philips Studio in August 1966. Released by Fontana Records on 21 October 1966, the song was backed by drummer Mike Hugg's composition "Morning After The Party" as the group's second single on the label. Keyboardist Manfred Mann plays the Mellotron on the recording; it was one of the earliest recordings featuring the instrument. Following a trend set by Bob Dylan, the song tackles the subject of life in British middle class suburbia from the perspective of a narrator, who laments the loss of a lover after her marriage to another man.
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