| Get On the Good Foot | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | November 20, 1972 | |||
| Recorded | 1970–72 | |||
| Genre | Funk, R&B, soul | |||
| Length | 66:09 | |||
| Label | Polydor | |||
| Producer | James Brown | |||
| James Brown chronology | ||||
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| Singles from Get on the Good Foot | ||||
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Get On the Good Foot is the 34th studio album by American funk and soul musician James Brown. It was released as a double LP on November 20, 1972, by Polydor Records.
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [1] |
| Creem | B+ [2] |
| The Rolling Stone Album Guide |  [3] |
| Tom Hull – on the Web | B+ (  ) [4] |
| The Village Voice | B− [5] |
In a contemporary review for Rolling Stone , Russell Gersten said most of the album comprises a few "horrible" new songs and many "inferior" renditions of older songs from Brown, whom Gersten accused of repetitiveness and "egomania". [6] Robert Christgau from The Village Voice said "if this were the world's only James Brown album it would be priceless. But there's a lot of waste here, and Brown's voice can't carry ballads the way it used to". [5]
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Get on the Good Foot (Parts 1 & 2)" | Brown, Fred Wesley, Joe Mims | 5:46 |
| 2. | "The Whole World Needs Liberation" | Brown, Bobby Byrd | 3:52 |
| 3. | "Your Love Was Good for Me" | J. J. Barnes, Whiz Whisenhut | 3:20 |
| 4. | "Cold Sweat" | Brown, Alfred "Pee Wee" Ellis | 2:55 |
| Total length: | 15:53 | ||
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Recitation by Hank Ballard" | Brown, Hank Ballard | 5:55 |
| 2. | "I Got a Bag of My Own" | Brown | 3:46 |
| 3. | "Nothing Beats a Try But a Fail" | Brown | 3:15 |
| 4. | "Lost Someone" | Brown, Byrd, Lloyd Stallworth | 3:55 |
| Total length: | 16:51 | ||
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Funky Side of Town" | Brown | 7:51 |
| 2. | "Please, Please" | Brown, Johnny Terry | 12:15 |
| Total length: | 20:06 | ||
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Ain't It a Groove" | Brown, Nat Jones | 2:13 |
| 2. | "My Part/Make It Funky (Parts 3 & 4)" | Brown, Charles Bobbit | 5:24 |
| 3. | "Dirty Harri" | Brown | 6:12 |
| Total length: | 13:49 | ||
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Get on the Good Foot (Parts 1 & 2)" | Brown, Wesley, Mims | 5:44 |
| 2. | "The Whole World Needs Liberation" | Brown, Byrd | 3:41 |
| 3. | "Your Love Was Good for Me" | Barnes, Whisenhut | 3:20 |
| 4. | "Cold Sweat" | Brown, Ellis | 2:53 |
| 5. | "Recitation by Hank Ballard" | Brown, Ballard | 5:54 |
| 6. | "I Got a Bag of My Own" | Brown | 3:30 |
| 7. | "Nothing Beats a Failure (But a Try)" | Brown | 3:06 |
| 8. | "Lost Someone" | Brown, Byrd, Stallworth | 3:56 |
| 9. | "Funky Side of Town" | Brown | 7:50 |
| 10. | "Please, Please" | Brown, Terry | 12:19 |
| 11. | "Ain't It a Groove" | Brown, Jones | 2:10 |
| 12. | "My Part/Make It Funky (Parts 3 & 4)" | Brown, Bobbit | 5:14 |
| 13. | "Dirty Harri" | Brown | 6:15 |
| 14. | "I Know It's True" (bonus track) | Brown | 4:07 |
Dancing Machine is the ninth studio album released by the Motown quintet the Jackson 5, on September 5, 1974. The album's title track was a No. 2 pop hit and a No. 1 R&B hit in the United States. The group released two additional singles from the album: the funky "Whatever You Got, I Want" and the group's last US Top 20 hit for Motown, "I Am Love".
The Payback is the 37th studio album by American musician James Brown. The album was released in December 1973, by Polydor Records. It was originally scheduled to become the soundtrack for the blaxploitation film Hell Up in Harlem, but was rejected by the film's producers, who dismissed it as "the same old James Brown stuff." A widely repeated story—including by Brown himself—that director Larry Cohen rejected the music as "not funky enough" is denied by Cohen. On the DVD commentary track for Black Caesar, Cohen states that executives at American International Pictures were already unhappy with Brown for delivering songs much longer than expected on Black Caesar and Slaughter's Big Rip-Off and opted for a deal with Motown Records instead. Cohen said the absence of Brown's music from Harlem still "breaks [his] heart."
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