Bonnie and Clyde is a 1967 American biographical neo-noir crime film directed by Arthur Penn and starring Warren Beatty and Faye Dunaway as the title characters Clyde Barrow and Bonnie Parker. The film also features Michael J. Pollard, Gene Hackman, and Estelle Parsons. The screenplay is by David Newman and Robert Benton. Robert Towne and Beatty provided uncredited contributions to the script; Beatty produced the film. The music is by Charles Strouse.
The Goodbye Girl is a 1977 American romantic comedy-drama film directed by Herbert Ross, written by Neil Simon and starring Richard Dreyfuss, Marsha Mason, Quinn Cummings and Paul Benedict. The film, produced by Ray Stark, centers on an odd trio of characters: a struggling actor who has sublet a Manhattan apartment from a friend, the current occupant, and her precocious young daughter.
Pauline Kael was an American film critic who wrote for The New Yorker from 1968 to 1991. Known for her "witty, biting, highly opinionated and sharply focused" reviews, Kael's opinions often ran contrary to those of her contemporaries.
Body Heat is a 1981 American neo-noir erotic thriller film written and directed by Lawrence Kasdan in his directorial debut. It stars William Hurt and Kathleen Turner, featuring Richard Crenna, Ted Danson, J. A. Preston and Mickey Rourke. The film was inspired by the classic film noir Double Indemnity (1944), in turn based on the 1943 novel of the same name.
The Dead is a 1987 drama film directed by John Huston, written by his son Tony Huston, and starring his daughter Anjelica Huston. It is an adaptation of the short story of the same name by James Joyce, which was first published in 1914 as the last story in Dubliners. An international co-production between the United Kingdom, the United States, and West Germany, the film was Huston's last as director, and it was released several months after his death.
Jagged Edge is a 1985 American neo-noir legal thriller film written by Joe Eszterhas, and directed by Richard Marquand, the last of his films to be released during his lifetime. The film stars Glenn Close, Jeff Bridges, Peter Coyote and Robert Loggia. A lawyer reluctantly takes the case of a man accused of killing his wife, but remains uncertain if he is guilty or not.
The Big Sleep is a 1946 American film noir directed by Howard Hawks. William Faulkner, Leigh Brackett and Jules Furthman co-wrote the screenplay, which adapts Raymond Chandler's 1939 novel. The film stars Humphrey Bogart as private detective Philip Marlowe and Lauren Bacall as Vivian Rutledge in a story that begins with blackmail and leads to multiple murders.
The Unfaithful is a 1947 American murder mystery film directed by Vincent Sherman and starring Ann Sheridan, Lew Ayres and Zachary Scott. It was produced and distributed by Warner Brothers. Regarded by some as a film noir, the picture is based on the W. Somerset Maugham-penned 1927 play and William Wyler-directed 1940 film The Letter, which was reworked and turned into an original screenplay by writers David Goodis and James Gunn who shifted the setting from Malaya to the United States.
Everybody Wins is a 1990 mystery thriller film directed by Karel Reisz, starring Debra Winger and Nick Nolte. The screenplay was written by Arthur Miller, based on his one-act play Some Kind of Love Story (1984). It is loosely inspired by an actual 1970s murder case in Canaan, Connecticut which was the subject of the television film A Death in Canaan (1978) directed by Tony Richardson. It was also the last film to be directed by Karel Reisz before his death in 2002.
Blues in the Night is a 1941 American musical in the film noir style directed by Anatole Litvak and starring Priscilla Lane, Richard Whorf, Betty Field, Lloyd Nolan, Elia Kazan, and Jack Carson. It was released by Warner Brothers. The project began filming with the working title Hot Nocturne, the play upon which it is based, but was eventually named after its principal musical number "Blues in the Night", which became a popular hit. The film was nominated for a Best Song Oscar for "Blues in the Night".
The Best of Times is a 1986 American comedy film directed by Roger Spottiswoode, written by Ron Shelton, and starring Robin Williams and Kurt Russell as two friends attempting to relive a high school football game.
Conflict is a 1945 American black-and-white suspense film noir made by Warner Brothers. It was directed by Curtis Bernhardt, produced by William Jacobs from a screenplay by Arthur T. Horman and Dwight Taylor, based on the story The Pentacle by Alfred Neumann and Robert Siodmak. It starred Humphrey Bogart, Alexis Smith, and Sydney Greenstreet. The film is the only pairing of Bogart and Greenstreet of the five in which they acted together where Bogart rather than Greenstreet is the villain or corrupt character. There is also a cameo appearance of the Maltese Falcon statue.
Legal Eagles is a 1986 American legal romantic comedy thriller film directed by Ivan Reitman, written by Jim Cash and Jack Epps, Jr. from a story by Reitman and the screenwriters, and starring Robert Redford, Debra Winger, and Daryl Hannah.
The Maltese Falcon is a 1941 American film noir written and directed by John Huston in his directorial debut, based on the 1930 novel of the same name by Dashiell Hammett and indebted to the 1931 movie of the same name. It stars Humphrey Bogart as private investigator Sam Spade and Mary Astor as his femme fatale client. Gladys George, Peter Lorre and Sydney Greenstreet co-star, with the last appearing in his film debut. A San Francisco private detective deals with three unscrupulous adventurers, all seeking a jewel-encrusted falcon statuette.
Deception is a 1946 American film noir drama released by Warner Brothers and directed by Irving Rapper. The film is based on the 1927 play Monsieur Lamberthier by Louis Verneuil. The screenplay was written by John Collier and Joseph Than. It stars Bette Davis, Paul Henreid, and Claude Rains, who had also appeared together in the highly successful Now, Voyager (1942), which was also directed by Rapper.
No, No, Nanette is a 1930 American pre-Code musical comedy film with Technicolor sequences that was directed by Clarence G. Badger and released by First National Pictures. It was adapted from the play of the same title by Otto A. Harbach and Frank Mandel. No, No, Nanette was a popular show on Broadway, running for 321 performances, and was produced and directed by Harry Frazee.
One Way Passage is a 1932 American pre-Code romantic film starring William Powell and Kay Francis as star-crossed lovers, directed by Tay Garnett and released by Warner Bros. The screenplay by Wilson Mizner and Joseph Jackson is based on a story by Robert Lord, who won the Academy Award for Best Story.
The Late Show is a 1977 American neo-noir mystery film written and directed by Robert Benton and produced by Robert Altman. It stars Art Carney, Lily Tomlin, Bill Macy, Eugene Roche, and Joanna Cassidy.
Songwriter is a 1984 American film directed by Alan Rudolph. At the 57th Academy Awards, it received an Oscar nomination for Best Original Song Score and Its Adaptation or Adaptation Score for Kris Kristofferson.
Midnight Alibi is a 1934 American pre-Code crime comedy drama film directed by Alan Crosland, produced by First National Pictures, distributed by Warner Bros. and starring Richard Barthelmess. Midnight Alibi is an adaptation of Damon Runyon's 1933 short story The Old Doll's House. This was Barthelmess' last film for First National after a 15-year run at the studio. Jack Warner was anxious to get rid of him because the grosses of his films no longer justified his $250,000 salary.
