Miranda Eberle Shaw | |
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Born | 1954 (age 69–70) Ohio, United States |
Academic background | |
Alma mater | |
Academic work | |
Discipline | Religious Studies |
Institutions | University of Richmond |
Main interests | Women in Buddhism |
Miranda E. Shaw is an American author and scholar of Vajrayana Buddhism. Her book,Passionate Enlightenment:Women in Tantric Buddhism,won the James Henry Breasted Prize,the Tricycle Prize for Excellence in Buddhist Scholarship,and the Critics' Choice Most Acclaimed Academic Book award in 1995. [1] Shaw earned her undergraduate degree from Ohio State University,a Master of Theology (MTS) from Harvard Divinity School,a Master of Arts in Religion (MA),and a doctorate in the study of religion (PhD) from Harvard University. [2] Shaw is an Emerita faculty member of the School of Arts and Sciences at the University of Richmond. [3]
Miranda Eberle Shaw was born in Ohio on May 9,1954. [2] As a teenager she read a copy of the Bhagavad Gita and the Upanishads. Later she became interested in images of female sky dancers,apsara and dakini,from Tantric Buddhism. These interests led her to the study of Buddhism,art,and the under-explored role of women in Tantric Buddhism. While pursuing her doctorate degree at Harvard University,she was funded as a University Fellow from 1983–85 and received the Bowdoin Graduate Literary Prize in 1986. She received a Fulbright Fellowship for doctoral research abroad in 1987 and several local fellowships to complete her dissertation. While traveling in India,Shaw states that she received the approval of the Dalai Lama to research Anuttara Yoga Tantra. [4] Following the completion of her dissertation,Shaw began a career as a professor of religious studies in 1991 at University of Richmond in Richmond,Virginia. [4]
In 2003 Shaw contributed to a catalog,Circle of Bliss:Buddhist Meditational Art,for an exhibition shown at the Los Angeles County Museum of Art (LACMA) and the Columbus Museum of Art in Columbus,Ohio. [4] She co-authored two essays for the catalog. Shaw's contributions to the catalog helped to bring attention to the ritual purposes and not merely to the aesthetic value of the Buddhist art. [5]
In 1994 she wrote her first book,Passionate Enlightenment:Women in Tantric Buddhism. The book won the James Henry Breasted Prize for Asian History in 1994. [6] The next two years,the book was awarded the Tricycle Prize for Excellence in Buddhist Scholarship and 1995-1996 Critics' Choice Most Acclaimed Academic Book. The book was blessed by the 14th Dalai Lama,Tenzin Gyatso,at publication. The book,written in English,has been translated into more than seven languages. [7] Passionate Enlightenment focuses on the role of women practitioners and counters patriarchal and gynophobic interpretations of Tantric Buddhism. In addition,the book reports her research to find forty works authored by women from India's Pala period (from 8th to the 12th century). [8] According to Shaw,during this period,Tantric Buddhism fostered relationships between women and men that were both mutually liberating and relied on women as a source of enlightenment. [9] In the book,Shaw also counters Victorian British influenced interpretations of Tantric Buddhism as overly eroticized and too grounded in a Western religious understanding of sexuality. According to Shaw,sexual union in Tantric Buddhism focuses on a quest for a right relationship between partners and a deeper spiritual connection. [10] The book includes an 18 page bibliography of further reading [11] and contributes evidence that argues against an assumption that women have a subordinate role in Tantric Buddhism. [12]
To write her second book,Buddhist Goddess of India (2006),Shaw translated Sanskrit texts about goddesses and took photographs of goddess festivals in Calcutta. In Kathmandu,Nepal,she attended the Kumari festival and the Guhyeshvari shrine to observe and to conduct interviews. [13] In her analysis of ritual dance practiced by Tantric Buddhist priests in Nepal,Shaw found that the movements could be understood to be a way to connect the body to a spirit of compassion. [14] To write this book,Shaw received a Fulbright scholarship. After publication,the book won the 2006 Foreword Reviews Gold Award for books in Religion. [15] [16] In a review of her work in this book,Kent Davis described her "as a realist,conducting research where previous scholars have missed crucial connections,or chosen not to make them." [17] Likewise,David Gray,noted that it filled a gap in the scholarship on goddesses in South Asian Buddhism. [18] Similarly,David Hall,observed in the introduction to his own book on the topic,that Shaw's book was "beautiful" and helped to draw attention to the role of goddesses in Buddhism. [19]
Shaw's research has advanced the understanding of the role of goddesses,goddess practice,and the contributions of women to Tantric Buddhism. [6] Her work has helped to correct misconceptions about the role Tantric sexual practices and the role of women in Buddhism. [20] In her interviews and in-person teaching sessions,Shaw endeavors to promote a view of sexuality for women that is grounded in the "feminine divine". [13] She connects this value of Tantric Buddhism to the work of other feminist theologians—particularly by encouraging an embodied divinity that reconnects the mind and body. To this end,Shaw pursued the practice of spontaneous dance to attune the senses to the divine. [15] As a feminist theologian,Shaw has also contributed to efforts to ensure that goddesses are understood as fully integrated deities in Buddhist traditions. [21] As Shaw states,by "exploring the relationship between human and divine females," she intends to "facilitate increasingly nuanced analyses of the ... contributions of Buddhist women." [20] Shaw's work has contributed to the understanding of yoginis as valued teachers in Buddhist traditions. [22]
Tantra is an esoteric yogic tradition that developed on the Indian subcontinent from the middle of the 1st millennium CE onwards in both Hinduism and Buddhism.
Vajrayāna, also known as Mantrayāna, Mantranāya, Guhyamantrayāna, Tantrayāna, Tantric Buddhism, and Esoteric Buddhism, is a Buddhist tradition of tantric practice that developed in the Indian subcontinent and spread to Tibet, Nepal, other Himalayan states, East Asia, and Mongolia.
Tantric sex or sexual yoga refers to a range of practices in Hindu and Buddhist tantra that utilize sexuality in a ritual or yogic context. Tantric sex is associated with antinomian elements such as the consumption of alcohol, and the offerings of substances like meat to deities. Moreover, sexual fluids may be viewed as power substances and used for ritual purposes, either externally or internally.
Shaktism is one of the several major Hindu denominations wherein the metaphysical reality, or the godhead, is considered metaphorically to be a woman.
Tara, Ārya Tārā, also known as Jetsün Dölma, is an important figure in Buddhism, especially revered in Vajrayana Buddhism and Mahayana Buddhism. She appears as a female bodhisattva in Mahayana Buddhism, and is considered to be the consort or shakti (power) of Avalokiteshvara. Tārā is also known as a saviouress who hears the cries of beings in saṃsāra and saves them from worldly and spiritual danger.
A ḍākinī is a type of female spirit, goddess, or demon in Hinduism and Buddhism.
A ganacakra is also known as tsok, ganapuja, cakrapuja or ganacakrapuja. It is a generic term for various tantric assemblies or feasts, in which practitioners meet to chant mantra, enact mudra, make votive offerings and practice various tantric rituals as part of a sādhanā, or spiritual practice. The ganachakra often comprises a sacramental meal and festivities such as dancing, spirit possession, and trance; the feast generally consisting of materials that were considered forbidden or taboo in medieval India like meat, fish, and wine. As a tantric practice, forms of gaṇacakra are practiced today in Hinduism, Bön and Vajrayāna Buddhism.
A yogini is a female master practitioner of tantra and yoga, as well as a formal term of respect for female Hindu or Buddhist spiritual teachers in the Indian subcontinent, Southeast Asia and Greater Tibet. The term is the feminine Sanskrit word of the masculine yogi, while the term "yogin" IPA:[ˈjoːɡɪn] is used in neutral, masculine or feminine sense.
Vajrayoginī is an important figure in Buddhism, especially revered in Tibetan Buddhism. In Vajrayana she is considered a female Buddha and a ḍākiṇī. Vajrayoginī is often described with the epithet sarvabuddhaḍākiṇī, meaning "the ḍākiṇī [who is the Essence] of all Buddhas". She is an Anuttarayoga Tantra meditational deity (iṣṭadevatā) and her practice includes methods for preventing ordinary death, intermediate state (bardo) and rebirth (samsara) by transforming them into paths to enlightenment, and for transforming all mundane daily experiences into higher spiritual paths.
Buddhist tantric literature refers to the vast and varied literature of the Vajrayāna Buddhist traditions. The earliest of these works are a genre of Indian Buddhist tantric scriptures, variously named Tantras, Sūtras and Kalpas, which were composed from the 7th century CE onwards. They are followed by later tantric commentaries, original compositions by Vajrayana authors, sādhanas, ritual manuals, collections of tantric songs (dohās) odes (stotra), or hymns, and other related works. Tantric Buddhist literature survives in various languages, including Sanskrit, Tibetan, and Chinese. Most Indian sources were composed in Sanskrit, but numerous tantric works were also composed in other languages like Tibetan and Chinese.
Tibetan tantric practice, also known as "the practice of secret mantra", and "tantric techniques", refers to the main tantric practices in Tibetan Buddhism. The great Rime scholar Jamgön Kongtrül refers to this as "the Process of Meditation in the Indestructible Way of Secret Mantra" and also as "the way of mantra," "way of method" and "the secret way" in his Treasury of Knowledge. These Vajrayāna Buddhist practices are mainly drawn from the Buddhist tantras and are generally not found in "common" Mahayana. These practices are seen by Tibetan Buddhists as the fastest and most powerful path to Buddhahood.
Women in Buddhism is a topic that can be approached from varied perspectives including those of theology, history, anthropology, and feminism. Topical interests include the theological status of women, the treatment of women in Buddhist societies at home and in public, the history of women in Buddhism, and a comparison of the experiences of women across different forms of Buddhism. As in other religions, the experiences of Buddhist women have varied considerably.
Songs of realization, or Songs of Experience, are sung poetry forms characteristic of the tantric movement in both Vajrayana Buddhism and in Hinduism. Doha is also a specific poetic form. Various forms of these songs exist, including caryagiti, or 'performance songs' and vajragiti, or 'diamond songs', sometimes translated as vajra songs and doha, also called doha songs, distinguishing them from the unsung Indian poetry form of the doha. According to Roger Jackson, caryagiti and vajragiti "differ generically from dohās because of their different context and function"; the doha being primarily spiritual aphorisms expressed in the form of rhyming couplets whilst caryagiti are stand-alone performance songs and vajragiti are songs that can only be understood in the context of a ganachakra or tantric feast. Many collections of songs of realization are preserved in the Tibetan Buddhist canon, however many of these texts have yet to be translated from the Tibetan language.
Kali or Kalika is a major Hindu goddess associated with time, change, creation, power, destruction and death in Shaktism. Kali is the first of the ten Mahavidyas in the Hindu tantric tradition.
Shmashana Adhipati is a name given to a deity either male or female and also together as a consort, who rules Shmashana, cremation ground. The Shamashana Adhipati literally translates to Lord of Shmashana. The name Shmashan Adhipathi is given to different deities in Hinduism and Tibetan Buddhism.
Karmamudrā is a Vajrayana Buddhist technique which makes use of sexual union with a physical or visualized consort as well as the practice of inner heat (tummo) to achieve a non-dual state of bliss and insight into emptiness. In Tibetan Buddhism, proficiency in inner heat yoga is generally seen as a prerequisite to the practice of karmamudrā.
Buddhist feminism is a movement that seeks to improve the religious, legal, and social status of women within Buddhism. It is an aspect of feminist theology which seeks to advance and understand the equality of men and women morally, socially, spiritually, and in leadership from a Buddhist perspective. The Buddhist feminist Rita Gross describes Buddhist feminism as "the radical practice of the co-humanity of women and men."
Classes of Tantra in Tibetan Buddhism refers to the categorization of Buddhist tantric scriptures in Indo-Tibetan Buddhism. Tibetan Buddhism inherited numerous tantras and forms of tantric practice from medieval Indian Buddhist Tantra. There were various ways of categorizing these tantras in India. In Tibet, the Sarma schools categorize tantric scriptures into four classes, while the Nyingma (Ancients) school use six classes of tantra.
Shaman Hatley is a scholar of Asian religions, specializing in the goddess cults and tantric rituals of medieval India, including the yogini cults and the history of yoga.
Prajñāpāramitā Devī is a Mahayana Buddhist deity which is the personification of Prajñāpāramitā. This is the highest kind of wisdom in Mahayana which leads to Buddhahood and is the source of Buddhahood. This is the key topic of the Prajñāpāramitā sutras, and as such, Prajñāpāramitā Devī is also a personification of these important scriptures. She is also known as "Mother of Buddhas" or "The Great Mother".