Mixed Quintet | ||||
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Studio album by | ||||
Released | 1979 | |||
Recorded | March 22 & 23, 1979 | |||
Genre | Jazz | |||
Length | 37:26 | |||
Label | Black Saint | |||
Producer | Leroy Jenkins | |||
Leroy Jenkins chronology | ||||
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Mixed Quintet is an album by American jazz violinist Leroy Jenkins, recorded in 1979 for the Italian Black Saint label. [1]
Regarding the album's title, Jenkins stated: "I called it mixed... because the quintet contains brass, reeds and strings, a mixture of instruments. I wanted to emphasize that this is different than the regular jazz quintet of a rhythm section and two front men." Concerning the music, he commented that it "isn't dependent on changes, it's dependent on direction. Where it came from and where it's going. Some people would call that open-ended, but it's not. We usually don't repeat the same heads, but we often work in a structure of theme / improvisation / theme / improvisation. So you know where you are coming from, and where you've got to go, and you've got a little time to make the ascent, the descent, or whatever is called for." [2]
Review scores | |
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Source | Rating |
AllMusic | [3] |
The Penguin Guide to Jazz Recordings | [4] |
The Rolling Stone Jazz & Blues Album Guide | [5] |
The AllMusic review by Dean McFarlane stated: "Exploring the jazz language and improvisation in such an oblique manner, the recording bears many similarities to the work of avant-garde jazz composer Anthony Braxton. An interesting recording yet by no means a representation of the ecstatic peaks Leroy Jenkins was capable of achieving as a free jazz soloist". [3]
The authors of The Penguin Guide to Jazz Recordings awarded the album 3½ stars, calling it "a foretaste of the classical configurations that were to come," and commented: "Some of the titles might sound restrainedly formal... but none... is a merely abstract etude or exercise, and all of them have Jenkins's trademark blend of intense expression and admirable control." They praised the wind players, calling them "masters in their own right," and singled out Ehrlich as "revelatory, a player as strongly rooted in classic jazz as he is in European art music." [4]
Leroy Jenkins was an American composer and violinist/violist.
Myra Melford is an American avant-garde jazz pianist and composer. A 2013 Guggenheim Fellow, Melford was described by the San Francisco Chronicle as an "explosive player, a virtuoso who shocks and soothes, and who can make the piano stand up and do things it doesn't seem to have been designed for."
Filles de Kilimanjaro is a studio album by American jazz trumpeter Miles Davis. It was recorded in June and September 1968, and released on Columbia Records. It was released in the United Kingdom by the company's subsidiary Columbia (CBS) in 1968 and in the United States during February 1969. The album is a transitional work for Davis, who was shifting stylistically from acoustic recordings with his "second great quintet" to his electric period. Filles de Kilimanjaro was well received by contemporary music critics, who viewed it as a significant release in modern jazz. Pianist Chick Corea and bassist Dave Holland appear together on two tracks, their first participation on a Davis album.
Out to Lunch! is a 1964 album by jazz multi-instrumentalist Eric Dolphy. His only recording on Blue Note as a leader, it was issued as BLP 4163 and BST 84163. Featuring Dolphy in a quintet with trumpeter Freddie Hubbard, vibraphonist Bobby Hutcherson, bassist Richard Davis and drummer Tony Williams, it was generally considered by critics as one of the finest albums issued on Blue Note, and widely viewed as one of the high points of 1960s avant-garde jazz. The album cover designed by Reid Miles features a photo of a "Will Be Back" sign displayed in a shop window showing a seven handed clock.
James W. Newton is an American jazz and classical flutist.
Marty Ehrlich is a multi-instrumentalist and is considered one of the leading figures in avant-garde jazz.
J. D. Parran is an American multi-woodwind player, educator, and composer specializing in jazz and free improvisation. He plays the soprano, alto, tenor, baritone, and bass saxophone, as well as the E-flat clarinet, alto clarinet, bass clarinet, contra-alto clarinet, piccolo, alto flute, bamboo flute, Native American flute, bamboo saxophone, and nagaswaram.
Anthony Braxton is an album by Anthony Braxton, released in 1969 on the BYG Actuel label. It features performances by Braxton, violinist Leroy Jenkins, trumpeter Leo Smith and percussionist Steve McCall.
Live in Bologna is a live album by Cecil Taylor recorded in Bologna on November 3, 1987 and released on the Leo label. The album features a concert performance by Taylor with Thurman Barker, William Parker, Carlos Ward and Leroy Jenkins.
Lifelong Ambitions is a live album by American jazz violinist Leroy Jenkins recorded in 1977 for the Italian Black Saint label.
You 'n' Me is a 1960 album by the Zoot Sims and Al Cohn quintet.
In Concert is a live album by the American jazz group Oregon released in 1975. The album peaked at number 35 on the Billboard Jazz Albums chart in 1976.
Solo is a live album by violinist / composer Leroy Jenkins. It was recorded in October 1992 at the Contemporary Arts Center in Santa Fe, New Mexico, and was released by Lovely Music in 1998. The album documents a solo concert that featured nine original compositions, some of which had appeared in his solo performances for years but were never previously recorded, plus pieces by Dizzy Gillespie and John Coltrane. This is Jenkins's second solo record, the first being Solo Concert.
Themes & Improvisations on the Blues is a live album by violinist / composer Leroy Jenkins. It was recorded in April 1992 at Merkin Concert Hall in New York City, and was released by Composers Recordings, Inc. in 1994. The album documents performances of four of Jenkins's compositions for ensembles of varying size. The violinist appears on two of the tracks.
Leroy Jenkins Live! is a live album by violinist / composer Leroy Jenkins. It was recorded in March 1992 at P.S. 122 in New York City, and was released by Black Saint in 1993. On the album, Jenkins is joined by guitarist Brandon Ross, synthesizer player Eric Johnson, bassist Hill Greene, and drummer Reggie Nicholson. The album is subtitled "featuring Computer Minds."
Swift Are the Winds of Life is an album by drummer Rashied Ali and violinist / composer Leroy Jenkins. It was recorded in September 1975 at Studio 77 in New York City, and was released by Survival Records in 1976. The album was reissued by Knit Classics in 2000.
Urban Blues is a live album by violinist and composer Leroy Jenkins. It was recorded in January 1984 at Sweet Basil in New York City, and was released by Black Saint later that year. On the album, Jenkins is joined by members of his band Sting: Terry Jenoure on violin and vocals, Brandon Ross and James Emery on guitar, Alonzo Gardner on bass, and Kamal Sabir on drums.
Space Minds, New Worlds, Survival of America is an album by violinist and composer Leroy Jenkins. It was recorded in August and September 1978, and was released on LP by Tomato Records in 1979. On the album, Jenkins is joined by George Lewis on electronics and trombone, Richard Teitelbaum on synthesizer, Anthony Davis on electric piano and piano, and Andrew Cyrille on percussion.
Little Birds Have Fast Hearts, Nos. 1 and 2, is a pair of live albums by the Die Like a Dog Quartet: saxophonist Peter Brötzmann, trumpeter Toshinori Kondo, bassist William Parker, and drummer Hamid Drake. The albums were recorded in November 1997 at the 30th "Total Music Meeting" held at the Podewil in Berlin, and were released in 1998 and 1999 by FMP.
Nerve Beats is a live solo album by Han Bennink. It was recorded on September 27, 1973, at the Rathaus in Bremen, Germany, for broadcast on Radio Bremen, and was not released until 2001, when it was issued on CD by Atavistic Records as part of their Unheard Music Series. On the album, Bennink is featured on drums, tablas, trombone, clarinet, rhythm machine, and "anything/everything."
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