The culture of Brazil has been shaped by the amalgamation of diverse indigenous cultures, and the cultural fusion that took place among Indigenous communities, Portuguese colonizers, and Africans, primarily during the Brazilian colonial period. In the late 19th and early 20th centuries, Brazil received a significant number of immigrants, primarily of Portuguese, Italian and Spanish origin, which along with smaller numbers of Germans, Austrians, Arabs, Japanese, Poles, Ukrainians, Russians, Greeks, Chinese, and Koreans gave a relevant contribution to the formation of regional cultures in Brazil, and thus contributed to its current existence as a plural and racially diverse society.
Tarsila de Aguiar do Amaral was a Brazilian painter, draftswoman, and translator. She is considered one of the leading Latin American modernist artists, and is regarded as the painter who best achieved Brazilian aspirations for nationalistic expression in a modern style. As a member of the Grupo dos Cinco, Tarsila is also considered a major influence in the modern art movement in Brazil, alongside Anita Malfatti, Menotti Del Picchia, Mário de Andrade, and Oswald de Andrade. She was instrumental in the formation of the aesthetic movement, Antropofagia (1928–1929); in fact, Tarsila was the one with her celebrated painting, Abaporu, who inspired Oswald de Andrade's famous Manifesto Antropófago.
Brazilian literature is the literature written in the Portuguese language by Brazilians or in Brazil, including works written prior to the country's independence in 1822. Throughout its early years, literature from Brazil followed the literary trends of Portugal, gradually shifting to a different and authentic writing style in the course of the 19th and 20th centuries, in the search for truly Brazilian themes and use of Brazilian forms.
Mário Raul de Morais Andrade was a Brazilian poet, novelist, musicologist, art historian and critic, and photographer. He wrote one of the first and most influential collections of modern Brazilian poetry, Paulicéia Desvairada, published in 1922. He has had considerable influence on modern Brazilian literature, and as a scholar and essayist—he was a pioneer of the field of ethnomusicology—his influence has reached far beyond Brazil.
José Oswald de Souza Andrade was a Brazilian poet, novelist and cultural critic. He was born in, spent most of his life in, and died in São Paulo.
Paulo Menotti Del Picchia was a Brazilian poet, journalist, and painter. He is associated with the Generation of 1922, the first generation of Brazilian modernism artists.
The Modern Art Week was an arts festival in São Paulo, Brazil, that ran from February 10 to February 17, 1922. Historically, the Week marked the start of Brazilian Modernism; though a number of individual Brazilian artists were doing modernist work before the week, it coalesced and defined the movement and introduced it to Brazilian society at large.
Anita Catarina Malfatti is heralded as the first Brazilian artist to introduce European and American forms of Modernism to Brazil. Her solo exhibition in Sao Paulo, from 1917–1918, was controversial at the time, and her expressionist style and subject were revolutionary for the complacently old-fashioned art expectations of Brazilians who were searching for a national identity in art, but who were not prepared for the influences Malfatti would bring to the country. Malfatti's presence was also highly felt during the Week of Modern Art in 1922, where she and the Group of Five made huge revolutionary changes in the structure and response to modern art in Brazil.
Emiliano Augusto Cavalcanti de Albuquerque Melo, known as Di Cavalcanti, was a Brazilian painter who sought to produce a form of Brazilian art free of any noticeable European influences. His wife was the painter Noêmia Mourão, who would be an inspiration in his works in the later 1930s.
Vicente do Rego Monteiro, born in Recife, was a Brazilian painter, sculptor, and poet, born to a rich family. He was part of the Semana de Arte Moderna exhibition and helped form the later Brazilian Modernism.
The Anthropophagic Manifesto, also variously translated as the Cannibal Manifesto or the Cannibalist Manifesto, was published in 1928 by the Brazilian poet and polemicist Oswald de Andrade, a key figure in the cultural movement of Brazilian Modernism and contributor to the publication Revista de Antropofagia. It was inspired by "Abaporu," a painting by Tarsila do Amaral, modernist artist and wife of Oswald de Andrade. The essay was translated to English in 1991 by Leslie Bary;
The creation of art in the geographic area now known as Brazil begins with the earliest records of its human habitation. The original inhabitants of the land, pre-Columbian Indigenous or Natives peoples, produced various forms of art; specific cultures like the Marajoara left sophisticated painted pottery. This area was colonized by Portugal in the 16th century and given the modern name of Brazil. Brazilian art is most commonly used as an umbrella term for art created in this region post Portuguese colonization.
Municipal Theatre of São Paulo is a theatre in São Paulo, Brazil. It is regarded as one of the landmarks of the city, significant both for its architectural value as well as for its historical importance, having been the venue for the Week of Modern Art in 1922, which revolutionised the arts in Brazil. The building now houses the São Paulo Municipal Symphonic Orchestra, the Coral Lírico and the City Ballet of São Paulo.
Luiz Heitor Corrêa de Azevedo was a Brazilian journalist, musicologist and folklorist.
Events in the year 1928 in Brazil.
Klaxon - mensario de arte moderna(Klaxon - modern art monthly) was a Brazilian avant-garde visual art and literary magazine, which ran from 15 May 1922 to January 1923. The publication was the main divulgator of the Brazilian Modernism, after the Week of Modern Art held in São Paulo.
The Grupo dos Cinco were a group of influential painters and writers associated with Brazilian Modernism. They worked together from approximately 1922–1929, although their individual work as artists and poets existed prior to this and continued after their collaboration ended. Grupo dos Cinco included Anita Malfatti, Tarsila do Amaral, Menotti Del Picchia, Oswald de Andrade and Mario de Andrade. While Malfatti and Amaral were painters, their three male counterparts were poets and writers. Grupo dos Cinco are known for their pivotal role in seeking what it is to be Brazilian as well as their work and involvement with the Semana de Arte Moderna, although Amaral did not participate. As a group, they developed ideas and manifestos that would inspire future generations of Brazilian artists such as the Pau-Brasil poetry manifesto and Antropofagia movement.
Lupe Cotrim or Lupe Cotrim Garaude was a Brazilian poet and university professor.
The anthropophagic movement was a Brazilian artistic manifestation of the 1920s founded and theorized by the poet Oswald de Andrade and the painter Tarsila do Amaral.
Antes do Baile Verde is a Brazilian short story written by Lygia Fagundes Telles and originally published by Editora Bloch in 1970. It is considered one of the most important publications by the author, who began her career in the 1970s. The book brings together contemporary realist short stories of an intimate nature, reflecting characteristics of the third modernist generation and Concretism.
