Monk's Blues | ||||
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Studio album by | ||||
Released | 1968 | |||
Recorded | November 19 and 20, 1968 | |||
Genre | Jazz | |||
Length | 56:27 | |||
Producer | Teo Macero | |||
Thelonious Monk chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
The Rolling Stone Jazz Record Guide | [2] |
The Penguin Guide to Jazz Recordings | [3] |
Monk's Blues is an album by Thelonious Monk accompanied by a big band arranged and conducted by Oliver Nelson. Originally released by Columbia Records in 1968, it was re-released on CD in 1994. Produced by Teo Macero, the album was recorded in Los Angeles by Monk's working quartet augmented by a group of Hollywood studio musicians.
Side One
Side Two
CD Bonus Tracks
All compositions by Thelonious Monk, except where noted. Arranged by Oliver Nelson.
The Quartet
Additional musicians
Attilio Joseph "Teo" Macero was an American jazz saxophonist, composer, and record producer. He was a producer at Columbia Records for twenty years. Macero produced Miles Davis' Bitches Brew, and Dave Brubeck's Time Out, two of the best-selling and most influential jazz albums of all time. Although the extent of his role has been disputed, he also has been associated with the production of Davis' 1959 album Kind of Blue, jazz's best-selling record. Macero was known for his innovative use of editing and tape manipulation unprecedented in jazz and proving influential on subsequent fusion, experimental rock, electronica, post-punk, no wave, and acid jazz.
Someday My Prince Will Come is the seventh studio album by Miles Davis for Columbia Records, catalogue CL 1656 and CS 8456 in stereo, released in 1961. Recorded at Columbia's 30th Street Studio in Manhattan, New York City, it marked the only Miles Davis Quintet studio recording session to feature saxophonist Hank Mobley.
The Blues and the Abstract Truth is an album by American composer and jazz saxophonist Oliver Nelson recorded in February 1961 for the Impulse! label. It remains Nelson's most acclaimed album and features a lineup of notable musicians: Freddie Hubbard, Eric Dolphy, Bill Evans, Paul Chambers and Roy Haynes. Baritone saxophonist George Barrow does not take solos but remains a key feature in the subtle voicings of Nelson's arrangements. The album is often noted for its unique ensemble arrangements and is frequently identified as a progenitor of Nelson's move towards arranging later in his career.
Thelonious Monk with John Coltrane is a 1961 album by Thelonious Monk issued on Jazzland Records, a subsidiary of Riverside Records. It consists of material recorded four years earlier when Monk worked extensively with John Coltrane, issued after Coltrane had become a leader and jazz star in his own right.
Underground is the seventh studio album that Thelonious Monk recorded for Columbia Records. It features Monk on piano, Larry Gales on bass, Charlie Rouse on tenor sax, and Ben Riley on drums. This is the last Monk album featuring the Thelonious Monk Quartet.
Monk's Dream is an album by jazz pianist Thelonious Monk that was released by Columbia Records in March 1963. It was Monk's first album for Columbia following his five-year recording period with Riverside Records.
Coltrane is an album by jazz musician John Coltrane which was released in October 1957 by Prestige Records. The recordings took place at the studio of Rudy Van Gelder in Hackensack, New Jersey, and document Coltrane's first session as a leader. It has been reissued at times under the title of The First Trane!.
Criss-Cross is an album by Thelonious Monk that was released by Columbia; his second for that label. The album consists of previously released Monk compositions that were re-recorded for Columbia by the Thelonious Monk Quartet.
Live at the Jazz Workshop is a live album by jazz pianist Thelonious Monk, that was recorded at the Jazz Workshop in San Francisco. The album was recorded on November 3 and 4, 1964, and released by Columbia Records in 1982.
It's Monk's Time (1964) is the third studio album Thelonious Monk released on Columbia Records, and his sixth overall for that label. It featured three original compositions as well as three jazz standards.
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5 by Monk by 5 is an album by the jazz pianist Thelonious Monk, recorded in 1959. It contains five of Monk's original compositions performed by a quintet.
Thelonious in Action: Recorded at the Five Spot Cafe is a 1958 album by jazz musician Thelonious Monk with Johnny Griffin. The album was recorded live at the Five Spot Cafe on August 7, 1958 at the same sessions that produced Misterioso. It featured the debuts of Monk's compositions "Light Blue" and "Coming on the Hudson".
Thelonious Monk at the Blackhawk is an album by jazz pianist Thelonious Monk. It was originally issued on the Riverside label as RLP 12-323 (mono)/1171 (stereo) and Original Jazz Classics OJCCD 305–2 in 1987.
Straight Ahead is a jazz studio album by saxophonist Oliver Nelson. It features acclaimed musicians such as Eric Dolphy on sax, clarinet and flute, and Roy Haynes on drums. It was recorded in March 1961 at the celebrated Van Gelder Studio in Englewood Cliffs. All the pieces were first takes; Joe Goldberg recalls: "The session was scheduled for one in the afternoon and I arrived at 3:30, thinking that by then the music would have been rehearsed and the men would be starting to play. What I found was a studio empty of everyone but A&R man Esmond Edwards", the supervisor, "and engineer Rudy Van Gelder, who were packing up to leave and looking very satisfied." Released in 1961 for the Prestige/New Jazz label and remastered in 1989, the album is notable for its long and thoughtful horn duets by Dolphy and Nelson. Don DeMicheal described the album "All in all, a warm, very human record".
Quiet Nights is a studio album by jazz musician Miles Davis, and his fourth album collaboration with Gil Evans, released in 1963 on Columbia Records, catalogue CL 2106 and CS 8906 in stereo. Recorded mostly at Columbia's 30th Street Studios in Manhattan, it is the final album by Davis and Evans.
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Charles Mingus and Friends in Concert is a live album by the jazz bassist and composer Charles Mingus, recorded at the Philharmonic Hall of the Lincoln Center for the Performing Arts in 1972 and released on the Columbia label. The CD release added five previously unreleased performances from the concert, but did not include the opening track, Fats Waller's "Honeysuckle Rose", present in the LP version and on former Japanese CD editions.