Thelonious Alone in San Francisco | ||||
---|---|---|---|---|
Live album by | ||||
Released | 1959 | |||
Recorded | October 21 and 22, 1959 | |||
Venue | Fugazi Hall, San Francisco, CA | |||
Genre | Jazz | |||
Length | 40:25 | |||
Label | Riverside | |||
Producer | Orrin Keepnews | |||
Thelonious Monk chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | [1] |
The Rolling Stone Jazz Record Guide | [2] |
Encyclopedia of Popular Music | [3] |
The Penguin Guide to Jazz Recordings | [4] |
DownBeat | [5] |
Thelonious Alone in San Francisco is jazz pianist Thelonious Monk's third solo album, recorded in 1959. [6] [7] ( Piano Solo , aka Solo 1954, recorded in Paris, [8] and Thelonious Himself (1957), were Monk's previous forays into this form.)
It was recorded in Fugazi Hall, San Francisco, California, on October 21 and 22, 1959, but without an audience present.
"Bluehawk" and "Round Lights" were improvised blues which appeared only in these recorded versions. The other Monk compositions had appeared in prior recordings.
Side One
Side Two
'Round About Midnight is an album by the jazz trumpeter Miles Davis that was originally released by Columbia Records in March 1957. It was Davis' first album with Columbia.
Thelonious Monk with John Coltrane is a 1961 album by Thelonious Monk issued on Jazzland Records, a subsidiary of Riverside Records. It consists of material recorded four years earlier when Monk worked extensively with John Coltrane, issued after Coltrane had become a leader and jazz star in his own right.
The Audience with Betty Carter is a 1980 live double album by the American jazz singer Betty Carter.
Monk's Blues is an album by Thelonious Monk accompanied by a big band arranged and conducted by Oliver Nelson. Originally released by Columbia Records in 1968, it was re-released on CD in 1994. Produced by Teo Macero, the album was recorded in Los Angeles by Monk's working quartet augmented by a group of Hollywood studio musicians.
Art Blakey's Jazz Messengers with Thelonious Monk is a studio album released in 1958 by Atlantic Records. It is a collaboration between the Jazz Messengers, the group led by drummer Art Blakey, and Thelonious Monk on piano.
Ezz-thetics is a studio album by the George Russell sextet, released on Riverside Records in mid-1961.
Straight, No Chaser is the sixth studio album Thelonious Monk recorded for Columbia records, released in 1967. The album was reissued on CD in 1996, including restored versions of previously abridged performances and three additional tracks.
Solo Monk (1965) is the fifth studio album Thelonious Monk recorded for Columbia Records, and his eighth overall for that label. The album is composed entirely of solo piano work by Monk. The Allmusic review by Thom Jurek states "This is perhaps the solo piano record to have by Monk". In addition to various vinyl and CD issues, Sony Music Enterprises issued an SACD in Japan.
Live at the Jazz Workshop is a live album by jazz pianist Thelonious Monk, that was recorded at the Jazz Workshop in San Francisco. The album was recorded on November 3 and 4, 1964, and released by Columbia Records in 1982.
Monk. (1964) is the fourth studio album Thelonious Monk released on Columbia Records, and his seventh album overall for that label. It features two original compositions and several jazz standards.
Live at the It Club is a Thelonious Monk album released posthumously by Columbia Records. Recorded October 31 and November 1, 1964, at the "It" Club in Los Angeles, California, the album features Monk's quartet—with Charlie Rouse on tenor saxophone, Larry Gales on bass, and Ben Riley on drums—performing original compositions as well as jazz standards.
The Thelonious Monk Orchestra at Town Hall is an album by Thelonious Monk, released in 1959. The concert included Hall Overton’s arrangements on Monk’s tunes.
5 by Monk by 5 is an album by the jazz pianist Thelonious Monk, recorded in 1959. It contains five of Monk's original compositions performed by a quintet.
Thelonious Himself is a studio album by Thelonious Monk released in 1957 by Riverside Records. It was Monk's fourth album for the label. The album features Monk playing solo piano, except for the final track, "Monk's Mood", which features John Coltrane on tenor saxophone and Wilbur Ware on bass. It was Monk's second solo piano studio album, and it was the first made by an American label and distributed in the United States.
Thelonious in Action: Recorded at the Five Spot Cafe is a 1958 live album by jazz pianist Thelonious Monk, with saxophonist Johnny Griffin. The album was recorded live at the Five Spot Café in the Bowery neighborhood of Manhattan on August 7, 1958, at the same sessions that produced Misterioso. It features the debuts of Monk's compositions "Light Blue" and "Coming on the Hudson".
Thelonious Monk at the Blackhawk is an album by jazz pianist Thelonious Monk. It was originally issued on the Riverside label as RLP 12-323 (mono)/1171 (stereo) and Original Jazz Classics OJCCD 305–2 in 1987.
Mulligan Meets Monk is a studio album by American jazz pianist Thelonious Monk and baritone saxophonist Gerry Mulligan, originally released on Riverside Records in 1957. It has been reissued numerous times. It was remastered for CD in 1987 with three additional alternative takes from the original session.
Straight Ahead is an album by American jazz vocalist Abbey Lincoln featuring performances recorded in 1961 for the Candid label.
Trio Music is a double album by Chick Corea, recorded in November 1981 and released by ECM Records in October of the following year. The trio features bassist Miroslav Vitous and drummer Roy Haynes.
Epistrophy, sub-titled The Last Concert, is a live album by saxophonist Charlie Rouse which was recorded in 1988 in San Francisco and released on Orrin Keepnews' Landmark label the following year.