Criss-Cross | ||||
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Studio album by | ||||
Released | 1963 | |||
Recorded | November 6, 1962 – March 29, 1963 | |||
Genre | Jazz | |||
Length | 35:19 | |||
Label | Columbia | |||
Producer | Teo Macero | |||
Thelonious Monk chronology | ||||
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Review scores | |
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Source | Rating |
Down Beat (Original Lp release) | [1] |
Allmusic | [2] |
All About Jazz | (favorable) [3] |
The Rolling Stone Jazz Record Guide | [4] |
The Penguin Guide to Jazz Recordings | [5] |
Criss-Cross is an album by Thelonious Monk that was released by Columbia, [2] his second for that label. The album consists of previously released Monk compositions that were re-recorded for Columbia by the Thelonious Monk Quartet.
Criss-Cross was recorded during and shortly after the sessions for Monk's first Columbia LP, Monk's Dream . The quartet of musicians that appear on the album had been playing together for four years at the time of the recording sessions, and was thus one of the longer-lived bands of Monk's career. Allmusic's Lindsay Planer called the album "some of the finest work that Monk ever did in the studio with his '60s trio and quartet." [2] The critical and popular success of the group during this period led to Monk's appearance on the cover of Time magazine in February 1964. It later became known that as Monk's international profile was reaching its apex in the mid-1960s, his manic depressive episodes were getting more severe and his composing output was diminished. [6]
Criss-Cross and Monk's other Columbia recordings have been criticized[ by whom? ] for revisiting well-worn material and offering few new compositions or new perspectives on older works. However, many retrospective reviews for CD reissues of the material have argued that the Columbia recordings have their own virtues, documenting a well-rehearsed band that had thoroughly absorbed the material in a way that some of Monk's 1940s and 1950s studio bands were unable to. [7]
Before entering the studio to record this album, a journalist reportedly asked Monk if he would be recording a new solo rendition of the classic song "Don't Blame Me", to which he replied: "Maybe, it depends on how I feel when I get there." [8] Monk recorded his solo version of "Don't Blame Me" right after arriving at the studio. "Eronel" is a distinctly bop tune that is fast-paced and showcases Monk's virtuosic piano playing. The track "Crepuscule with Nellie" is a piece Monk wrote for his wife.
The track "Pannonica" is available only on CD re-issue and named for Baroness Pannonica de Koenigswarter. Koenigswarter was Monk's friend and patron, and she wrote the liner notes for the original LP. [9]
All tracks composed by Thelonious Monk except where noted.
Side One
Side Two
1993 CD reissue bonus track:
2003 CD reissue additional bonus tracks:
Track 10 first released on the 1963 Columbia compilation LP The Giants of Jazz. [10] Tracks 11 and 12 previously unreleased.
Year | Chart | Position |
---|---|---|
1963 | The Billboard 200 | 127 |
Thelonious Sphere Monk was an American jazz pianist and composer. He had a unique improvisational style and made numerous contributions to the standard jazz repertoire, including "'Round Midnight", "Blue Monk", "Straight, No Chaser", "Ruby, My Dear", "In Walked Bud", and "Well, You Needn't". Monk is the second-most-recorded jazz composer after Duke Ellington.
Baroness Kathleen Annie Pannonica de Koenigswarter was a British-born jazz patron and writer. A leading patron of bebop, she was a member of the Rothschild family.
Brilliant Corners is a studio album by American jazz musician Thelonious Monk. It was his third album for Riverside Records, and the first, for this label, to include his own compositions. The complex title track required over a dozen takes in the studio.
Monk's Music is a jazz album by the Thelonious Monk Septet, which for this recording included Coleman Hawkins and John Coltrane. It was recorded in New York City on June 26, 1957, and released in November the same year.
Genius of Modern Music: Volume 2 is the name given to at least four different compilation albums by jazz pianist Thelonious Monk. Each version comprises some of Monk's recordings as a band leader for Blue Note, recorded between 1947 and 1952. The original LP with this title was compiled in 1952.
Nica's Tempo is the most common latter-day title of an album by the Gigi Gryce Orchestra and Quartet, recorded and first released in late 1955. The title track is a reference to Nica de Koenigswarter a.k.a. "The Bebop Baroness" or "The Jazz Baroness", a patron of jazz musicians such as Thelonious Monk and Charlie Parker.
Only Monk is the third album by Steve Lacy to be released on the Italian Soul Note label. It features solo performances of nine tunes written by Thelonious Monk by Lacy. It is the second solo album composed totally of Monk's compositions recorded by Lacy following Eronel (1979) and follows a tradition established on Lacy's second album Reflections (1958) and Epistrophy (1969).
Jazz pianist Thelonious Monk's first sessions as a bandleader were recorded between 1947 and 1952, and released on Blue Note records as a series of 78 RPM singles. These singles were then compiled in later years—with additional performances from the sessions—into long-playing album formats. As Monk's reputation and fame grew, the sessions were recompiled again and again into more complete configurations. This article details various releases of these sessions.
Wizard of the Vibes is a Blue Note Records compilation of performances by jazz vibraphonist Milt Jackson. The sessions were the work of The Thelonious Monk Quintet and The Modern Jazz Quartet plus Lou Donaldson. The album has been recompiled and expanded three additional times, with various tracks from these sessions added and deleted.
Monk. (1964) is the fourth studio album Thelonious Monk released on Columbia Records, and his seventh album overall for that label. It features two original compositions and several jazz standards.
Live at the It Club is a Thelonious Monk album released posthumously by Columbia Records. Recorded October 31 and November 1, 1964, at the "It" Club in Los Angeles, California, the album features Monk's quartet—with Charlie Rouse on tenor saxophone, Larry Gales on bass, and Ben Riley on drums—performing original compositions as well as jazz standards.
Monk in France is an album by jazz pianist Thelonious Monk, originally recorded on April 18, 1961. The remastered album includes two bonus tracks, "Body and Soul" and "Crepuscule with Nellie."
A Portrait of Thelonious is a studio album by jazz pianist Bud Powell, released on Columbia in 1965, featuring a session recorded at Studio Charlot in Paris on December 17, 1961, with Pierre Michelot on bass and Kenny Clarke on drums. The session was the second of two produced by Cannonball Adderley with Powell, following the A Tribute to Cannonball session recorded two days earlier.
Thelonious Monk: The Complete Riverside Recordings is a comprehensive compilation of the recordings made by Thelonious Monk for Riverside Records between 21 July 1955 and 21 April 1961. It was released by Riverside in 1986 on 22 LPs or on 15 CDs. It contains all the tracks previously released both on the original and on the later expanded CD versions of all his Riverside albums, together with some tracks never previously released.
The following is the discography of American jazz pianist and composer Thelonious Monk (1917–1982).
Monk's Casino is a live album by German free jazz pianist Alexander von Schlippenbach featuring the complete compositions of Thelonious Monk recorded in Germany in 2003-04 for the Intakt label. According to the liner notes by critic John Corbett, Monk's Casino is the first ever comprehensive recording project to include all Monk's songs.
Royal Ballads is an album by saxophonist Clifford Jordan's Quartet which was recorded in late 1986 and released on the Dutch Criss Cross Jazz label.
Green Chimneys is an album by pianist Kenny Barron which was recorded in Holland in 1983 and first released on the Dutch Criss Cross Jazz label. The 1988 CD reissue included six bonus tracks.
In Walked Thelonious is a solo piano album by Walter Davis Jr. It was recorded in 1987 and released by Mapleshade Records.