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A Moor's head, also known as a Maure, since the 11th century, is a symbol depicting the head of a black moor. The term moor came to define anyone who was Muslim or had black skin.
The precise origin of the Moor's head as a heraldic symbol is a subject of controversy. The most likely explanation is that it is derived from the heraldic war flag of the Reconquista depicting the Cross of Alcoraz, symbolizing Peter I of Aragon and Pamplona's victory over the "Moorish" kings of the Taifa of Zaragoza in the Battle of Alcoraz in 1096. The headband may originally have been a blindfold. [1] Another theory claims that it represents the Nubian Saint Maurice (3rd century AD). [2]
The earliest heraldic use of the Moor's head is first recorded in 1281, during the reign of Peter III of Aragon and represents the Cross of Alcoraz, which the King adopted as his personal coat of arms. [3] The Crown of Aragon had for a long time governed Sardinia and Corsica, having been granted the islands by the Pope, although they never really exercised formal control. The Moor's head became a symbol of the islands. [4]
This symbol is used in heraldry, vexillography, and political imagery.
The main charge in the coat of arms in Corsica is a U Moru, Corsican for "The Moor". An early version is attested in the 14th-century Gelre Armorial, where an unblindfolded Moor's head represents Corsica as a territory of the Crown of Aragon. Interestingly, the Moor's head is attached to his shoulders and upper body, and he is alive and smiling. In 1736, it was used by both sides during the struggle for independence.[ citation needed ]
In 1760, General Pasquale Paoli ordered the necklace to be removed from the head and the blindfold raised. His reason, reported by his biographers, was "Les Corses veulent y voir clair. La liberté doit marcher au flambeau de la philosophie. Ne dirait-on pas que nous craignons la lumière ?" (English: "The Corsicans want to see clearly. Freedom must walk by the torch of philosophy. Won't they say that we fear the light?") The blindfold was thereafter changed to a headband.
The current flag of Corsica is the Bandera testa Mora, 'Flag with head of Moor', is male rather than female, and has a regular knot at the back of the head.
The Moor's head appears on the logo for the Corsican football team SC Bastia, who play in the French football system's Ligue 2. [5]
The flag of Sardinia is informally known as the Four Moors (Italian : I quattro mori, Logudorese : Sos Bator Moros, Campidanese : Is Cuatru Morus) and comprises four Moor heads.
The "Maure" is the African Unification Front's flag and emblem. The head is blindfolded representing the impartiality of justice, and the knot is tied into a stylized Adinkra symbol for omnipotence (Gye Nyame). [6]
Critics in Switzerland have characterized the use of the Moor's head as racist, when used as a symbol by a workers guild. [7]
In 2012, activists requested the brewing company Mohrenbrauerei to remove the "Moor's head" from its bottles; the company declined, saying the design was part of heraldry used by the family who started the brewery. [8]
The term Moor is an exonym first used by Christian Europeans to designate the Muslim populations of the Maghreb, al-Andalus, Sicily and Malta during the Middle Ages. Moors are not a single, distinct or self-defined people. The 1911 Encyclopædia Britannica observed that the term had "no real ethnological value." Europeans of the Middle Ages and the early modern period variously applied the name to Arabs, Berbers, and Muslim Europeans.
A coat of arms is a heraldic visual design on an escutcheon, surcoat, or tabard. The coat of arms on an escutcheon forms the central element of the full heraldic achievement, which in its whole consists of a shield, supporters, a crest, and a motto. A coat of arms is traditionally unique to the armiger. The term "coat of arms" itself, describing in modern times just the heraldic design, originates from the description of the entire medieval chainmail "surcoat" garment used in combat or preparation for the latter.
In heraldry, Saint George's Cross is a red cross on a white background, which from the Late Middle Ages became associated with Saint George, the military saint, often depicted as a crusader.
The coat of arms of Bosnia and Herzegovina was adopted in 1998, replacing the previous design that had been in use since 1992 when Bosnia and Herzegovina gained independence. It follows the design of the national flag. The three-pointed shield is used to symbolize the three major ethnic groups of Bosnia, as well as allude to the shape of the country.
A cross pattée, cross patty or Pate, or cross paty, also known as a cross formy or cross formée or Templar cross, is a type of Christian cross with arms that are narrow at the centre, and often flared in a curve or straight line shape, to be broader at the perimeter. The form appears very early in medieval art, for example in a metalwork treasure binding given to Monza Cathedral by Lombard queen Theodelinda, and the 8th-century lower cover of the Lindau Gospels in the Morgan Library. An early English example from the start of the age of heraldry proper is found in the arms of Baron Berkeley.
The eagle is used in heraldry as a charge, as a supporter, and as a crest. Heraldic eagles can be found throughout world history like in the Achaemenid Empire or in the present Republic of Indonesia. The European post-classical symbolism of the heraldic eagle is connected with the Roman Empire on one hand, and with Saint John the Evangelist on the other.
The personal papal coat of arms of Pope Benedict XVI was designed by Archbishop Andrea Cordero Lanza di Montezemolo soon after the papal election in 2005.
The lion is a common charge in heraldry. It traditionally symbolises courage, nobility, royalty, strength, stateliness and valour, because historically the lion has been regarded as the "king of beasts". The lion also carries Judeo-Christian symbolism. The Lion of Judah stands in the coat of arms of Jerusalem. Similar-looking lions can be found elsewhere, such as in the coat of arms of the Swedish royal House of Bjälbo, from there in turn derived into the coat of arms of Finland, formerly belonging to Sweden.
Blackamoor is a type of figure and visual trope in European decorative art, typically found in works from the Early Modern period, depicting a man of sub-Saharan African descent, usually in clothing that suggests high status. Common examples of items and objects decorated in the blackamoor style include sculpture, jewellery, and furniture. Typically the sculpted figures carried something, such as candles or a tray. They were thus an exotic and lightweight variant for the "atlas" in architecture and decorative arts, especially popular in the Rococo period.
The flag of Sardinia, also referred to as the Four Moors, represents and symbolizes the island of Sardinia (Italy) and its people. It was also the historical flag and coat of arms of the Aragonese, then Spanish, and later Savoyard Kingdom of Sardinia. It was first officially adopted by the autonomous region in 1950 with a revision in 1999, describing it as a "white field with a red cross and a bandaged Moor's head facing away from the hoist in each quarter".
The flag of Corsica was adopted by General of the Nation Pasquale Paoli in 1755 and was based on a traditional flag used previously. It portrays a Moor's head in black wearing a white bandana above his eyes on a white background. Previously, the bandana covered his eyes; Paoli wanted the bandana moved to above the eyes to symbolize the liberation of the Corsican people from the Genoese.
The coat of arms of Aragon was first chronicled in 1499 by Pablo Hurus. The coat displays Aragon through the years from its establishment to their monarchy and is made up of four shields:
The coat of arms of the Valencian Community is the official emblem of the self-government institutions of the Valencian Community. It is based on the armorial achievement used from the reign of King Peter IV to John II, called the Great. In 1978 the former Council of the Valencian Country approved it “...for being the oldest known representative emblem of the former Kingdom of Valencia, that had located on the Xerea Gate of the city of Valencia”.
Russian heraldry involves the study and use of coats of arms and other heraldic insignia in the country of Russia. Compare the socialist heraldry of the Soviet period of Russian history (1917–1991).
The heads of humans and other animals are frequently occurring charges in heraldry. The blazon, or heraldic description, usually states whether an animal's head is couped, erased, or cabossed. Human heads are often described in much greater detail, though some of these are identified by name with little or no further description.
A national coat of arms is a symbol which denotes an independent state in the form of a heraldic achievement. While a national flag is usually used by the population at large and is flown outside and on ships, a national coat of arms is normally considered a symbol of the government or the head of state personally and tends to be used in print, on armorial ware, and as a wall decoration in official buildings. The royal arms of a monarchy, which may be identical to the national arms, are sometimes described as arms of dominion or arms of sovereignty.
Albanian heraldry is the use of heraldic symbols in Albania. The earliest form of Albanian heraldry is from the late 12th century, with the creation of the first Albanian medieval state, the Principality of Arbanon in 1190. During the 13th to the 15th century, a great number of medieval Albanian noble families had at their coat of arms the symbol of eagle like the Kastrioti, Muzaka, Arianiti, Dukagjini, but the most prominent being the Kastrioti's coat of arms, having a black double headed eagle, which became a national symbol of the Albanians during Skanderbeg's reign in the 15th century, as well as the official national flag of Albania from 1912.
The Eagle of Saint John is a heraldic eagle associated mostly with the Catholic Monarchs which was later used during Francoist Spain (1939–77) and the Spanish transition to democracy (1977–81). It is sable with an or halo and feet of gules.
The coat of arms of Castile was the heraldic emblem of its monarchs. Historian Michel Pastoureau says that the original purpose of heraldic emblems and seals was to facilitate the exercise of power and the identification of the ruler, due to what they offered for achieving these aims. These symbols were associated with the kingdom, and eventually also represented the intangible nature of the national sentiment or sense of belonging to a territory.
The Cross of Alcoraz is the name given to a heraldic coat of arms and flag made up of the Cross of Saint George, or cross of gules on Argent, with a Maure, or Moor's head, in each quarter. The earliest documented evidence of these arms is in a rare lead-sealed decree from the chancery of Peter III of Aragon, circa 1281, most likely used as the King's Coat of arms, alluding to the spirit of the Crusades and his ancestral namesake, Peter I of Aragon. The arms also appear in the third quarter of the current Coat of arms of Aragon.
Media related to Moor heads in heraldry at Wikimedia Commons