More Constant Than the Gods | ||||
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Studio album by | ||||
Released | September 17, 2013 [1] | |||
Recorded | March–May 2013 in Salt Lake City [2] | |||
Genre | Doom metal, sludge metal, funeral doom metal [3] | |||
Length | 67:34 | |||
Label | Profound Lore Records | |||
SubRosa chronology | ||||
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More Constant Than the Gods is the third album by Salt Lake City-based doom metal band SubRosa. It was SubRosa's second album released via Profound Lore Records. [4]
Glyn Smyth of Stag & Serpent created the album artwork, having also done so for SubRosa's previous album, No Help for the Mighty Ones. [4] The artwork, which depicts a female personification of Death, was inspired by vocalist and guitarist Rebecca Vernon's mother, who died in 2007. [2] [5]
After the album was recorded in Salt Lake City, Magnus "Devo" Andersson performed mixing and mastering throughout June and July 2013 at Endarker Studios in Sweden. [2]
To promote the album after it was released, SubRosa toured North America with bands such as Samothrace, [6] The Atlas Moth, and Boris. [7] Their tour with Samothrace was cut short in Sacramento after a vehicle break-in resulted in equipment and multiple instruments stolen. [8]
Subsequent festivals SubRosa performed at include the Ruins of Intolerance Festival in Prague, Czech Republic on June 26, 2014 [9] and the Psycho California Festival in May 2015. [10]
Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Dead Rhetoric | 8.5/10 [12] |
Invisible Oranges | (Positive) [13] |
Metal Injection | 8/10 [3] |
Pitchfork | 8.3/10 [14] |
Scene Point Blank | 9.4/10 [15] |
Sputnikmusic | 4.3/5 [16] |
Treble Zine | (Positive) [17] |
The album received generally positive reviews from critics. Grayson Haver described it as folk-influenced, noting the album's heaviness and use of violin and referring to its songs as "Leadbelly kicked forward several decades". [14] J. Andrew of Metal Injection stated that the album's sound "evokes such dark and strong imagery, with a landscape both heavy and doom-laden, but with an almost 19th-Century-like aesthetic." [3] In 2014, Decibel Magazine ranked the album as #88 in its Top 100 Doom Metal Albums of All Time list. [18] In 2019, they ranked the album #35 in their list of Top 100 Greatest Metal Albums of the 2010s. [19]
No. | Title | Length |
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1. | "The Usher" | 14:17 |
2. | "Ghosts of a Dead Empire" | 11:04 |
3. | "Cosey Mo" | 7:30 |
4. | "Fat of the Ram" | 12:18 |
5. | "Affliction" | 9:49 |
6. | "No Safe Harbor" | 12:34 |
Credits adapted from album liner notes. [2]
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