| "Morella" | |
|---|---|
| Short story by Edgar Allan Poe | |
 Text available at Wikisource | |
| Country | United States |
| Language | English |
| Genre(s) | Horror Dark romanticism Short story |
| Publication | |
| Published in | Southern Literary Messenger |
| Media type | Print (Periodical) |
| Publication date | April 1835 |
"Morella" is a short story in the Gothic horror genre by 19th-century American author and critic Edgar Allan Poe.
An unnamed narrator marries Morella, a woman with great scholarly knowledge who delves into studies of the German philosophers Fichte and Schelling, dealing with the question of identity. Morella spends her time in bed reading and teaching her husband. Realizing her physical deterioration, her husband, the narrator, becomes frightened and wishes for his wife's death and eternal peace. Eventually, Morella dies in childbirth proclaiming: "I am dying. But within me is a pledge of that affection... which thou didst feel for me, Morella. And when my spirit departs shall the child live."
As the daughter gets older the narrator notices she bears an uncanny resemblance to her mother, but he refuses to give the child a name. By her tenth birthday the resemblance to Morella is frightening. Her father decides to have her baptized to release any evil from her, but this event brings the mother's soul back into her daughter. At the ceremony, the priest asks the daughter's name, to which the narrator replies "Morella". Immediately, the daughter calls out, "I am here!" and dies. The narrator himself bears her body to the tomb and finds no trace of the first Morella where he lays the second.
The narrator's decision to name his daughter Morella implies his subconscious desire for her death, just as he had for her mother. [1] Allen Tate suggested that Morella's rebirth may be her becoming a vampire to wreak vengeance on the narrator. [2]
Poe explores the idea of what happens to identity after death, suggesting that if identity survived death it could exist outside the human body and return to new bodies. [3] He was influenced in part by the theories of identity by Friedrich Wilhelm Joseph Schelling, whom he mentions in the story. [4]
There are a number of possible origins for the name "Morella". It is the name of the Venerable Mother Juliana Morell (1595–1653), who was the fourth Grace and tenth Muse in a poem by poet Lope de Vega. [3] "Morel" is the name of black nightshade, a poisonous weed related to one from which the drug belladonna is derived. It occurs in Pressburg (now Bratislava), a reputed home of black magic where Morella is said to have received her education. [3]
Poe features dead or dying women in many of his tales (see also "Berenice", "Ligeia") and resurrection or communication from beyond the grave (see "Eleonora", "The Fall of the House of Usher").
"Morella" was first published in the April 1835 issue of the Southern Literary Messenger , and a revised version was re-printed in the November 1839 issue of Burton's Gentleman's Magazine . The first publication included a 16-line poem of Poe's called "Hymn" sung by Morella, later published as a stand-alone poem, "A Catholic Hymn".
"Morella" is the title of one segment of Roger Corman's 1962 film Tales of Terror . The film stars Vincent Price, Peter Lorre, and Basil Rathbone. The film has two other segments named after "The Black Cat" and "The Facts in the Case of M. Valdemar".
The story was loosely adapted as The Haunting of Morella (1990), directed by Jim Wynorski.
Along with many other Poe stories, "Morella" was adapted into the Netflix miniseries The Fall of the House of Usher . In this version, Morella becomes bedridden after an accident involving acid. A former model and actress, she is the wife of Frederick Usher and the mother of Lenore. [5] [6]
"The Black Cat" is a short story by American writer Edgar Allan Poe. It was first published in the August 19, 1843, edition of The Saturday Evening Post. In the story, an unnamed narrator has a strong affection for pets until he perversely turns to abusing them. His favorite, a pet black cat, bites him one night and the narrator punishes it by cutting its eye out and then hanging it from a tree. The home burns down but one remaining wall shows a burned outline of a cat hanging from a noose. He soon finds another black cat, similar to the first except for a white mark on its chest, but he develops a hatred for it as well. He attempts to kill the cat with an axe but his wife stops him; instead, the narrator murders his wife. He conceals the body behind a brick wall in his basement. The police soon come and, after the narrator's tapping on the wall is met with a shrieking sound, they find not only the wife's corpse but also the black cat that had been accidentally walled in with the body and alerted them with its cry.
"The Murders in the Rue Morgue" is a short story by Edgar Allan Poe published in Graham's Magazine in 1841. It has been described as the first modern detective story; Poe referred to it as one of his "tales of ratiocination".
"The Tell-Tale Heart" is a short story by American writer Edgar Allan Poe, first published in 1843. It is told by an unnamed narrator who endeavors to convince the reader of the narrator's sanity while simultaneously describing a murder the narrator committed. The victim was an old man with a filmy pale blue "vulture-eye", as the narrator calls it. The narrator emphasizes the careful calculation of the murder, attempting the perfect crime, complete with dismembering the body in the bathtub and hiding it under the floorboards. Ultimately, the narrator's actions result in hearing a thumping sound, which the narrator interprets as the dead man's beating heart.
"The Conqueror Worm" is a poem by Edgar Allan Poe about human mortality and the inevitability of death. It was first published separately in Graham's Magazine in 1843, but quickly became associated with Poe's short story "Ligeia" after Poe added the poem to a revised publication of the story in 1845. In the revised story, the poem is composed by the eponymous Ligeia, and taught to the narrator in the fits of her death throes.
"The Fall of the House of Usher" is a short story by American writer Edgar Allan Poe, first published in 1839 in Burton's Gentleman's Magazine, then included in the collection Tales of the Grotesque and Arabesque in 1840. The short story, a work of Gothic fiction, includes themes of madness, family, isolation, and metaphysical identities.
"Lenore" is a poem by the American author Edgar Allan Poe. It began as a different poem, "A Paean", and was not published as "Lenore" until 1843.
"Ulalume" is a poem written by Edgar Allan Poe in 1847. Much like a few of Poe's other poems, "Ulalume" focuses on the narrator's loss of his beloved due to her death. Poe originally wrote the poem as an elocution piece and, as such, the poem is known for its focus on sound. Additionally, it makes many allusions, especially to mythology, and the identity of Ulalume herself, if a real person, has been a subject of debate.
"The Oval Portrait" is a horror short story by American writer Edgar Allan Poe, involving the disturbing circumstances of a portrait in a château. It is one of his shortest stories, filling only two pages in its initial publication in 1842.
"The Facts in the Case of M. Valdemar" is a short story by the American author Edgar Allan Poe about a mesmerist who puts a man in a suspended hypnotic state at the moment of death. An example of a tale of suspense and horror, it is also to a certain degree a hoax, as it was published without claiming to be fictional, and many at the time of publication (1845) took it to be a factual account. Poe admitted it to be a work of pure fiction in letters to his correspondents.
"Berenice" is a short horror story by American writer Edgar Allan Poe, first published in the Southern Literary Messenger in 1835. The story is narrated by Egaeus, who is preparing to marry his cousin Berenice. He tends to fall into periods of intense focus, during which he seems to separate himself from the outside world. Berenice begins to deteriorate from an unnamed disease until only her teeth remain healthy. Egaeus obsesses over them. When Berenice is buried, he continues to contemplate her teeth. One day, he awakens with an uneasy feeling from a trance-like state and hears screams. A servant reports that Berenice's grave has been disturbed, and she is still alive. Beside Egaeus is a shovel, a poem about "visiting the grave of my beloved", and a box containing 32 teeth.
Tales of Terror is a 1962 American International Pictures Gothic horror anthology film in colour and Panavision, produced by Samuel Z. Arkoff, James H. Nicholson, and Roger Corman, who also directed. The screenplay was written by Richard Matheson, and the film stars Vincent Price, Peter Lorre, and Basil Rathbone. It is the fourth in the so-called Corman-Poe cycle of eight films, largely featuring adaptations of Edgar Allan Poe stories and directed by Corman for AIP. The film was released in 1962 as a double feature with Panic in Year Zero!.
"Ligeia" is an early short story by American writer Edgar Allan Poe, first published in 1838. The story follows an unnamed narrator and his wife Ligeia, a beautiful and intelligent raven-haired woman. She falls ill, composes "The Conqueror Worm", and quotes lines attributed to Joseph Glanvill shortly before dying.
"Metzengerstein: A Tale in Imitation of the German" is a short story by American writer and poet Edgar Allan Poe, his first to see print. It was first published in the pages of Philadelphia's Saturday Courier magazine, in 1832. The story follows the young Frederick, the last of the Metzengerstein family, who carries on a long-standing feud with the Berlifitzing family. Suspected of causing a fire that kills the Berlifitzing family patriarch, Frederick becomes intrigued with a previously unnoticed and untamed horse. Metzengerstein is punished for his cruelty when his own home catches fire and the horse carries him into the flame. Part of a Latin hexameter by Martin Luther serves as the story's epigraph: Pestis eram vivus—moriens tua mors ero.
"Eleonora" is a short story by American writer Edgar Allan Poe, first published in 1842 in Philadelphia in the literary annual The Gift. It is often regarded as somewhat autobiographical and has a relatively "happy" ending.
American poet and short story writer Edgar Allan Poe has had significant influence in television and film. Many are adaptations of Poe's work, others merely reference it.
"Eulalie", or "Eulalie — A Song", is a poem by Edgar Allan Poe, first published in the July 1845 issue of The American Review and reprinted shortly thereafter in the August 9, 1845 issue of the Broadway Journal.
Edgar Allan Poe has appeared in popular culture as a character in books, comics, film, and other media. Besides his works, the legend of Poe himself has fascinated people for generations. His appearances in popular culture often envision him as a sort of "mad genius" or "tormented artist", exploiting his personal struggles. Many depictions of Poe interweave elements of his life with his works, in part due to Poe's frequent use of first-person narrators, suggesting an erroneous assumption that Poe and his characters are identical.
Tales of the Grotesque and Arabesque is a collection of previously published short stories by Edgar Allan Poe, first published in 1840.
"Loss of Breath", also known as "Loss of Breath: A Tale Neither in Nor Out of 'Blackwood' ", is a short story written by American author Edgar Allan Poe under the pseudonym "Littleton Barry". A satirical tale, the story is narrated by Mr. Lackobreath who recounts his attempt to find and reclaim his lost breath, which he had literally misplaced. Throughout his journey, he is repeatedly dismembered and disfigured, falsely assumed to be dead, hanged, locked away, and prematurely interred. The absurd exaggerations may be explained by the fact that the tale was meant to satirize fiction published in the Edinburgh Blackwood Magazine, which was known for its sensational texts.
The Fall of the House of Usher is an American gothic horror drama television miniseries created by Mike Flanagan. All eight episodes were released on Netflix on October 12, 2023, each directed by either Flanagan or Michael Fimognari, with the latter also acting as cinematographer for the entire series.
