"Motherfucker" | ||||
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Single by Faith No More | ||||
from the album Sol Invictus | ||||
B-side | "Motherfucker" (J. G. Thirlwell remix) | |||
Released |
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Recorded | Oakland, California, U.S. | |||
Genre | ||||
Length | 3:33 | |||
Label | Ipecac | |||
Songwriter(s) | ||||
Producer(s) | Billy Gould [4] | |||
Faith No More singles chronology | ||||
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"Motherfucker" is a song by American band Faith No More, the first single from their seventh studio album Sol Invictus . It was released on Record Store Day's Black Friday, November 28, 2014. [4] It is the band's first release of new studio recorded material since Album of the Year (1997), breaking a 17-year hiatus.
"Motherfucker" was first played in concert during July 2014's British Summer Time Hyde Park, along with another new song called "Superhero". [5] Bassist Billy Gould later revealed in an interview to Rolling Stone [6] that the band was on the way to release a new album in April 2015, also stating "Motherfucker" was going to be the first single from it, with a limited print of 5,000 seven-inch copies on Record Store Day. It will also feature a remix by J. G. Thirlwell on the B-side. [7] The cover artwork is made by Cali Dewitt with a photograph by James Gritz. [8]
On the song, keyboardist Roddy Bottum stated:
It feels apt that the first track we're releasing is "Motherfucker," a song about accountability. Basically we've created, recorded and mixed a new body of work by ourselves and we're releasing it on our own label. It's a huge deal for us to only have ourselves to answer to at this point in our career and the song is about that, where the buck stops via the basic imagery of foie gras production, bondage. . .y'know, stuff like that. [4]
Christopher R. Weingarten of Rolling Stone wrote that the song "marches forth with the doom-laden raps of their 1989 breakthrough The Real Thing , the triumphant choruses of their 1997 swan-song Album of the Year, the moan-to-screech dynamics of Mike Patton's avant-minded solo career and a merciless snare cadence tip-tapping at the edges of sanity." [4] Gregory Adams of Exclaim! stated the song "takes on properties of the FNM of old, whether it be Mike Patton's The Real Thing rap cadence, or the way the vocalist can easily turn out soaring vocal melodies to gruff and grizzly growls targeting the 'motherfucker' that tricked them in their youth." Adams also further added: "The music is likewise epic, evolving from spacious and sinister piano lines into a grand rock escapade." [9] Ed Keeble of Gigwise described the track as "very rude, very noisy, very political: all the prerequisites that make a Faith No More song awesome." [10] Rick Giordano of the Riverfront Times wrote in December 2014 that, "one of the most creative and influential bands in recent memory with possibly the most versatile, highly admired vocalist in the last few decades releases its first single in almost twenty years... and has the keyboard player do lead vocals on a song that kinda sounds like Bloodhound Gang, and calls it 'Motherfucker'? Good one. I truly suspect this is just a grand trolling by the band before its full-length knocks the music world on its ass in 2015." [11]
Chart (2014) | Peak position |
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Finland Download (Latauslista) [12] | 14 |
US Billboard Rock Digital Songs [13] | 46 |
Faith No More is an American rock band from San Francisco, California, formed in 1979. Before September 1983, the band performed under the names Sharp Young Men and later Faith No Man. Bassist Billy Gould, keyboardist/rhythm guitarist Roddy Bottum and drummer Mike Bordin are the longest-remaining members of the band, having been involved since its inception. The band underwent several early lineup changes, and some major changes later. The lineup of Faith No More consists of Gould, Bordin, Bottum, lead guitarist Jon Hudson, and vocalist/lyricist Mike Patton.
The Real Thing is the third studio album by American rock band Faith No More, released on June 20, 1989, by Slash and Reprise Records. It is the first album to feature singer Mike Patton, following the dismissal of previous vocalist Chuck Mosley. On this album, Faith No More continued to advance their sound range, combining alternative metal, funk metal, and rap metal.
Angel Dust is the fourth studio album by American rock band Faith No More, released on June 8, 1992, by Slash and Reprise Records. It is the follow-up to 1989's highly successful The Real Thing, and was the band's final album to feature guitarist Jim Martin. It was also the first album where vocalist Mike Patton had any substantial influence on the band's music, having been hired after the other band members had written and recorded everything for The Real Thing except vocals and most of the lyrics. The band stated that they wanted to move away from the funk metal style of their prior releases, towards a more "theatrical" sound.
Charles Henry Mosley III was an American musician, singer and songwriter, who was the frontman for Faith No More from 1984 to 1988. During his tenure with the band, they released two albums, We Care a Lot and Introduce Yourself.
Introduce Yourself is the second studio album by American rock band Faith No More, released in 1987. Due to the limited availability of the first album, We Care a Lot, many, including the band, once considered this Faith No More's true debut album. Being the group's major label debut, this album features better production than its predecessor, which is most evident on this album's version of the song "We Care a Lot," which also features updated, more topical, lyrics. It is the final album to feature vocalist Chuck Mosley before he was fired from Faith No More in 1988.
Tomahawk is an American rock supergroup. They formed in 1999 when singer/keyboardist Mike Patton met guitar player Duane Denison and the pair started swapping tapes with the intention of collaborating. Denison then recruited drummer John Stanier (Helmet), while Patton invited bass player Kevin Rutmanis (Melvins/ex-Cows). The group recorded three albums and toured extensively from 2000–2007 then went on extended hiatus, and reformed in 2013 with Trevor Dunn replacing Rutmanis.
Roswell Christopher Bottum is an American musician, best known as the keyboardist for the San Francisco alternative metal band Faith No More. He is also guitarist and co-lead vocalist for the pop group Imperial Teen, best known for their 1999 single "Yoo Hoo" used in the movie Jawbreaker. In addition to popular musical career, Bottum also scored three Hollywood movies and composed an opera entitled Sasquatch: The Opera, which premiered in New York in April 2015.
Imperial Teen is a San Francisco–based indie pop group made up of Roddy Bottum, primarily on guitar/vocals; Will Schwartz, primarily on guitar/vocals; Lynn Truell, primarily on drums and backing vocals; and Jone Stebbins, primarily on bass and backing vocals. Imperial Teen became known for its boy–girl harmonies and for all four members switching off and on instruments during shows.
Album of the Year is the sixth studio album by American rock band Faith No More, released on June 3, 1997, by Slash and Reprise Records. It is the first album to feature the band's current guitarist Jon Hudson, and was their last studio album before their eleven-year hiatus from 1998 to 2009. The album has been described by AllMusic as being "more straightforward musically than past releases." It spawned three singles: "Ashes to Ashes", "Last Cup of Sorrow", and "Stripsearch".
"Epic" is a song by American rock band Faith No More. It was released as the second single from their third album, The Real Thing (1989), in 1990 in United States, the United Kingdom, and Europe. The song was the band's breakthrough hit, peaking at number nine on the US Billboard Hot 100, number two in New Zealand, and number one in Australia for three weeks. It is among the band's most popular songs and a staple in their concerts.
This Is It: The Best of Faith No More is a 2003 best of compilation album by American alternative rock band Faith No More. The compilation was organized by Rhino Records, and was co-released by Slash Records and Reprise Records with Rhino Records, on compact disc on January 28, 2003. Most of the material was already owned via the band's former Slash Records releases, but "Arabian Disco" was licensed from Mordam Records through Warner Music and "The Perfect Crime" from Interscope Records through Warner Music.
"Midlife Crisis" is a song by American rock band Faith No More. It was released on May 25, 1992, as the first single from their fourth album, Angel Dust. It became their only number-one hit on the US Billboard Modern Rock Tracks chart and reached number 10 on the UK Singles Chart.
"We Care a Lot" is a song by American rock band Faith No More. There are three versions of the song, all of which have been officially released over three different albums. The original was recorded for and released on the band's first studio album, We Care a Lot. A re-recorded version, with new lyrics, was included on the album Introduce Yourself and was the lead single, reaching number 53 on the UK Singles Chart. The live version, without original singer Chuck Mosley, was included on the live album and video Live at the Brixton Academy and was also released as a single in 1991. It was the second most frequently-played song during the band's live performances, behind "Epic". "We Care a Lot" featured different lyrics and ad-libs when performed by Mike Patton, much like performances of "Chinese Arithmetic".
Epic And Other Hits is a compilation album released by Faith No More in 2005. Despite the album's title, only a handful of songs on it are actual hits, even though the band had other hits which do not appear here.
"A Small Victory" is the 10th track and the second single from American rock band Faith No More's fourth studio album Angel Dust, released as a single on August 3, 1992. The song was later remixed by Youth of Killing Joke and released later the same month. It was their last single to chart on the US Billboard Modern Rock Tracks chart, peaking at number 11, and reached the top 30 in Finland and the United Kingdom.
"Another Body Murdered" is a 1993 single by Faith No More and Boo-Yaa T.R.I.B.E., taken from the soundtrack album for the film Judgment Night. The brainchild of Cypress Hill's manager, Happy Walters, the soundtrack paired rock and hip-hop acts on each of its songs; Faith No More sought out the American-Samoan Boo-Yaa T.R.I.B.E. after becoming interested in Samoan a capella singing. Charting in several countries, including Ireland, New Zealand, and the United Kingdom, "Another Body Murdered" has received mixed reactions from music critics, with some seeing it as a harbinger of later acts such as Korn or Limp Bizkit, and others comparing it unfavourably to Public Enemy and Anthrax's earlier crossover single "Bring the Noise".
"Evidence" is a 1995 single by "Faith No More", taken from their fifth studio album, King for a Day... Fool for a Lifetime. Recorded in Bearsville Studios and produced by Andy Wallace, the song was born out of a period of transition for the group, who had recently fired their previous guitar player Jim Martin and were dealing with the absence of keyboard player Roddy Bottum, who was grieving several recent deaths.
"Anne's Song" is a 1988 single by American band Faith No More, taken from their 1987 album Introduce Yourself. Written by band members Billy Gould and Roddy Bottum, the song describes an acquaintance of theirs from New York, and her circle of friends. The single was produced by Matt Wallace and Steve Berlin and released by Slash Records.
King for a Day... Fool for a Lifetime is the fifth studio album by American rock band Faith No More, released on March 13, 1995, by Slash and Reprise Records. It was their first album recorded without longtime guitarist Jim Martin. The album showcased a variety of musical genres, with Rolling Stone calling the result a "genre shuffle". King for a Day... Fool for a Lifetime spawned three singles: "Digging the Grave", "Ricochet" and "Evidence".
Sol Invictus is the seventh studio album by American rock band Faith No More, released on May 19, 2015. It was Faith No More's first studio album following 1997's Album of the Year, marking the longest gap between two studio albums in their career, and their first release on Reclamation Records. Sol Invictus was also the band's first album since 1992's Angel Dust to feature the same lineup as its predecessor.
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