Musicians at the Edinburgh International Festival, 1947 to 1957 lists the major artists who have appeared at the Edinburgh International Festival.
Orchestras and groups from Scotland, Britain, Europe and America were all invited to perform.
From the beginning the Scottish Orchestra, now known as the Royal Scottish National Orchestra, and BBC Scottish Orchestra were present, joined by the Royal Philharmonic Orchestra, Philharmonia Orchestra, London Philharmonic Orchestra, and Hallé Orchestra,
Major European orchestras included the Vienna Philharmonic, the Vienna Hofmusikkapelle, the Berlin Philharmonic, the Orchestre de la Suisse Romande, Orchestra of La Scala, Milan, Concertgebouw Orchestra, and the Orchestre national de la Radiodiffusion française, now called the Orchestre National de France.
From America came the Philharmonic Symphony Orchestra of New York, now known as the New York Philharmonic, and the Boston Symphony Orchestra.
Each orchestra or group came with celebrated conductors and soloists, many of whom are still famous today as their recordings remain the standard by which contemporary musicians are judged.
Orchestras | Conductors | Soloists | Singers | Ensembles and choral groups |
---|---|---|---|---|
L'orchestre des Concerts Colonne, Hallé Orchestra, Liverpool Philharmonic Orchestra, The Scottish Orchestra, Vienna Philharmonic Orchestra, BBC Scottish Orchestra, Jacques Orchestra | Paul Paray, John Barbirolli, Malcolm Sargent, Bruno Walter, Hugh Roberton, Walter Susskind, Ian Whyte, Reginald Jacques | Artur Schnabel, Joseph Szigeti, William Primrose, Pierre Fournier, Gerald Moore, Leon Goossens, William Allen, Marie Korchinska, Ruth Pearl, Mary Carter, Harvey Phillips, John Francis | Lotte Lehmann, Todd Duncan, Roy Henderson, Kathleen Ferrier, Peter Pears, Ena Mitchell, Robert Irwin, Eric Greene, Margaret Field Hyde, William Parsons | Glasgow Orpheus Choir, The Czech Nonet, Menges String Quartet, Calvet String Quartet, Robert Masters Quartet, Carter String Quartet |
Orchestras | Conductors | Soloists | Singers | Ensembles and choral groups |
---|---|---|---|---|
Rome Symphony Orchestra of the Italian Radio (RAI), BBC Symphony Orchestra, Philharmonia Orchestra, National Youth Orchestra of Great Britain, Scottish National Orchestra, Vienna Philharmonic Orchestra, London Mozart Players | Fernando Previtali, Vittorio Gui, Malcolm Sargent, Herbert von Karajan, Adrian Boult, Karl Rankl, Wilhelm Furtwängler, Bruno Walter, Harry Blech, Renato Fasano, Boris Ord | Gioconda de Vito, Isaac Stern, Solomon, Yehudi Menuhin, William Primrose, Gwydion Brooke, Noel Mewton-Wood, Léon Goossens Carol Sansom, Nina Milkina | Eleanor Steber, David Lloyd, Jerome Hines, Joan Alexander, Irmgard Seefried, Dietrich Fischer-Dieskau, Bruce Boyce, Vladimir Ruzdjak | Paganini String Quartet, Barylli String Quartet, Loewenguth String Quartet, Saltire Singers, Vienna Octet, Edinburgh Royal Choral Union, Italian Opera Quartet, Cambridge University Madrigal Singers, Carter String Trio, Alban Trio, Virtuosi di Roma |
Orchestras | Conductors | Soloists | Singers | Ensembles and choral groups |
---|---|---|---|---|
Berlin Philharmonic Orchestra, BBC Symphony Orchestra, Netherlands Chamber Orchestra, National Youth Orchestra of Wales, Scottish National Orchestra, Philharmonic Symphony Orchestra of New York | Eugene Ormandy, Wolfgang Sawallisch, Paul Hindemith, Joseph Keilberth, Malcolm Sargent. Szymon Goldberg, Clarence Raybould, Karl Rankl, Dimitri Mitropoulos, George Szell, Hans Oppenheim, Karl Haas | Solomon, Reginald Kell, Zino Francescatti, Enrico Mainardi, Géza Anda, Pierre Fournier, Segovia, Rosalyn Tureck, Myra Hess, Clifford Curzon, Geoffrey Gilbert, Reginald Kell, Ralph Kirkpatrick, Dalton Baldwin, George Reeves | Dietrich Fischer-Dieskau, Gérard Souzay, Jennie Tourel, Denis Quilley, Joan Davies, Annie Balfour, Emerentia Scheepers | I Musici, Hungarian String Quartet, Griller String Quartet, Saltire Music Group, Edinburgh Royal Choral Union, Wigmore Ensemble, New Edinburgh Quartet, London Baroque Ensemble |
Carl Adolph Schuricht was a German conductor.
István Kertész was a Hungarian orchestral and operatic conductor who throughout his brief career led many of the world's great orchestras, including the Cleveland, Chicago, Philadelphia, New York, Los Angeles, Pittsburgh, Detroit, San Francisco and Minnesota Orchestras in the United States, as well as the London Symphony, Vienna Philharmonic, Berlin Philharmonic, Royal Concertgebouw Orchestra, Israel Philharmonic, and L'Orchestre de la Suisse Romande. His orchestral repertoire numbered over 450 works from all periods, and was matched by a repertoire of some sixty operas ranging from Mozart, Verdi, Puccini and Wagner to the more contemporary Prokofiev, Bartók, Britten, Kodály, Poulenc and Janáček. Kertész was part of a musical tradition that produced fellow Hungarian conductors Fritz Reiner, Antal Doráti, János Ferencsik, Eugene Ormandy, George Szell, János Fürst, Peter Erős, Ferenc Fricsay, and Georg Solti.
The Edinburgh International Festival is an annual arts festival in Edinburgh, Scotland, spread over the final three weeks in August. Notable figures from the international world of music and the performing arts are invited to join the festival. Visual art exhibitions, talks and workshops are also hosted.
Margaret Anne Marshall OBE is a Scottish soprano.
The English conductor Sir Adrian Boult was a prolific recording artist. Unlike many musicians, he felt at home in the recording studio and actually preferred working without an audience. His recording career ran from November 1920, when working with Diaghilev's Ballets Russes he recorded the ballet music, The Good-Humoured Ladies, to December 1978, when he made his final recording of music by Hubert Parry.
Derek Gleeson is an Irish/American musician. Born in Dublin, Ireland. He is currently the music director and conductor of the Dublin Philharmonic Orchestra and has been the conductor at the Anna Livia Dublin International Opera Festival. Since 2012 Gleeson is also music director & conductor of the Rachmaninov Festival Orchestra. Since January 2016 Gleeson is Principal Guest Conductor or The Harbin Symphony Orchestra, Harbin, China. He also composes musical scores for film and television and of symphonic music for the concert hall.
Woldemar Nelsson was a Russian conductor who was active in West Germany and numerous other countries from 1976 onwards.
Opera was an important feature of the Edinburgh International Festival from its inception.
Ballet was an important part of the Edinburgh International Festival from its earliest days, with performances taking place at the Empire Theatre, later to be refurbished to become the Edinburgh Festival Theatre.
Drama was an important part of the Edinburgh International Festival from its earliest days, with performances taking place at the Royal Lyceum Theatre, the Assembly Hall, the Gateway Theatre and occasionally in other venues.
The following works received their world premieres at the Edinburgh International Festival:
Opera continued to be one of the main features of the Edinburgh International Festival in the second decade.
Ballet continued to be an important part of the Edinburgh International Festival during the second decade of the festival. As at the beginning, most performances took place at the Empire Theatre, later to be refurbished to become the Edinburgh Festival Theatre.
Drama remained an important part of the Edinburgh International Festival during its second decade. Almost all performances took place at the Royal Lyceum Theatre, The Assembly Hall, and the former Gateway Theatre.
Musicians at the Edinburgh International Festival, 1957–1966 lists the major artists who appeared during the second decade of the Edinburgh International Festival.
The Visual Arts at the Edinburgh International Festival, 1947 to 1976 lists exhibitions during the first three decades of the festival.
Opera continued to be one of the most important features of the Edinburgh International Festival in the third decade.
Ballet continued to be an significant part of the Edinburgh International Festival during the third decade of the festival. However, in a period which saw increased concerts, staged operas, dramas and exhibitions, there was actually a reduction in the number of ballet companies coming to the festival, from 19 in 1957–1966 to 12 in 1967–1976.
Drama was an increasingly important part of the Edinburgh International Festival during its third decade. There were a total of 85 productions that were put on stage.
Musicians at the Edinburgh International Festival, 1967–1976 lists the major artists who appeared during the third decade of the Edinburgh International Festival.