The Melos Ensemble is a group of musicians who started in 1950 in London to play chamber music in mixed instrumentation of string instruments, wind instruments and others. Benjamin Britten composed the chamber music for his War Requiem for the Melos Ensemble and conducted the group in the first performance in Coventry.
They should not be confused with two other chamber groups of similar name, the Melos Quartet or the Melos Art Ensemble (an Italian group).
The Melos Ensemble was founded by musicians who wanted to play chamber music scored for a larger ensemble in a combination of strings, winds and other instruments with the quality of musical rapport only regular groups can achieve. The Melos Ensemble played in variable instrumentation, flexible enough to perform a wide repertory of pieces. All its members were excellent musicians who held positions in notable orchestras and appeared as soloists. The founding members, namely Gervase de Peyer (clarinet), Cecil Aronowitz (viola), Richard Adeney (flute), and Terence Weil (cello) planned a group of twelve players, a string quintet and a wind quintet with harp and piano, that might be expanded by other players, to perform the great octets by Schubert and Mendelssohn, the septet by Beethoven, Ravel's Introduction and Allegro and the Serenade by Arnold Schoenberg. [1] Neill Sanders (horn, a member for 29 years until 1979), and Adrian Beers (double bass) were members from the beginning. All these musicians stayed with the group for decades.
Other early members included Gervase de Peyer (first clarinet) Emanuel Hurwitz (leader 1956–1972), Ivor McMahon (second violin), William Waterhouse (bassoon), Osian Ellis (harp), James Blades (percussion), Lamar Crowson and Ernst Ueckermann (piano), Peter Graeme and Sarah Barrington (oboe), James Buck (horn), Edgar Williams (bassoon) and Keith Puddy (clarinet), expanded by Colin Chambers (flute and piccolo), Alan Hacker (bass clarinet), Eric Roseberry (piano), Leonard Friedman (violin), Kay Hurwitz (viola), William Bennett (flute), Stephen Pruslin (piano), Leonard Friedman (violin), Hilary Wilson (harp) [2] and Timothy Brown (horn). In the opinion of William Waterhouse (writing in 1995), "it was the remarkable rapport between this pair of lower strings" (i.e. Terence Weil and Cecil Aronowitz) "which remained constant throughout a succession of distinguished leaders, that gave a special distinction to this outstanding ensemble.", [3] Obituary Gervase de Peyer"the Guardian"
A remarkable premiere for the group was Jacques-Louis Monod's 1962 presentation of Roberto Gerhard's Concerto for Eight. This was followed by the 1962 premiere, and subsequent 1963 recording, of Benjamin Britten's War Requiem , for which the instrumental sections accompanying the English texts had been written specifically for the Melos, and were directed by the composer in the performance. [4] The recording received a Grammy Hall of Fame Award in 1998. In 1964 and 1965 the Melos Ensemble played several concerts at the new Wardour Castle Summer School, founded by Harrison Birtwistle, Peter Maxwell Davies and Alexander Goehr. [5] [6] On 16 August 1964 they played among others Monody for Corpus Christi by Birtwistle, Five Little Pieces (first performance) by Davies, and Suite Op.11 by Goehr. A chamber concert on 17 August featured the Horn Trio by Brahms, on 18 August the Quatuor pour la fin du temps by Messiaen. In 1965, the Melos Ensemble played on 16 August Pierrot Lunaire by Schoenberg. On 18 August parts of In Chymick Art, a cantata on texts by Edward Benlowes that Robin Holloway wrote for the Summer School, were performed for the first time. On 20 August they premiered two works they had commissioned, Tragoedia by Birtwistle, conducted by Lawrence Foster, and two 'In Nomine" of Seven in Nomine by Davies, conducted by the composer. [7] [8]
The Melos Ensemble performed regularly at British and International Festivals, among others Warsaw, Venice, Cheltenham, Edinburgh, Bordeaux and the Aldeburgh Festival, their first US tour was in 1966. [9] The group gave many BBC broadcasts, and made over 50 recordings, first with the publisher L'Oiseau-Lyre. Gervase de Peyer directed the extensive recording programme of the Ensemble for EMI. [10] [11]
EMI reissued in 2011 a selection from historical recordings, titled "Melos Ensemble – Music among Friends". The principal players were Richard Adeney (and William Bennett, flute), Gervase de Peyer (and Keith Puddy, clarinet), Peter Graeme (and Sarah Barrington, oboe), Neil Sanders (and James Buck, horn), William Waterhouse (and Edgar Williams, bassoon), Emanuel Hurwitz (and Kenneth Sillito, first violin), Ivor McMahon (and Iona Brown, second violin), Cecil Aronowitz (and Kenneth Essex, viola), Terence Weil (and Keith Harvey, cello), Adrian Beers (double bass), Osian Ellis (harp) and Lamar Crowson (piano). [10] The ensemble was expanded for single works by Christopher Hyde-Smith (flute), Anthony Jennings and Stephen Trier (bass clarinet), Barry Tuckwell (horn), David Mason and Philip Jones (trumpet), Arthur Wilson and Alfred Flaszinski (trombone), Robert Masters (violin), Manoug Parikian and Eli Goren (violin), Patrick Ireland (viola), Derek Simpson (cello), Hilary Wilson (harp), Marcal Gazelle (piano), James Blades, Tristan Fry, Jack Lees and Stephen Whittaker (percussion), and singers Mary Thomas (soprano) and Rosemary Phillips (contralto). The collection of 11 CDs contains the works for large ensemble – six to thirteen players – for which the Melos Ensemble was founded, some composed for the ensemble:
Following the death of Ivor McMahon in 1972, and the departure of three other members, the group briefly disbanded in 1973, but was reformed in 1974 with eight of the original players. [1] In the later period the following musicians were also among those playing for the ensemble: Hugh Maguire (violin), Thea King (clarinet, 1974–1993), Nicholas Ward [23] (violin, from 1977), Sylvie Gazeau [24] (principal violin for many years), Gwenneth Pryor [25] (piano), Iona Brown [26] (violin), Patrick Ireland (viola) and Keith Harvey [27] (cello). In 1975 the Melos Ensemble presented its 25th anniversary concert in London. In 1982 the Melos Ensemble appeared in Graz in a retrospective of Egon Wellesz, playing his Oktett für Klarinette, Fagott, Horn und Streichquintett Op.67. [28]
Composers created music for unusual groupings with the Melos Ensemble specifically in mind, leading in turn to the formation of similar chamber groups. [1] Hans Werner Henze composed Kammermusik 1958 for tenor, guitar and eight solo instruments, for example. In that way, the Melos Ensemble has directly and indirectly influenced music for new combinations of chamber musicians in contemporary music.
A musical ensemble, also known as a music group or musical group, is a group of people who perform instrumental and/or vocal music, with the ensemble typically known by a distinct name. Some music ensembles consist solely of instrumentalists, such as the jazz quartet or the orchestra. Other music ensembles consist solely of singers, such as choirs and doo wop groups. In both popular music and classical music, there are ensembles in which both instrumentalists and singers perform, such as the rock band or the Baroque chamber group for basso continuo and one or more singers. In classical music, trios or quartets either blend the sounds of musical instrument families or group together instruments from the same instrument family, such as string ensembles or wind ensembles. Some ensembles blend the sounds of a variety of instrument families, such as the orchestra, which uses a string section, brass instruments, woodwinds and percussion instruments, or the concert band, which uses brass, woodwinds and percussion.
A septet is a formation containing exactly seven members. It is commonly associated with musical groups but can be applied to any situation where seven similar or related objects are considered a single unit, such as a seven-line stanza of poetry. In jazz, a septet is any group of seven players, usually containing a drum set, string bass or electric bass, and groups of one or two of the following instruments, guitar, piano, trumpet, saxophone, clarinet, or trombone. See, for example, Miles Davis, and Chick Corea's 1984 album, Septet.
Jean René Désiré Françaix was a French neoclassical composer, pianist, and orchestrator, known for his prolific output and vibrant style.
The Octet in F major, D. 803 was composed by Franz Schubert in March 1824. It was commissioned by the renowned clarinetist Ferdinand Troyer and came from the same period as two of Schubert's other major chamber works, the 'Rosamunde' and 'Death and the Maiden' string quartets.
In music, an octet is a musical ensemble consisting of eight instruments or voices, or a musical composition written for such an ensemble.
In music, a nonet is a chamber music composition which requires nine musicians for a performance. The standard nonet scoring is for wind quintet, violin, viola, cello, and double bass, though other combinations are also found. Additionally, the term may apply to a group of nine musicians regardless of whether they are playing chamber music.
Osian Gwynn Ellis was a Welsh harpist, composer and teacher. He was principal harpist of the London Symphony Orchestra, a founding member of the Melos Ensemble, and a harp teacher at the Royal Academy of Music. Many composers wrote music for him. From 1959 onwards, Ellis had a close professional partnership with Benjamin Britten that lasted to the latter's death. He often first performed and recorded Britten's works.
The Septet in E-flat major for clarinet, horn, bassoon, violin, viola, cello, and double bass, Op. 20, by Ludwig van Beethoven, was sketched out in 1799, completed, and first performed in 1800 and published in 1802. The score contains the notation: "Der Kaiserin Maria Theresia gewidmet". It was one of Beethoven’s most popular works during his lifetime; much to the composer's dismay. Several years later, Beethoven even wished the score to have been destroyed, saying: "That damn work! I wish it were burned!"
Emanuel Hurwitz was a British violinist. He was born in London to parents of Russian-Jewish ancestry.
Gervase Alan de Peyer was an English clarinettist and conductor.
William Waterhouse was an English bassoonist and musicologist. He played with notable orchestras, was a member of the Melos Ensemble, professor at the Royal Northern College of Music, author of the Yehudi Menuhin Music Guide "Bassoon", of The New Langwill Index, and contributor to the New Grove Dictionary of Music and Musicians.
In music, a decet—sometimes dectet, decimette, or even tentet—is a composition which requires ten musicians for a performance, or a musical group that consists of ten people. The corresponding German word is Dezett, the French is dixtuor. Unlike some other musical ensembles such as the string quartet, there is no established or standard set of instruments in a decet.
Cecil Aronowitz was a British viola player, a founding member of the Melos Ensemble, a leading chamber musician and an influential teacher at the Royal College of Music and the Royal Northern College of Music.
Terence Weil was a British cellist, principal cellist of the English Chamber Orchestra, a founding member of the Melos Ensemble, a leading chamber musician and an influential teacher at the Royal Northern College of Music.
Roger John Goeb was an American composer.
Ivor McMahon (1924–1972) was an English violinist. He played with notable orchestras including the Philharmonia Orchestra and the English Chamber Orchestra and is best known for playing second violin in the Melos Ensemble.
Graeme Peter Crump, known professionally as Peter Graeme and as 'Timmy' Crump to friends and family, was an English oboist and academic teacher. He was best known as the principal oboist of the Melos Ensemble.
Timothy Brown is a British horn player, a leading chamber musician and co-principal of the Academy of St Martin in the Fields. He was a member of the Melos Ensemble in its second phase. He teaches at the Royal College of Music.