"My Bag" | ||||
---|---|---|---|---|
Single by Lloyd Cole and the Commotions | ||||
from the album Mainstream | ||||
B-side | "Jesus Said" | |||
Released | 21 September 1987 (UK) [1] | |||
Length | 3:54 | |||
Label | Polydor Capitol (North America) | |||
Songwriter(s) | Lloyd Cole and the Commotions | |||
Producer(s) | Ian Stanley | |||
Lloyd Cole and the Commotions singles chronology | ||||
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Music video | ||||
"My Bag" on YouTube |
"My Bag" is a song by British band Lloyd Cole and the Commotions, released in 1987 as the lead single from their third and final studio album Mainstream (1987). The song was written by the band and produced by Ian Stanley. It peaked at number 46 in the UK Singles Chart and remained in the top 75 for three weeks.
Musically, "My Bag" was written as a group effort by the band and originated from several other song ideas which were never fully developed. [2] Cole's lyrics were largely inspired by the cocaine-addicted narrator of American author Jay McInerney's 1984 novel Bright Lights, Big City . [3] In a 1987 interview with Sounds , he revealed,
"I actually thought that in 'My Bag' I'd recovered some of the reckless, careless writing that I used to do in things like 'Perfect Skin'. I wrote it when I was drunk one night. It's basically about a coked up stockbroker. I took most of the scenarios from Bright Lights, Big City or things that I'd heard like some executive that we've dealt with getting a phone call from another part of the office saying, 'Come upstairs, it's snowing', which of course meant a whole load of new coke was in. I thought 'a multi-story snowstorm' was quite a nice way to start a song." [4]
Bassist Lawrence Donegan told The Journal in 1987, "It's about a cocaine freak. There's no message, it's just an observation type song. The band is definitely anti-drugs and I think the song makes it clear that the guy is an idiot." [5]
The B-side "Jesus Said" was originally recorded as an outtake in 1985 but did not see a release until its inclusion on the "My Bag" single. [6] For the 12-inch formats of the single, a "Dancing Remix" of "My Bag" was made by François Kevorkian. Cole has described it as the "only good" 12-inch remix of all the band's work. [7]
"My Bag" was considered a commercial disappointment after it failed to reach the UK top 40. Cole told Record Mirror in 1987, "We knew that coming back after all this time was going to be difficult, especially with a tricky single, though that had always worked for us in the past. It normally meant that people were more interested. 'My Bag' seemed the right one for us to come back with because we didn't want people to hang this reticent, thoughtful pop group thing on us and 'My Bag' was more upfront than people would normally associate us with." [8]
The song's music video features some altered lines as the band's record label feared it would either not get played or be banned for its drug references. [9] [10] The video achieved breakout rotation on MTV. [11]
Upon its release as a single, Hue and Cry, as guest reviewers for Smash Hits , picked "My Bag" as the magazine's "single of the fortnight". Pat Kane noted the unexpected appearance of "wah-wah guitars" and "funky clipped chords" on a Lloyd Cole and the Commotions record, and stated, "It's a pop record that strives to be individual within the confines of pop music and doesn't surrender to the clichés just to make money." [12] Andy Rutherford of the Gateshead Post noted that it had a "funkier sound than before" which "add[s] strength" to the band's "usual guitar-driven jangle". [13] Mat Snow of Sounds commented that the song, with its lyrics where the narrator is "in the throes of a king-size nose-candy paranoid psychosis", "hardly suits Cole's made-to-measure cool" and, despite its "dramatic scenario", felt it to be "second-hand The The". [14] Birmingham Daily News described it as "fast pop-rock" but added it is "hard to pick out the tune". [15]
Pan-European magazine Music & Media picked "My Bag" as their "single of the week" and described it as a "driving pop single which still leaves their lyrical base fully intact". They noted the "crisp and accessible production" by Ian Stanley and added that it is "the most commercial single of their career so far". [16] In the US, Bill Coleman of Billboard praised it as a "bopping rock piece" which "could move [these] cult faves into the mainstream". [17] Hard Report believed the song had strong potential on alternative radio and noted the "hook" and "bright dance melody". They added, "Gone are the rather cumbersome and self-conscious lyrics, although lyrical intelligence is still the key, but without weighing the record down." [18]
7–inch single (UK, Europe, Japan and Australasia) [19] [20] [21] [22]
7–inch single (US and Canada) [23]
12–inch single (UK, Europe and Australasia) [24] [25]
12–inch limited edition single (UK) [26]
12–inch single (US and Canada) [27]
Lloyd Cole and the Commotions
Production
Other
Chart (1987–1989) | Peak position |
---|---|
Ireland (IRMA) [28] | 20 |
UK Singles (OCC) [29] | 46 |
US Billboard Hot Dance Music Club Play [30] | 48 |
US Billboard Modern Rock Tracks [31] | 13 |
"When Smokey Sings" is a song by English pop band ABC, released as the first single from their fourth studio album, Alphabet City (1987). The lyrics and title of the song are a tribute to R&B and soul singer Smokey Robinson. In the United States, Robinson himself was on the Billboard 100 pop chart with his single "One Heartbeat" at the same time as this tribute song; for the week ending 3 October 1987, both songs were in the Billboard top 10 simultaneously.
"World Machine" is a song written by Wally Badarou, Phil Gould, Mark King and Mike Lindup that became the title track of British musical group Level 42's sixth studio album. A remix of the song by Shep Pettibone was released as a 12-inch single in the U.S. in 1986 and peaked at number 25 on Billboard magazine's Hot Dance/Disco – Club Play in 1987.
"Perfect Skin" is a song by British band Lloyd Cole and the Commotions, released in 1984 as the debut single from their debut studio album Rattlesnakes. The song was written by Lloyd Cole and produced by Paul Hardiman. It peaked at number 26 in the UK Singles Chart and remained in the top 100 for ten weeks.
"No Blue Skies" is the debut solo single by English singer, songwriter and musician Lloyd Cole, released in 1990 from his self-titled studio album. The song was written by Cole and produced by Cole, Fred Maher and Paul Hardiman. It peaked at number 42 in the UK Singles Chart and remained in the top 100 for four weeks. Cole has described "No Blue Skies" as "very simple" and a "girl leaves boy or boy leave girl" song.
"Downtown" is a song by English singer, songwriter and musician Lloyd Cole, released in 1990 as the third and final single from his self-titled studio album. The song was written by Cole and Blair Cowan, and produced by Cole, Fred Maher and Paul Hardiman. It failed to enter the UK Singles Chart but reached number 5 on the US Billboard Modern Rock Tracks chart. The song was included in the soundtrack of the 1990 American psychological thriller film Bad Influence.
"She's a Girl and I'm a Man" is a song by English singer, songwriter and musician Lloyd Cole, released in 1991 as the lead single from his second studio album Don't Get Weird on Me Babe. The song was written by Cole and Robert Quine, and produced by Cole, Fred Maher and Paul Hardiman. It peaked at number 55 in the UK Singles Chart and remained in the top 75 for two weeks. In the US, it reached number 7 on the Billboard Modern Rock Tracks chart.
"Don't Look Back" is a song by English singer, songwriter and musician Lloyd Cole, released in 1990 as the second single from his self-titled studio album. The song was written by Cole and produced by Cole, Fred Maher and Paul Hardiman. It peaked at number 59 in the UK Singles Chart and remained in the top 100 for three weeks.
"Morning Is Broken" is a song by English singer, songwriter and musician Lloyd Cole, released in 1993 as the second and final single from his third studio album Bad Vibes. The song was written by Cole and produced by Adam Peters. It reached number 83 in the UK Singles Chart and remained in the top 100 for two weeks.
"Lost Weekend" is a song by British band Lloyd Cole and the Commotions, released in 1985 as the second single from their second studio album Easy Pieces. The song was written by band members Neil Clark, Lloyd Cole and Lawrence Donegan, and produced by Clive Langer and Alan Winstanley. It peaked at number 17 in the UK Singles Chart and remained in the top 75 for seven weeks.
"From the Hip" is a song by British band Lloyd Cole and the Commotions, released in 1988 as an extended play from their third and final studio album Mainstream (1987). The song was written by the band and produced by Ian Stanley. It peaked at number 59 in the UK Singles Chart and remained in the top 75 for two weeks.
"We'll Go Dreaming" is a song by English singer-songwriter Judie Tzuke, released in 1989 as the lead single from her seventh studio album Turning Stones. The song was written by Tzuke, Mike Paxman and Paul Muggleton, and produced by Paxman and Muggleton. It peaked at number 96 in the UK Singles Chart and remained in the top 100 for two weeks.
"Forest Fire" is a song by British band Lloyd Cole and the Commotions, released in 1984 as the second single from their debut studio album Rattlesnakes. The song was written by Lloyd Cole and produced by Paul Hardiman. It peaked at number 41 in the UK Singles Chart and remained in the top 75 for six weeks.
"Jennifer She Said" is a song by British band Lloyd Cole and the Commotions, released in 1987 as the second single from their third and final studio album Mainstream (1987). The song was written by the band and produced by Ian Stanley. It peaked at number 31 in the UK Singles Chart and remained in the top 75 for five weeks.
"Cut Me Down" is a song by British band Lloyd Cole and the Commotions, released in 1986 as the third single from their second studio album Easy Pieces. The song was written by Lloyd Cole and produced by Clive Langer and Alan Winstanley. It peaked at number 38 on the UK Singles Chart and remained in the top 75 for four weeks.
"Rattlesnakes" is a song by British band Lloyd Cole and the Commotions, released in 1984 as the third and final single from their debut studio album of the same name. The song was written by Lloyd Cole and produced by Paul Hardiman. It peaked at number 65 in the UK Singles Chart and remained in the top 100 for three weeks.
"Brand New Friend" is a song by British band Lloyd Cole and the Commotions, released in 1985 as the lead single from their second studio album Easy Pieces. The song was written by band members Lloyd Cole and Blair Cowan, and produced by Clive Langer and Alan Winstanley. It peaked at number 19 in the UK Singles Chart and remained in the top 100 for nine weeks.
"Baby" is a song by English singer, songwriter and musician Lloyd Cole, released in 1996 as the third and final single from his fourth studio album Love Story. The song was written by Cole and produced by Stephen Street, Adam Peters and Cole. It peaked at number 99 in the UK Singles Chart and remains his last top 100 entry to date.
"Weeping Wine" is a song by English singer, songwriter and musician Lloyd Cole, released in 1991 as the second single from his second studio album Don't Get Weird on Me Babe. The song was written by Cole, and produced by Cole, Fred Maher and Paul Hardiman.
"Butterfly" is a song by English singer, songwriter and musician Lloyd Cole, released in 1991 as the third and final single from his second studio album Don't Get Weird on Me Babe. The song was written by Cole, and produced by Cole, Fred Maher and Paul Hardiman.
"Heartache" is a song by English pop music duo Pepsi & Shirlie, written by Tambi Fernando, Iris Fernando, and Wayne Brown and produced by Tambi and Phil Fearon. It was released on 5 January 1987 as the lead single from the duo's debut album, All Right Now, which was released that October. Backed with the B-side "Surrender", the single became a chart hit worldwide, peaking at number two on the UK Singles Chart, entering the top 10 in seven other countries, and reaching number 78 on the US Billboard Hot 100. The song's music video was directed by Andy Earl.
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