"Forest Fire" | ||||
---|---|---|---|---|
Single by Lloyd Cole and the Commotions | ||||
from the album Rattlesnakes | ||||
B-side | "Andy's Babies" | |||
Released | 17 August 1984 [1] | |||
Genre | Soul [2] | |||
Length | 4:33 | |||
Label | Polydor | |||
Songwriter(s) | Lloyd Cole | |||
Producer(s) | Paul Hardiman | |||
Lloyd Cole and the Commotions singles chronology | ||||
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Music video | ||||
"Forest Fire" on YouTube |
"Forest Fire" is a song by British band Lloyd Cole and the Commotions, released in 1984 as the second single from their debut studio album Rattlesnakes . The song was written by Lloyd Cole and produced by Paul Hardiman. It peaked at number 41 in the UK Singles Chart and remained in the top 75 for six weeks.
Cole first thought of the title at the age of 16 and made note of it for a future song. He told Record Mirror in 1984, "I thought the [title] was very evocative, though the idea of fire being synonymous with passion is nothing new." [3] Cole then wrote and demoed the song during a weekend in 1983, in his room at Glasgow Golf Club, where his parents worked and lived. He demoed the track using a Portastudio, a DX7 and a drum machine, all of which the band had recently purchased after securing a publishing deal. The band signed to Polydor Records shortly after. [4] [5]
Cole has described "Forest Fire" as "a straight love song" and told Record Mirror in 1984, "It's about as straight as I can get. I still can't resist telling jokes in the song at the same time as I'm being relatively serious." [3] He added to Melody Maker , "It's very difficult for me to do things straight. 'Forest Fire' is obviously just a simple metaphor, so that's my little joke, but the song is actually quite serious and I don't write many serious songs." [6]
Guitarist Neil Clark recorded the guitar solo in the studio one night. He told The Guardian in 2019, "I came up with this epic solo, and Paul and I stayed up all night recording it. At 2am, with everything turned up, it sounded incredible, but the next day I thought we'd gone over the top and wanted to take some of it off. Paul said, 'No, play it to everyone as it is' and everyone agreed it was incredible, so we left it." [5]
Upon its release as a single, Adrian Thrills of NME picked "Forest Fire" as the magazine's "single of the week" and described it as a "brooding piece of emotional melodrama". He wrote, "Against an organ motif that could have been lifted from Roxy Music's 'Psalm', this mini-epic swells and groans as the countrified funk guitar metamorphoses into giant slabs of metallic chaos by the closing bars." He added that Cole's lyrics "positively bristles with the depth and feeling of a lover ready to be heartbroken". [7] Dylan Jones of Record Mirror noted the "original, soulful and mindbending lyrics topping off a humdinger of a tune". [8] Robert Hodgens of The Bluebells, as guest reviewer for Smash Hits , considered it "an excellent record" on which "the mood prevails". He felt the highlight was the "great guitar break at the end". [9]
Jerry Smith of Music Week praised it as a "slow, moody song" which starts with just his deep resonant vocal and builds with some atmospheric backing into a languid, echoing guitar solo". He added that it "looks certain to give him another hit". [10] Frank Hopkinson of Number One considered "Forest Fire" to be "less poppy" than its predecessor, "Perfect Skin", but "still '60s orientated". [11] Jim Whiteford of The Kilmarnock Standard described it as an "emotive down-tempo pop ballad with dragging vocal embalmed in organ". He added that it is "pretty well written" and "repetitive enough to become a small hit". [12]
7–inch single (UK, Europe and Australasia) [13] [14]
7–inch gatefold single (with free single) (UK) [15]
12-inch single (UK, Europe and Australasia) [16]
Lloyd Cole and the Commotions
Production
Other
Chart (1984) | Peak position |
---|---|
Australia (Kent Music Report) [17] | 87 |
Europe (European Top 100 Singles) [18] | 82 |
Netherlands (Tipparade) [19] | 17 |
New Zealand (Recorded Music NZ) [20] | 25 |
UK Singles (OCC) [21] | 41 |
"Perfect Skin" is a song by the British rock and pop band Lloyd Cole and the Commotions, released in 1984 as the debut single from their debut studio album Rattlesnakes. The song was written by Lloyd Cole and produced by Paul Hardiman. It peaked at number 26 in the UK Singles Chart and remained in the top 100 for ten weeks.
"Ruby Red" is a song by English rock band Slade, released in 1982 as the third single from the band's tenth studio album, Till Deaf Do Us Part. It was written by lead vocalist Noddy Holder and bassist Jim Lea, and was produced by Slade. "Ruby Red" reached number 51 in the UK Singles Chart and remained in the top 75 for three weeks.
"Burning in the Heat of Love" is a song by English rock band Slade, released in 1977 as a non-album single. It was written by lead vocalist Noddy Holder and bassist Jim Lea, and was produced by Chas Chandler. The song failed to make an appearance in the UK Singles Chart.
"River of People" is a song by Scottish band Love and Money, which was released in 1987 as the third single from their debut studio album All You Need Is.... The song was written by James Grant and Bobby Paterson, and produced by Tom Dowd. "River of People" reached No. 82 in the UK Singles Chart and remained in the Top 100 for four weeks.
"Days Are OK", also known as "Days Are OK (But the Nights Were Made for Love)", is a song by American new wave band The Motels, which was released in 1980 as the first single from their second studio album Careful. The song was written by Tim McGovern and produced by Carter.
"I Don't Believe in You" is a song by English band Talk Talk, released by Parlophone in 1986 as the fourth and final single from their third studio album The Colour of Spring. The song was written by Mark Hollis and Tim Friese-Greene, and produced by Friese-Greene. "I Don't Believe in You" peaked at number 96 in the UK Singles Chart.
"Dear John" is a song by Scottish band Love and Money, released in 1986 as the second single from their debut studio album All You Need Is.... The song was written by James Grant and produced by Tom Dowd.
"Prospect Street" is a song by Scottish pop band The Big Dish. Written by lead singer Steven Lindsay, the song was originally recorded with producer Paul Hardiman and released as a non-album single in 1985. A re-recorded version with Ian Ritchie as producer was included on the band's debut studio album Swimmer and was released as the album's second single in 1986.
"No Blue Skies" is the debut solo single by English singer, songwriter and musician Lloyd Cole, released in 1990 from his self-titled studio album. The song was written by Cole and produced by Cole, Fred Maher and Paul Hardiman. It peaked at number 42 in the UK Singles Chart and remained in the top 100 for four weeks. Cole has described "No Blue Skies" as "very simple" and a "girl leaves boy or boy leave girl" song.
"Downtown" is a song by English singer, songwriter and musician Lloyd Cole, released in 1990 as the third and final single from his self-titled studio album. The song was written by Cole and Blair Cowan, and produced by Cole, Fred Maher and Paul Hardiman. It failed to enter the UK Singles Chart but reached number 5 on the US Billboard Modern Rock Tracks chart. The song was included in the soundtrack of the 1990 American psychological thriller film Bad Influence.
"Don't Look Back" is a song by English singer, songwriter and musician Lloyd Cole, released in 1990 as the second single from his self-titled studio album. The song was written by Cole and produced by Cole, Fred Maher and Paul Hardiman. It peaked at number 59 in the UK Singles Chart and remained in the top 100 for three weeks.
"Lost Weekend" is a song by the British pop and rock band Lloyd Cole and the Commotions, released in 1985 as the second single from their second studio album Easy Pieces. The song was written by band members Neil Clark, Lloyd Cole and Lawrence Donegan, and produced by Clive Langer and Alan Winstanley. It peaked at number 17 in the UK Singles Chart and remained in the top 75 for seven weeks.
"From the Hip" is a song by British band Lloyd Cole and the Commotions, released in 1988 as an extended play from their third and final studio album Mainstream (1987). The song was written by the band and produced by Ian Stanley. It peaked at number 59 in the UK Singles Chart and remained in the top 75 for two weeks.
"Jennifer She Said" is a song by British band Lloyd Cole and the Commotions, released in 1987 as the second single from their third and final studio album Mainstream (1987). The song was written by the band and produced by Ian Stanley. It peaked at number 31 in the UK Singles Chart and remained in the top 75 for five weeks.
"My Bag" is a song by British band Lloyd Cole and the Commotions, released in 1987 as the lead single from their third and final studio album Mainstream (1987). The song was written by the band and produced by Ian Stanley. It peaked at number 46 in the UK Singles Chart and remained in the top 75 for three weeks.
"Cut Me Down" is a song by the British rock and pop band Lloyd Cole and the Commotions, released in 1986 as the third single from their second studio album Easy Pieces. The song was written by Lloyd Cole and produced by Clive Langer and Alan Winstanley. It peaked at number 38 on the UK Singles Chart and remained in the top 75 for four weeks.
"Rattlesnakes" is a song by British band Lloyd Cole and the Commotions, released in 1984 as the third and final single from their debut studio album of the same name. The song was written by Lloyd Cole and produced by Paul Hardiman. It peaked at number 65 in the UK Singles Chart and remained in the top 100 for three weeks.
"Brand New Friend" is a song by British band Lloyd Cole and the Commotions, released in 1985 as the lead single from their second studio album Easy Pieces. The song was written by band members Lloyd Cole and Blair Cowan, and produced by Clive Langer and Alan Winstanley. It peaked at number 19 in the UK Singles Chart and remained in the top 100 for nine weeks.
"Weeping Wine" is a song by English singer, songwriter and musician Lloyd Cole, released in 1991 as the second single from his second studio album Don't Get Weird on Me Babe. The song was written by Cole, and produced by Cole, Fred Maher and Paul Hardiman. It reached number 91 in the UK Singles Chart.
"Looking for Angeline" is a song by Scottish band Love and Money, released on 2 September 1991 as the second single from their third studio album, Dogs in the Traffic. The 12-inch and CD formats were released as the Wishing Waters E.P., with "Looking for Angeline" as the lead track. The song was written by James Grant and produced by Love and Money. It peaked at number 109 in the UK Singles Chart.
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